A double-row gate-link chain runs the length of this bracelet, each connecting link set with an alternating black and clear rhinestone for a subtle graphic rhythm. The links have real weight to them, more substantial than a typical costume tennis bracelet. Lobster clasp closure, unsigned.

Materials
Gold-tone metal, black and clear rhinestones

Details

• Era: 1980s
• Style / design notes: Double gate-link chain bracelet, alternating rhinestone-set links, lobster clasp
• Stone or material notes: Alternating black and clear rhinestones
• Color: Gold-tone with black and clear accents
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

A gold-tone band twists into an asymmetrical bypass silhouette, one arm curving up and over to cradle a prong-set pear-cut clear stone. The movement in the band does the work here rather than the stone size — a sculptural, fluid line typical of 1970s modernist costume rings. Marked on the interior of the shank, though the mark is worn.

Materials
Gold-tone metal, clear cubic zirconia or paste stone

Details

• Era: 1970s
• Style / design notes: Modernist bypass band, swirl design, prong-set pear-cut stone
• Stone or material notes: Clear pear-cut stone
• Color: Gold-tone with clear stone
• Condition: Good vintage condition, please see images
• Size:6

Collected by Mineral and Matter

A carved white cameo profile sits against a brick-red ground, framed by a heavy rope-twist gold-tone border set with small clear rhinestones at each compass point. Convertible from pin to pendant with both a pin bar and a bail on the reverse, this piece has real weight and texture — the kind of substantial mid-century costume brooch that reads more expensive than it is.

Materials
Gold-tone metal, resin cameo, rhinestone accents

Details

• Era: 1960s–1970s
• Style / design notes: Rope-twist oval frame, convertible brooch/pendant with pin bar and bail
• Stone or material notes: Carved white cameo on coral-red ground, clear rhinestone accents
• Color: Gold-tone with white, coral, and clear accents
• Function: Converts from brooch to pendant
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

Three carved cameo profiles sit within scalloped gold-washed frames, each linked by open filigree panels detailing a leaf-and-berry motif. Marked sterling on the clasp, the bracelet carries the weight and craftsmanship of finer mid-century filigree work, gold vermeil warming the sterling base rather than a simple plate. A classic figural piece with real presence on the wrist.

Materials
Sterling silver, gold vermeil finish, carved cameo (material to confirm — shell or glass)

Details

• Era: 1950s–1960s
• Markings: STERLING
• Style / design notes: Three-panel cameo link bracelet, open filigree connector links
• Stone or material notes: Carved cameo profiles set against black ground
• Color: Gold-tone with black and white cameos
• Condition: Good vintage condition, please see images
• Length: 7"

Collected by Mineral and Matter

An ornate fleur-de-lis silhouette anchors an oval black cabochon at its center, with two lengths of fine curb chain draping below in true chatelaine style. The scrollwork on the gold-tone metal has real depth to it, more architectural than typical costume pins of the era. A rollover clasp secures it to a lapel or scarf, worn as a statement rather than a subtle accent.

Materials
Gold-tone metal, black glass cabochon

Details

• Era: 1960s–1970s
• Style / design notes: Fleur-de-lis chatelaine-style brooch, draped double chain, rollover clasp
• Stone or material notes: Oval black glass cabochon
• Color: Gold-tone with black center stone
• Condition: good vintage condition

Collected by Mineral and Matter

Six oval glass cabochons run this bracelet, each streaked amber and honey like tiger's eye caught in resin, set in simple gold-tone bezels and joined by ribbed connector links. Signed Sarah Coventry on the clasp, complete with its original safety chain. A warm, wearable statement piece from a company known for exactly this kind of bold, colorful cabochon work.

Materials
Gold-tone metal, amber-toned glass cabochons

Details

• Era: 1970s
• Markings: SARAH COV
• Style / design notes: Oval glass cabochon link bracelet, ribbed connector links, safety chain
• Stone or material notes: Amber/honey striped glass cabochons
• Color: Gold-tone with amber-brown stones
• Condition: Good vintage condition, please see images 
• Length: 7.5" with a 2" safety chain

Collected by Mineral and Matter

A slim, solid gold-tone bangle with a fine scroll pattern embossed around its full circumference, its opposite side left smooth and quiet. Simple enough to wear stacked with others, distinct enough to hold its own alone. No visible seam or clasp — a slip-on style meant to sit close to the wrist.

Materials
Gold-tone metal

Details

• Era: 1970s
• Style / design notes: Slim solid bangle, embossed scroll pattern, slip-on style with no clasp
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Length: 2.5" diameter

Collected by Mineral and Matter

A wide gold-tone bangle wrapped in a swirling ribbed cable pattern, its dimension coming from the twist rather than any added stone. Beaded rings mark the center and edges where the design shifts direction, a small structural detail borrowed from finer cable bracelet designs. Hinged with a snap closure for easy on-off wear, substantial enough to stand alone on the wrist.

Materials
Gold-tone metal

Details

• Era: 1980s
• Style / design notes: Wide hinged bangle, twisted ribbed cable pattern, beaded ring accents
• Color: Gold-tone
• Function: Hinged closure with snap clasp
• Condition: Good vintage condition, please see images 
• length: 2" by 2.5"

Collected by Mineral and Matter

Part of Sarah Coventry's celebrated "Masterpiece" series, this 1970s brooch sets a miniature reproduction of da Vinci's Mona Lisa inside a sunburst frame ringed with faux pearls. It converts from pin to pendant, one of Sarah Coventry's more collectible novelty pieces from a company whose Mona Lisa line became a signature seller. Signed on the reverse, complete with both a pin bar and a bail.

Materials
Gold-tone metal, faux pearls, printed portrait cabochon

Details

• Era: 1970s
• Markings: SARAH COV
• Style / design notes: Convertible brooch/pendant, sunburst faux pearl frame, printed portrait medallion
• Color: Gold-tone with cream pearls
• Function: Converts from brooch to pendant
• Condition: missing a few faux pearls, please see photos 

Collected by Mineral and Matter

A textured gold-tone poodle sits mid-turn, its nugget-finish coat giving real dimension against the smoother collar and paws. Ruby-colored rhinestone eyes catch the light without tipping into costume-jewelry sweetness. A 1950s–1960s figural brooch, the kind sold by the boxful in mid-century department stores and still charming decades on.

Materials
Gold-tone metal, rhinestone eyes

Details

• Era: 1950s–1960s
• Style / design notes: Figural poodle brooch, textured nugget finish, safety-catch pin back
• Stone or material notes: Ruby-colored rhinestone eyes
• Color: Gold-tone
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

A tiny cherub takes flight in miniature, cast in gold-tone metal with a clutch-back closure meant for a lapel, collar, or hat brim. This 1970s-era figural took real detailing at a small scale, wings and limbs fully rendered rather than flattened into a silhouette. A quiet, sentimental piece equally suited to everyday wear or a keepsake gift.

Materials
Gold-tone metal, clutch back

Details

• Era: 1970s
• Style / design notes: Figural cherub/angel lapel pin, tie tack style clutch back
• Color: Gold-tone
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

A small winged cherub charm swings from a delicate rope chain, its wings and figure cast with more texture and detail than most costume charms of this size manage. The kind of quiet, sentimental piece meant to be given rather than bought for oneself. Gold-tone finish throughout, spring-ring clasp.

Materials
Gold-tone base metal

Details

• Style / design notes: Cherub/angel charm pendant on fine rope chain bracelet, spring-ring clasp
• Era: 1970s 
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Length: 7" plus 1" charm

Collected by Mineral and Matter

Two cherubic figures stand cast in fine relief, one reaching for the other, a small floral detail rising between them — a figural take on the Gemini twins rather than a literal symbol. The sculptural depth here is unusual for costume zodiac jewelry, closer to a miniature bronze than a stamped charm. Strung on a fine silver-tone cable chain, worn as easily by a Gemini as by anyone drawn to the imagery.

Materials
Silver-tone base metal

Details

• Era: 1970s
• Style / design notes: Figural Gemini twins pendant, fine relief detail, cable chain
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Length:18" plus 1" charm

Collected by Mineral and Matter

A quiet, architectural piece — the brick-link band moves like sunlit water against the wrist. The rectangular tank face carries a single round cabochon at its edge, a small punctuation mark in dusty rose. Unsigned but well made, with the kind of quartz movement that outlasts trends. Pairs easily with everyday layering or stands alone.

Materials
Gold-tone base metal, stainless steel case back

Details

• Era: 1980s–1990s
• Markings: "Quartz," "Japan" on dial face; "Stainless Steel Back" on case back
• Style / design notes: rectangular tank-style case, brick/panel link bracelet, fold-over clasp closure
• Stone notes: single round cabochon accent, dusty pink/rose tone
• Function: quartz movement, untested
• Color: gold-tone with rose accent
• Condition: vintage with gentle surface wear consistent with age
• Measurement: 7.5" bracelet length, 1" watch face

Collected by Mineral and Matter

Ingraham's tonneau-shaped case has the barrel-curved silhouette of true Art Deco design, its Arabic numeral dial marked simply "Made in U.S.A." A dollar-watch maker in its day, Ingraham built pieces meant for everyday wear rather than display cases, and this one still shows it. Gold-tone case, hand-wind movement, sold untested.

Materials
Gold-tone base metal

Details

• Era: 1930s–1940s
• Markings: INGRAHAM, MADE IN U.S.A.
• Style / design notes: Tonneau (barrel) case, Art Deco styling, Arabic numeral dial, hand-wind
• Color: Gold-tone case, cream dial
• Function: Mechanical hand-wind watch, untested
• Condition: Good vintage condition, please see images
• Measurement: 2" to 4.5" stretch diameter

Collected by Mineral and Matter

An Elgin dress watch with a square case set between fan-shaped Art Deco lugs, the kind of sculptural detail mid-century watchmakers reserved for their finer ladies' pieces. Arabic numerals sit crisp against the dial, wound by hand rather than battery. Gold-plated bezel, stainless steel back, sold untested as with all watches in this shop.

Materials
Gold-plated bezel, stainless steel back

Details

• Era: 1940s–1950s
• Markings: ELGIN, 10K G.P. Bezel, Stainless Back
• Style / design notes: Square case, Art Deco fan-shaped lugs, Arabic numeral dial, hand-wind
• Color: Gold-tone case, silver dial
• Function: Mechanical hand-wind watch, untested
• Condition: Good vintage condition, please see images
• Measurement: 2" to 4.5" stretch diameter

Collected by Mineral and Matter

A round Seiko quartz with a champagne dial and stick markers, kept simple and legible in the way well-worn everyday watches tend to be. The gold-tone expansion band moves easily on and off the wrist, no clasp required. Base metal case, stainless steel back, sold untested as with all watches in this shop.

Materials
Gold-tone base metal, stainless steel back

Details

• Era: 1980s–1990s
• Markings: SEIKO QUARTZ, Base Metal, St. Steel Back, 1N01-0E19, Mov't Japan
• Style / design notes: Round case, stick hour markers, expansion band
• Color: Gold-tone with champagne dial
• Function: Quartz watch, untested
• Condition: Good vintage condition, please see images
• Measurement: 3" to 5.5" stretch diameter

Collected by Mineral and Matter

An oval hematite-toned cabochon opens on a hidden hinge, revealing a small compartment once designed to hold solid perfume. The rope-twist gold-tone bezel frames the stone's smoky, reflective surface with quiet drama. A locket ring built for a private ritual, equally at home holding a keepsake today.

Materials
Gold-tone metal, hematite-color glass cabochon

Details

• Era: 1970s
• Markings: Avon
• Style / design notes: Hinged locket/poison ring, rope-twist bezel, opens to hold solid perfume
• Stone or material notes: Oval hematite-color cabochon (glass)
• Color: Gunmetal gray cabochon, gold-tone setting
• Function: Locket ring, hinged compartment
• Condition: good vintage condition
• Measurement: Size 8.5

Collected by Mineral and Matter

Cut and coiled from a silver-plated serving spoon, this ring carries the raised floral pattern of its original handle into a wraparound band. The gold-tone finish catches light along the scrolling petals, worn soft at the high points where decades of hands have passed it on. A quiet piece of tableware history, reshaped for the finger. Comfortable for daily wear, with the easy, lived-in character only vintage flatware carries.

Materials: Silver-plated base metal, gold-tone finish

Details

• Era: 1960s–1970s
• Markings: WMA Rogers Oneida Ltd
• Style / design notes: Wraparound spoon handle ring, floral repoussé pattern
• Color: Gold
• Condition: Good vintage condition, gentle tarnishing in the engraved recesses consistent with age
• Measurement: Size 6

Collected by Mineral and Matter

A single faux pearl sits nestled at the center of an organic, freeform flower, its petals rendered with soft texture and a bit of natural asymmetry rather than a rigid symmetrical shape. Sarah Coventry brought this kind of sculptural, botanical detail to its better pearl-centered rings, giving the piece real dimension beyond a flat stamped design. The adjustable band fits a range of sizes. A gentle, romantic piece with genuine craftsmanship.

Materials: Gold-tone base metal, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Freeform textured flower design, single pearl center, adjustable band
• Stone or material notes: Round faux pearl
• Function: Ring, adjustable
• Color: Gold-tone, cream
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A smooth ivory cabochon sits at the center of an open, scalloped flower, ringed by clear rhinestones set between each petal. Sarah Coventry favored this kind of layered floral silhouette, letting the openwork gold-tone shape read as light and airy despite the ring's full coverage across the finger. The adjustable band fits a range of sizes. A pretty, wearable piece with old-world charm.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Markings: Sarah Cov
• Style / design notes: Open scalloped flower design, round cabochon center, rhinestone accents between petals, adjustable band
• Stone or material notes: Ivory round cabochon with clear rhinestone accents
• Function: Ring, adjustable
• Color: Gold-tone, ivory, clear
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A large powdery blue cabochon, moonstone in tone, sits prong-set in an architectural gold-tone mount with open, angular shoulders. This is Sarah Coventry's "Beauty Glow" design from the 1960s, built around a single smooth stone in a bold, sculptural frame. The adjustable band fits a range of sizes. A quietly striking piece with a serene, glowing color.

Materials: Gold-tone base metal, glass cabochon

Details:

• Era: 1960s
• Markings: Sarah Cov
• Style / design notes: "Beauty Glow" design, open geometric prong setting, adjustable band
• Stone or material notes: Large oval powder blue moonstone-style glass cabochon
• Function: Ring, adjustable
• Color: Gold-tone, powder blue
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A wide cuff-style band wraps the finger in an all-over etched pattern, crisscrossing wave lines that catch light differently from every angle. No stone, no setting — just bold, sculptural metalwork carrying the whole design. The open, adjustable-style back gives it a relaxed, contemporary fit despite the vintage detailing. A striking, textural statement ring for anyone who likes their jewelry with a bit of edge.

Materials: Gold-tone base metal

Details:

• Style / design notes: Wide cuff-style band, all-over etched wave/feather texture, open back
• Function: Ring
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: Size 6.5

Collected by Mineral and Matter

A rectangular white lucite panel sits centered in a buckle-shaped frame, flanked by cross-hatched textured gold-tone shoulders that curve outward with real architectural presence. Sarah Coventry built this kind of clean, graphic contrast into its panel-style rings, pairing a smooth pop of white against warmer engraved gold. The adjustable band fits a range of sizes. A bold, sculptural piece with genuine mid-century polish.

Materials: Gold-tone base metal, lucite

Details:

• Markings: Sarah
• Style / design notes: Buckle-shaped frame, rectangular lucite panel, cross-hatched textured shoulders, adjustable band
• Stone or material notes: White rectangular lucite panel
• Function: Ring, adjustable
• Color: Gold-tone, white
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A large oval purple cabochon sits at the heart of a textured, sunburst-shaped setting, with faux pearls ringing the edge at each point. Sarah Coventry favored this kind of layered, radiating silhouette for its statement rings, letting the smooth stone play off the rougher, hammered metalwork around it. The adjustable band fits a range of sizes. A bold piece with genuine presence.

Materials: Silver-tone base metal, glass stone, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Starburst-shaped textured setting, oval cabochon center, faux pearl accents at each point, adjustable band
• Stone or material notes: Oval purple cabochon with round faux pearl accents
• Function: Ring, adjustable
• Color: Silver-tone, deep purple, white
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A round faux pearl and a faceted garnet-red stone stack vertically inside an elaborate, teardrop-shaped frame, each ringed by fine beaded and rope-twist detailing. Sarah Coventry brought this level of ornamentation to its better mixed-stone rings, pairing soft luster with a burst of deep color for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, faux pearl, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: Teardrop-shaped openwork frame, beaded and rope-twist trim, vertically stacked stones, adjustable band
• Stone or material notes: Round faux pearl and faceted round garnet-red stone
• Function: Ring, adjustable
• Color: Silver-tone, white, deep red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A deep purple stone, faceted into a striking elongated hexagon, sits framed in an open, angular silver-tone setting that echoes its geometry line for line. This is Sarah Coventry's "Mystique" design, built around the kind of bold, sculptural stone cut the brand favored for its statement pieces. The adjustable band means an easy fit. A dramatic, architectural ring with real graphic punch.

Materials: Silver-tone base metal, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: "Mystique" design, elongated hexagonal facet-cut stone, open geometric frame, adjustable band
• Stone or material notes: Deep purple hexagonal-cut glass stone
• Function: Ring, adjustable
• Color: Silver-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A smooth oval cabochon in soft moss green sits prong-set at the center, ringed by a double row of sparkling clear rhinestones that catch the light on either side. The scalloped gold-tone shoulders give the ring a bit of movement, sweeping outward from the stone toward a simple band. A versatile piece that pairs deep, earthy color with plenty of sparkle.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Style / design notes: Oval prong-set cabochon center, double-row clear rhinestone halo, scalloped shoulders
• Stone or material notes: Green oval cabochon with clear round rhinestone accents
• Function: Ring
• Color: Gold-tone, green, clear
• Condition: Great vintage condition

Measurement: Size 9

Collected by Mineral and Matter

A bold, deep purple oval stone commands the whole hand, faceted for maximum shine and set simply in gold-tone prongs. The plain, understated band lets the stone do all the talking, giving the piece a graphic, modern edge despite its vintage roots. A striking solitaire with genuine presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Large oval faceted solitaire, simple prong setting
• Stone or material notes: Deep purple oval rhinestone
• Function: Ring
• Color: Gold-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 7.25

Collected by Mineral and Matter

Seven deep red garnets cluster together in a wide, faceted arrangement, their oval cuts catching light from every direction. Openwork filigree shoulders carry the design down into the band, adding delicacy beneath the boldness up top. Marked sterling silver, this is a substantial, well-made piece with genuine gemstone richness. A striking statement ring with real weight and warmth.

Materials: Sterling silver, garnet

Details:

• Markings: 925, Thailand
• Style / design notes: Faceted oval garnet cluster, openwork filigree shoulders
• Stone or material notes: Seven garnets in oval cuts
• Function: Ring
• Color: Silver, deep red
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A polished hematite oval sits at the center of an open, beaded filigree frame, with four round faux turquoise points radiating outward like a compass. This is Avon's "Mirabella" design, a Gothic-inspired silhouette from the brand's 1974 catalog that pairs cool gray with sky blue for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, hematite, faux turquoise

Details:

• Era: 1974
• Markings: Avon
• Style / design notes: "Mirabella" design, beaded openwork frame, four-point compass layout
• Stone or material notes: Oval hematite cabochon center with four round faux turquoise accents
• Function: Ring, adjustable
• Color: Silver-tone, gunmetal, turquoise blue
• Condition: Great vintage condition

Measurement: Adjustable, sized 5–7

Collected by Mineral and Matter

A deep garnet-red marquise stone sits prong-set at the center, flanked by small clear accent stones and open filigree shoulders that let light pass through the design. The scrollwork carries a delicate, romantic feel more often found in fine antique settings. A rich pop of color with detailed craftsmanship throughout.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Marquise-cut center stone, open filigree scroll shoulders, small round accent stones
• Stone or material notes: Deep red marquise rhinestone with clear round accents
• Function: Ring
• Color: Gold-tone, deep red, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Three faceted red stones stack vertically down the center of an open oval frame, textured gold-tone shoulders adding a bit of shine at the sides. Sarah Coventry built this kind of graphic, negative-space design into many of its cocktail rings, letting the open frame do as much visual work as the stones themselves. The adjustable band fits a range of sizes. A bold, clean piece with a punch of color.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah
• Style / design notes: Open oval frame, three vertically stacked prong-set stones, textured shoulders, adjustable band
• Stone or material notes: Three faceted round red rhinestones
• Function: Ring, adjustable
• Color: Gold-tone, red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A deep, wine-red oval rhinestone sits prong-set at the center, flanked by delicate bow-shaped shoulders that curve outward from the band. The rich, saturated color reads almost like true garnet, warm and glowing against the gold-tone setting. A romantic, detailed piece with more personality than a simple solitaire.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Oval prong-set center stone, bow-shaped shoulders
• Stone or material notes: Deep red-brown oval rhinestone
• Function: Ring
• Color: Gold-tone, deep red
• Condition: Great vintage condition

Measurement: Size 7.5

Collected by Mineral and Matter

A large rivoli-cut stone flashes deep purple and iridescent red as it catches the light, prong-set in a square, ribbed gold-tone frame with a distinctly architectural edge. Sarah Coventry favored this kind of aurora borealis crystal in its cocktail and statement rings, and the mix of geometric setting with a color-shifting stone gives it real drama. The adjustable band fits a range of sizes. Bold, bright, and built to be noticed.

Materials: Gold-tone base metal, aurora borealis rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah Cov
• Style / design notes: Square ribbed frame, prong-set rivoli stone, adjustable band
• Stone or material notes: Round faceted aurora borealis rhinestone in purple with red-violet flash
• Function: Ring, adjustable
• Color: Gold-tone, purple, iridescent
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A dark rhinestone sits prong-set against a fluted, wave-textured gold-tone surface, a single small clear accent stone tucked at its shoulder for contrast. The lines swirl and taper down into a simple band, giving the piece quiet movement without excess. A compact, versatile ring that reads more refined than its costume roots.

Materials: Gold-tone base metal, rhinestone

Details:

• Markings: HM
• Style / design notes: Fluted wave-textured setting, prong-set center stone with single accent stone
• Stone or material notes: Black oval rhinestone with a small clear accent
• Function: Ring
• Color: Gold-tone, black, clear
• Condition: Great vintage condition

Measurement: Size 6

Collected by Mineral and Matter

A smooth, dark cabochon sits framed in a fluted silver-tone bezel, edged with a fine rope-twist border for extra dimension. Sarah Coventry paired this kind of graphic silver-and-black palette often, and it wears with an easy, low-key polish. The adjustable band takes it from finger to finger without fuss. A quiet, versatile piece that goes with almost anything.

Materials: Silver-tone base metal, faux stone

Details:

• Era: 1970s
• Markings: Sarahcov
• Style / design notes: Fluted bezel with rope-twist trim, round bombé-style setting, adjustable band
• Stone or material notes: Round black cabochon
• Function: Ring, adjustable
• Color: Silver-tone, black
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A classical soldier's profile, plumed helmet and all, is carved into a dark hematite panel and set within a fluted silver-tone frame. Sarah Coventry, a longtime name in mid-century American costume jewelry, drew often on Roman and classical imagery for its intaglio pieces, and the design still carries real graphic weight today. The adjustable band means an easy fit for almost any hand. Bold and unmistakably vintage.

Materials: Silver-tone base metal, hematite

Details:

• Era: 1970s
• Markings: Sarah Cov
• Style / design notes: Rectangular intaglio panel, fluted shoulders, adjustable band
• Stone or material notes: Faux hematite panel with carved Roman soldier profile
• Function: Ring, adjustable
• Color: Silver-tone, gold, black
• Condition: Great vintage condition

Measurement: Size 7, adjustable

Collected by Mineral and Matter

Two deep blue oval stones anchor an asymmetric bypass design, each flanked by a small round clear accent for contrast. The open, sculptural gold-tone band curves and doubles back on itself beneath the stones, giving the piece unexpected dimension from every angle. Modern in its irregularity, with the rich color of sapphire without the formality. A striking everyday statement piece.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Asymmetric bypass band, two oval blue rhinestones with round clear accents
• Stone or material notes: Blue oval and clear round rhinestones
• Function: Ring
• Color: Gold-tone, deep blue, clear
• Condition: Great vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A brilliant round cubic zirconia sits solitaire in a swirling, open bypass setting, textured gold catching light at the shoulders like beaten metal. The design has real movement, the band curving in on itself as it meets the stone. Signed by Esposito and clearly marked as gold electroplate, this is a well-made piece of American costume jewelry with genuine presence.

Materials: 14KT gold electroplate, cubic zirconia

Details:

• Era: 1970s–1980s
• Markings: 14KT GE ESPD
• Style / design notes: Bypass swirl setting, textured shoulders, solitaire round stone
• Stone or material notes: Round cubic zirconia
• Function: Ring
• Color: Gold, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Marquise-cut rhinestones fan out in two tiers to form a full, faceted flower, deep blue tips giving way to clear stones near the center. Set in a two-tone finish, the design catches light from multiple angles like petals mid-bloom. The scale is substantial without being heavy on the hand, built for a bit of shine on an ordinary day. A cluster ring with real presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Style / design notes: Layered marquise-cut flower cluster, two-tone prong settings
• Stone or material notes: Blue and clear marquise rhinestones
• Function: Ring
• Color: Gold-tone, silver-tone, blue, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A small mermaid curls into her own tail in sculptural gold-tone relief, textured to suggest scale and flowing hair in the Art Nouveau tradition that made mermaids a favored motif in stickpins a century ago. The figure sits atop a slim pin with a rounded safety clutch, ready for a lapel, cravat, or scarf. Unmarked, but detailed in the hand-finished style of early figural stickpins. A curious, storied little accent.

Materials: Gold-tone metal

Details:

• Era: Early-to-mid 1900s style, reproduction or vintage
• Markings: Unmarked
• Style / design notes: Figural mermaid motif, Art Nouveau influence, safety clutch closure
• Stone or material notes: None
• Function: Stick pin
• Color: Antiqued gold
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

A cool blue emerald-cut stone sits prong-set in warm gold, flanked by small bow-shaped shoulders for a touch of vintage sweetness. Signed by Esposito, a maker known for well-made mid-century gold filled pieces, this ring has the weight and finish of costume jewelry built to last. The adjustable band means an easy, comfortable fit. A quiet, classic piece that wears well on its own or stacked.

Materials: 10K gold filled, glass stone

Details:

• Era: 1950s–1960s
• Markings: 10KT G.F. ESPO
• Style / design notes: Emerald-cut center stone, bow motif shoulders, adjustable band
• Stone or material notes: Blue faceted glass stone, emerald cut
• Function: Ring, adjustable
• Color: Gold, blue
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Adjustable band

Collected by Mineral and Matter

A fine cable chain travels the length of this necklace, punctuated by marquise-shaped stations that cradle a single faux pearl at each pause, like small closed eyes drifting along a current. The delicate scale keeps it wearable alone or layered, with just enough shine to catch light without overstatement. Simple, dainty, and quietly luminous.

Materials: Gold-tone metal, faux pearl

Details:

• Era: 1970s–1980s
• Markings: Unmarked
• Style / design notes: Fine cable chain with marquise/eye-shaped pearl stations, spring ring clasp
• Stone or material notes: Faux pearl cabochons at each station
• Function: Necklace
• Color: Gold-tone, cream pearl
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: 18" long when unclasped

Collected by Mineral and Matter

Diamond-cut rays fan outward from a small center flower, framed by an open, elongated silhouette that catches light from every angle. The wide, textured shoulders taper into a slim band, giving the piece presence without weight. Unsigned, but finely cut, with the kind of intricate openwork more often reserved for finer goldwork. A small, sculptural statement for the hand.

Materials: Gold-tone base metal

Details:

• Era: 1970s–1980s
• Markings: Unmarked
• Style / design notes: Openwork diamond-cut filigree, elongated shield silhouette, floral center motif
• Stone or material notes: None
• Function: Ring
• Color: Antiqued gold
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Size 5

Collected by Mineral and Matter

A small gold-tone angel with outstretched wings wears a gown rendered in American flag enamel — stars at the bodice, red and white stripes cascading to the hem. The design merges the celestial and the civic in a way that feels distinctly American, and distinctly of its era. Stamped "USA" on the reverse, confirming domestic production.

Materials

• Era: 1990s
• Markings: "USA" stamped on reverse
• Style / design notes: Angel silhouette with spread wings; butterfly clutch pin back
• Stone or material notes: Red, white, and navy enamel
• Color: Gold-tone, red, white, and navy
• Condition: Excellent vintage condition

Collected by Mineral and Matter

A small waving flag rendered in red, cream, and navy enamel with a gold-tone border — the kind of pin that has lived on jacket lapels, canvas bags, and coat collars for decades. The enamel shows the warm, slightly muted tones characteristic of older production, giving it a patina that feels earned rather than faded. Simple, direct, and quietly collectible.

Materials

• Era: 1970s–1980s
• Style / design notes: Waving flag silhouette with enamel fill and gold-tone border; pin back closure
• Stone or material notes: Red, cream, and navy enamel
• Color: Red, cream, navy, and gold-tone
• Condition: Good vintage condition

Collected by Mineral and Matter

Textured gold tone leaves form a graceful open wreath, each pair cradling a single round faux pearl so the pearls appear to bloom naturally throughout the circular design. The leaves feature fine veining that catches the light with a soft satin finish, while the creamy faux pearls provide gentle contrast against the warm gold tone metal. The open center keeps the brooch feeling light and balanced, making it equally suited for a lapel, sweater, scarf, hat, or handbag.

The laurel wreath has long been a symbol of victory, celebration, and enduring elegance, making this a timeless vintage accessory that transitions easily between everyday wear and more formal occasions. The back is finished with a secure rollover safety clasp that functions smoothly and holds the brooch firmly in place. Unsigned and in great vintage condition.

Materials
Gold tone base metal; faux pearl

Details

• Era: Late 1960s–1980s 
• Maker: Unsigned
• Style / design notes: Open circular laurel wreath design with textured leaves and evenly spaced faux pearls; rollover safety clasp
• Stone or material notes: Faux pearl, round, cream/white tone, approximately 6–7 mm, multiple
• Color: Warm gold tone with cream faux pearls
• Condition: Good vintage condition, please see images
• Measurement: 1.5 in diameter

Collected by
Mineral and Matter

Smooth curved bar links form a continuous wave, each crest and valley hung with a small dangling cream faux pearl that sways with movement. The rhythm of the design feels organic — closer to water than metalwork. Finished with a lobster clasp and extender chain tipped with a final pearl, so the care extends all the way to the end.

Materials
Gold tone base metal; faux pearl

Details

• Era: 1980s
• Maker: Avon (signed on clasp tag)
• Style / design notes: Scalloped curved bar links with faux pearl drops at each junction; extender chain with matching pearl charm; lobster clasp with Avon hangtag
• Stone or material notes: Faux pearl, round, cream/white tone, approx. 5–6mm, multiple
• Color: Warm gold tone with cream pearls
• Condition: Good vintage condition, please see images
• Measurement 18" with 2" extender to make smaller
  
  

Collected by
Mineral and Matter

A single cream faux pearl drops from a small cluster of clear crystals set in a leaf-shaped bail — delicate in scale but considered in detail. The twisted rope chain suits the pendant's softness, adding texture without competing. It sits at the collarbone with the quiet ease of something worn daily for years.

Materials

• Era: 1980s
• Style / design notes: Single faux pearl pendant with three-crystal cluster bail; twisted rope chain
• Stone or material notes: Cream faux pearl; clear rhinestone crystals
• Color: Gold-tone with cream
• Condition: Great vintage condition

Measurement: 9.5" in long when clasped, pendant 2 cm long, 0.5 cm wide

Collected by Mineral and Matter

A faceted emerald-cut crystal in aurora borealis finish sits in a clean octagonal bezel — shifting between gold, blue, violet, and green depending on the light it catches. The AB coating, popularized in the 1950s by Swarovski and widely used through the 1980s, gives even a simple pendant an almost atmospheric quality. It slides directly on a flat snake chain, keeping the silhouette minimal and modern.

Materials
Gold tone base metal; aurora borealis crystal

Details

• Era: 1970s–1980s
• Markings: "AVON"
• Style / design notes: Octagonal bezel-set pendant on flat snake chain; slide-through bail
• Stone or material notes: Faceted aurora borealis crystal in emerald cut
• Color: Gold-tone with iridescent aurora borealis crystal
• Condition: Excellent vintage condition

Measurement
7.75 in chain length when clasped; pendant approx. 0.5" wide

Collected by
Mineral and Matter

Three delicate gold-tone chains drift at different lengths, each strung with oversized baroque faux pearls and iridescent faceted crystal beads that catch light like sea glass. The irregular shapes of the pearls give the piece an organic, unhurried quality — closer to something found than something manufactured. It layers beautifully or holds its own as a standalone necklace with real presence.

• Era: 1990s
• Markings: "GVS" on tag
• Style / design notes: Triple strand station necklace on fine gold-tone chains; baroque faux pearl and faceted crystal bead stations
• Stone or material notes: Oversized baroque faux pearls; iridescent faceted crystal beads in pale blue-grey
• Color: Gold-tone, cream, and iridescent pale blue-grey
• Condition: Good vintage condition, please see images
• Measurement: 9 in long when clasped, has adjuster to make longer, 

Collected by Mineral and Matter

A single small stone sits in a scalloped illusion setting — the serrated bezel edge making the crystal appear larger and more brilliant than its modest size suggests. This setting style was widely used in mid-century fine and costume jewelry alike, giving even small stones an outsized presence. It hangs from a delicate rolo chain with the quiet confidence of something worn daily for decades.

Materials

• Era: 1960s–1970s
• Style / design notes: Illusion solitaire setting with scalloped bezel; V-bail; delicate rolo chain
• Stone or material notes: Single clear crystal or paste stone; silver-tone setting with gold-tone chain and bail
• Color: Gold-tone and silver-tone
• Condition: Great vintage condition

Measurement
9.25 in long when clasped, Pendant 1cm long, 0.5 cm wide

Collected by
Mineral and Matter

Ribbed bars interlock in a continuous chevron pattern that moves with a satisfying rhythm around the neck — graphic and tactile without being loud. The links have a dimensional quality that catches light at every angle, giving the piece a presence that reads far above its origins. A strong everyday necklace that pairs as well with a white t-shirt as it does with an evening out.

Materials
Gold tone base metal

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Interlocking Z/zigzag links with triple rib texture on each arm; alternating link orientation creates continuous chevron silhouette; integrated barrel push-pull clasp
• Stone or material notes: None
• Color: Bright warm gold tone
• Condition: Good vintage condition, please see images 

Measurement
8 in long when clasped, individual straight bars are 1cm long

Collected by
Mineral and Matter

Wide basketweave links form a structured V-shape that drapes cleanly against the collarbone — the kind of necklace that does all the work of an outfit on its own. Each ribbed crosshatch tile is precisely rendered, giving the piece a textile quality that reads closer to woven metal than costume chain. Finished with a lobster clasp and extender chain for adjustable wear.

Materials
Gold tone base metal

Details

• Era: 1980s
• Maker: Avon (signed on clasp tag and center point reverse)
• Style / design notes: Basketweave-textured paneled links forming V-chevron collar; alternating horizontal-vertical ribbed grid pattern; box end caps; lobster clasp with Avon hangtag; short extender chain
• Stone or material notes: None
• Color: Bright warm gold tone
• Condition: Good vintage condition, please see photos 

Measurement
8 in long when clasped, has adjuster to make bigger, individual square beads are 1cmx1cm

Collected by
Mineral and Matter

Eleven hammered oval discs hang in a graduated bib arrangement from a rolo-link center section, fanning outward and downward so the largest discs fall at the center and the smallest sit at the outer edges where the bib meets the chain. The front face of each disc is smooth and deeply hammered — broad irregular dents that catch and redirect light across the whole surface — while the reverse shows a brushed linear texture visible when the discs move and turn. That contrast between the two surfaces means the necklace is never fully still-looking, even when the wearer isn't moving.

The bib format here is architectural without being rigid: the discs are connected loosely enough through the rolo link center that the whole arrangement shifts and layers when worn, the pieces overlapping slightly at the top rows and separating at the bottom where the longer center discs hang free. On the neck it reads as a single sculptural shape; off the neck it opens up into something more intricate. The curb chain is flat and fine relative to the pendant's weight, which keeps the visual emphasis on the bib rather than the chain. Lobster clasp with a short extender chain finished with a small stone bead. Unsigned and in great condition.

Materials
Gold tone base metal

Details

• Era: 1990's
• Maker: Unsigned
• Style / design notes: Graduated hammered oval disc bib; rolo-link center connector; discs hammered front, brushed reverse; flat curb chain; lobster clasp with extender chain and stone bead tip
• Stone or material notes: Small stone bead on extender tip (white/cream, likely synthetic)
• Color: Warm gold tone
• Condition: Good vintage condition, please see photos 

Measurement
Approx. 9.25 in long when clasped, has adjuster to make smaller; dangle decoration 3 in long, 1.5 in long

Collected by
Mineral and Matter

Two textured gold tone bars arc gently downward in a double swag, meeting at the center and suspending three faux pearls from cup settings along the lower edge — one at each end of the inner bar and one larger pearl hanging from the center point. The bars are finished with a fine crosshatch texture across their entire surface, which keeps the gold from reading as plain stamped metal and gives the pendant a handmade quality at close range. The pearls are round and lustrous with a warm cream tone, graduated very slightly so the center pearl reads as the focal point without the difference being dramatic.

The festoon or swag necklace is a format with roots in Victorian and Edwardian jewelry, where draped metalwork suspending pearls or stones was a standard for formal dress. This version translates that sensibility into costume jewelry scaled for everyday wear — the pendant is modest in size, the cable chain is fine, and the whole piece sits close to the collarbone rather than making a statement. It works as well with a casual neckline as with something more formal, which likely accounts for how many versions of this basic arrangement were produced through the 1970s and 1980s. Spring ring clasp. Unsigned and in great condition.

Materials
Gold tone base metal; faux pearl

Details

• Era: 1970s–1980s
• Maker: Unsigned
• Style / design notes: Double swag bar pendant with crosshatch texture; three faux pearls in cup settings, center pearl slightly larger; fine cable chain; spring ring clasp
• Stone or material notes: Faux pearl, cream/white tone, round
• Color: Warm yellow gold tone with cream pearl
• Condition: Good vintage condition, please see images

Measurement
Chain 9 in long when clasped; pendant approx. 2 in wide

Collected by
Mineral and Matter

This style of woven chain bracelet — moderately wide, textured, yellow gold tone — was a staple of mid-range costume jewelry through the 1990s , the kind of piece that worked as an everyday bracelet or stacked with others. The lobster clasp is oversized relative to the chain, smooth and polished, and terminates on both ends with a bullet-shaped cap that tucks the chain ends in cleanly. Unsigned and in great condition.

Materials
Gold tone base metal

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Braided wheat-style woven chain; milgrain beaded edges on links; polished bullet-end caps; lobster clasp closure
• Stone or material notes: None
• Color: Warm yellow gold tone
• Condition: Good vintage condition; please see images

Measurement
7.5" length when unclasped 

Collected by
Mineral and Matter

Repeating X-shaped links connect end to end in a continuous chain, each one cast with fine parallel ribbing across both bars of the cross and edged with a thin silver tone outline that gives the whole bracelet a quietly two-tone quality. The links are substantial without being heavy — there's enough presence to catch light from multiple angles as the wrist moves, and enough flexibility that the bracelet drapes rather than sits stiff. The X-link or cross-link bracelet was a dominant format in gold tone costume jewelry through the late 1980s , when geometric chain styles with textural surface detail were a wardrobe standard. A box clasp with safety tab closes it securely. Unsigned and in great condition.

Materials
Gold tone base metal

Details

• Era: 1970's-1980s
• Maker: Unsigned
• Style / design notes: Repeating X-cross links with fine parallel rib texture; silver tone edging creates subtle two-tone effect; box clasp with safety tab closure
• Stone or material notes: None
• Color: Warm gold tone with silver tone edge detail
• Condition: Good vintage condition, please see images

Measurement
Approx. 7.25 in long when unclasped 

Collected by Mineral and Matter

A generous cream simulated pearl sits in a simple gold tone cup, suspended from a hinged leverback that opens and closes with a satisfying click. The leverback format sits a touch lower on the earlobe than a standard stud, giving the pearl just enough room to be seen from the front without any drop.. The pearl has good even luster and the warm gold tone of the finding suits it without competing. Classic and versatile in the way only a pearl stud equivalent can be.

Materials
Gold tone base metal, simulated pearl

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Round simulated pearl in gold tone cup setting; hinged leverback closure; pierced
• Stone or material notes: Cream simulated pearl; smooth, even luster
• Color: Cream / warm gold tone
• Condition: Good vintage condition, please see images 

Measurement
1.5 cm long, 1.5 cm wide

Collected by Mineral and Matter

The simplest possible brief, executed cleanly — a round cream simulated pearl set in a small gold tone cup, on a steel post with a gold tone butterfly back. Nothing competes with the pearl. The luster is even and soft, the size just right for daily wear without disappearing. Avon made pearl studs like these throughout the 1980s, understanding that the wardrobe staple case for a classic pearl stud is essentially unassailable. The butterfly backs are stamped Avon, giving these the small provenance detail that separates them from anonymous equivalents. They go with everything, which is the only thing a pearl stud needs to do.

Materials
Gold tone base metal, simulated pearl, steel post, gold tone butterfly back

Details

• Era: 1980s
• Maker: Avon (stamped on butterfly backs)
• Style / design notes: Round simulated pearl in a simple gold tone cup setting; steel post; gold tone butterfly back closure
• Stone or material notes: Cream simulated pearl; even luster, no chips or cracks noted
• Color: Cream / warm gold tone
• Condition: Good vintage condition, please see images

Measurement
Pearl approx. ¼" (6mm) diameter

Collected by Mineral and Matter

A nautilus shell rendered in warm, high-polish gold — the spiral coils inward from a scalloped outer edge to a tight central whorl, with fine radiating ribs fanning across the entire surface. The form is both architectural and organic, the kind of shape that looks equally at home in a natural history museum and on an ear. Stamped 14K G.F. on the interior, these are gold filled rather than plated, meaning a substantially thicker layer of gold bonded to a base metal core — a meaningful step up in quality and longevity from standard costume jewelry. The steel post and butterfly back closures are practical and secure. Coastal and nature-inspired jewelry of this caliber had a strong moment in the late 1980s and early 1990s, and pieces like this have held their appeal without effort.

Materials
14K gold filled, steel post and butterfly back closures

Details

• Era: 1980s
• Maker: Unsigned; stamped 14K G.F. on interior
• Style / design notes: Sculptural nautilus / spiral shell form; fine radiating rib detail across face; scalloped outer edge; tight central spiral
• Closure: Steel post and butterfly back (pierced)
• Color: Warm yellow gold
• Condition: Good vintage condition, please see images

Measurement
Approx. 0.75 in across, 0.5 in wide

Collected by Mineral and Matter

Each arm curls slightly at its tip, giving these starfish a sense of movement — as though caught mid-drift rather than pressed flat into a mold. The surface is covered in raised dot and granule texture that mimics the real thing closely enough to reward a second look. The scale is generous without being oversized, sitting comfortably on the ear with the kind of presence that reads from across a room. Gold tone starfish earrings of this quality were a coastal jewelry staple through the late 1980s and into the 1990s, pairing equally well with a linen shirt in August or a sweater in February. Post and butterfly back closures keep them secure and easy to wear daily.

Materials
Gold tone base metal, post and butterfly back closures

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Sculptural starfish form; five arms with upturned curling tips; raised dot and granule texture across entire face and reverse
• Closure: Post and butterfly back (pierced)
• Color: Warm gold tone
• Condition: Good vintage condition, please see images

Measurement
Approx. 1.25" across

Collected by Mineral and Matter

A wide, asymmetrical leaf unfurls across the finger, its surface covered in fine radiating ribs that catch light from every angle. Cutting diagonally across the center, a smooth inlaid channel holds five small round rhinestones in a gentle curve — the single point of sparkle against an otherwise all-gold composition. The leaf curls slightly at its edges and tapers to a point at the lower corner, giving it a naturalistic quality that softens what could otherwise read as purely geometric. Leaf motif rings in this style were a recurring presence throughout the 1970s and into the 1980s, when nature-inspired forms dominated costume jewelry and gold tone metal was the default. This one is unsigned but well-made, with good weight and clean detail.

Materials
Gold tone base metal, clear rhinestone crystals

Details

• Era: 1970s–1980s
• Maker: Unsigned
• Style / design notes: Wide asymmetrical fluted leaf top; fine radiating rib texture across entire face; diagonal channel set with five graduated round rhinestones across center
• Stone or material notes: Five small round clear rhinestones, flush channel set
• Color: Warm gold tone / clear
• Condition: Good vintage condition, please see images

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

Nine round prong-set crystals appear to float across an irregular organic landscape — a wide, open-worked band of molten-looking gold tone metal that bubbles and branches like coral or cooling lava. The stones sit at varying heights across the top, their silver-tone prongs contrasting against the warm gold beneath, which gives the whole surface a two-tone quality that feels intentional rather than incidental. The underside of the band continues the texture, leaving no part of the ring unfinished. This is squarely in the Brutalist and organic modernist jewelry tradition that defined the 1960s and early 1970s, when cast metal jewelry rejected clean lines in favor of raw, elemental form. It wears like a piece of sculpture.

Materials
Gold tone base metal, clear rhinestone crystals

Details

• Era: 1960s–1970s
• Maker: unkown: Stamped 14KH GE A
• Style / design notes: Wide open-worked band; irregular molten nugget texture throughout; nine round rhinestones prong-set in silver tone settings at varying heights across the top face
• Stone or material notes: Clear round rhinestone crystals, silver tone prong settings
• Color: Warm gold tone / clear
• Condition: Good vintage condition, please see images

Measurement
Size 4.5 (measured on ring mandrel between 4 and 5)

Collected by Mineral and Matter

A sculpted ribbon bow spreads wide across the finger, its looped and gathered folds rendered in warm gold tone with fine engraved line detail across each wing. At the center, a small oval cabochon in muted blue — somewhere between slate and periwinkle, with a slightly speckled, matte surface — anchors the whole composition without competing with it. The bow is generous in scale but sits closer to charming than costume, the kind of ring that reads as intentional rather than loud. Avon produced bow motif jewelry throughout the 1980s in consistent quality, and this one holds up — signed on the interior shank and in very good condition for its age.

Materials
Gold tone base metal, blue cabochon (glass or synthetic)

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Sculptural ribbon bow top; engraved texture detail across bow wings; oval bezel-set cabochon center
• Stone or material notes: Small oval blue cabochon; matte, slightly speckled surface; slate to periwinkle in color
• Color: Warm gold tone / slate blue
• Condition: Good vintage condition, please see images

Measurement
Size 7 

Collected by Mineral and Matter

A faceted oval stone in deep sapphire blue sits flush in a bezel setting, flanked on each side by a ribbed fan of silver tone metal that tapers smoothly into the shank. The silhouette is architectural — substantial without being heavy, with the fluted shoulders giving it a sculptural quality that reads closer to Art Deco revival than costume. The stone shifts between inky navy and bright aqua depending on the light, which is most of the reason to wear it. Rings built around a single bold stone and a strong geometric setting were a recurring theme of 1980s costume jewelry, and this one holds that moment with quiet confidence.

Materials
Silver tone base metal, blue glass or synthetic stone

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Bezel-set oval solitaire; ribbed fan shoulders tapering to a plain shank; low-profile setting keeps stone close to the finger
• Stone or material notes: Faceted oval blue glass or synthetic stone; color reads sapphire to aqua depending on light
• Color: Silver tone / sapphire blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A continuous row of small puffy hearts circles the band, creating an eternity silhouette that feels playful without being precious. The raised, rounded hearts catch light evenly all the way around — as wearable stacked as it is alone. A sweet example of Avon's knack for translating sentiment into something genuinely wearable.

Materials
Gold tone base metal

Details

• Era: 1980's
• Maker: Avon Stamp
• Style / design notes: Eternity band; continuous repeating puffy heart motif around full band; high-polish finish
• Stone or material notes: None
• Color: Warm gold tone
• Condition: Good vintage condition, please see photos 

Measurement
Size 3.5 (measured on ring mandrel between 3 and 4)

Collected by Mineral and Matter

A single cream faux pearl sits at the center of two sweeping bypass bands, each set with a row of clear crystal rhinestones and edged in fine milgrain detail. The movement is elegant and slightly sculptural — the crossover design lifts the pearl off-center just enough to feel dynamic rather than stiff. Signed on the interior shank, it comes with the provenance of a recognized name and the wearability of a piece that never fully goes out of style.

Materials
Gold tone base metal, simulated pearl, clear crystal rhinestones

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Bypass crossover setting; two rhinestone-paved milgrain bands cradling a central faux pearl
• Stone or material notes: Cream simulated pearl center; prong-set clear crystal rhinestone accents
• Color: Warm gold tone / cream / clear
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A full concho belt condensed to the wrist — raised gold-tone medallions anchor each panel of an antiqued silver-tone band, surrounded by hand-stamped detailing in crescent moons, fleur-de-lis, and fine dot work. The elastic construction slips on easily while the width and relief of the design read as something far more substantial. Southwestern concho jewelry of this scale peaked in the 1990s and early 2000s, when Western-influenced accessories leaned bold and unapologetic. This one carries that energy without effort.

Materials
Silver tone & gold tone base metal, elastic band

Details

• Era: 1990s
• Style / design notes: Wide elastic stretch bracelet; repeating concho medallion motifs; stamped crescent, fleur-de-lis, and dot work fill panels between each concho
• Stone or material notes: No stones; raised gold-tone concho centerpieces with oxidized detailing
• Color: Antiqued silver tone / warm gold tone
• Condition: Good vintage condition, please see photos 
• Measurement: 2.5 in diameter 

Collected by Mineral and Matter

A full tide pool circles the wrist — sea turtles, sand dollars, starfish, shells, and seahorses cast in oxidized silver tone, punctuated by sapphire blue, aurora borealis, and pale aqua glass stones set between each motif. The elastic construction makes it effortless to wear while the density of detail rewards a closer look. Coastal charm jewelry of this kind peaked in the 1990s, when layered nature motifs and iridescent stones defined a certain sun-warmed, beachside aesthetic. It carries that spirit without irony.

Materials
Silver tone base metal, glass stones, elastic band

Details

• Era: 1990s 
• Style / design notes: Elastic stretch bracelet; repeating nautical motifs including sea turtle, sand dollar, starfish, shell, and seahorse; bezel and prong-set stone accents throughout
• Stone or material notes: Sapphire blue glass rounds, aurora borealis glass rounds, pale aqua oval glass cabochon
• Color: Oxidized silver tone / blue / aqua / aurora borealis
• Condition: Good vintage condition, please see images

Measurement
Fits up to size 7.5 wrist, about 3 in diameter

Collected by Mineral and Matter

Rectangular tiles of blush pink mother of pearl are set flush into a wide silver tone band, their natural iridescence shifting between rose, cream, and lavender depending on the light. Shell inlay jewelry has deep roots across many cultures — from pre-Columbian adornment to mid-century Southwestern design — and this clean, architectural version distills that tradition into something entirely modern. The flat profile and seamless inlay work give it a quiet luxury that reads well above its origins. A bangle that belongs on a wrist that doesn't need to announce itself.

Materials
Silver tone metal, mother of pearl shell tiles

Details

• Era: 1970s–1980s
• Style / design notes: Wide flat-profile slip-on bangle; flush-set rectangular mother of pearl tile inlay covering full exterior; smooth polished silver tone interior
• Stone or material notes: Natural blush pink mother of pearl shell, tile-cut and inlaid
• Color: Silver tone / blush pink / iridescent
• Condition: Good vintage condition, please see photos 

Measurement
Size 8 wrist, 2.5 in diameter

Collected by Mineral and Matter

A row of tiny cream seed pearls runs the full circumference of this wide bangle, flanked by milgrain edges and a band of intricate hand-engraved scrollwork — the kind of surface detail that rewards close looking. The combination of organic pearl and etched gold recalls Edwardian and Victorian jewelry traditions, translated here into an accessible and wearable 1970s–80s form. Wide enough to make a presence on the wrist, refined enough to wear with everything. It stacks beautifully with plain gold bangles or stands quietly alone.

Materials
Gold tone base metal, faux seed pearls

Details

• Era: 1970s–1980s
• Style / design notes: Wide slip-on bangle; center row of cream seed pearls flanked by milgrain borders; etched scrollwork panels on either side; smooth polished interior
• Stone or material notes: Cream faux seed pearls
• Color: Warm gold tone / cream
• Condition: Good vintage condition, please see photos 

Measurement
Size 8 wrist, 2.75 in diameter

Collected by Mineral and Matter

A single band of cobalt blue enamel runs the full circumference of this slim gold bangle — one clean line of color, nothing more. The restraint is the point. This kind of minimal enamel bangle sits in a long tradition of everyday stacking jewelry, and the cobalt-and-gold pairing has an almost nautical clarity that works across seasons. Wear it alone for its quiet confidence or stack several for a different kind of statement entirely. The smooth interior and polished edges speak to quality construction despite its unsigned status.

Materials
Gold tone base metal, enamel

Details

• Era: 1970s–1980s
• Style / design notes: Slim slip-on bangle; single continuous cobalt blue enamel stripe along exterior; polished gold tone rims and interior
• Color: Gold tone / cobalt blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 8 wrist, 2.75 in diameter

Collected by Mineral and Matter

A soft blush oval cabochon rests at the center of a dense field of seed pearls, all held within a scalloped gold frame with shell-fan accents at each lobe — the entire composition a quiet homage to Victorian jewelry traditions. The layering of textures here is considered: smooth stone against granular pearl fill against ornate molded gold. This style of revival brooch was produced with real care during the 1980s, when antique-inspired pieces were having a cultural moment. It pins to anything from a winter coat to a silk blouse and immediately elevates it.

Materials
Gold tone base metal, faux seed pearls, glass cabochon

Details

• Era: 1980s
• Style / design notes: Scalloped oval frame with shell-fan lobe accents; dense seed pearl fill field; milgrain inner bezel; oval cabochon center; standard pin back
• Stone or material notes: Blush pink glass cabochon; cream faux seed pearl fill
• Color: Gold tone / blush pink / cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2 in length, 1.5 in width

Collected by Mineral and Matter

A large cream faux pearl sits at the center of a milgrain-dotted bezel, encircled by an oval wreath of interlocking laurel-leaf chain links — a composition that draws from classical antiquity with an ease that feels entirely modern. The laurel wreath has signified honor and achievement since ancient Greece and Rome, and its use in jewelry has never fully left. The chunky open chain frame gives this brooch unexpected weight and presence for its size. It pins to a lapel, a knit, or a scarf with equal authority.

Materials
Gold tone base metal, faux pearl

Details

• Era: 1970s–1980s
• Style / design notes: Oval laurel-leaf chain frame; milgrain dot bezel; large domed faux pearl center; standard pin back
• Stone or material notes: Large cream faux pearl cabochon
• Color: Warm gold tone / cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2 in length, 1 in width 

Collected by Mineral and Matter