A small but precise pendant: a deep red oval stone held in four prongs, nestled inside a double twisted rope oval frame — the kind of detail that rewards a closer look. The twisted rope chain echoes the frame's texture, making the whole piece feel considered rather than assembled. Signed Avon on the barrel clasp tag.

Materials & Details:

• Era: 1970s–1980s
• Markings: Signed ©AVON on barrel clasp tag
• Style notes: Twisted rope chain, oval pendant in double twisted rope frame, four-prong stone setting, spring ring clasp
• Stone notes: Faceted deep red oval stone
• Color: Gold tone with red stone
• Condition: Good vintage condition, please see photos
  

Collected by Mineral and Matter

A deep black oval cabochon anchored by a single clear rhinestone at center — the contrast is sharp and quietly dramatic. The ornate gold-tone frame carries bead and floral detailing that softens the severity with a Victorian sensibility. Clip-on backs make them accessible without sacrifice. Marked Avon, and wearing every bit of that era's considered elegance.

Materials Gold-tone base metal, black glass or resin cabochon, rhinestone accent

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Oval black cabochon in ornate frame with bead and floral surround, clip-on closure
• Stone or material notes: Black glass or resin cabochon with single clear rhinestone center
• Function: Clip-on closure
• Color: Gold-tone, black, clear
• Condition: Great vintage condition

Collected by Mineral and Matter

A carved carnelian-tone cameo — a woman's profile in white relief — sits within a delicate branch-and-twig frame accented by four seed pearls. The form reaches back through centuries of mourning and portrait jewelry, here rendered in warm gold-tone with Avon's characteristic care. The bullet clasp keeps it secure at a lapel, scarf, or collar. A piece that carries the weight of a much older tradition.

Materials
Gold-tone base metal, carnelian-tone resin or glass cameo, faux seed pearl accents

Details

• Era: 1970s–1980s, Victorian revival style
• Markings: Stamped Avon
• Style / design notes: Oval cameo in open branch-work frame, four seed pearl accents at cardinal points, bullet clasp closure
• Stone or material notes: Carved carnelian-tone cameo with white female profile relief; faux seed pearls
• Color: Gold-tone, carnelian, white, cream
• Condition: Excellent vintage condition

Measurement: Approx. 2.5" total length

Collected by Mineral and Matter

Three ridged gold-tone bands loop into an open circle, gathered at the top by a crossover knot set with three clear rhinestones. The fanned ends give the piece a sense of movement — like something caught mid-flight. Stamped Avon on the reverse with a classic bar pin closure. A versatile brooch that anchors a lapel, scarf, or neckline without overwhelming it.

Materials
Gold-tone base metal, clear rhinestone accents

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Triple-band open circle with crossover knot top, fanned ends, three-rhinestone accent, bar pin closure
• Stone or material notes: Three clear rhinestones at knot center
• Color: Gold-tone, clear
• Condition: Great vintage condition

Measurement: 1.25" diameter

Collected by Mineral and Matter

A fine curb-link chain interrupted by two simple stations of white enamel bars flanked by small gold-tone beads, a quiet detail that breaks up the line without overwhelming it. The pared-down design reflects Avon's everyday wearable jewelry from the 1980s, made for layering or standing on its own. Signed Avon on the clasp tag. A clean, easy piece suited to daily rotation.

Materials: Gold-tone metal, white enamel or resin beads

Details:

• Era: 1980s
• Markings: Avon
• Style notes: Curb chain with white bar bead stations, spring ring clasp
• Color: Gold-tone with white accents
• Condition: Good vintage condition
• Measurement: 24"

Collected by Mineral and Matter

A bounding dog and a smaller puppy face each other across a slender gold-tone bar, connected by a draped link chain — the whole scene frozen mid-play. The fur texture is rendered with surprising detail for a piece of this scale, giving each figure real personality. Figural animal brooches were a beloved Avon signature, and this one carries that warmth without sentimentality. A collector's piece that wears as naturally as it charms.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Two textured dog figures on bar pin with draped link chain connecting figures, bullet clasp closure
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: 2.5" wide

Collected by Mineral and Matter

A wide flat band interrupted by two precise cutouts — the resulting H-shaped front panel is bold without ornamentation, letting the geometry do all the work. The matte crosshatch texture on the inner surface contrasts with the polished exterior in a way that feels considered rather than accidental. Avon produced several minimalist cuff designs in the late 1970s and early 80s that now read as decidedly contemporary. This is one of the better ones.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Markings: Stamped Avon on interior
• Style / design notes: Wide flat cuff with H-bar cutout front panel, matte crosshatch interior, open back
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: 2.5" inner diameter

Collected by Mineral and Matter

A chain of polished puffy hearts curves into a small open hoop — the form sitting somewhere between a stud and a huggie. Each heart catches light from a different angle, giving the earring quiet movement without any swing. Stamped Avon, and representative of the brand's more playful geometric designs from the late 1980s. A piece that feels current without trying.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Markings: Stamped Avon
• Style / design notes: Linked puffy heart chain formed into open hoop, push-back stud closure
• Color: Gold-tone
• Condition: Excellent vintage condition

Measurement: .5" long, .6" deep

Collected by Mineral and Matter

A tightly woven love knot rendered in ridged gold-tone tubes — simple in concept, satisfying in execution. The form has roots in ancient jewelry traditions, where the knot symbolized continuity and connection. Stamped Avon on the butterfly backing, these are the kind of everyday stud that disappears into a wardrobe and becomes indispensable. Timeless without trying.

Materials
Gold-tone base metal, steel post

Details

• Era: 1970s–1980s
• Markings: Stamped Avon on butterfly backing
• Style / design notes: Three-dimensional woven love knot, ridged tube detail, push-back butterfly closure
• Stone or material notes: None
• Color: Gold-tone
• Condition: Good vintage condition with gentle surface wear consistent with age

Measurement: Approx. .4" diameter knot

Collected by Mineral and Matter

A long marquise-cut coral-red Lucite cabochon sits high in an ornate gold-tone setting, its pointed prongs and scrolled shoulder details borrowing from fine jewelry forms of the late 1960s and early 1970s. Avon produced rings like this during their peak costume jewelry era, when bold color and architectural settings were hallmarks of the category. The warm red-orange stone commands attention without weight, and the adjustable shank makes it genuinely wearable across sizes. A confident, sculptural piece.

Materials: Gold-tone base metal, coral-red Lucite cabochon

Details:

• Era: Late 1960s–1970s
• Markings: Avon
• Style notes: Marquise solitaire, ornate pointed prong setting, scrolled shoulders, textured shank
• Stone notes: Coral-red Lucite cabochon, marquise form
• Color: Gold, coral red
• Condition: Good vintage condition, some gold tone loss on band
• Measurement: Adjustable, fits approximately size 5.5–6.5

Collected by Mineral and Matter

A slender gold-tone band anchored by a single prong-set pink rhinestone — quiet and precise. Avon's costume jewelry of the 1970s and 80s leaned into minimalism alongside the era's fine jewelry trends, and this ring reflects that sensibility well. The delicate claw setting elevates what could be a simple piece into something with genuine presence. Wears beautifully alone or stacked.

Materials: Gold-tone base metal, pink glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Solitaire, thin band, prong-set center stone
• Stone notes: Pink glass rhinestone, round cut, prong set
• Color: Gold, pink
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: Size 5

Collected by Mineral and Matter

A luminous white cabochon anchors this pendant, framed by rows of petite crystals and warm gold-tone metal. The elongated shield shape echoes the matching earrings, suggesting this was sold as a set — a hallmark of Avon's considered costume collections of the late 1970s and 80s. The multi-strand silver-tone chain adds texture and subtle contrast. Polished enough for evening, understated enough for every day.

Materials Gold-tone base metal, silver-tone multi-strand chain, white glass or resin cabochon, rhinestone accents

Details

• Era: 1970s–1980s
• Markings: Stamped on reverse Avon
• Style / design notes: Elongated shield pendant with crystal band detail, multi-strand chain
• Stone or material notes: White cabochon, likely glass or resin; small clear rhinestones
• Color: Gold-tone, silver-tone, white, clear
• Condition: Great vintage condition

Measurement: 18" chain, pendant drops 1"

Collected by Mineral and Matter

Measures 24"

Very Good Vintage Condition

Collected by Mineral and Matter

The Leaf Lights arranges five marquise-cut green rhinestones along a textured gold-tone branch, each stone cradled in its own bezel like a leaf held mid-motion. The stones graduate subtly in tone — pale peridot at the tips deepening to olive at the base — giving the cluster a naturalistic, light-shifting quality that justifies the name. Released in 1974 as part of Avon's botanical series, the Leaf Lights appeared in multiple configurations, this branch variation among the most convincingly organic. A generous, sculptural ring that wears with surprising lightness.

DETAILS:

• Maker: Avon — Leaf Lights, 1974
• Style: Botanical branch cluster ring
• Design: Five marquise rhinestones as leaves along a textured gold-tone branch
• Stones: Five marquise-cut green rhinestones in graduated tones, peridot to olive
• Setting: Individual bezels on textured leaf branch
• Markings: Avon stamp
• Material: Gold-tone base metal
• Era: 1974
• Size: adjustable 4-5 
• Condition: Excellent vintage condition

Collected by Mineral and Matter

Two figural elephants in warm gold tone, their bodies filled with swirled cream enamel and detailed with dotted blanket markings along the back — each one hanging from a small gold ball stud post. The trunks curve downward on each earring rather than up, a departure from the traditional good luck convention that makes these feel less superstitious and more sculptural. Avon released the Lucky Elephant in 1990 as part of a run of nature-inspired figural earrings, and the cream enamel colorway is the most sought-after of the series. A complete and wearable pair.

DETAILS

Maker: Avon — Lucky Elephant, 1990

Design: Figural elephant drop earrings; swirled cream enamel body; dotted blanket detail; gold ball stud post with hanging elephant charm

Color: Warm gold tone; cream swirl enamel

Material: Gold-tone base metal; cream enamel, surgical steel posts

Era: 1990

Measurement: 1.25 drop by .75" wide

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Collected By Mineral and Matter

A single pearl, held in motion.

This vintage ring wraps around itself in a soft, sculptural twist—gold tone lines flowing like a quiet current, meeting at a luminous center. The pearl feels suspended, not set, as if it simply settled there.

There’s a calm elegance to it—mid-century in spirit, but timeless in form. Light, fluid, and quietly expressive.

Details

• Era: 1977

• Material: gold tone

• Stone: faux pearl

• Size: 6

• Condition: good vintage condition with light, natural wear.

Measurements

• Ring size: 6

• Pearl: approx. 5 mm

Collected by Mineral and Matter

This vintage Avon necklace features a heart with a floral center made of five red marquis cz stones and a clear round center.

1970-1980's

Necklace measures 1" and is on a 18" rope chain 

Gold Tone

Collected by Mineral and Matter

A dimensional porcelain rose, blushed pink at the center and fading to white at the petal tips, sits inside a gold-tone bow-and-floral frame reminiscent of Victorian sentiment jewelry. Small floral filigree stations punctuate the figaro chain, echoing the pendant's romantic detail. Signed Avon, this piece reflects the brand's 1980s revival of antique-inspired design. A delicate, wearable tribute to old-fashioned femininity.

Materials: Porcelain, gold-tone metal

Details:

• Era: 1980s
• Markings: Avon
• Style notes: Porcelain rose pendant in bow and floral frame, figaro chain with floral filigree stations
• Color: Gold-tone with pink and white porcelain rose
• Condition: Excellent vintage condition
• Measurement: Hangs 9", pendant 1"

Collected by Mineral and Matter

Faceted purple glass stones alternate with smooth gold-tone infinity links, the repeating figure-eight shape giving the bracelet a fluid, continuous look on the wrist. The faux amethyst color reads rich and saturated against the warm gold tone, substantial without being heavy. Signed Avon, this falls within the brand's 1990s run of romantic-leaning costume jewelry. A versatile colored-stone piece that pairs easily with both gold and silver.

Materials: Gold-tone metal, faceted glass stones

Details:

• Era: 1990s
• Markings: Avon
• Style notes: Infinity link chain alternating with bezel-set oval stones
• Stone notes: Purple faceted glass, likely faux amethyst
• Color: Gold-tone with purple stones
• Condition: Excellent vintage condition
• Measurement: 7"

Collected by Mineral and Matter

Avon red lucite apple charm with leaves and rhinestones.  1978-1980

Measures 34" long, apple is 1"

Collected by Mineral and Matter

• Brand: Authentic signed Avon (stamped on the interior of the band)
• Era: 1975 - Royal Radiance
• Style: Botanical / Floral Cluster
• Metal: Gold-tone base metal
• Stones: Marquise-cut pink rhinestones and clear chaton rhinestones
• Size:5.5-6.5
• Condition: tone loss on back of band, see pictures.

• Brand: Authentic Vintage Avon (Hallmarked/Signed "AVON" on the clasps).
• Release Date: 1978.
• Convertible Design: The bracelet and necklace feature matching link sizes and clasps, allowing you to attach the bracelet to the necklace to create an extended, longer chain.
• Material: High-quality 23k gold-tone plating over a durable base metal.
• Clasp: Secure spring-ring closures on both pieces.
• Condition: Excellent vintage condition with a bright, consistent gold finish and smooth link articulation.

• Necklace: Approximately 18" alone, or 23" with the bracelet added on
• Bracelet: Approximately 7" (Standard wrist size).

Three deep forest-green baguette stones set diagonally across the face, flanked by rows of prong-set clear rhinestones, a composition that nods to Art Deco geometry while sitting firmly in the 1970s. The silver tone setting gives it a cooler, more understated finish than its gold tone counterparts, letting the green stones anchor the piece. The wide tapered shank and adjustable band make it easy to wear across a range of sizes. A ring that looks considered rather than costumed.

Materials
Silver tone base metal, glass rhinestones

Details

• Era: 1970s–1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Wide tapered shank; three diagonal baguette stones flanked by round rhinestone rows; prong-set throughout
• Stone or material notes: Emerald green glass baguettes; clear glass round rhinestones
• Color: Silver tone / emerald green / clear
• Condition: Excellent vintage condition

Measurement
Adjustable, fits sizes 5–7

Collected by Mineral and Matter

Description
A marquise-shaped panel of oxidized silver-tone filigree frames a single purple rhinestone at its center — petite teardrops and a beaded border arranged with the quiet geometry of a medieval reliquary. The open cutwork shoulders give the ring a lightness that belies its presence on the hand. Stamped Avon, and representative of the brand's more architectural ring designs. A piece that reads as older than it is, in the best way.

Materials
Silver-tone base metal with oxidized finish, purple rhinestone accent

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Marquise filigree panel with cutwork teardrop motifs, beaded border, open split shoulders
• Stone or material notes: Single round purple rhinestone center
• Color: Silver-tone, oxidized dark patina, purple
• Condition: Good vintage condition with gentle surface wear consistent with age

Measurement: Size 7

Collected by Mineral and Matter

A large emerald-cut aqua blue rhinestone dominates this silver-tone Avon ring, set high in a four-prong corner setting with open scrollwork shoulders that keep the design light despite the stone's scale. The pale blue-gray color reads like shallow ocean water held in place — cool, clear, and quietly arresting. Avon produced rings of this quality and proportion throughout the 1970s and into the 80s, drawing on fine jewelry proportions to give their costume pieces genuine presence. A strong cocktail ring with an understated elegance.

Materials: Silver-tone base metal, aqua blue faceted glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Emerald-cut solitaire, four corner prongs, open scrollwork shoulders
• Stone notes: Faceted aqua blue glass rhinestone, emerald cut
• Color: Silver, aqua blue
• Condition: Excellent vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

Three parallel gold tone rails open at the center to frame a vertical column of three prong-set clear rhinestones — a clean, architectural composition that reads as both minimal and deliberately considered. The wide open shank gives the ring real presence without weight. Signed ©Avon inside the band.

Materials: Gold tone base metal, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Triple open rail band construction; three prong-set rhinestones in vertical column at center; smooth polished finish
• Stone or material notes: Three round clear rhinestones, prong set
• Color: Gold tone, clear
• Condition: Excellent vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

A small arc of light—petals or feathers, depending on how you see it—opening around a single pearl.

This piece is part of Avon’s “Fan Fare” design, released in the mid-1970s. The marquise-shaped rhinestones form a soft, radiating fan, anchored by a luminous pearl set low and centered. The curve above it gives the whole piece a sense of motion—like something just beginning to unfold.

It feels airy, but intentional. A quiet statement.

Details

• Brand: Avon

• Collection: “Fan Fare”

• Era: 1974–1975

• Material: silver-tone

• Stones: faux pearl, clear rhinestones

• Size: adjustable (fits approx. 4–5)

• Condition: good vintage condition (light wear consistent with age)

Measurements

• Adjustable fit: approx. size 4–5

• Pearl: approx. 6 mm

Like sunlight filtered through branches—
soft, layered, quietly radiant.

This Avon “Gilded Strands” necklace drapes in gentle tiers, each chain falling at its own rhythm. Fine gold tone links create a sense of movement, anchored by small white bead accents that feel like pauses—moments of stillness within flow.

It’s a piece that lives in layers—subtle, dimensional, and easy to return to.

Details

• Brand: Avon

• Collection: “Gilded Strands”

• Era: 1990s

• Material: gold tone plated metal, faux pearl / bead accents

• Length: shortest approx. 16 inches, longest approx. 22 inches

• Style: layered / multi-strand necklace

• Closure: spring ring clasp

• Marking: signed Avon

• Condition: very good vintage condition with light, natural wear

Measurements

• Shortest strand: 16”

• Longest strand: 22”

Collected by Mineral and Matter

1975-1977, Signed BEATRIX

Measures 1.5" x 1.5

Very Good Antique  Condition

Collected by Mineral and Matter

The chevron link band on this Bell & Rose bracelet watch gives it a graphic, almost architectural quality — each arrow-shaped link polished and precisely jointed, the band tapering naturally toward the oval case. The marquise-shaped bezel is ringed with clear rhinestones, framing a clean silver sunburst dial with minimal hour markers. A restrained, well-proportioned dress watch that earns its place through structure rather than ornament.

Materials Silver-tone base metal, stainless steel back, rhinestones, mineral crystal

Details

• Era: 1990s
• Markings: "Bell & Rose / Quartz / Japan Movt" on dial; "Japan Movt / Stainless Steel Back / Made in China" on case back
• Style notes: Chevron link bracelet; marquise-shaped rhinestone-set bezel; oval silver sunburst dial; fold-over clasp
• Stone notes: Clear rhinestones set around marquise bezel
• Function: Quartz; untested
• Color: Silver tone
• Condition: Excellent vintage condition
• Measurement: 7.5"

Collected by Mineral and Matter

A vintage twisted rope necklace combining warm gold tone metal with a contrasting black cord woven through the spiral links. The alternating strands create a rich texture—like braided threads of metal and shadow moving together along the chain.

Rope designs became especially popular in the 1980s and early 1990s, when bold textures and mixed materials added depth to everyday jewelry. The dark cord softens the shine of the gold, giving the piece a subtle graphic rhythm.

A striking yet minimal vintage chain that layers beautifully or stands alone with quiet contrast.

Details

• Era: likely 1980s–1990s

• Material: gold tone metal with black cord

• Style: twisted rope chain

• Signature: unsigned

• Closure: clasp closure

• Condition: vintage condition with light wear consistent with age

Measurements

• Length: approx. 28 inches

Collected by Mineral and Matter

This locket brooch is a vintage black cameo that likely dates from the 1930s to the 1950s. It features a black, left facing lady's portrait, which is often identified as a Grecian style profile, set within a decorative, oval shaped gold tone or brass frame. The central cameo is typically made of black carved glass, bakelite, or celluloid, and the frame is an ornate filigree or repousse design in a brass or gold toned alloy.  It has a hidden oval shaped locket on the back of the brooch.

Measures approx 1.75" diameter x 1.5" wide

Collected by Mineral and Matter

This vintage black cameo pendant brings timeless elegance with a playful twist. The detailed cameo profile is beautifully framed in silver tone metal, while delicate tassels dangle below for extra flair.  It is a puff piece with a hollow back and a floral detail on the other side.  Whether you're channeling Victorian vibes or adding vintage charm to modern outfits, this pendant delivers personality and sophistication in one swoon-worthy accessory. 

Victorian revival piece, likely from the 1970's.

Measures approx 3" x 3/4" Does not come with a chain. 

Collected by Mineral and Matter

A quiet curve of black enamel, interrupted by a small moment of light. The clasp sits at the center like a focal point—geometric, intentional, holding a single clear stone framed in subtle shimmer.

There’s a balance here between softness and structure. The dark enamel feels grounded and smooth, while the gold and rhinestones introduce just enough brightness. Refined, slightly dramatic, and easy to wear.

Materials:
Gold-tone metal, black enamel, rhinestones

Details:

• Hinged cuff bracelet with secure clasp closure
• Black enamel exterior with gold tone interior
• Center geometric clasp with clear rhinestone accents
• Structured oval shape, sits close to the wrist
• Era: 1980s–1990s
• Measurement: fits approx. 6–7" wrist
• Condition: vintage with gentle surface wear consistent with age

A sleek vintage expansion bracelet with a quiet, modern presence. The design features a continuous band of narrow black panels set into a silver-tone expansion base, creating a striking contrast of dark gloss and cool metal.

Expansion bracelets became especially popular in the mid-20th century, prized for their comfortable stretch fit and clean, streamlined design. Pieces like this often reflect the minimalist aesthetic that emerged during the late 1950s–1970s—simple geometry, repetition, and effortless wear.

The glossy black segments create a subtle rhythm around the wrist, giving the bracelet a refined graphic look. Easy to slip on and comfortable for everyday wear, it layers beautifully with other bracelets or stands alone as a quiet statement.

Details

• Era: likely 1960s–1970s

• Style: expansion / stretch bracelet

• Material: silver tone metal with black panels (likely enamel or coated metal)

• Closure: expansion stretch band

• Signature: unsigned

• Condition: good vintage estate condition with light wear consistent with age

Measurements

• Inner diameter (unstretched): approx. 2 inches

• Fit: flexible expansion band to accommodate most wrists

Jet-black faceted beads strung in a long continuous strand, punctuated at intervals by small crystal rhinestone rondelles that catch light like tiny constellations. The faceting gives each bead a subdued geometric quality — not glassy or loud, but quietly dimensional. At 30", it drapes well doubled or worn long, and the spring ring clasp keeps things understated at the back.

Materials: Black faceted plastic/resin beads, crystal rhinestone rondelle spacers, gold-tone spring ring clasp

Details:

• Era: 1970s–1980s
• Markings: None
• Style / design notes: Uniformly strung faceted black beads with evenly spaced rhinestone rondelle accents throughout
• Stone or material notes: Plastic/resin beads; clear rhinestone rondelles
• Color: Jet black and clear crystal
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 30"

Collected by Mineral and Matter

Description: Deep black faceted beads — each one cut to catch and fragment light — strung in a long, confident strand with two clear rhinestone rondelle stations and flanking gold-tone disc spacers at even intervals. The rhinestone rondelles interrupt the darkness with a burst of sparkle that reads almost like stars against a night sky. An opera-length strand with the versatility to wear long, doubled, or wrapped — equally at home over a black turtleneck or an evening dress.

Materials: Black faceted glass or acrylic beads; clear rhinestone rondelles; gold-tone metal spacers and lobster clasp

Details:

• Era: c. 1970s–1980s
  
• Style / design notes: Uniform faceted black beads; two rhinestone rondelle stations with gold-tone disc spacers; lobster clasp
• Stone or material notes: Black faceted beads; clear prong-set rhinestone rondelles
• Function: Necklace; wearable as single or doubled strand
• Color: Black and gold tone with clear rhinestone accents
• Condition: Great vintage condition

Measurement: 24"

Collected by Mineral and Matter

Faceted black glass rounds alternate with larger square-cut black stones along a figure-eight brass-tone link chain — the silhouette somewhere between rosary and lariat. The Y-drop falls into a double chain tassel finished with small black bead drops, giving the piece a deliberate, unhurried movement. Dark without being heavy, and precisely the kind of necklace that disappears into an all-black outfit in the best possible way.

Materials: Brass-tone base metal, faceted black glass round beads, prong-set square black glass stones, figaro/figure-eight chain

Details:

• Era: 1990s–2000s
• Markings: None visible; lobster clasp closure
• Style / design notes: Alternating round faceted black beads and square-cut black glass stones in prong settings; Y-drop silhouette with double chain tassel and bead drop finials; figure-eight brass-tone connecting links throughout
• Stone or material notes: Faceted black glass rounds and square-cut black glass stones
• Color: Jet black, antique brass tone
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 16" with 1.5" drop

Collected by Mineral and Matter

Striking vintage floral cluster earrings featuring deep sapphire-blue navette stones accented with coordinating round blue crystals in a gold tone setting.

These dimensional earrings have a layered botanical design with elongated marquise-shaped stones forming petal-like drops, highlighted by smaller faceted accent crystals for added sparkle. The rich blue color shifts beautifully in the light, giving them a bold yet elegant presence.

✨ Details:

• Era: Mid-century (circa 1950s–1970s)

• Stones: Faceted blue glass crystals (navette & round)

• Metal: Silver tone setting

• Style: Floral cluster / statement drop

• Closure: Post back, appears to have had clip on cut off and piercing post glued on.

The design has wonderful movement and depth, making them perfect for evening wear or adding drama to a simple outfit.

Condition: Good vintage condition with normal age-related wear to the metal on backs. Stones appear secure and vibrant.

A beautiful, eye-catching pair with classic vintage glamour.

Collected by Mineral and Matter

Cobalt and ice-blue enamel layered over a sculpted gold-tone body — this parrot perches on a naturalistic branch with the casual confidence of something that belongs in a terrarium or a rain forest, not a jewelry box. The face is the most alive part: a cluster of clear rhinestones forms the cheek patch, with a single pink rhinestone at the eye that gives the bird a knowing, slightly amused expression. White enamel accents the throat and wing, softening the deep blue body. A piece that rewards a second look.

Materials Gold-tone base metal; blue and white enamel; clear and pink rhinestones

Details

• Era: c. 1950s–1960s
  
• Style / design notes: Figural parrot or macaw perched on forked branch; cobalt and teal blue enamel body with white enamel chest and wing accents; clear rhinestone cheek cluster; single pink rhinestone eye; textured feather detail on body
• Stone notes: Clear rhinestones (cheek cluster); pink rhinestone (eye); prong set
• Function: Pin brooch with roll-over safety clasp
• Color: Cobalt blue, white, gold tone, pink
• Condition: Great vintage condition

Measurement: 2" x 1.5"

Collected by Mineral and Matter

A pink rose floats against a sky-blue enamel ground, its petals rendered with a confident, unhurried hand — the kind of detail that asks to be looked at closely. The surface has the iridescent, patterned quality of guilloche enamel, where fine engraving beneath translucent enamel creates a subtle shimmer that shifts with the light. The gold-tone frame is ornate and deliberate: scalloped lower edge, scrollwork upper bail with a decorative loop — the whole composition echoing the Victorian tradition of miniature portrait pendants. Unsigned and quietly lovely.

Materials Gold-tone base metal frame and chain; blue enamel with hand-painted rose (possibly guilloche — unverified)

Details

• Era: c. 1960s–1970s, Victorian revival style
  
• Style / design notes: Round enamel cabochon in scalloped gold-tone bezel; ornate scrollwork bail with open loop; hand-painted pink rose on sky-blue ground; enamel surface has guilloche-style iridescent patterning
• Stone notes: Blue enamel with hand-painted pink rose and green leaf detail — porcelain, glass, or resin 
• Function: Pendant necklace
• Color: Gold tone, sky blue, pink, green
• Condition: Great vintage condition

Measurement: Pendant 1.5" including bail; chain 18"

Collected by Mineral and Matter

A vivid blue heart rhinestone sits at the center of a starburst halo of clear prong-set crystals, small, precise, and brighter than its size suggests. The combination of a colored heart stone with a clear diamond-like surround was a popular format in the 1970s and 1980s, echoing the look of fine sapphire cluster jewelry at a fraction of the cost. A small maker's mark is present on the reverse but partially illegible, worth examining under magnification before listing.

Materials Gold-tone base metal pendant; blue and clear rhinestones; dark silver-tone curb chain (possible replacement)

Collected by Mineral and Matter

Details

• Era: c. 1970s–1980s
• Markings: Partial maker's mark on pendant reverse, illegible; buyer to verify
• Style / design notes: Heart-shaped blue rhinestone center; eight clear round rhinestones in starburst halo setting; prong set throughout; double bail
• Stone notes: Blue heart rhinestone center; clear round rhinestones in surrounding halo; all prong set
• Function: Pendant necklace
• Color: Gold tone, blue, clear
• Condition: Good vintage condition 

Measurement: Pendant 0.5"; chain 18.5"

Collected by Mineral and Matter

A luminous mother-of-pearl dial anchors this Bon Jour quartz watch, its warm iridescence framed by a polished gold-tone case and paired with a substantial three-bar gate-link bracelet inset with two rows of clear rhinestones near the lugs. The open architectural link design gives the bracelet real visual weight while keeping it from feeling heavy on the wrist — a balance that defined the best American fashion watches of the late 1980s and early 90s. Bon Jour occupied a reliable middle tier of the market, producing pieces with genuine jewelry sensibility at accessible price points. Needs a battery to run; otherwise in excellent vintage condition.

Materials: Gold-tone base metal, mother-of-pearl dial, clear rhinestones, quartz movement

Details:

• Era: Late 1980s–1990s
• Markings: Bon Jour, Quartz
• Style notes: Round case, mother-of-pearl dial, three-bar gate-link bracelet, rhinestone accent bars near lugs, fold-over clasp
• Function: Quartz, untested
• Color: Gold, white/cream, clear
• Condition: Excellent Vintage condition
• Measurement: 7.5 inch bracelet length

Collected by Mineral and Matter

• Layered leaf form in gold tone metal, structured with openwork and set with marquise-cut clear rhinestones. The composition balances texture and light, with a brushed leaf overlay framing the faceted stones beneath.

  Signed BSK, a mid-century American costume jewelry maker active from the 1940s–1980s.

  Details

  • Brand: BSK

  • Era: Mid-century (circa 1960s–1970s)

  • Material: Gold tone metal

  • Stones: Clear marquise rhinestones

  • Design: Leaf / spray / openwork

  • Marking: Signed BSK

  • Closure: Rollover safety clasp

  Measurements

  • 2.5" x 2.75"

  Condition

  Very good vintage condition with minor surface wear consistent with age. Stones intact. Clasp secure.

Dated precisely to 1967 by a personal engraving on the case back, this Bulova carries the quiet elegance of mid-century American watchmaking at its most refined. The waisted octagonal case features a faceted bezel in 10K rolled gold plate, the dial silvered and aged to a warm patina with Arabic numerals and a seconds subdial. The original Speidel expansion bracelet with its crosshatch-etched lug panels is intact and functional. A genuine time capsule — gifted to Helen Buchanan on July 12th, 1967, and found here nearly six decades later.

Materials 10K rolled gold plate bezel, stainless steel back, Speidel stainless steel expansion bracelet

Details

• Era: 1967
• Markings: "Bulova" on dial; "Bulova / 10K RGP Bezel / Stainless Steel Back" on case back; "Helen Buchanan / 7-12-67" personal engraving on case back; "Speidel" on expansion band
• Style notes: Waisted octagonal case; faceted bezel; seconds subdial; original Speidel crosshatch expansion bracelet
• Function: Manual wind; untested
• Color: Silver tone
• Condition: Good vintage condition
• Measurement: Stretch expansion band, adjustable

Collected by Mineral and Matter

An open-wing butterfly built from curved gold-tone bars, the upper wings bordered with a line of clear rhinestones, the body clustered with red stones in a cross formation. Simple in construction, precise in placement — the contrast between the clear and red stones does all the decorative work. Unsigned, neat, and wearable.

Materials & Details:

• Era: 1970s–1980s
• Markings: None
• Style notes: Open-wing silhouette, curved bar wing construction, clear rhinestone upper wing border, red rhinestone body cluster, pointed body, simple pin back
• Stone notes: Clear rhinestones along upper wing edges, red rhinestones at body
• Color: Gold tone with red and clear stones
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

1980's

Measures 16"

Good Vintage Condition, some tone loss/chipping present

Collected by Mineral and Matter

Inspired by Queen Victoria's legendary passion for cameos, this brooch embodies the 19th-century obsession with these iconic pieces. A symbol of grace, sophistication, and timeless beauty, it's the perfect accessory for anyone who appreciates vintage charm with a modern sensibility.

Measures approx 1.25"

Collected by Mineral and Matter

A resin cameo portrait sits at the center of an open filigree heart, the whole pendant edged in a continuous line of aurora borealis rhinestones that shift between pale blue and silver depending on the light. Below, a cascade of fine gold-tone chain falls in a tassel — the kind of detail that turns a pendant into a statement without requiring any effort from the wearer. The cameo itself is a classical female profile in cream and warm brown, framed by a sunburst of radiating gold-tone petals. A maximalist piece from a decade that understood how to layer beauty. Unsigned.

DETAILS

Maker: Unsigned

Design: Resin cameo portrait in sunburst setting; open filigree heart frame; AB rhinestone border; chain tassel drop; rope chain

Color: Warm gold tone; cream and brown cameo; aurora borealis rhinestones

Material: Gold-tone base metal; resin cameo; aurora borealis rhinestones; chain tassel

Era: 1970s

Measurement: 22" chain; pendant 4" including tassel

Condition: Vintage with gentle surface wear consistent with age, some tone loss on chain

Collected by Mineral and Matter

A slim cushion-case quartz watch set into a wide woven herringbone mesh bracelet — the kind of seamlessly integrated design that defined ladies' dress watches of the late 1970s and early 1980s. The champagne dial is clean and unmarked, with baton hour markers and matching gold tone hands. Caravelle was Bulova's accessible dress line, and this piece reflects the same design sensibility at an approachable price point. Not currently running; needs battery or service.

Materials: Gold tone base metal, mineral crystal

Details:

• Era: 1970s–1980s
• Markings: Signed Caravelle (Bulova) on dial and case back
• Style / design notes: Cushion case; champagne dial; baton hour markers; integrated woven herringbone mesh bracelet; fold-over clasp
• Stone or material notes: None
• Function: Quartz — not currently running, needs battery or service
• Color: Gold tone, champagne
• Condition: Good vintage condition, please see pictures

Measurement: 2.5" diameter

Collected by Mineral and Matter

• Designer: Caron (Presented on original brand card).
• Design: Intricate three-row gold-tone mesh with crystal-encrusted geometric stations.
• Material: High-polished gold-tone metal and faceted clear glass crystals.
• Set Includes: 1 graduated mesh necklace and 1 pair of matching articulated drop earrings.
• Backing: Necklace features a secure adjustable lobster clasp; earrings have comfortable post-and-butterfly backings for pierced ears.
• Year Estimate: Circa 1980s.
• Condition: Excellent vintage condition with original crystals secure and a bright, lustrous finish.
• Style: Hollywood Regency, 80s Glamour, Formal Statement.

A carved shell mottled olive and deep green, cool to the touch — rests in a gold-tone mount of textured claw-form legs and a pointed tail, the whole creature assembled with the unhurried confidence of something built to last. Turtle jewelry has been a quiet constant across cultures and centuries, carrying associations of longevity and groundedness that feel as relevant now as ever. The jade shell is hand-carved with shell pattern detail, and the contrast between the stone's natural variation and the warm gold-tone surround gives the piece a genuinely organic presence. Unsigned but consistent with mid-century jade and stone figural jewelry.

Materials: Gold-tone base metal mount; carved natural nephrite jade shell (unverified — tests as stone, cold to the touch, consistent with nephrite jade or serpentine)

Details:

• Era: c. 1960s–1970s
  
• Style / design notes: Naturalistic turtle form; carved jade shell with incised pattern detail; gold-tone claw-foot legs, head mount, and pointed tail; needle pin back
• Stone or material notes: Carved green stone shell
• Function: Lapel brooch
• Color: Olive and deep green with gold tone
• Condition: Great vintage condition, gentle gold wear around edges

Measurement: 1.25" long

Collected by Mineral and Matter

A cream dial with Arabic numerals sits behind a rope-twist bezel — a design detail that became shorthand for casual luxury in American fashion watches of the 1980s and 90s. The cuff-style bangle opens at the back for easy wear and features a braided rope motif throughout, with a center row of clear rhinestones running the length of each arm. Cato produced accessible fashion watches with genuine design attention, and this one wears closer to a jewelry piece than a timepiece — the kind of watch bought as much for its wrist presence as its function. New battery needed; crown stopper still in place.

Materials: Gold-tone base metal, mineral crystal, clear rhinestones, quartz movement

Details:

• Era: 1980s–1990s
• Markings: Cato, Quartz, Japan movement
• Style notes: Round case, rope-twist bezel, open cuff bangle, braided rope bracelet arms, rhinestone center row
• Function: Quartz watch, untested; crown stopper present
• Color: Gold, white/cream, clear
• Condition: Excellent Vintage condition
• Measurement: Adjustable cuff, open-back bangle style

Collected by Mineral and Matter

Description: Six bold domed glass cabochons, each painted with a mandala-like floral medallion in a different colorway — burgundy, black, green, grey, blue, and red — set into ornate gold-tone frames with a textured, almost architectural surround. The Moroccan-inspired patterning gives each panel the feeling of a mosaic tile lifted from a riad wall and set into jewelry. Celebrity N.Y. was a Brooklyn-based brand sold through home parties from the mid-1950s through the early 1970s, making pieces that punched well above their price point. This bracelet has real presence on the wrist.

Materials: Gold-tone base metal frames and link chain; domed painted glass cabochons; spring ring clasp with safety chain

A sense of movement held in form—these earrings curve and catch light with quiet precision. The twisted rope hoop softens the structure, while a band of pavé crystals anchors the design with a refined, luminous edge.

Signed Christian Dior, they reflect the bold yet balanced language of late-century designer jewelry—substantial, sculptural, and made to frame the face with intention.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Christian Dior on clip backs
• Clip-on closure with comfort pads
• Twisted rope-style hoop with pavé crystal top
• Dimensional, sculptural design
• Era: 1980s–1990s
• Measurement: approx. 1.25" drop 
• Condition: vintage with gentle surface wear consistent with age

A luminous vintage necklace composed of clear geometric Lucite beads, each softly faceted to catch and scatter light. The beads alternate between fully transparent and matte frosted finishes, creating a gentle contrast of glow and mist.

Small gold-tone spacer beads add warmth between the sculptural shapes, while the simple magnetic clasp keeps the design clean and minimal. The overall effect feels airy and modern—like light suspended in crystal forms.

Lucite and acrylic jewelry became especially popular during the mid-century and late 20th century, prized for their ability to mimic glass or quartz while remaining lightweight and sculptural. Pieces like this reflect that era’s fascination with transparency, geometry, and playful materials.

This necklace feels fresh despite its age: minimal, architectural, and quietly striking.

Details

• Era: likely 1980s–1990s

• Style: geometric bead necklace

• Beads: clear and frosted Lucite / acrylic

• Spacers: gold tone beads

• Closure: magnetic clasp

• Signature: unsigned

• Condition: good vintage estate condition with light wear consistent with age

Measurements

• Length: 18 inches

Collect by Mineral and Matter

Three cascading strands of prong-set clear rhinestones fall from a starburst rhinestone cluster — each strand terminating in a faceted square stone that catches and throws light with every movement. The dark rhodium-tone setting deepens the stones' sparkle, lending a cooler, more dramatic quality than gold-tone would allow. Screw-back closures date these to the mid-century, when this style of evening earring — architectural, luminous, unapologetically present — was worn to be noticed.

Materials: Silver-tone / rhodium-tone base metal; clear glass rhinestones

Details:

• Era: c. 1940s–1960s, Mid-Century American
  
• Style / design notes: Starburst rhinestone cluster top with three cascading rhinestone strand drops; faceted square terminal stones; mixed round and baguette-style prong settings; screw-back closures
• Stone or material notes: Clear faceted glass rhinestones; square and round cuts
• Function: Dangle / drop earrings; non-pierced screw-back
• Color: Silver tone / dark rhodium with clear stones
• Condition: Great vintage condition, some discoloring on a few of the rhinestone

Measurement: 1" wide × 2.5" long

Collected by Mineral and Matter

This Collezier bracelet watch is built around a quietly elegant structural detail — the band narrows into a sinuous twist at the lugs, meeting the round case with a gesture that feels more Art Nouveau than mass market. The mother-of-pearl effect dial is soft and luminous beneath a clean silver-tone bezel, and the decorative knotted links at the clasp end carry the organic theme through to the finish. A delicate, well-proportioned piece that wears easily.

Materials Silver-tone base metal, stainless steel back, mineral crystal

Details

• Era: 1990s
• Markings: "Collezier / Quartz / Japan Movt" on dial; "Stainless Steel Back / Base Metal" on case back
• Style notes: Twisted bar bracelet with sinuous lug detail; decorative knotted link clasp section; round silver-tone bezel
• Stone notes: Mother-of-pearl effect dial
• Function: Quartz; untested
• Color: Silver tone
• Condition: Great vintage condition
• Measurement: 7"

Collected by Mineral and Matter

Each link is shaped like a ridged, open shell — curved and ribbed with a sculptural quality that catches light from every angle. Set in a continuous graduated collar, the shells overlap slightly, creating a fluid, wave-like rhythm around the neck. The gold-tone extender chain with its distinctive dog-clip hardware is original to the piece and adds a two-tone contrast at the back. Signed Coro on the hang tag.

Materials: gold tone metal

Details:

• Era: 1950s–1960s
• Markings: Coro (hang tag on extender)
• Style / design notes: Graduated shell / scallop link collar; ribbed open-work link construction; original gold tone extender chain with dog-clip clasp; two-tone finish
• Stone or material notes: None
• Color: gold tone
• Condition: Good vintage condition, see photos 
• Measurement: 17" with extender

Collected by Mineral and Matter

Collected by Mineral and Matter

Rounded oval discs in cream enamel, scattered with raised gold-tone nuggets in irregular, organic shapes — like flecks of gold leaf suspended mid-drift. The contrast between the matte ivory ground and the polished metal forms is quietly striking. A very 1980s sensibility, aged into something that reads as current. Clip-on backs.

Materials & Details:

• Era: 1980s
• Markings: None
• Style notes: Oval disc form, cream enamel ground with raised abstract gold-tone nugget detail, clip-on backs
• Stone notes: None
• Color: Cream, gold tone
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A sleek, finely linked serpentine chain in cool silver tone — the kind of foundational piece that a house like Trifari understood was as necessary as any statement jewel. Founded in New York in the 1920s and elevated by French designer Alfred Philippe, Trifari built its reputation on exactly this kind of precise, enduring construction. The flat links lie smooth against the skin and catch light without competing for attention. Wears as well with a pendant as it does alone.

Materials: Silver-tone base metal

Details:

• Era: c. 1955–1975, Mid-Century American
• Markings: Signed "Crown Trifari" on clasp
• Style / design notes: Fine flat serpentine / snake chain; smooth uniform links; spring-ring or barrel clasp
  
• Function: Chain necklace; also suitable as pendant chain
• Color: Silver tone
• Condition: Excellent vintage condiiton

Measurement: 24"

Collected by Mineral and Matter

A single prong-set crystal stud anchors two diverging bar drops, each tipped with its own prong-set stone — creating a scattered, constellation-like effect that moves with the wearer. The splayed double-drop silhouette reads as both geometric and delicate, catching light at every angle. Clean and contemporary, with an understated sparkle.

Materials: Silver tone base metal, clear rhinestone or CZ

Details:

• Era: 1990s–2000s
• Markings: None
• Style / design notes: Single crystal stud top; two diverging bar drops tipped with prong-set stones; post and butterfly back
• Stone or material notes: Clear round stones, prong set; likely CZ or rhinestone
• Color: Silver tone, clear
• Condition: Good vintage condition, see photos please
• Measurement: 1.5" length

Collected by Mineral and Matter

A quiet contrast of night and gold—etched with a bird in flight, surrounded by winding florals. The surface holds a story in pattern and line, where dark enamel becomes a backdrop for something luminous and intricate.

There’s a stillness to this piece, balanced by movement in the design. It feels collected, intentional—something that carries both ornament and symbolism, with a subtle nod to traditional damascene work.

Materials:
Gold-tone metal, black enamel

Details:

• Hinged cuff bracelet with safety chain
• Gold etched bird and floral scroll motif
• Damascene-inspired design (likely mid-century souvenir style)
• Structured fit, sits close to the wrist
• Era: 1950s–1970s
• Measurement: fits approx. 6–7" wrist
• Condition: vintage with gentle surface wear consistent with age

Hand-modeled English bone china at its most domestic and charming — a yellow rose in full bloom surrounded by blue forget-me-nots and green serrated leaves, each petal and floret individually shaped and painted by hand. Denton China operated out of Staffordshire from 1945 until its acquisition by Aynsley in 1968, producing bone china "fantasies" — flower brooches, birds, and baskets — that have become quietly collectible. The stamped back confirms its English origin and places it squarely within that twenty-three year production window. Fragile as all china jewelry is, and best worn with intention.

Materials Hand-modeled and hand-painted English bone china; brass pin back

Details

• Era: c. 1945–1968 (Denton China production period)
• Markings: Stamped "Denton China / Made in England" on reverse
• Style / design notes: Central yellow rose in full spiral bloom; surrounding blue forget-me-not florets with orange centers; five green serrated leaves forming base; fully three-dimensional, hand-modeled construction
  
• Function: Pin brooch with roll-over safety clasp
• Color: Yellow, white, blue, green, orange
• Condition: Vintage with gentle surface wear consistent with age; please handle with care as bone china is fragile

Measurement: 1.5"

Collected by Mineral and Matter

Bold links softened by deep cobalt glass—this piece moves between structure and ornament. The carved cabochons hold light in a darker tone, framed by small points of sparkle that feel precise rather than excessive.

Materials:
Gold-tone metal, glass cabochons, rhinestones

Details:

• Signed DVF (Diane von Furstenberg) on back
• Chunky curb chain construction
• Carved deep blue glass cabochons with floral/starburst detail
• Rhinestone accents framing center and side links
• Hook clasp with extender chain
• Era: late 1980s–early 1990s
• Measurement: approx. 16"
• Condition: vintage with gentle surface wear consistent with age

A line of light, held in balance. The stones taper gently from one end to the other, creating a sense of movement without excess—precise, considered, and quietly luminous.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Dior on back
• Graduated marquise-cut clear rhinestones
• Linear bar silhouette with subtle taper
• Prong-set stones for a clean, elevated finish
• Classic rollover pin closure
• Era: late 1970s–1980s
• Measurement: approx. 2.25"–2.75" 
• Condition: vintage with gentle surface wear consistent with age

Weight and rhythm—two chains moving together, anchored by a saturated red center. Bold, but still refined in its symmetry.

Materials:
Gold-tone metal, glass cabochon, rhinestones

Details:

• Double curb chain design
• Red cabochon centerpiece with rhinestone accents
• Fold-over clasp
• Unsigned (Gucci tag not original to piece)
• Era: late 1980s–early 1990s
• Measurement: approx. 16"
• Condition: vintage with gentle surface wear consistent with age

Measures 30"

Very Good Vintage Condition 

Collected by Mineral and Matter

Elgin was one of America's most storied watchmakers, producing fine timepieces from 1864 until the quartz era rendered mechanical movements obsolete. This 1950s ladies' dress watch captures the decade's signature aesthetic — a cushion-shaped case with sculptural scroll lug connectors, the champagne dial aged to a warm, luminous patina. The original Speidel expansion bracelet in two-tone gold and silver remains intact and functional. A well-worn piece of American horological history that still carries itself with elegance.

Materials 10K rolled gold plate bezel, stainless steel back, Speidel expansion bracelet

Details

• Era: 1950s
• Markings: "Elgin" on dial; "10K RGP Bezel / Stainless Steel Back" on case back; "Speidel" on expansion band
• Style notes: Cushion case; sculptural scroll lug connectors; Arabic numeral dial with aged champagne patina; two-tone Speidel expansion bracelet
• Function: Manual wind; untested
• Color: Gold tone and silver tone
• Condition: Great vintage condition — some gold tone loss consistent with age
• Measurement: Stretch expansion band, adjustable

Collected by Mineral and Matter

A constellation at the wrist—deep green facets set in orbit, each stone catching light like a quiet pulse.

This wide vintage cuff is richly set with emerald-toned rhinestones, arranged in repeating crescent forms. The setting has a darkened silver-tone finish, giving depth and contrast—almost celestial against the saturated green. The structure feels architectural yet fluid, wrapping the wrist in texture and shimmer.

Unmarked, but evocative of mid-century costume design with Art Deco revival influence.

Details

• Vintage rhinestone cuff bracelet
• Emerald green glass stones
• Dark silver-tone / gunmetal finish
• Hinged
• Unmarked

Measurements

• Width: approx. 1.5”
• Inner circumference: standard cuff fit 

Condition
Very good vintage condition. Stones appear present and vibrant with minor wear to metal consistent with age.

Era
Likely 1950s–1970s, with Deco-inspired patterning