A round faux pearl rises from a filigree crown, framed by sculpted wings of black and gold damascene. Scrolled arabesques and beaded silver-tone borders trace every edge, and the pattern carries around the open band. The wide, hollow-backed form is lighter than it looks and adjusts to fit. A sculptural statement ring made in Spain, in the Toledo tradition.

Materials Details

• Era: 1960s–1970s
• Markings: Stamped Spain
• Style / design notes: Toledo-style damascene, winged cocktail ring with filigree pearl setting, scrolled arabesque and beaded detailing, wide open adjustable band
• Stone or material notes: Gold-tone metal, black enamel-style ground, silver-tone accents, cream faux pearl
• Function: Adjustable ring, size 7
• Color: Black, gold, silver, cream
• Condition: Great vintage condition, a bit of wear on the faux pearl, please see images

Measurement: Size 7, adjustable

Collected by Mineral and Matter

Description
A golden bird dives through curling vines and leaves, set against a matte black ground like a silhouette at twilight. This ring carries the Toledo damascene tradition of Spain, where fine gold is hammered into blackened steel, a craft with roots reaching back to Moorish metalwork. The curved rectangular panel sits on an open double band that adjusts easily to the finger. Bold enough to wear alone, with a quiet, storied presence.

Materials
Blackened steel with gold damascene inlay, gold-tone metal setting and band

Details

• Era: 1960s–1970s
• Style / design notes: Curved rectangular panel with bird and scrolling floral motif, open double split band
• Stone or material notes: Gold inlay on matte black steel, set with tab prongs
• Function: Adjustable ring
• Color: Black, gold
• Condition: Great vintage condition
• Measurement: Adjustable

Collected by Mineral and Matter

A polished blank oval face sits inside a swirled, sunburst-textured surround, flanked by finely engraved swans tucked into the shoulders on either side. Ready to be personalized or worn exactly as is, a quiet monogram waiting to happen. Substantial on the hand, with the kind of detail that only shows itself on a second look.

Materials
Gold filled

Details

• Era: 1940s–1950s
• Style / design notes: Swirled sunburst surround, blank oval signet face, engraved swan detail on each shoulder
• Color: Gold tone
• Condition: Good vintage condition, please see images
• Measurement: Size 9

Collected by Mineral and Matter

The wide hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This standout ring is 3mm in width and hand forged in 14k goldfill.

Available in size 4-11

By Mineral and Matter

Shaped like a horseshoe nail, this novelty ring was a 1950s premium tied to singing cowboy star Gene Autry, with his signature and a winged emblem engraved along the band. The textured, cross-hatched "nail head" sits proudly at the front, while the rest of the band carries the Western-themed engraving. A fun piece of mid-century cowboy pop-culture memorabilia, more collectible novelty than fine jewelry.

Materials: Silver-tone base metal

Details:

• Era: 1950s
• Markings: Engraved "Gene Autry" signature and winged emblem
• Style/design notes: Novelty horseshoe nail-shaped ring, textured nail head front, Western-themed engraved band
• Function: Ring, novelty/collectible
• Color: Silver-tone
• Condition: Good vintage condition, please see photos
• Measurement: Size 6

Collected by Mineral and Matter

A large oval banded agate cabochon rises dramatically from a modernist sterling silver setting, its natural black and gray striping running vertically for real visual movement. Prong-set at the corners with an open, faceted-look gallery beneath, the design has a bold architectural presence — genuine sterling weight in hand, with a stone that's cool and heavy to the touch.

Materials: Sterling silver, banded agate

Details:
Era: 1970s–1980s
Markings: Signed 925
Style/design notes: Large oval banded agate cabochon in a prong-set modernist mounting with open faceted gallery sides
Stone/material notes: Natural black and gray banded agate cabochon
Color: Black and gray with silver
Condition: Great vintage condition, please see images
Measurement: Ring size approximately 10.5 

Collected by Mineral and Matter

Description
A soft blue cameo with a white relief figure of a Victorian lady rests at the center of a gold-tone oval ringed in twisted rope bands, like a quiet moon held in orbit. Dated 1966, this locket opens to reveal an inscribed plaque reading "Honor Award, President's Campaign 1966." Avon presented awards of this kind to its top representatives during the annual President's Campaign sales drive. With a personal engraving on the back and a long textured chain, it carries a real story from mid-century working women.

Materials
Gold-tone metal, jasperware-style cameo

Details

• Era: 1960s
• Markings: Interior plaque engraved "Honor Award President's Campaign 1966"; back engraved "Joyce"
• Style / design notes: Oval hinged locket with a blue-and-white relief cameo of a Victorian lady, framed by concentric rope-twist bands; textured rolo chain with extender
• Stone or material notes: Blue and white jasperware-style cameo
• Function: Opening locket with photo compartment, hook clasp with extender chain
• Color: Gold, powder blue, white
• Condition: Good vintage condition, with verdigris at the hinge and inside edges, silver-tone showing through on the bail, and light surface wear on the case
• Measurement: Pendant 2 in including bail, chain 29 in

Collected by Mineral and Matter

A checkerboard-cut blue simulated sapphire takes center stage on this ring, its faceted pavilion catching light from every angle. Sparkling clear accent stones flank the center in a scrolled, beaded halo setting, with an open gallery beneath adding extra dimension. The sterling silver band is stamped "P4 SR" inside, and the design has a polished, romantic presence that wears well on its own or stacked.

Materials: Sterling silver, simulated sapphire, clear accent stones

Details:

• Era: 1990s
• Markings: P4 SR
• Style/design notes: Checkerboard-cut center stone, beaded scroll halo, accent stone shoulders, open gallery setting
• Function: Ring, statement style
• Color: Blue center stone, clear accent stones, sterling silver
• Condition: Great vintage condition, please see photos
• Measurement: Size 7

The Luna ring is an open ring on both ends with a goldfill crescent moon on one side and a bezel set lab cultured opal on the other side.  Band is 14k goldfill.

Available in size 4 -11

By Mineral and Matter

The Luna ring is an open ring on both ends with a goldfill crescent moon on one side and a bezel set lab cultured opal on the other side.  Band is .925 sterling silver.

Available in size 4 -11

By Mineral and Matter

Description:
A long marquise stone in deep violet and berry tones lies across rows of twisted gold rope, like a lantern set over woven cord. Heavy gold electroplate rings like this were a hallmark of 1960s–1970s jewelry, finished with a rich, lasting gold surface. The open rope gallery lets light through beneath the stone. The broad, ribbed shoulders make it a confident statement piece that sits comfortably on the hand.

Materials:
18K heavy gold electroplate (HGE), glass

Details:

• Era: 1960s–1970s
• Markings: Stamped 18K H.G.E. L.C.I. inside the band
• Style/design notes: Marquise solitaire in a heart-tip two-prong setting; open gallery of twisted rope rows with ribbed shoulders
• Stone or material notes: Faceted marquise amethyst-toned stone
• Color: Gold, purple
• Condition: Great vintage condition, with light wear on the plating at the back of the band
• Measurement: Size 6

Collected by Mineral and Matter

A marquise-cut stone in deep garnet red, framed by a starburst halo of sparkling clear stones. The band sweeps into an asymmetrical bypass, with a channel of clear stones along each shoulder. The elongated shape lengthens the finger, and the red shifts from wine to ember in the light. A refined statement ring that works for evenings and everyday.

Materials Details

• Era: 1980s
• Markings: Stamped JC
• Style / design notes: Marquise halo ring, prong-set center stone, bypass shoulders with channel-set accents
• Stone or material notes: Garnet red center stone, clear cubic zirconia accents, gold-tone metal
• Function: Ring, size 6.25
• Color: Gold, garnet red, clear
• Condition: Great vintage condition

Measurement: Size 6.25

Collected by Mineral and Matter

A heart-shaped stone in deep ruby red, encircled by a halo of sparkling clear stones. The split shoulders open the silhouette and let light pass through the band. The glow shifts from crimson to rose as the ring moves. A romantic piece, comfortable enough to wear every day.

Materials Details

• Era: 1980s-90s
• Markings: Stamped 925 and China
• Style / design notes: Heart-shaped halo ring, prong-set center stone, split shoulder band
• Stone or material notes: Red synthetic or lab-created center stone, clear cubic zirconia halo, sterling silver
• Function: Ring, size 6
• Color: Ruby red, clear, silver
• Condition: Great vintage condition

Measurement: Size 6

Collected by Mineral and Matter

Description
A faceted slab of tiger's eye glows in warm honey and deep brown, caged in sweeping bands of hand-bent gold wire like roots gripping stone. This 1970s ring was wrapped entirely by hand, from the sculptural crown holding the stone to the tightly coiled band that circles the finger. The open wirework lets light move through the tiger's eye, bringing out its soft shimmer. An earthy, artisan piece with the easy spirit of the era.

Materials
Goldfill wire, tiger's eye

Details

• Era: 1970s
• Style / design notes: Hand wire-wrapped setting with sweeping layered wire around the stone and a tightly coiled wrapped band
• Stone or material notes: Faceted tiger's eye with golden chatoyant banding
• Color: Golden brown, honey, gold
• Condition: Good vintage condition, light darkening on a few wire ends
• Measurement: Size 8

Collected by Mineral and Matter

A large champagne-toned oval stone rests bezel-set at the center, ringed by a halo of pavé clear stones that catches every bit of light. Baguette-cut accents in a matching warm hue line the shoulders, giving the piece a cohesive, sunlit glow. Substantial and polished, it reads as evening jewelry without trying too hard.

Materials: Silver-tone base metal, faceted glass stones

Details

• Era: 1980s-1990s
• Style / design notes: Bezel-set center stone, pavé halo, baguette shoulder accents, open gallery
• Stone or material notes: Large oval champagne-tone center stone with clear pavé halo and baguette side stones
• Color: Champagne and silver-tone
• Condition: Good vintage condition, please see photos

Measurement: Size 8.5

Collected by Mineral and Matter

A golden oval stone opens like the heart of a flower, ringed by two layers of marquise-cut clear stones fanning out into full bloom. The two-tone setting, sterling silver petals against a warm gold-tone band, gives the piece real dimension and sparkle. A substantial cluster ring built to catch the light from every angle.

Materials: Sterling silver with gold-tone band, faceted glass stones

Details

• Era: 1970s–1980s
• Markings: SS925 Taiwan
• Style / design notes: Two-tier daisy cluster, prong-set petals, two-tone finish
• Stone or material notes: Oval citrine-tone center stone with marquise-cut clear stone petals
• Color: Golden yellow center, clear petals
• Condition: Good vintage condition, please see photos

Measurement: Size 8

Collected by Mineral and Matter

Cut from a single turban shell, this ring keeps the spiral of its origin intact, each ridge polished to a soft, oceanic shine. Warm cream and amber banding wind toward a pointed apex, catching light the way the sea itself does. A wearable fragment of coastline, substantial on the hand and entirely one of a kind.

Materials: Natural turban seashell

Details

• Era: 1960s–1970s
• Style / design notes: Carved from a whole turban shell, spiral apex intact, statement silhouette
• Stone or material notes: Natural shell with iridescent nacre interior
• Color: Cream, and golden-amber banding
• Condition: Great vintage condition

Measurement: Size 5

Collected by Mineral and Matter

An elongated oval turquoise cabochon sits in a sawtooth bezel, framed by a sculptural silver feather with detailed vein etching and a single silver bead accent. The split shank and organic, hand-worked design give this ring genuine Southwestern character — a bold, wearable statement piece with real presence on the hand.

Materials: Silver-tone metal, turquoise

Details:
Era: 1970s–1980s
Style/design notes: Elongated oval turquoise cabochon in a sawtooth bezel, sculptural feather motif with vein detailing, single silver bead accent, split shank band
Stone/material notes: Natural-look turquoise cabochon, blue with light matrix
Color: Turquoise blue with silver
Condition: Excellent vintage condition, please see images
Measurement: Ring size 5 

Collected by Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection! This ring is 3mm in width and hand textured in sterling silver. 

Available in size 4-11

By Mineral and Matter

Opal has beautiful flashes of colors, making it stand out.  This ring has a 5mm synthetic opal sits in a bezel cup.  Band is 14k goldfill.

Available in size 4 -11.

By Mineral and Matter

This black opal ring has a dark background color which helps the rainbow variations to shine through.  Manmade, this simulated opal is an economical alternative to natural opal, offering a durability that makes it easier to work with in rings and jewelry meant for everyday wear.  The multicolored sparkle is hard to resist! 

This ring has a 6mm simulated black opal sitting in a round bezel cup.  Band is 14k goldfill.

Available in size 4 -11.

By Mineral and Matter

This ring is hand-formed in 14k goldfill and set with a natural amazonite stone. Amazonite has a blueish green hue to it and is found in Peru and is named the "Amazon Stone" or amazonite. The blue color comes from trace amounts of lead in the gemstone. 

Available in sizes 4-11
16 Gauge wire thickness
5mm round stone
Polished finish

By Mineral and Matter

Description:
A large emerald-cut faux stone in deep rose and garnet tones sits high in four sculpted claw prongs, its stepped facets drawing light down into the center like a window into still wine. Avon brought this kind of bold single-stone cocktail ring to everyday jewelry boxes in the 1970s–1980s, echoing fine gem rings at an easy weight. An open gallery lets light through from behind, and split shoulders curve into a smooth band.

Materials:
Gold-tone metal, glass

Details:

• Era: 1970s–1980s
• Markings: Signed Avon on the shoulder
• Style/design notes: Emerald-cut solitaire in a four-claw open gallery setting; split shoulders
• Stone or material notes: Large faceted rose-garnet glass stone
• Color: Rose, garnet, gold
• Condition: Good vintage condition, with light surface scratches and small nicks on the stone’s facets
• Measurement: Size 6.75

Collected by Mineral and Matter

Description
A 1990s statement ring with a rhinestone bee resting on a wide band of open honeycomb. The bee's body is set in clear pavé stones, with green rhinestone eyes and finely veined gold-tone wings that lift from the surface. The pierced cells of the band let light and skin show through, as if the bee had just landed on the comb. Bold in scale but smooth inside, it wears comfortably as a single focal piece.

Materials
Gold-tone base metal, rhinestones

Details

• Era: 1990s
• Style / design notes: figural bee on an openwork honeycomb cigar band
• Stone or material notes: clear pavé rhinestones with green rhinestone eyes
• Color: gold, clear, and green
• Condition: Good vintage condition, with gold-tone loss on the back of the band and wing edges, and slight darkening to a few stones
• Measurement: size 6

Collected by Mineral and Matter

A large faceted citrine-toned stone sits off-center in a sculptural, curved silver-tone setting, its asymmetry giving the piece real movement on the hand. Pavé rhinestone accents trace the sweeping edges, catching light against the warm amber-gold stone. Bold and architectural, it wears like a small piece of modern sculpture.

Materials: Silver-tone base metal, faceted glass stone, pavé rhinestone accents

Details

• Era: 1980s–1990s
• Style / design notes: Asymmetrical curved setting, pavé rhinestone trim
• Stone or material notes: Large faceted citrine-tone glass stone with round clear rhinestone accents
• Color: Amber-gold stone, silver-tone setting
• Condition: Good vintage condition, please see photos

Measurement: Size 7

Collected by Mineral and Matter

A striking marquise-cut green center stone commands attention, flanked by clusters of small lavender-toned accent stones on each shoulder, set within a sculptural, textured gold-tone mounting. The elongated marquise shape and rich emerald color give this ring real drama, while the lavender accents add a soft, unexpected contrast. A bold statement piece with vintage glamour.

Materials: 18K gold electroplate base metal, green marquise center stone, lavender accent stones

Details:

• Era: 1980s
• Markings: 18K GE
• Style/design notes: Marquise-cut green center stone flanked by clusters of round lavender accent stones, sculptural textured shoulders
• Stone/material notes: Vivid green marquise-cut stone, likely glass or synthetic emerald/spinel given the saturation; lavender accents likely cubic zirconia
• Function: Ring
• Color: Green, gold-tone hardware
• Condition: Good vintage condition, please see photos
• Measurement: Size 6.75

Collected by Mineral and Matter

Hand-forged sterling wire loops and curls into a delicate, hammered scrollwork flourish atop a wrapped multi-wire band. The open, free-form design gives it real handmade character — an artisan take with organic, asymmetrical curls rather than a mirrored, machine-made shape. Unstamped, but the weight and hand-hammered finish read as genuine sterling.

Materials: Sterling silver

Details:
Era: 1970s–1980s
Style/design notes: Hand-forged multi-wire band with wrapped shoulders opening into free-form looped scroll detailing at the top
Color: Silver
Condition: Great vintage condition, please see images
Measurement: Ring size approximately 8 (based on photo)

Collected by Mineral and Matter

A cool blue emerald-cut stone sits prong-set in warm gold, flanked by small bow-shaped shoulders for a touch of vintage sweetness. Signed by Esposito, a maker known for well-made mid-century gold filled pieces, this ring has the weight and finish of costume jewelry built to last. The adjustable band means an easy, comfortable fit. A quiet, classic piece that wears well on its own or stacked.

Materials: 10K gold filled, glass stone

Details:

• Era: 1950s–1960s
• Markings: 10KT G.F. ESPO
• Style / design notes: Emerald-cut center stone, bow motif shoulders, adjustable band
• Stone or material notes: Blue faceted glass stone, emerald cut
• Function: Ring, adjustable
• Color: Gold, blue
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Adjustable band

Collected by Mineral and Matter

A rose-pink stone cut in a stepped octagon is set on point between four long claw prongs, and its facets fold light inward like a pink window. Heavy gold electroplate rings like this were a mainstay of 1960s–1970s jewelry, with a rich gold surface made to last. The split shoulders open around the stone so light passes beneath it. It’s a clean, architectural statement that sits easily on the hand.

Materials:
18K heavy gold electroplate (HGE), glass

size 4.5

Details:

• Era: 1960s–1970s
• Markings: Stamped 18KT HGE on the band
• Style/design notes: Octagonal step-cut stone set on point in four claw prongs; open split shoulders
• Stone or material notes: Faceted Asscher-style rose-pink stone
• Color: Gold, pink
• Condition: Great vintage condition, with light wear on the plating inside the band

Collected by Mineral and Matte

Description:
A small gold flower with a single clear rhinestone heart floats on a cornflower-blue glass cabochon, ringed by eight faceted sapphire-blue stones with a soft aurora shimmer. The antiqued gold-tone setting, scalloped bezel and open gallery give it the heirloom feel of Victorian revival pieces from the 1960s. It reads like a pressed flower kept under glass. The adjustable band makes for an easy fit.

Materials:
Gold-tone metal, glass, rhinestones

Details:

• Era: 1960s
• Style/design notes: Victorian revival cluster ring with a central glass cabochon in a scalloped bezel and an antiqued open gallery
• Stone or material notes: Blue glass cabochon with an applied gold flower and a clear rhinestone center; sapphire-blue aurora borealis rhinestone halo
• Color: Blue, gold
• Condition: Good vintage condition, with light foiling wear on some halo stones, tone wear on the band, and antiquing darkened in the recesses
• Measurement: Adjustable

Collected by Mineral and Matter

Description:
A molded aqua glass cabochon carved with a radiating floral star, like light frozen under water, sits within a halo of pale blue rhinestones. The carved stone recalls the Mughal tradition of engraved gems, a look costume jewelers of the 1960s loved for evening rings with real presence. It’s a bold, glowing statement on the hand, and the adjustable band makes for an easy fit.

Materials:
Silver-tone metal, glass, rhinestones

Details:

• Era: 1960s
• Style/design notes: Oval cocktail ring with a carved-style floral cabochon and a prong-set rhinestone halo
• Stone or material notes: Molded aqua glass center with a radiating floral motif; light blue rhinestone surround
• Color: Aqua, light blue, silver
• Condition: Good vintage condition, with light verdigris on the back of the setting and spotting where the band overlaps
• Measurement: Adjustable

Collected by Mineral and Matter

A large pear-cut stone in saturated ruby red, ringed by a double halo of clear rhinestones that trace its teardrop shape. The openwork gallery behind the stone lets light pass through from the side. A smooth, comfortable band and ball-accented shoulders balance the bold face. Made for evenings, and light enough to wear any day.

Materials Details

• Era: 1970s–1980s
• Markings: Stamped 18k HGE
• Style / design notes: Pear-shaped cocktail ring, prong-set center stone, double rhinestone halo, openwork gallery, ball-accented shoulders
• Stone or material notes: Ruby red glass center stone, clear rhinestones, gold-tone metal (heavy gold electroplate)
• Function: Ring, size 7
• Color: Gold, ruby red, clear
• Condition: Good vintage condition, small chip on the stone, please see images.

Measurement: Size 7

Collected by Mineral and Matter

A vivid oval green stone takes center stage, framed by a starburst halo of sparkling clear accent stones set in white-tone prongs against a warm gold-tone band. The contrast between the saturated green center and icy clear halo gives this ring real presence, with a subtly split shank adding movement to the design. A vibrant, jewel-toned statement ring with a classic cluster silhouette.

Materials: Gold-tone base metal, two-tone prong setting, green center stone, clear accent stones

Details:

• Era: 1980s
• Style/design notes: Oval green center stone framed by a starburst cluster of round clear accent stones, split shank band, two-tone prong setting
• Stone/material notes: Center stone is a vivid green faceted stone, likely glass or synthetic emerald/spinel given the saturation; clear accents likely cubic zirconia
• Function: Ring
• Color: Green with clear accents, gold-tone hardware
• Condition: Good vintage condition, please see photos
• Measurement: Approximately size 9 

Collected by Mineral and Matter

A single oval turquoise cabochon sits in a hand-sawtoothed bezel atop a slim, rounded sterling silver band, giving this 1970s ring an easy, everyday Southwestern character. The stone is a bright, even robin's-egg blue with a smooth, glassy dome. The band is simple and thin, unadorned apart from the bezel setting, making it a natural layering piece alongside other stacking rings.

Materials: Sterling silver, turquoise-hued cabochon stone

Details:

• Era: 1970s
  
• Style/design notes: Round wire band, oval cabochon in a sawtooth bezel setting, Southwestern-inspired design
• Function: Ring, stacking/everyday wear
• Color: Turquoise blue stone, sterling silver
• Condition: Great vintage condition, please see photos
• Measurement: Size 5.75

Collected by Mineral and Matter

Opal has beautiful flashes of colors, making it stand out.  This ring has a 5mm synthetic opal sits in a bezel cup.  Band is .925 sterling silver.

Available in size 4 -11.

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

Two soft, leaf-like ends curve past each other across the finger, each set with a sliver of abalone shell that shimmers in ocean blues, greens, and violet. Bypass rings with abalone inlay were a signature of Mexican silversmithing from the 1960s and 1970s, and they brought a coastal iridescence into fluid, sculptural metal. The silhouette is organic and slightly hand-formed, so it feels more found than made. It’s an easy everyday ring with a quiet pull toward the sea.

Materials
Silver, abalone shell

Details

• Era: 1960s–1970s
• Style / design notes: Bypass design with two curved, leaf-shaped terminals and a hand-finished organic surface
• Stone or material notes: Inlaid abalone shell in segmented pieces, with blue, green, and violet iridescence
• Color: Silver, iridescent blue-green
• Condition: Good vintage condition. The abalone is intact, with natural seams between the segments, small gaps in the setting compound around the edges of the inlay, light surface scratches, and some soft tarnish in the recesses
• Measurement: Size 6.5

Collected by Mineral and Matter

A milky sky-blue cabochon is set in an elongated oval shield of rope twists, beading, and dark recessed scrolls that look like stamped silverwork from the desert Southwest. Sarah Coventry leaned into this Southwestern-inspired look through the 1970s. Its signed adjustable rings were a party-plan favorite, and they’re still among the brand’s most collected pieces. The long shield sits tall along the finger, and the scroll-engraved shank adjusts for an easy fit.

Materials
Silver-tone metal, faux turquoise

Details

• Era: 1970s
• Markings: Stamped “© Sarah Cov” inside the band
• Style / design notes: Elongated oval shield with a rope-twist border, beaded bezel, and oxidized S-scroll and dot accents. The band is engraved with scrollwork
• Stone or material notes: Oval faux turquoise cabochon in marbled sky blue
• Function: Adjustable split shank
• Color: Silver, sky blue
• Condition: Excellent vintage condition. The plating is bright, with only a few tiny spots of wear, and the cabochon is clean
• Measurement: Adjustable size

Collected by Mineral and Matter

A 1970s–1980s cocktail ring centered on a large emerald-cut red stone, deep as garnet in shadow and bright as a cherry in sunlight. Three clear rhinestones line each side, stacked like small stars along the shoulders. Double prongs at each corner hold the center stone high, so light moves through it freely. It gives a lot of presence without much weight.

Materials
Gold-tone and silver-tone metal, red and clear rhinestones

Details

• Era: 1970s–1980s
• Style / design notes: Raised emerald-cut center in double-claw prongs, with three-stone clear accents on each shoulder
• Stone or material notes: Faceted red emerald-cut rhinestone with clear round rhinestones
• Function: Ring
• Color: Gold, silver, ruby red, clear
• Condition: Good vintage condition, with gold-tone wear on the band
• Measurement: Size 6

Collected by Mineral and Matter

A 1970s–1980s solitaire by Lind, finished in 14K heavy gold electroplate, with a round faceted clear stone raised in four slim prongs. Silver-tone leaves with beaded detailing sweep up from each shoulder and cradle the stone like petals around a bud. Carved gold-tone ridges along the band add texture. Classic in shape, with enough detail to stand on its own or stack.

Materials
14K heavy gold electroplate, clear faceted stone

Details

• Era: 1970s–1980s
• Markings: 14K HGE, Lind
• Style / design notes: Four-prong solitaire with two-tone beaded leaf shoulders and ridged band
• Stone or material notes: Round faceted clear stone
• Function: Ring
• Color: Gold, silver, clear
• Condition: Great vintage condition, with light wear to the gold tone inside the band
• Measurement: Size 6.25

Collected by Mineral and Matter

A large oval stone in deep garnet red, set high in a four-prong mount and flanked by clear half-moon accents. Pavé-set sparkle runs along the shoulders, and the broad band carries a soft brushed finish on the underside. The color shifts from wine to ember as it catches the light. Bold enough to anchor an evening look, comfortable enough for everyday wear.

Materials Details

• Era: 1980-90's
• Style / design notes: Oval cocktail ring, four-prong setting, half-moon side stones, pavé shoulders, wide brushed band
• Stone or material notes: Red glass or cubic zirconia center stone, clear cubic zirconia accents, silver-tone metal
• Function: Ring, size 7
• Color: Garnet red, clear, silver
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Description
A 1970s cocktail ring centered on a pear-cut stone in deep amber, warm as honey held to the light. A halo of clear rhinestones follows the teardrop outline, each set in its own small collet. The mount is 18 karat heavy gold electroplate, a finish widely used for costume jewelry of the decade. The tall, open gallery lets light pass through the stone from behind.

Materials
18KT heavy gold electroplate over base metal, glass stone, rhinestones

Details

• Era: 1970s
• Markings: 18KT H.G.E. with maker's mark inside the band
• Style / design notes: pear-shaped halo cocktail ring with ribbed open gallery
• Stone or material notes: faceted amber topaz-colored glass center with clear rhinestone surround
• Color: amber, clear, and gold
• Condition: Good vintage condition, with surface wear to the center stone and light wear to the gold plating on the band
• Measurement: size 6

Collected by Mineral and Matter

A pear-cut pink stone anchors this piece, flanked by a pair of trillion-cut clear stones set at an angle, like petals catching light from a single source. The three-stone architecture is classic cocktail-ring geometry, built for a bit of drama without excess. Warm gold electroplate frames the cool clarity of the side stones against the stone's rose-quartz blush.

Materials: 18K gold electroplate over base metal, pear-cut pink cubic zirconia, trillion-cut clear cubic zirconia accents

Details

• Era: 1980s
• Markings: Stamped 18K GE
• Style / design notes: Three-stone setting, pear-cut center flanked by trillion-cut side stones
• Stone or material notes: Pink pear-cut CZ center, two clear trillion-cut CZ accents
• Color: Gold with pink and clear stones
• Condition: Good vintage condition, light plating wear visible at the shank
• Measurement: Size 7

Collected by Mineral and Matter

A bold cluster of four faceted stones fills the front of this ring, mixing a clear round stone, a rectangular olive-green stone, a smoky brown oval, and a fiery orange oval, all anchored by a tiny clear accent stone at the center. Each stone is prong-set individually against a polished silver-tone band, giving the piece a striking, jewel-box look with plenty of sparkle and color contrast. The adjustable band makes this a versatile statement piece.

Materials: Silver-tone base metal, faceted cubic zirconia stones

Details:

• Era: 1990s–2000s
• Style/design notes: Four-stone cluster with mixed shapes (round, emerald-cut, and oval), individual prong settings, small center accent stone
• Function: Ring, statement/cocktail style, adjustable band
• Color: Clear, olive green, smoky brown, and orange stones, silver-tone metal
• Condition: Great vintage condition, please see photos
• Measurement: Adjustable, fits approximately size 6–8

Collected by Mineral and Matter

A ring of faceted blue rhinestones fans out like petals around a smooth, pale blue cabochon center, giving this Avon piece a dimensional, flower-like presence. The silver-tone setting has a scalloped, prong-set finish on each stone, with small bead accents finishing the design at the edges. Signed by Avon, this 1970s cocktail ring adds a soft pop of color that pairs easily with both silver and gold-tone pieces.

Materials: Silver-tone base metal, glass rhinestones, glass cabochon

Details:

• Era: 1970s
• Markings: Avon
• Style/design notes: Floral cluster design, faceted rhinestone petals around a central cabochon, scalloped prong settings
• Function: Ring, cocktail/statement style
• Color: Blue rhinestones, pale blue cabochon, silver-tone metal
• Condition: Great vintage condition, please see photos
• Measurement: Size 4–5

Collected by Mineral and Matter

A large emerald-cut blue stone sits like a piece of sky held in place by simple gold prongs, its stepped facets catching light with quiet clarity. The clean architectural setting keeps all the attention on the stone, sized generously enough to make a real statement. Bold and easy to wear on its own.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Stamped 18K Elec. Plate
• Style / design notes: Emerald-cut solitaire, four-prong setting, open gallery
• Stone or material notes: Large emerald-cut blue glass or crystal stone
• Color: Gold-tone with light blue stone
• Condition: good vintage condition

Measurement: Size 9

Collected by Mineral and Matter

A round cultured pearl rests at the center like a small moon, ringed by a full halo of clear cubic zirconia that catches light from every angle. The split shoulders keep the setting light despite its size, making it easy to wear from morning into evening. A genuine pearl at heart, dressed for a bit of occasion.

Materials

Details

• Era: Late 20th century
• Style / design notes: Round pearl solitaire, full CZ halo, split shoulders
• Stone or material notes: Genuine cultured pearl (according to the tooth test), clear cubic zirconia halo
• Color: Silver-tone with white pearl
• Condition: Excellent vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A large square-cut peridot-green stone sits high in a modernist, bar-set frame, with a split shank that curves and crosses beneath it. The bold, minimal setting lets the stone take full center stage — clean lines with real color impact. Stamped 925 sterling.

Materials
Sterling silver, peridot-tone faceted stone

Details

• Style / design notes: Large square-cut center stone, bar-set modernist frame, split shank
• Color: Silver with green stone
• Condition: vintage with gentle surface wear consistent with age, stone shifts slightly in setting
• Measurement: Size 7

Collected by Mineral and Matter

A large emerald-cut aqua blue rhinestone dominates this silver-tone Avon ring, set high in a four-prong corner setting with open scrollwork shoulders that keep the design light despite the stone's scale. The pale blue-gray color reads like shallow ocean water held in place — cool, clear, and quietly arresting. Avon produced rings of this quality and proportion throughout the 1970s and into the 80s, drawing on fine jewelry proportions to give their costume pieces genuine presence. A strong cocktail ring with an understated elegance.

Materials: Silver-tone base metal, aqua blue faceted glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Emerald-cut solitaire, four corner prongs, open scrollwork shoulders
• Stone notes: Faceted aqua blue glass rhinestone, emerald cut
• Color: Silver, aqua blue
• Condition: Excellent vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

A deep purple pear-cut stone sits at the center of a full sunburst halo, clear rhinestones radiating outward in two-tone silver and gold settings. The pear shape gives the piece a directional pull, almost like a drop of ink caught mid-fall. It's a substantial cocktail ring built for evening wear, its two-tone metalwork adding dimension against the stone's saturated color.

Materials: Gold-tone base metal with silver-tone stone settings, pear-cut purple rhinestone, clear round rhinestone halo

Details

• Era: 1980s
• Style / design notes: Full sunburst halo setting around a pear-cut center stone, two-tone gold and silver-tone metalwork
• Stone or material notes: Pear-cut purple (amethyst-effect) rhinestone, halo of round clear rhinestones
• Color: Gold-tone with purple and clear stones
• Condition: Good vintage condition, please see images
• Measurement: Size 6

Collected by Mineral and Matter

Description:
A long marquise stone in deep violet and berry tones lies across rows of twisted gold rope, like a lantern set over woven cord. Heavy gold electroplate rings like this were a hallmark of 1960s–1970s jewelry, finished with a rich, lasting gold surface. The open rope gallery lets light through beneath the stone. The broad, ribbed shoulders make it a confident statement piece that sits comfortably on the hand.

Materials:
18K heavy gold electroplate (HGE), glass

Details:

• Era: 1960s–1970s
• Markings: Stamped 18K H.G.E. L.C.I. inside the band
• Style/design notes: Marquise solitaire in a heart-tip two-prong setting; open gallery of twisted rope rows with ribbed shoulders
• Stone or material notes: Faceted marquise amethyst-toned stone
• Color: Gold, purple
• Condition: Great vintage condition, with light wear on the plating at the back of the band
• Measurement: Size 6

Collected by Mineral and Matter

Description:
A large faceted oval in soft blush pink sits high in six beaded prongs, its facets throwing rose and lilac light like a sunrise held in glass. The split shank opens into three slender rails on each side, a clean, modern setting typical of 1970s–1980s cocktail rings. It’s bold enough to stand alone and wears comfortably every day.

Materials:
Gold-tone metal, rhinestone

Details:

• Era: 1970s–1980s
• Style/design notes: Oval solitaire in a six-prong beaded setting on a triple split shank
• Stone or material notes: Large faceted oval pink rhinestone
• Color: Gold, blush pink
• Condition: Good vintage condition, with light surface scratches on the stone and minor tone wear inside the band
• Measurement: Size 9

Collected by Mineral and Matter

Description:
A violet pear-cut stone rests in a gold-tone frame like a single drop of dusk. Two pairs of clear accents flank it, and an open chevron rises above it. Clean, gemstone-inspired designs like this were everyday favorites in the 1980s. The faceting throws flashes of lilac and plum, and the slim band sits comfortably for daily wear.

Materials:
Gold-tone metal, rhinestones

Details:

• Era: 1980s
• Style/design notes: Pear-cut solitaire with paired side accents and an open chevron crown
• Stone or material notes: Faceted amethyst-toned pear stone; clear round accents
• Color: Gold, purple, clear
• Condition: Great vintage condition, with light wear on the band
• Measurement: Size 7

Collected by Mineral and Matter

Description:
A single amethyst-toned stone glows at the center of a long oval plaque, framed by pierced teardrop petals and two rows of fine beading. The antiqued recesses and Victorian outline belong to Avon’s romantic heirloom-style jewelry of the 1970s–1980s, inspired by nineteenth-century sentiment rings. Split shoulders lift the face gracefully. It reads elegant on its own and stacks well with other silver pieces.

Materials:
Silver-tone metal, rhinestone

Details:

• Era: 1970s–1980s
• Markings: Signed Avon on the back of the plaque
• Style/design notes: Victorian revival oval plaque with pierced teardrop openwork, double beaded border, and split shoulders
• Stone or material notes: Round bezel-set amethyst-toned rhinestone
• Color: Silver, purple
• Condition: Great vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

Description:
A single rose opens at the center of a polished oval frame, its stem curving upward through pairs of leaves, like a garden seen through a window. The darkened recesses give the bloom depth against the bright frame. This romantic, Art Nouveau-leaning style was a favorite of Avon’s 1970s–1980s jewelry. Open and light on the hand, it adjusts easily for a comfortable fit.

Materials:
Silver-tone metal

Details:

• Era: 1970s–1980s
• Markings: Signed Avon on the back of the rose
• Style/design notes: Open oval frame with a sculpted rose, curving stem, and leaf sprays; antiqued recesses
• Color: Silver
• Condition: Good vintage condition, with light verdigris on the back of the rose and leaves
• Measurement: Adjustable, sizes 4.5–6.5

Collected by Mineral and Matter

A large emerald-cut stone in saturated ruby red, framed by twisted rope bands in antiqued gold tone. The blackened recesses deepen the gold, giving the piece the weight of a small heirloom. Open scrollwork on the gallery lets light through from beneath. The adjustable band makes it easy to fit, and it wears as boldly as it looks.

Materials Details

• Era: 1960s–1970s
• Markings: Stamped ©Sarah Cov.
• Style / design notes: Emerald-cut cocktail ring, four-prong setting, layered rope frame, antiqued finish, openwork gallery, adjustable shank
• Stone or material notes: Ruby red glass stone, antiqued gold-tone metal with silver-tone prongs
• Function: Adjustable ring
• Color: Ruby red, gold, black
• Condition: Great vintage condition, wear/tone loss on the back of the band, please see images.

Measurement: Adjustable

Collected by Mineral and Matter

A large emerald-cut stone in saturated ruby red, held in a double-prong setting with stepped facets that catch the light in blocks of crimson. Triple rhinestone accents flank each side, adding a quiet sparkle against the deep color. The wide, flat band feels substantial and sits comfortably on the hand. A bold, geometric piece with the glamour of old Hollywood.

Materials Details

• Era: 1970s–1980s
• Markings: Stamped 18KTGE
• Style / design notes: Emerald-cut cocktail ring, double-prong setting, triple rhinestone shoulders, wide flat band
• Stone or material notes: Ruby red glass center stone, clear rhinestone accents, gold-tone metal (gold electroplate) with silver-tone prongs
• Function: Ring, size 8
• Color: Ruby red, gold, silver, clear
• Condition: Good vintage condition, a bit of wear throughout, please see images

Measurement: Size 8

Collected by Mineral and Matter

A tiered cluster of ruby red and clear stones, arranged like a flower opening at its center. A single red stone anchors the middle, ringed by sparkling clear stones and a outer border of deep red. The split shoulders lift the setting and keep the profile light on the hand. A small, jewel-toned ring for everyday wear.

Materials Details

• Era: 1970s–1980s
• Markings: Stamped 18k imgelcl
• Style / design notes: Tiered floral cluster ring, prong-set stones, split shoulder band
• Stone or material notes: Red and clear rhinestones, gold-tone metal
• Function: Ring, size 7
• Color: Gold, ruby red, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A layered blossom of brushed gold-tone petals surrounds a round smoky topaz rhinestone, set within a fine beaded rim. The petals overlap like a dahlia in full bloom, catching the light at different angles. An adjustable split band makes it easy to fit and comfortable for everyday wear. A warm, earthy piece that pairs well with autumn tones.

Materials Details

• Era: 1970s
• Markings: Stamped Avon on the underside
• Style / design notes: Dimensional flower ring with overlapping brushed petals, beaded bezel, adjustable split shank
• Stone or material notes: Gold-tone metal, smoky topaz-colored rhinestone
• Function: Adjustable ring
• Color: Gold, smoky brown
• Condition: Great vintage condition

Measurement: Adjustable, size 5-7

Collected by Mineral and Matter