A mischievous kitten stands on its hind legs with a jaunty bow at its neck, holding up a tiny bell that really rings. Bright blue rhinestone eyes peek out from open-cut sockets, and finely etched fur gives the cat a soft, lifelike texture. Playful figural pins like this were a signature of Avon’s 1970s jewelry line, made to be both charming and a little silly. It’s light enough for a sweater or a coat lapel, and the bell chimes softly with every step.

Materials:
Gold-tone metal, rhinestones

Details:

• Era: 1970s
• Markings: Signed Avon on the back
• Style/design notes: Standing kitten with a bow collar and a dangling bell charm; open-cut eyes and etched fur texture
• Stone or material notes: Round blue rhinestone eyes
• Function: Pin back with a rollover safety clasp; the bell rings
• Color: Gold, blue
• Condition: Great vintage condition, with light tone wear and small dark spots on the back

Collected by Mineral and Matter

A gold-tone frog climbs upward mid-leap, its textured limbs stretched wide. Its back is enameled in a deep violet stripe edged in forest green, and small blue rhinestone eyes catch the light. Lifelike animal brooches like this were a 1980s favorite, playful yet carefully modeled. The dimensional body and pebbled skin give it real character, and it looks as if it’s climbing up a lapel or the shoulder of a coat.

Materials:
Gold-tone metal, enamel, rhinestones

Details:

• Era: 1980s
• Style/design notes: Dimensional climbing frog with a pebbled texture and an enameled back
• Stone or material notes: Violet and forest-green enamel; small blue rhinestone eyes
• Function: Pin back with a rollover safety clasp
• Color: Gold, purple, green
• Condition: Great vintage condition, with light surface wear
• Measurement: 1" × 2"

Collected by Mineral and Matter

A sweeping ribbon bow in glossy black enamel, edged in gold and finished with fine gilded stripes, gathers at the center under a stamped gold flower with a pink stone heart. Black enamel bows were a defining motif of the Victorian era, worn for mourning and sentiment and as quiet everyday adornment. The long pin stem and simple C-clasp on the back are characteristic of nineteenth-century construction. The contrast of black and gold makes it both solemn and sweet, and it sits beautifully on a coat collar, a velvet ribbon or a hat.

Materials:
Gilt brass, enamel, paste stone

Details:

• Era: Victorian
• Style/design notes: Sculpted ribbon bow with painted gilt stripes and a stamped flower center
• Stone or material notes: Round pink paste stone at the flower’s center
• Function: Long pin stem with a C-clasp
• Color: Black, gold, pink
• Condition: Good antique condition. The enamel is chipped on the right ribbon tail and at the left edge, the gilt is worn along the outer edges, and there’s light spotting on the back.

Collected by Mineral and Matter

A small gold-tone owl with tufted ears and a sharp gaze holds a glossy black cabochon at its heart, like a moonless night tucked under its wing. Swank, the American maker known for cufflinks and men’s accessories, made novelty tie tacks like this through the 1960s–1970s. The feathers are crisply textured, and the dark stone gives the tiny owl real presence. It’s equally at home on a tie, a lapel, a scarf or a hat band, and it stays secure with a clutch back.

Materials:
Gold-tone metal, black glass cabochon

Details:

• Era: 1960s–1970s
• Markings: Signed Swank on the back
• Style/design notes: Owl tie tack with tufted ears and a textured feather body
• Stone or material notes: Oval black glass cabochon body
• Function: Tie tack with a clutch back
• Color: Gold, black
• Condition: Excellent vintage condition

Collected by Mineral and Matter

A wise little owl with green rhinestone eyes and rows of brushed gold feathers keeps a secret: his chest swings open on a tiny hinge to reveal a compartment of solid perfume. This is Avon’s Jeweled Owl glacé pin from 1969, a playful mix of brooch and keepsake that was typical of the era’s beauty novelties. Behind the pierced lattice back, the original fragrance tin is still in place. It wears beautifully on a coat lapel or a knit, with a clever surprise inside.

Materials:
Gold-tone metal, rhinestones, original solid perfume insert

Details:

• Era: 1969
• Markings: Signed Avon on the back; original Avon perfume glacé label on the insert
• Style/design notes: Avon “Jeweled Owl”; hinged locket body with scalloped feather texture and a pierced lattice back
• Stone or material notes: Round faceted green rhinestone eyes
• Function: Pin back with a C-clasp; the front opens to a solid perfume compartment
• Color: Gold, green
• Condition: Good vintage condition, with orange discoloration on the upper feathers. The perfume inside is aged and has seeped onto the inside of the lid. Sold as a collectible, not for use as perfume.
• Measurement: 1.3" × 2"

Collected by Mineral and Matter

An open wire heart frames a looped flower, and a spray of rhinestone-tipped rays falls beneath it like a trail of shooting stars. The brooch dates to the 1940s and has the airy, sculptural line of Retro-era wirework. The center rhinestone is ringed by looped petals, and the slender rays fan out below, each finished with its own prong-set stone. It is light and open, and works as a romantic accent on a lapel or the collar of a coat.

Materials
Gold-tone metal, clear and smoky rhinestones

Details

• Era: 1940s
• Style / design notes: Open wire heart with a looped petal flower and a fanned shooting star spray
• Stone or material notes: Prong-set round rhinestones in clear and smoky gray
• Function: Brooch with C-clasp pin back
• Color: Gold tone, clear, smoky gray
• Condition: Good vintage condition. Several stones are clouded or darkened, the gold tone is lightly worn, and there are small spots of verdigris on the back.
• Measurement: 1" x 1.9"

Collected by Mineral and Matter

A large faux pearl rests at the center of this brooch like a full moon, flanked by smaller pearl petals and seed pearl accents. It dates to the 1980s and is made in the Victorian revival style. The frame is shaped like a pointed shield and edged with beading, embossed scrollwork and openwork finials. Even the back is stamped with a swirling acanthus pattern, a detail most people will never see. The piece looks romantic on a lapel or the collar of a soft blouse.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Style / design notes: Victorian revival shield-shaped frame with beaded bezels, embossed scrolls, openwork finials and a scroll-patterned back
• Stone or material notes: Large oval cream faux pearl cabochon, two navette faux pearl cabochons and four small round faux pearls
• Function: Brooch with a pin back and rollover safety clasp
• Color: Antiqued gold tone, cream
• Condition: Great vintage condition. Light wear to the coating on the center pearl and minor surface marks on the frame.
• Measurement: 1.1" x 2.1"

Collected by Mineral and Matter

Two moonlike discs of mother of pearl rest among stamped gold-tone leaves, blossoms, and clusters of faux pearls, like a garden caught under a full sky. Made in the 1950s–1960s, this brooch follows the layered, hand-assembled style made famous by Miriam Haskell. Aurora borealis rhinestones catch light between the petals, and an openwork filigree leaf forms the back. Rich in detail, easy to wear on a coat lapel, scarf, or hat.

Materials
Gold-tone metal, mother of pearl, faux pearls, aurora borealis rhinestones

Details

• Era: 1950s–1960s
• Style / design notes: Layered floral cluster in the Miriam Haskell manner, stamped leaves and flowers, openwork filigree leaf back
• Stone or material notes: Two mother of pearl discs, graduated faux pearls and seed pearl clusters, aurora borealis rhinestone accents
• Function: Pin brooch with C-clasp and safety chain loop
• Color: Gold, pearl white, iridescent
• Condition: Good vintage condition, light coating wear to faux pearls
• Measurement: 1.25" x 1.5"

Collected by Mineral and Matter

Collected by Mineral and Matter

Description
Four soft faux pearls sit along the curve of this gold wishbone like a small string of moons. It dates to the 1950s, when wishbone pins were a favorite token of good luck. The polished arms taper to a fine point, and each pearl is held high in its own crown setting so the glow comes through. It is light and easy to wear, a sweet charm for a lapel, collar or scarf.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1950s
• Style / design notes: Wishbone design with a polished front, brushed back and tapered arms
• Stone or material notes: Four round cream faux pearls with soft pink luster, each in a crown prong setting
• Function: Brooch with a C-clasp pin back
• Color: Gold tone, cream
• Condition: Excellent vintage condition. Light surface wear to the gold tone on the back.

Collected by Mineral and Matter

Description
Black square stones and small faux pearls alternate along this slender bar pin, like night sky meeting moonlight. It dates to the 1940s and follows the clean geometry of Art Deco design. The black glass is French-cut and channel set in rows of three, so every facet catches the light. Engraved sides add a quiet hand-finished detail. Wear it on a lapel, a collar or the edge of a scarf for a quietly elegant finish.

Materials
Silver-tone metal, black glass, faux pearls

Details

• Era: 1940s
• Style / design notes: Art Deco revival bar pin with alternating channel-set stones and pearl sections, and engraved side edges
• Stone or material notes: Square French-cut black glass stones and round cream faux pearls, sterling silver
• Function: Bar pin with C-clasp closure
• Color: Silver tone, black, cream
• Condition: Great vintage condition. Light wear on the faux pearls and mild patina on the back of the setting.

Collected by Mineral and Matter

Description
An oval of soft cream enamel sits at the center of this brooch like a pale moon framed by silver lace. It dates to the 1970s and is styled in the Victorian revival manner. The diamond-shaped frame is built from curling scrolls with beaded edges and finished with fleur-de-lis points at all four corners. Small textured triangles around the center add quiet detail. It is light and easy to wear on a lapel, a scarf, or the collar of a cardigan.

Materials
Silver-tone metal, cream enamel

Details

• Era: 1970s
• Style / design notes: Victorian revival filigree frame with fleur-de-lis points, beaded scrollwork, and a raised square bezel
• Stone or material notes: Domed oval center in cream enamel
• Function: Brooch with a C-clasp pin back
• Color: Silver tone, cream
• Condition: Excellent vintage condition. A few tiny dark specks appear in the enamel.

Collected by Mineral and Matter

Description
Six oval periwinkle cabochons fan out from this brooch like a cluster of pale blue moons, set above a small cameo of a woman in profile. It is a signed Cathé piece from the 1950s–1960s, made with the layered, sculptural feel the house was known for. A curved stem of light blue rhinestones arcs alongside the cameo and adds a touch of sparkle beside the soft, milky glass. The brooch is romantic and full of color, and it looks lovely on a coat lapel or pinned to a simple neckline.

Materials
Gold-tone metal, blue glass cabochons, blue rhinestones, resin cameo

Details

• Era: 1950s–1960s
• Markings: Signed Cathé on the pin bar
• Style / design notes: Spray brooch with oval cabochons on curved stems and a cameo accent at the base
• Stone or material notes: Periwinkle satin glass cabochons in crown bezels, a cameo in a prong setting, and prong-set light blue and dark blue rhinestones
• Function: Brooch with a pin back and rollover safety clasp
• Color: Gold tone, periwinkle, light blue, cream
• Condition: Good vintage condition. A few cabochons have light surface wear and small marks, one accent rhinestone is darkened, and the gold tone shows light wear.

Collected by Mineral and Matter

Description
A large faux pearl rests at the center of this brooch, with layers of curling petals radiating out like the rays of a small sun. It is a Spanish damascene piece from the 1950s–1960s, made in the Toledo tradition. Each petal is inlaid with gold-tone scrollwork and edged in a fine silver-tone dotted texture. The two tiers of petals give it real depth, and it catches warm light from every angle. Pin it to a coat lapel, a scarf, or the shoulder of a simple knit.

Materials
Gold-tone and silver-tone damascene metal, faux pearl

Details

• Era: 1950s–1960s
• Style / design notes: Two-tier sunburst flower with damascene-style inlaid scrolls and a dotted silver-tone texture
• Stone or material notes: Large round cream faux pearl set in a prong cup
• Function: Brooch with a C-clasp pin back
• Color: Gold tone, silver tone, cream
• Condition: Good vintage condition. The faux pearl has small chips and coating loss, and the gold tone is lightly worn on a few petal tips.

Collected by Mineral and Matter

A clear domed heart holds a single tiny seed, the traditional mustard seed token of faith. It hangs from a small cross beneath a textured gold-tone bow. The heart swings softly with movement, and the butterfly-clutch pin sits lightly on a lapel, collar, or knit. Quiet, symbolic, and easy to wear every day.

Materials Details

• Era: 1980s
• Markings: Stamped D on pin backing
• Style / design notes: Mustard seed pin, textured ribbon bow, dangling cross, domed heart with textured gold border on reverse
• Stone or material notes: Gold-tone metal, clear acrylic heart
• Function: Pin with clutch back
• Color: Gold, clear
• Condition: Great vintage condition

Measurement: 0.75" by 1.5"

Collected by Mineral and Matter

A pierced filigree medallion in a pointed oval, its petals edged in fine beading and scrolled detail. A softly textured dome sits at the center, and the open lacework lets light and fabric show through. The reverse is engraved with a swirling pattern, a small detail for something so light. Easy to pin to a lapel, scarf, or knit.

Materials Details

• Era: 1970s–1980s
• Style / design notes: Victorian revival filigree, pierced floral medallion with beaded edging, engraved scroll pattern on the reverse
• Stone or material notes: Gold-tone metal
• Function: Pin brooch
• Color: Antiqued gold
• Condition: Good vintage condition

Measurement: 1" by 1.75"

Collected by Mineral and Matter

Description
A 1970s–1980s sterling brooch drawn in one continuous line, curling at each end like a fern frond or the arm of a spiral galaxy. Rows of faceted marcasites trace the curves, set against darkened, bead-textured silver that gives them depth. The openwork keeps it light, and the Art Deco revival styling sits easily with modern tailoring. A quiet glint for a lapel, collar, or knit.

Materials
Sterling silver, marcasite

Details

• Era: 1970s–1980s
• Markings: 925
• Style / design notes: Art Deco revival S-scroll with openwork loops, fanned inner curves, and beaded milgrain texture
• Stone or material notes: Faceted marcasites throughout
• Function: Brooch with pin stem and rollover safety clasp
• Color: Silver, gunmetal gray
• Condition: Great vintage condition, with patina on the reverse
• Measurement: 2"

Collected by Mineral and Matter

Description
A 1970s–1980s sterling brooch drawn in one continuous line, curling at each end like a fern frond or the arm of a spiral galaxy. Rows of faceted marcasites trace the curves, set against darkened, bead-textured silver that gives them depth. The openwork keeps it light, and the Art Deco revival styling sits easily with modern tailoring. A quiet glint for a lapel, collar, or knit.

Materials
Sterling silver, marcasite

Details

• Era: 1970s–1980s
• Markings: 925
• Style / design notes: Art Deco revival S-scroll with openwork loops, fanned inner curves, and beaded milgrain texture
• Stone or material notes: Faceted marcasites throughout
• Function: Brooch with pin stem and rollover safety clasp
• Color: Silver, gunmetal gray
• Condition: Great vintage condition, with patina on the reverse
• Measurement: 2"

Collected by Mineral and Matter

Description
A late 1960s–1970s Sarah Coventry design known as “Black Beauty,” built like a small eclipse: a domed black cabochon at the center, with rings of silver-tone openwork radiating outward. Beaded borders and pointed lattice give it the feel of a sun’s corona or a snowflake under glass. The open construction keeps it light on fabric. A clean, graphic piece for a lapel, scarf, or coat.

Materials
Silver-tone metal, black cabochon

Details

• Era: 1960s–1970s
• Markings: © Sarah Cov
• Style / design notes: “Black Beauty” design; round sunburst openwork with concentric beaded rings and star-point lattice
• Stone or material notes: Domed black cabochon
• Function: Brooch with pin stem and rollover safety clasp
• Color: Silver, black
• Condition: Good vintage condition, with light surface scuffs to the black cabochon visible in the photos
• Measurement: 1.5"

Collected by Mineral and Matter

Description
A sterling ribbon caught mid-flutter, shaped in the 1940s when silver stood in for scarcer metals and bows softened every lapel. The loops are open and dimensional, with ribbed detailing along one curve and tails that taper like leaves. Folded sheet construction gives it lightness and a mirror-bright surface. An easy piece for a collar, a coat, or a hat band.

Materials
Sterling silver

Details

• Era: 1940s
• Markings: STERLING
• Style / design notes: Retro-era three-dimensional ribbon bow with wrapped center knot, ribbed accent, and tapered tails
• Function: Brooch with pin stem and rollover safety clasp
• Color: Silver
• Condition: Great vintage condition, with light surface scratches visible in the photos
• Measurement: 1.5"

Collected by Mineral and Matter

Description
A set of three 1960s bee scatter pins, one larger and two small, made to be worn together as a little swarm. Their wings are painted in pale blue enamel feathered with teal, and their bodies are banded in black against silver-tone faux marcasite. Pink rhinestone eyes give each one a bright, curious look. Scatter pins like these were meant to be placed freely across a collar, lapel, or hat.

Materials
Silver-tone base metal, enamel, rhinestones

Details

• Era: 1960s
• Style / design notes: figural bee scatter pins with enameled wings and striped bodies, one large and two small
• Stone or material notes: faux marcasite texture with pink rhinestone eyes and teal accents
• Function: brooches with rollover safety clasps
• Color: pale blue, teal, black, and silver
• Condition: Good vintage condition, with enamel wear on the wings of the largest bee and light wear to the silver-tone finish
• Measurement: large bee 1", two small bees 0.6" each

Collected by Mineral and Matter

Description
A 1950s–1960s Pell cat brooch, seated with one paw raised and covered in pavé rhinestones. Baguette stones trace the collar and the curve of the back, and two green rhinestone eyes give the face its spark. Pell was known for bright rhodium-plated figurals with hand-set stones, and this one shows that care in every small setting. A playful piece that sits easily on a lapel or collar.

Materials
Silver-tone rhodium-plated metal, rhinestones

Details

• Era: 1950s–1960s
• Markings: Pell on reverse
• Style / design notes: Figural seated cat with raised paw, pavé-set body, baguette collar and back detail
• Stone or material notes: Clear round and baguette rhinestones with green rhinestone eyes
• Function: Pin back with roll-over safety clasp
• Color: Silver-tone, clear, green
• Condition: Good vintage condition, some rhinestones have yellowed and a few are missing. 
• Measurement: 1.5"

Collected by Mineral and Matter

Description
Two playful cats arch and stretch mid-pounce, each dressed in a glossy red bow tie and watching with dark almond eyes. These 1980s gold-tone brooches have a sly, mischievous charm, their curling tails and outstretched paws full of movement. Wear them together on a lapel or collar, or split them between a coat and a scarf. A sweet pair for cat lovers with a sense of whimsy.

Materials
Gold-tone metal, enamel

Sold as a pair

Details

• Era: 1980s
• Markings: Taiwan
• Style / design notes: Figural stretching cats with arched backs, curled tails, black enamel eyes, and red enamel bow ties, sold as a set of two
• Function: Pin back with rollover clasp
• Color: Gold, red, black
• Condition: Good vintage condition, light gold-tone wear and spotting
• Measurement: 1.25" each

Collected by Mineral and Matter

Description
A lion's face emerges in sculpted gold, mane swept back as if caught in a warm desert wind. This 1970s tie tack is richly detailed for its small scale, from the furrowed brow to the textured fur framing the muzzle. A classic emblem of strength and the sun, it adds quiet presence to a lapel, collar, hat, or tie. Secured with a clutch back.

Materials
Gold-tone metal

Details

• Era: 1970s
• Style / design notes: Stamped Avon. Three-dimensional sculpted lion head with detailed mane, ears, and muzzle
• Function: Tie tack or lapel pin with clutch back
• Color: Gold
• Condition: Good vintage condition, discoloration to the inside of the clutch back
• Measurement: .5"

Collected by Mineral and Matter

Description
An open heart wrapped in deeply embossed scrolls and beading is tied at the top with a filigree bow, like a keepsake bound in ribbon. This 1980s Victorian revival brooch has an antiqued gold-tone finish that settles into the recesses of the pattern, bringing every swirl and cutout into relief. The generous open shape lets fabric show through, so it reads as delicate despite its size. A romantic statement for a coat lapel, scarf, or winter knit.

Materials
Gold-tone metal with antiqued finish

Details

• Era: 1980s
• Style / design notes: Victorian revival open heart with embossed scrollwork, pierced filigree bow at top
• Function: Brooch with pin back and C-clasp
• Color: Antiqued gold
• Condition: Great vintage condition, with light wear to the finish on the high points and minor darkening on the reverse
• Measurement: 2.5 in x 2.25 in

Collected by Mineral and Matter

Description
A small sculpted rosebud tops a slender gold-tone stick pin, a single clear rhinestone glinting at its heart like dew caught at first light. This 1970s–1980s pin has layered, hand-curled-look petals that give the tiny bloom real depth. It works on a lapel, scarf, hat band, or collar, adding a quiet floral accent without overwhelming. It's secured with a clutch back for easy, confident wear.

Materials
Gold-tone metal, clear rhinestone

Details

• Era: 1970s–1980s
• Style / design notes: Sculpted layered-petal rosebud on a straight stick pin
• Stone or material notes: Single clear rhinestone center
• Function: Stick pin with clutch back
• Color: Gold, clear
• Condition: Great vintage condition, with light wear to the petal finish and a slight bend at the top of the pin shaft beneath the rose
• Measurement: 2.25 in

Collected by Mineral and Matter

Description
A polished gold-tone ribbon folds into a crisp, architectural bow, its tails curling into soft scrolls like light bending around a planet's rings. This 1940s Coro brooch has the bold, dimensional styling of the Retro era, when bows were a signature motif and gold-tone metals stood in for wartime-scarce precious materials. The wrapped center knot and faceted ribbon planes catch the light from every angle. It sits easily on a lapel, coat, or scarf.

Materials
Gold-tone metal

Details

• Era: 1940s
• Markings: Coro in script on pin bar
• Style / design notes: Retro-era sculptural bow with wrapped center knot, faceted ribbon planes, scrolled tails
• Function: Brooch with pin back and C-clasp
• Color: Gold
• Condition: Great vintage condition, with light surface scratches on the front and minor spotting on the reverse
• Measurement: 2.5 in

Collected by Mineral and Matter

A miniature butterfly cast in gold-tone metal, its wings ribbed and finely textured to catch the light from every angle. Small enough to wear without fuss, on a lapel, hat, or scarf. A quiet nod to nature in a compact, wearable form.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Style / design notes: Textured ribbed wings, clutch-back tie tack fastening
• Color: Gold tone
• Condition: Good vintage condition, please see images
• Measurement: 0.6" x 0.6"

Collected by Mineral and Matter

A single rose, red enamel folded over gold-tone petals, rests on a slim stem with two small leaves. Compact and unfussy, this is a lapel pin in the truest sense, meant to be noticed but never shouted. Wear it on a collar, jacket, or hat brim, wherever a small bloom belongs.

Materials
Gold-tone base metal, peachy pink enamel

Details

• Era: 1970s–1980s
• Style / design notes: Single rose with stem and leaves, clutch-back tie tack fastening
• Color: Gold tone, red
• Condition: Good vintage condition, please see images
• Measurement: 0.25" x 0.75"

Collected by Mineral and Matter

A textured gold-tone "S" curves in confident cursive, signed by Mamselle on the reverse. The brushed finish catches light along each stroke. A classic monogram piece, ready for anyone whose name starts with the letter, or as a graphic accent on its own.

Materials
Gold-tone base metal

Details

• Era: 1960s–1970s
• Markings: Signed "Mamselle"
• Style / design notes: Cursive script letter form, brushed textured finish, standard pin back
• Color: Gold tone
• Condition: Good vintage condition, please see images
• Measurement: 1" x 0.6"

Collected by Mineral and Matter

A single capital "B" rendered in polished gold-tone metal, clean-lined and unadorned. Monogram jewelry like this carried real sentiment once, a small mark of identity pinned close to the collar. Wear it as your own initial or gift it forward to someone who shares the letter.

Materials
Gold-tone base metal

Details

• Era: 1960s–1970s
• Style / design notes: Block capital letter form, polished finish, standard pin back
• Color: Gold tone
• Condition: Good vintage condition, please see images
• Measurement: 1" x 0.4"

Collected by Mineral and Matter

An open heart traced in ribbed, sunburst-fine lines, edged with a beaded border that catches the light at every turn. The negative space at its center keeps the form light rather than sentimental. A simple, wearable piece that reads more graphic than romantic. Pin it to a lapel, scarf, or the brim of a hat.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Style / design notes: Open heart silhouette, ribbed radial texture, beaded edge trim, standard pin back
• Color: Gold tone
• Condition: Good vintage condition, please see images
• Measurement: 1" x 1.1"

Collected by Mineral and Matter

Multiple strands of gold-tone wire wind together into a single unbroken circle, gathered at three points by ribbed collars, with one collar giving way to a single faux pearl. The design is spare and architectural — no leaves or filigree, just the tension between the wound wire and the one soft, lustrous accent. It reads as a quiet, wearable piece rather than a statement one.

Materials: Gold-tone base metal, faux pearl

Details

• Era: 1960s–1970s
• Style / design notes: Multi-strand wound wire circle with ribbed collar accents
• Stone or material notes: Single round faux pearl set at one collar
• Color: Gold-tone with cream pearl
• Condition: Good vintage condition, please see images
• Measurement: 1.5" diameter

Collected by Mineral and Matter

An elaborate bar pin with delicate wirework scrollwork and looped fringe at each end, suspending a rectangular black onyx (or glass) panel framed in twisted rope wire and cornered with coiled gold-tone spirals. The dangle swings freely from a small jump ring beneath the bar, giving the piece movement when worn. Done in the ornate wirework style associated with Victorian jewelry, though the construction points to a later revival piece rather than a period original.

Materials: Gold-filled wirework metal, black onyx or glass panel

Details:
Era: 1960s–1970s (Victorian revival style)
Style/design notes: Wirework bar pin with looped fringe ends, dangling rectangular onyx panel framed in coiled spiral corners, C-clasp closure
Stone/material notes: Rectangular black onyx or glass panel
Color: Gold tone with black center
Condition: Good vintage condition, please see images
Measurement: 1.5" long bar, 1.75" wide overall with dangle

Collected by Mineral and Matter

The stick pin version of our black enamel flower set — five glossy black petals with fine texture lines, gathered around a raised gold-tone stamen center, mounted on a long straight pin with removable safety clutch. A small, striking detail for a lapel, scarf, or hat.

Materials: Gold-tone base metal, black enamel

Details:
Style/design notes: Flower-shaped stick pin, black enamel petals with textured detailing, raised gold-tone stamen center, removable bullet-style clutch
Function: Stick pin
Color: Black and gold-tone
Condition: Good vintage condition, please see images
Measurement: 2" long

Collected by Mineral and Matter

A coiled serpent poised mid-strike, its open mouth revealing a red enameled tongue and a single rhinestone eye. White enamel accents trace the diamond scale pattern across a textured gold-tone body, giving the piece dimension without excess. Signed ART, a well-regarded name in mid-century costume design known for detailed figural work.

Materials

Details

• Era: 1960s
• Markings: Stamped ART
• Style / design notes: Coiled serpent brooch, open-mouth detail, textured scale relief
• Stone or material notes: White enamel accents, red rhinestone eye
• Color: Gold-tone with white enamel and red accent
• Function: Pin/brooch with roll-over clasp
• Condition: good vintage condition

Measurement: Approx. 2.5" x 2"

Collected by Mineral and Matter

A textured gold-tone poodle sits mid-turn, its nugget-finish coat giving real dimension against the smoother collar and paws. Ruby-colored rhinestone eyes catch the light without tipping into costume-jewelry sweetness. A 1950s–1960s figural brooch, the kind sold by the boxful in mid-century department stores and still charming decades on.

Materials
Gold-tone metal, rhinestone eyes

Details

• Era: 1950s–1960s
• Style / design notes: Figural poodle brooch, textured nugget finish, safety-catch pin back
• Stone or material notes: Ruby-colored rhinestone eyes
• Color: Gold-tone
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

Textured gold tone leaves form a graceful open wreath, each pair cradling a single round faux pearl so the pearls appear to bloom naturally throughout the circular design. The leaves feature fine veining that catches the light with a soft satin finish, while the creamy faux pearls provide gentle contrast against the warm gold tone metal. The open center keeps the brooch feeling light and balanced, making it equally suited for a lapel, sweater, scarf, hat, or handbag.

The laurel wreath has long been a symbol of victory, celebration, and enduring elegance, making this a timeless vintage accessory that transitions easily between everyday wear and more formal occasions. The back is finished with a secure rollover safety clasp that functions smoothly and holds the brooch firmly in place. Unsigned and in great vintage condition.

Materials
Gold tone base metal; faux pearl

Details

• Era: Late 1960s–1980s 
• Maker: Unsigned
• Style / design notes: Open circular laurel wreath design with textured leaves and evenly spaced faux pearls; rollover safety clasp
• Stone or material notes: Faux pearl, round, cream/white tone, approximately 6–7 mm, multiple
• Color: Warm gold tone with cream faux pearls
• Condition: Good vintage condition, please see images
• Measurement: 1.5 in diameter

Collected by
Mineral and Matter

A large cream faux pearl sits at the center of a milgrain-dotted bezel, encircled by an oval wreath of interlocking laurel-leaf chain links — a composition that draws from classical antiquity with an ease that feels entirely modern. The laurel wreath has signified honor and achievement since ancient Greece and Rome, and its use in jewelry has never fully left. The chunky open chain frame gives this brooch unexpected weight and presence for its size. It pins to a lapel, a knit, or a scarf with equal authority.

Materials
Gold tone base metal, faux pearl

Details

• Era: 1970s–1980s
• Style / design notes: Oval laurel-leaf chain frame; milgrain dot bezel; large domed faux pearl center; standard pin back
• Stone or material notes: Large cream faux pearl cabochon
• Color: Warm gold tone / cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2 in length, 1 in width 

Collected by Mineral and Matter

A generous cascade of open ribbon loops fans upward from a trio of cream faux pearls at the center, two trailing tails curling beneath — effortlessly formal and just as easily worn every day. The bow brooch has a long lineage in fine and costume jewelry alike, from Victorian mourning pieces to mid-century glamour, and this Avon version carries that tradition with a light hand. The combination of brushed and polished gold surfaces gives the piece subtle dimension. Pin it at the collar, on a coat lapel, or at the shoulder of a dress.

Materials
Gold tone base metal, faux pearls

Details

• Era: 1980s
• Markings: Signed Avon (stamped reverse)
• Style / design notes: Multi-loop open ribbon bow; three cream faux pearl cluster center; brushed and polished gold tone surfaces; trailing ribbon tails; standard pin back
• Stone or material notes: Cream faux pearls
• Color: Warm gold tone / cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2 in length, 1.5 in width 

Collected by Mineral and Matter

Five asymmetric arms radiate outward with ribbed, naturalistic detail — the center dimpled with fine granular texture that mimics the actual surface of a sea star pulled from tidal water. The slightly irregular form keeps it from feeling too polished, too perfect, which is exactly what makes it work. Unsigned coastal jewelry of this kind was produced in abundance during the 1970s and 80s, when nature motifs were a quiet constant in American accessory design. Pin it to a lapel, a hat brim, or a canvas bag and let it do the rest.

Materials
Gold tone base metal

Details

• Era: 1970s–1980s
• Style / design notes: Five-arm starfish form; ribbed arm detail; granular textured center; standard pin back
• Color: Warm gold tone
• Condition: Good vintage condition, please see photos
• Measurement: 2.25 in width and length

Collected by Mineral and Matter

A full-sail schooner rendered in white and navy enamel, red pennant flying, gold star on the mainsail, with a dangling anchor charm swinging from the hull — every detail accounted for, nothing excessive. Nautical motifs surged in American costume jewelry through the 1980s, carried by the decade's love of preppy dressing and coastal aesthetics, and Avon produced some of the most charming versions. The rope-twist mast and open hull give this brooch a sense of movement even standing still. Pin it to a blazer lapel, a canvas tote, or a linen shirt — it belongs anywhere near the water.

Materials
Gold tone base metal, enamel

Details

• Era: 1980s
• Markings: Signed Avon (stamped reverse of hull)
• Style / design notes: Dimensional sailboat form; white and navy enamel sails; red enamel pennant flag; gold star accent; rope-twist mast detail; open hull; suspended anchor charm; standard pin back
• Color: Gold tone / white / navy / red
• Condition: Good vintage condition, please see images
• Measurement: 2.75 in length, about 1.5 in width 

Collected by Mineral and Matter 

Three ridged gold-tone bands loop into an open circle, gathered at the top by a crossover knot set with three clear rhinestones. The fanned ends give the piece a sense of movement — like something caught mid-flight. Stamped Avon on the reverse with a classic bar pin closure. A versatile brooch that anchors a lapel, scarf, or neckline without overwhelming it.

Materials
Gold-tone base metal, clear rhinestone accents

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Triple-band open circle with crossover knot top, fanned ends, three-rhinestone accent, bar pin closure
• Stone or material notes: Three clear rhinestones at knot center
• Color: Gold-tone, clear
• Condition: Great vintage condition

Measurement: 1.25" diameter

Collected by Mineral and Matter

Interlaced bands of twisted gold tone rope form a circular knot, clear rhinestones bezel-set where the strands cross and curve — the whole composition suggesting movement without going anywhere. It has the confident, uncomplicated geometry of 1960s costume jewelry at its most wearable. Domed and dimensional, it reads well on a lapel or collar.

Materials: Gold tone metal, clear rhinestones

Details:

• Era: 1960s–1970s
  
• Style notes: Round openwork design, interlaced rope-twist bands, bezel-set clear rhinestones throughout, standard pin back
• Stone notes: Clear faceted rhinestones, bezel set
• Color: Gold and clear
• Condition: Great vintage condition
• Measurement: 1½" diameter

Collected by Mineral and Matter.

A lacy gold tone filigree frame surrounds an oval cabochon printed with an 18th-century genre scene — a gentleman, a woman, and children gathered in warm ochres and soft grays, the figures rendered with the loose ease of a period illustration. The openwork border loops in a pattern reminiscent of fine lacework, generous in scale and carefully detailed. A piece that carries a whole world in miniature.

Materials: Gold tone metal, printed oval cabochon

Details:

• Era: 1960s–1970s
  
• Style notes: Oval filigree openwork frame, figural scene cabochon, standard pin back
• Stone notes: Printed genre scene cabochon — 18th-century courting/family scene in warm earth tones
• Color: Gold, earth tones
• Condition: Excellent vintage condition
• Measurement: Approx. 1½" tall × 1¼" wide

Collected by Mineral and Matter.

Six sculpted leaves radiate from a central point in warm gold tone, each surface etched with fine crosshatch texture that catches light like hammered metal. The composition has the organic confidence of 1960s naturalist design — simple, unhurried, satisfying in the hand. A quiet piece that wears well on a lapel or coat.

Materials: Gold tone metal

Details:

• Era: 1960s–1970s
• Markings:none
• Style notes: Six-petal leaf cluster, dimensional construction, etched surface texture throughout
• Stone notes: None
• Color: Gold
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter.

The letter F in bark-textured twig form — two horizontal branches extending from a vertical stem, each end blunt-cut, with a small sprig of leaves at the junction. The same naturalistic hand as the rest of the series: unhurried, botanical, all texture and no ornament. Signed ©Sarah Cov on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed ©Sarah Cov on reverse
• Style notes: Letter F in bark-textured twig form, leaf sprig detail, roller safety clasp
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

Four open heart-shaped petals form a clover, each lobe outlined in a slim gold-tone wire loop and anchored by a prong-set clear rhinestone. A fifth stone sits at the center where the petals meet, the whole composition balanced by a small curling stem. Petite and sparkling — the kind of pin that works on a lapel or collar with equal ease. Signed Sarah Coventry on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed Sarah Coventry on reverse
• Style notes: Open wire four-leaf clover form with heart-shaped lobes, curled stem, roller safety clasp
• Stone notes: Five prong-set clear rhinestones, one per lobe plus center
• Color: Gold tone with clear stones
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

All gold, all texture — the wings of this Trifari butterfly are filled with a dense field of raised gold-tone beads set within an open filigree lattice, each bead catching light differently depending on the angle. The body is sleek and pointed, the antennae curl at the tips with a light hand. Understated and confident. Signed TRIFARI© on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed TRIFARI© on reverse
• Style notes: Open filigree wings filled with raised bead detail, pointed body, curled antennae, simple pin back
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

The Greek letter Phi set against a white enamel ground, its crossbar set with a row of seed pearls — connected by a fine chain to an "Exemplar" bar with a diamond-set key finial. A Phi Beta fraternity badge, the professional fraternity for music and speech founded in 1912, in a format consistent with early-to-mid 20th century Greek letter jewelry. Finely made and historically grounded, with the weight and material quality that separates a badge like this from costume pieces entirely.

Materials: gold tone, white enamel, seed pearls, stone accent

Details:

• Era: 1920s–1940s
• Markings: stamp on the back of the O
• Style / design notes: Phi letter badge with white enamel ground; seed pearl crossbar; chain-connected Exemplar key bar with diamond-set accent; dual pin stems
• Stone or material notes: Seed pearls on crossbar; faceted white stone  on key connector
• Color: Yellow gold, white enamel, cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2.5" total length

Collected by Mineral and Matter

A simple circle, made interesting by its surface — the band is covered in fine granulation-style texture with scattered raised dots that catch light across the curve, anchored by a single deep red stone set in a smooth round bezel at the base. The stone has the color and depth of a garnet, though material is unverified and sold as-is. Modest in scale, confident in presence — the kind of pin that works on a collar or a scarf without demanding attention.

Materials Gold-tone base metal; deep red bezel-set stone 

Details

• Era: c. 1940s–1960s
  
• Style / design notes: Open circle form with scalloped outer edge; overall granulation-style raised dot texture; single round deep red stone in smooth bezel setting at lower right; simple bar pin clasp
• Stone notes: Deep red round stone, bezel set
• Function: Pin brooch with simple bar clasp
• Color: Gold tone / deep red
• Condition: Vintage with gentle surface wear consistent with age; warm patina

Measurement: 1.15" diameter 

Collected by Mineral and Matter

The geometry is precise and deliberate — a black enamel diamond lozenge at center, set with a small floral marcasite cluster, flanked by symmetrical openwork filigree wings dense with pave-set steel-grey stones. The combination of jet-black enamel and gunmetal sparkle is a direct echo of the 1920s German marcasite and onyx tradition, here translated into a silver-tone reproduction piece with the same graphic authority. Wears beautifully on a black dress collar, a blazer lapel, or a hat brim.

Materials Silver-tone base metal; black enamel; marcasite-style pave-set stones (cut steel or paste); openwork filigree frame

Details

• Era: c. 1970s–1980s, Art Deco revival style
  
• Style / design notes: Horizontal bar form; central black enamel diamond lozenge with pave marcasite floral motif; symmetrical openwork filigree side panels; scalloped border edge; pave-set grey stones throughout
• Stone notes: Marcasite-style stones (cut steel or dark paste); bezel and pave set
• Function: Pin brooch with simple bar clasp
• Color: Silver tone, black, gunmetal grey
• Condition: Vintage with gentle surface wear consistent with age

Measurement: Approximately 1.6" x .5"

Collected by Mineral and Matter

The circle pin had its heyday in the 1950s, and this one hits every note of the form — a twisted rope-twist hoop framing a three-dimensional rose in full bloom, stem curling naturally through the open center. Stamped 1/20 12K gold filled, meaning the gold layer comprises at least 1/20th of the total metal weight — a durable, quality construction used widely in American mid-century jewelry. The rose is sculpted with genuine attention: petals spiral inward, leaves are individually veined, and the composition feels less like costume jewelry and more like a miniature still life.

Materials 1/20 12K gold filled

Details

• Era: c. 1950s
• Markings: Stamped 1/20 12K GF on reverse of rose
• Style / design notes: Open circle form with rope-twist outer border; double inner ring; three-dimensional rose with spiraled petals and veined leaves; stem curves through center
  
• Function: Pin brooch with roll-over safety clasp
• Color: Warm yellow gold
• Condition: Great vintage condition

Measurement: Approximately 1.5"

Collected by Mineral and Matter

A flower basket in gold-tone metal — its woven base rising into a mounded canopy of tiny blossoms accented with clear rhinestones — conceals a hinged lid that opens to reveal a solid perfume or glace compartment inside. Avon produced these functional locket brooches throughout the 1970s as a signature novelty line: wearable vessels for their solid perfumes, collectible in their own right long after the fragrance is gone. The basket weave texture, rope-trim handle, and floral detailing are all precisely rendered at a compact scale. Signed on the interior lid.

Materials: Gold-tone base metal; clear rhinestone accents; hinged locket mechanism with inner perfume compartment

Details:

• Era: c. 1970s
• Markings: Signed "Avon ©" on interior of hinged lid
• Style / design notes: Flower basket form with woven base texture, rope-handle trim, and mounded floral top; hinged oval lid opens to solid perfume/compartment; needle pin back
• Stone or material notes: Clear rhinestone accents, perfume compartment retains faint original scent
• Function: Wearable solid perfume locket brooch
• Color: Gold tone
• Condition: Great vintage condition, hinge functional, still contains perfume

Measurement: 1.75" tall

Collected by Mineral and Matter

A windswept bonsai in miniature — its sinuous gold-tone trunk rising from a deep green rectangular glass base rimmed in pavé clear rhinestones, the canopy spreading into clusters of gold leaves set with alternating emerald and clear rhinestones. The bonsai form carries centuries of meaning in East Asian tradition: patience, resilience, the beauty of things shaped slowly over time. As a brooch it translates that stillness into something worn and carried. A rare and particular piece that appeals well beyond the usual costume jewelry collector.

Materials: Gold-tone base metal; deep green rectangular glass base; clear pavé rhinestone trim; emerald and clear rhinestone flower clusters; needle pin with roller catch

Details:

• Era: c. 1980s–1990s
  
• Style / design notes: Sculpted bonsai form with sinuous trunk; gold-tone leaf canopy set with emerald and clear rhinestones; rectangular green glass planter base with pavé rhinestone border
• Stone or material notes: Green glass base; emerald green and clear rhinestones — all simulated; no natural stones
• Function: Lapel brooch
• Color: Gold tone, deep green, and clear
• Condition: Great Vintage Condition

Measurement: 2" tall

Collected by Mineral and Matter

• Brand: Authentic signed Monet (stamped on the reverse)
• Era: Circa 1960s–1970s
• Style: Mid-Century Modernist / Abstract Swirl / Tailored Metal
• Metal: Heavy gold-plated base metal alloy
• Closure: Secure rolling safety clasp pin
• Condition: Excellent vintage condition; the gold plating remains rich, bright, and uniform with minimal age-appropriate surface wear. The pin mechanism works flawlessly.

• Era: Circa 1970s–1980s
• Style: Monogram / Script Initial / Victorian Revival
• Metal: Hematite-tone or gunmetal-tone base metal
• Stones: marcasite
• Condition: Good vintage condition; all stones are present and retain their original dark sparkle. The rolling safety clasp is secure and fully functional.

• Era: Circa 1970s–1980s
• Style: Monogram / Script Initial / Victorian Revival
• Metal: Hematite-tone or gunmetal-tone base metal
• Stones: marcasite
• Condition: Good vintage condition; all stones are present and retain their original dark sparkle. The rolling safety clasp is secure and fully functional.

A large faceted amber plastic stone, warm and deeply transparent, forms the body of a pineapple crowned with a spray of finely textured gold-tone leaves — the kind of piece that commits fully to its own logic and is better for it. The converter hook appears original, making this equally at home on a lapel or a chain. Some wear to the gold tone on the reverse, as expected from a piece that has clearly been worn and loved; the front presents beautifully.

Materials: Gold-tone base metal, faceted amber plastic stone

Details:

• Era: Late 1950s–1960s
• Markings: None
• Style / design notes: Pineapple figural form, finely textured gold-tone leaf crown with ball center, large oval faceted body, original brooch-to-pendant converter hook
• Stone or material notes: Faceted amber plastic, high clarity, warm honey tone
• Color: Gold-tone, amber
• Condition: Good vintage condition; wear and tone loss to reverse, a bit of tone loss on the ends of the leafs
• Measurement: 2.5" × 1"

Collected by Mineral and Matter

A deep burgundy enamel apple, three-dimensional and fully in the round, opens to reveal a pavé interior of bright white rhinestones — as if the fruit has been split to show something worth finding inside. The green enamel leaf and gold-tone stem are cleanly rendered, and the contrast between the lacquered exterior and the glittering cross-section gives this piece more wit than the typical novelty pin. A product of the 1980s figural brooch revival, when costume jewelry leaned fully into the pleasure of the unexpected.

Materials: Gold-tone base metal, enamel, rhinestones

Details:

• Era: 1980s
• Markings: None
• Style / design notes: Three-dimensional apple form, deep burgundy enamel exterior, pavé rhinestone interior panel, green enamel leaf, gold-tone stem
• Stone or material notes: White rhinestones, pavé set; green and burgundy enamel
• Color: Burgundy, green, gold-tone
• Condition: Excellent vintage condition
• Measurement: 1.3" × 1.1"

Collected by Mineral and Matter

A slender skeleton key form set with a line of clear rhinestones along the shaft and a single pink stone at the center of the quatrefoil bow — small in scale, specific in charm. Key brooches were a recurring motif in mid-century costume jewelry, carrying quiet symbolism alongside their decorative appeal. Unsigned and in sweet original condition.

Materials: Gold-tone base metal, clear and pink glass rhinestones

Details:

• Era: 1950s–1960s
• Markings: None
• Style / design notes: Skeleton key form, rhinestone-set shaft, openwork quatrefoil bow with pink center stone, square openwork bit
• Stone or material notes: Clear glass rhinestones along shaft; single pink glass rhinestone at bow center
• Color: Gold-tone with clear and pink stones
• Condition: Gold tone loss/ chipping a a few spots on the piece, view photos
• Measurement: 1.6" long, 0.4" wide

Collected by Mineral and Matter

A white enamel unicorn head with purple and gold mane detail sits atop a slender gold-tone stick pin — small in scale, specific in character. Stick pins enjoyed a revival in the late 1970s through the 1980s as a way to personalize lapels, scarves, and knit collars, and fantasy motifs like unicorns were among the most collectible. 

Materials: Gold-tone base metal, white and pink/purple enamel

Details:

• Era: 1970s–1980s
• Markings: None
• Style / design notes: Unicorn head motif, cloisonné-style enamel detailing, gold-tone horn and mane outlines, bullet-end safety cap
• Stone or material notes: White and purple enamel fill
• Color: White, purple, and gold-tone
• Condition: Vintage with gentle surface wear consistent with age, tone loss on the end off the piece and varnish a has a bit of yellowing on the face on the unicorn. (see images for reference.) 
• Measurement: 2.25" long, 0.5" wide

Collected by Mineral and Matter

Radiating arms of prong-set rhinestones extend from a larger central stone in a starburst formation that evokes both a snowflake and a distant star. The pale ice-blue stones catch light with quiet intensity — a characteristic of quality glass rhinestones from this era. Unsigned and effortlessly wearable on a lapel, collar, or knitwear.

Materials: Silver-tone base metal, pale blue glass rhinestones

Details:

• Era: 1950s–1960s
• Markings: None
• Style / design notes: Starburst/snowflake form, radiating arms, prong-set stones throughout, larger central stone
• Stone or material notes: Pale ice-blue glass rhinestones, prong-set
• Color: Silver-tone with pale blue stones
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: 1.5" diameter

Collected by Mineral and Matter

• Designer: Caron (Presented on original brand card).
• Design: Intricate three-row gold-tone mesh with crystal-encrusted geometric stations.
• Material: High-polished gold-tone metal and faceted clear glass crystals.
• Set Includes: 1 graduated mesh necklace and 1 pair of matching articulated drop earrings.
• Backing: Necklace features a secure adjustable lobster clasp; earrings have comfortable post-and-butterfly backings for pierced ears.
• Year Estimate: Circa 1980s.
• Condition: Excellent vintage condition with original crystals secure and a bright, lustrous finish.
• Style: Hollywood Regency, 80s Glamour, Formal Statement.

Description: A petite open-work bow in warm gold tone — each loop cut through with a delicate filigree pattern that keeps the piece light without diminishing its presence. The bow motif has a long history in jewelry, from 18th century sentiment pins to mid-century costume accessories, and this small version carries that tradition with quiet charm. Tack-back closure makes it easy to wear on a lapel, collar, knitwear, or pinned to a ribbon.

Materials: Gold-tone base metal

Details:

• Era: c. 1960s–1980s
• Markings: None observed
• Style / design notes: Open-work filigree bow form; tack-pin back with butterfly clutch
• Stone or material notes: No stones; all metal
• Function: Lapel / tack pin
• Color: Warm gold tone
• Condition: Excellent vintage condition

Measurement: 0.75" wide × 0.5" tall

Collected by Mineral and Matter

A boldly cast torch with a high-polish flame and a finely ribbed handle — the kind of figural brooch that carried real symbolic weight in mid-century America, evoking liberty, knowledge, and illumination. The dimensional casting catches light dramatically, contrasting the smooth flame against a stippled cup collar. Small in scale but strong in presence; it pins well to a blazer or coat lapel and reads with quiet authority.

Materials: Gold-tone base metal

Details:

• Era: c. 1940s–1960s, Mid-Century American
  
• Style / design notes: Figural torch; dimensional cast flame with stippled cup; vertically ribbed tapering handle; high-polish finish
  
• Function: Brooch / pin
• Color: Bright gold tone
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 0.75" wide × 1.9" tall

Collected by Mineral and Matter

Six dimensional roses — each with a fine crosshatch-textured surface and a tightly furled center bud — arranged in an open wreath form that feels both structured and organic. A design aesthetic common to the late 1950s and early 1960s, when American costume jewelry makers elevated everyday metals into something quietly architectural. The hexagonal frame anchoring each bloom gives the piece a geometric backbone beneath all that bloom. Wears beautifully on a lapel, collar, or knitwear.

Materials: Gold-tone base metal

Details:

• Era: c. 1955–1965, Mid-Century
  
• Style / design notes: Six textured dimensional rose blooms in open wreath / circle formation; hexagonal inner frame; hinged pin back
  
• Function: Brooch / pin
• Color: Warm gold tone
• Condition: Great vintage condition

Measurement: 1" diameter

Collected by Mineral and Matter

The words Extra Special cut through a small rectangular gold-tone plaque in open block lettering — the kind of direct, self-assured sentiment that mid-century and early post-war novelty jewelry wore without irony. Stick pins of this type were pinned to lapels, hat bands, and scarves, a small declaration worn close to the body. Unsigned, as the vast majority of novelty stick pins were. A tiny, confident object with a lot of personality for its size.

DETAILS

Maker: Unsigned

Design: Open block letter "Extra Special" gold-tone plaque on stick pin; textured letter faces with polished border

Material: Gold-tone base metal

Era: 1970s–80s

Measurement: 2.25" stick; 0.75" wide pin top

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Collected by Mineral and Matter

Inspired by Queen Victoria's legendary passion for cameos, this brooch embodies the 19th-century obsession with these iconic pieces. A symbol of grace, sophistication, and timeless beauty, it's the perfect accessory for anyone who appreciates vintage charm with a modern sensibility.

Measures approx 1.25"

Collected by Mineral and Matter