Tethys was the Titaness of the deep fresh water, mother of rivers and clouds — her domain cool, silver, and alive with quiet movement. These wide silver tone huggies reflect that same quality. Small faux pearl studs dot the polished band in a loose, scattered arrangement, each one catching light like a droplet suspended mid-fall. Wide enough to fill the lobe with presence, composed enough to wear anywhere. A hinged snap closure sits flush at the back.

• silver plating
• Extra layer of tarnish resistance
  

Curated by Mineral and Matter 

A small, fully dimensional owl perches on a simple split band — feathers textured in fine relief, purple rhinestone eyes catching light with unexpected intensity. Owls carried real cultural currency in the 1970s, appearing across jewelry, ceramics, and print as symbols of quiet wisdom. This one has the charm of something found rather than bought. A ring that sparks conversation without demanding it. Stamped Sarah Coventry

Materials Silver-tone base metal, purple rhinestone accents

Details

• Era: 1970s
  
• Style / design notes: Three-dimensional owl figure with textured feather relief, split shank band
• Stone or material notes: Small purple rhinestone eyes
• Color: Silver-tone, purple
• Condition: Great vintage condition
• Measurement: adjustable

Collected by Mineral and Matter

Two parallel foxtail chains are gathered at center by a sliding bar detail, releasing into a fine mesh fringe tassel that moves with the wrist — architectural restraint giving way to something looser. A decorative fleur-de-lis style clasp closes the piece with the kind of considered finishing that defined Monet's mid-century craftsmanship. Safety chain included. One of their more expressive designs.

Materials: Silver tone base metal

Details:

• Era: 1960s–1970s
• Markings: Stamped "Monet" on clasp and hang tag
• Style / design notes: Double strand foxtail chain; sliding center bar; mesh fringe tassel; fleur-de-lis style clasp; safety chain
• Stone or material notes: None
• Color: Silver tone
• Condition: Excellent vintage with gentle surface wear consistent with age

Measurement: 7"

Collected by Mineral and Matter

A folded mesh panel is pinched at center by a small bar detail, fanning out above and below into a draped bow form — the same fluid architecture as the matching necklace, scaled for the ear. The mesh catches light along every woven edge, moving between structured and soft as it shifts. Screw back closures suggest mid-century manufacture. Wear them alone or pair with the matching mesh bow necklace for a full set.

Materials: Silver tone base metal

Details:

• Era: 1980s
• Markings: None
• Style / design notes: Draped mesh bow drop; bar pinch center; matching set with mesh bow necklace
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

A finely detailed oval medallion depicts a classical Roman profile — the kind of motif that has moved through centuries of jewelry without losing its authority. Set in warm gold-tone metal with a beaded border, the face carries the quiet gravity of ancient coinage. The long pin closes with a cylindrical bullet clasp, practical and period-appropriate. A refined accent for a lapel, scarf, or collar.

Materials 12k Goldfill

Details

• Era: 1970s–1980s
• Markings: Faint stamping visible on pin shaft, 1/20 12k goldfill
• Style / design notes: Oval medallion top with classical Roman portrait, beaded border, bullet-style push clasp
  
• Function: Stick pin / lapel pin with removable bullet clasp
• Color: Gold-tone
• Condition: Excellent vintage condition

Measurement: Face .3", full pin length 2.25"

Collected by Mineral and Matter

A deep black oval cabochon anchored by a single clear rhinestone at center — the contrast is sharp and quietly dramatic. The ornate gold-tone frame carries bead and floral detailing that softens the severity with a Victorian sensibility. Clip-on backs make them accessible without sacrifice. Marked Avon, and wearing every bit of that era's considered elegance.

Materials Gold-tone base metal, black glass or resin cabochon, rhinestone accent

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Oval black cabochon in ornate frame with bead and floral surround, clip-on closure
• Stone or material notes: Black glass or resin cabochon with single clear rhinestone center
• Function: Clip-on closure
• Color: Gold-tone, black, clear
• Condition: Great vintage condition

Collected by Mineral and Matter

A starburst of aurora borealis rhinestones radiates from an open filigree frame — each stone shifting between green, gold, and ice blue as the light moves. The spiked outer ring gives the design an almost celestial quality, somewhere between a compass rose and a distant galaxy. Marked Sarah Coventry Pat. Pend., placing these in the brand's early design period. A collectors' piece with everyday appeal.

Materials Silver-tone base metal, aurora borealis rhinestones

Details

• Era: 1950s–1960s
• Markings: Stamped "Sarah Cov. Pat. Pend."
• Style / design notes: Round filigree frame with spiked outer edge, cluster of prong-set AB rhinestones
• Stone or material notes: Aurora borealis rhinestones with green, gold, and blue iridescent shift
• Function: Clip-on closure
• Color: Silver-tone, aurora borealis multi
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 1.25" diameter

Collected by Mineral and Matter

A wide domed cuff wrapped in glossy crimson enamel, its surface smooth and uninterrupted — color as the entire statement. The gold tone metal interior and rim edges frame the enamel cleanly, and a hinged opening with a hidden clasp keeps the silhouette unbroken. Bold without ornamentation, the kind of piece that anchors an entire look from the wrist.

Materials: Gold tone base metal, enamel

Details:

• Era: 1970s–1980s
• Markings: None
• Style / design notes: Wide domed cuff; glossy enamel exterior; hinged opening with hidden clasp; gold tone interior and rim
• Stone or material notes: Glossy crimson enamel
• Color: Crimson red, gold tone
• Condition: good vintage condition, see images.

Measurement: 2.75" x 2.5" diameter

Collected by Mineral and Matter

A slim cushion-case quartz watch set into a wide woven herringbone mesh bracelet — the kind of seamlessly integrated design that defined ladies' dress watches of the late 1970s and early 1980s. The champagne dial is clean and unmarked, with baton hour markers and matching gold tone hands. Caravelle was Bulova's accessible dress line, and this piece reflects the same design sensibility at an approachable price point. Not currently running; needs battery or service.

Materials: Gold tone base metal, mineral crystal

Details:

• Era: 1970s–1980s
• Markings: Signed Caravelle (Bulova) on dial and case back
• Style / design notes: Cushion case; champagne dial; baton hour markers; integrated woven herringbone mesh bracelet; fold-over clasp
• Stone or material notes: None
• Function: Quartz — not currently running, needs battery or service
• Color: Gold tone, champagne
• Condition: Good vintage condition, please see pictures

Measurement: 2.5" diameter

Collected by Mineral and Matter

A petite round dress watch from Sarah Coventry's Supreme line, its entire bezel encrusted with a double row of pavé rhinestones that catch light from every angle. The sunburst white dial with gold tone dot markers and matching hands reads quietly behind all that sparkle — restraint at the center, celebration at the edge. A sapphire-colored cabochon crowns the winding stem. Not currently running; needs battery or service.

Materials: Gold tone base metal, rhinestone bezel, expansion bracelet

Details:

• Era: 1970s
• Markings: Signed "Sarah Coventry Supreme" on dial
• Style / design notes: Round case; double-row pavé rhinestone bezel; sunburst white dial; gold dot markers; sapphire-colored cabochon crown; textured gold tone expansion bracelet
• Stone or material notes: Clear rhinestone bezel; sapphire-colored cabochon at crown
• Function: Not currently running, needs battery or service
• Color: Gold tone, white, clear rhinestone
• Condition: Good vintage condition, please see pictures

Measurement: Expandable, fits 6" and up

Collected by Mineral and Matter

A rectangular silver tone dress watch with a cream dial and bold Roman numeral markers, carried on a substantial three-bar gate link bracelet with decorative cross-motif end links. The wide bracelet gives the piece an architectural presence that reads more as jewelry than timepiece — the kind of watch that works as a wrist anchor whether or not it's running. Not currently running; needs battery or service.

Materials: Silver tone base metal

Details:

• Era: 1990s
• Markings: Signed Polini on dial; P922 stamped on case back
• Style / design notes: Rectangle case; cream dial; Roman numeral markers; three-bar gate link bracelet; cross-motif end links; fold-over clasp
• Stone or material notes: None
• Function: Not currently running, needs battery or service
• Color: Silver tone, cream
• Condition: Good vintage, please see photos

Measurement: 2.5" diameter

Collected by Mineral and Matter

Two parallel inlay bands run the length of the front panel — one of segmented abalone shifting between pink, violet, and green, the other a flat stripe of matte black onyx. The contrast is stark and considered, the kind of pairing that draws from Southwestern and Mexican silversmithing traditions where stone and metal carry equal weight. A slim wire shank and hinged clasp keep the silhouette understated behind the inlay's quiet drama.

Materials: Silver tone metal, abalone shell inlay, black onyx inlay

Details:

• Era: 1970s–1980s
• Markings: Maker's mark stamped on interior panel
• Style / design notes: Hinged bangle; flat front panel with dual inlay bands; wire shank; hidden hinge clasp
• Stone or material notes: Segmented abalone shell — pink, violet, and green shift; matte black onyx stripe
• Color: Silver tone, black, iridescent
• Condition: Good vintage condition, please see photos

Measurement: 2.5" diameter

Collected by Mineral and Matter

A line of light, held in balance. The stones taper gently from one end to the other, creating a sense of movement without excess—precise, considered, and quietly luminous.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Dior on back
• Graduated marquise-cut clear rhinestones
• Linear bar silhouette with subtle taper
• Prong-set stones for a clean, elevated finish
• Classic rollover pin closure
• Era: late 1970s–1980s
• Measurement: approx. 2.25"–2.75" 
• Condition: vintage with gentle surface wear consistent with age

A mirrored cascade of light, designed to frame the neckline or rest at the collarbone. These pieces carry the elegance of mid-century dressing—meant to be worn with intention, and seen in motion.

Clear rhinestones in mixed cuts create depth and dimension, catching light from every angle. Originally worn as dress clips, they can still be styled traditionally or adapted as statement accents.

Materials:
Silver-tone metal, rhinestones

Details:

• Pair of vintage dress clips (fur clips)
• Mixed round and marquise-cut clear rhinestones
• Elongated cascading silhouette
• Clip-back mechanisms (one intact, one missing top clasp component)
• Era: 1940s–1950s
• Measurement: approx. 2.5"–3" length each 
• Condition: vintage with gentle surface wear consistent with age; one clip missing hinged clasp piece and does not fully secure

Five parallel bar links connected by horizontal rungs form a wide, articulated gate panel that hangs with satisfying weight from a flat top bar post — the same structural logic as a watch bracelet, reinterpreted as an earring. The matte brushed finish keeps the design grounded, letting the geometry do the work. A quietly bold choice that reads as modern regardless of the decade it was made.

Materials: Silver tone base metal

Details:

• Era: 1990s
• Markings: None
• Style / design notes: Wide gate link panel drop; flat top bar; five-row bar link construction; post and butterfly back
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, see photos 

Measurement: 1.5" drop

Collected by Mineral and Matter

A quiet boldness—rounded gold forms softened by light. These earrings hold a sculptural presence, where crystal and metal meet in balance, reflecting a refined, unmistakable design language.

Clear rhinestones in mixed cuts are set into softly domed gold-tone forms, creating a constellation-like pattern. Signed Givenchy, they carry the weight of late 20th century designer costume jewelry—elegant, considered, and enduring.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Givenchy 
• Clip-on back (comfortable padded clips)
• Round domed design with mixed-cut rhinestones
• Likely 1980s–1990s era
• Designer costume jewelry
• Measurement: approx. 1" diameter 
• Condition: vintage with gentle surface wear consistent with age

A sense of movement held in form—these earrings curve and catch light with quiet precision. The twisted rope hoop softens the structure, while a band of pavé crystals anchors the design with a refined, luminous edge.

Signed Christian Dior, they reflect the bold yet balanced language of late-century designer jewelry—substantial, sculptural, and made to frame the face with intention.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Christian Dior on clip backs
• Clip-on closure with comfort pads
• Twisted rope-style hoop with pavé crystal top
• Dimensional, sculptural design
• Era: 1980s–1990s
• Measurement: approx. 1.25" drop 
• Condition: vintage with gentle surface wear consistent with age

Small and solid, these polished silver tone puff heart studs sit close to the lobe with a quiet, confident weight. The domed surface catches light cleanly — no embellishment needed. The kind of earring you put on without thinking and reach for every day.

Materials: Silver tone base metal

Details:

• Era: 1980's-90's
• Markings: None
• Style / Design notes: Puffy heart form; high polish finish; post and butterfly back
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, see photos

Measurement: 0.5"

Collected by Mineral and Matter

A quiet, intricate line—floral filigree suspended in gold, softened by a single green bead at the base. There’s a sense of movement here, a gentle verticality that feels both delicate and intentional.

The openwork panel catches light in subtle ways, while the soft green bead adds a grounded, almost mineral note. An understated statement—ornate, but not loud.

Materials:
Gold-tone metal, glass bead

Details:

• Clip-on style (screw back with hinged clip)
• Openwork floral filigree panel
• Soft green glass bead drop
• Lightweight with gentle movement
• Era: 1960s–1970s
• Measurement: approx. 2.25" drop length
• Condition: vintage with gentle surface wear consistent with age

A clean rhythm of white and gold—structured, repeating, quietly bold. This piece carries a sculptural presence, where each segment feels like a small architectural form, fitted together in motion.

The contrast between soft white enamel and warm gold tone creates a balanced tension—modern, but rooted in mid-century design language. It sits close to the wrist, expanding with ease, designed for everyday wear with a refined edge.

Materials:
Gold-tone metal, white enamel

Details:

• Expansion/stretch bracelet
• Structured segmented design
• Crisp white enamel panels with gold tone accents
• Comfortable, flexible fit
• Era: 1960s–1970s
• Measurement: fits most average wrists (approx. 6–7.5" stretch)
• Condition: vintage with gentle surface wear consistent with age

A quiet contrast of night and gold—etched with a bird in flight, surrounded by winding florals. The surface holds a story in pattern and line, where dark enamel becomes a backdrop for something luminous and intricate.

There’s a stillness to this piece, balanced by movement in the design. It feels collected, intentional—something that carries both ornament and symbolism, with a subtle nod to traditional damascene work.

Materials:
Gold-tone metal, black enamel

Details:

• Hinged cuff bracelet with safety chain
• Gold etched bird and floral scroll motif
• Damascene-inspired design (likely mid-century souvenir style)
• Structured fit, sits close to the wrist
• Era: 1950s–1970s
• Measurement: fits approx. 6–7" wrist
• Condition: vintage with gentle surface wear consistent with age

A continuous line—woven, fluid, quietly luminous. This piece carries a softness in structure, where tightly linked gold forms a seamless curve around the wrist.

There’s a subtle weight to it, both visually and physically. The mesh-like construction creates movement within stillness, catching light in small, shifting patterns. Understated, but deeply textural—an everyday piece with a refined presence.

Materials:
Gold-tone metal

Details:

• Flexible woven mesh-style bangle
• Slip-on style (no clasp)
• Rounded tubular form with dense link construction
• Smooth, comfortable fit with slight flexibility
• Era: 1980s–1990s
• Measurement: approx. 2.5–2.75" inner diameter
• Condition: vintage with gentle surface wear consistent with age

A quiet curve of black enamel, interrupted by a small moment of light. The clasp sits at the center like a focal point—geometric, intentional, holding a single clear stone framed in subtle shimmer.

There’s a balance here between softness and structure. The dark enamel feels grounded and smooth, while the gold and rhinestones introduce just enough brightness. Refined, slightly dramatic, and easy to wear.

Materials:
Gold-tone metal, black enamel, rhinestones

Details:

• Hinged cuff bracelet with secure clasp closure
• Black enamel exterior with gold tone interior
• Center geometric clasp with clear rhinestone accents
• Structured oval shape, sits close to the wrist
• Era: 1980s–1990s
• Measurement: fits approx. 6–7" wrist
• Condition: vintage with gentle surface wear consistent with age

A single wire forms an open teardrop hoop before curling into a small double spiral at the base, finished with two polished ball ends — kinetic and considered in equal measure. The design has the fluid quality of hand-formed wire work, light on the ear and interesting from every angle. Stamped 925.

Materials: Sterling silver (925)

Details:

• Era: 1990s
• Markings: 925 stamped on wire
• Style / design notes: Open teardrop hoop; double spiral base; polished ball terminals; shepherd's hook closure
• Stone or material notes: None
• Color: Sterling silver
• Condition: Good vintage condition, please see photos

Measurement: 1"

Collected by Mineral and Matter

A mirrored pairing—light and dark, ivory and black—each carrying the same quiet floral rhythm. Worn together, they create a soft contrast; worn alone, each holds its own subtle presence.

The enamel surface feels smooth and grounded, while small rhinestone-set florals catch light in delicate points. There’s something balanced here—symmetry, repetition, and a sense of ease in how they layer.

Materials:
Gold-tone metal, enamel (black and ivory), rhinestones

Details:

• Set of 2 hinged bangle bracelets
• One black enamel, one ivory enamel
• Small floral rhinestone accents throughout
• Secure clasp closures
• Designed to stack or wear separately
• Era: 1980s–1990s
• Measurement: each fits approx. 6–7" wrist
• Condition: vintage with gentle surface wear consistent with age (ivory bangle shows minor enamel wear)

Multiple fine curb chains and a flat link chain are twisted together into a substantial rope-like braid, gathered at each end by smooth barrel end caps and finished with a lobster clasp. The mix of chain textures — fine mesh-like curb against a bolder flat link — gives the piece visual depth and movement. Substantial enough to wear alone, refined enough to layer.

Materials: Silver tone base metal

Details:

• Era: 1980-90s
• Markings: None
• Style / design notes: Multi-strand twisted chain construction; mixed curb and flat link chains; barrel end caps; lobster clasp
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, see photos 

Measurement: 3" diameter

Collected by Mineral and Matter

A single prong-set crystal stud anchors two diverging bar drops, each tipped with its own prong-set stone — creating a scattered, constellation-like effect that moves with the wearer. The splayed double-drop silhouette reads as both geometric and delicate, catching light at every angle. Clean and contemporary, with an understated sparkle.

Materials: Silver tone base metal, clear rhinestone or CZ

Details:

• Era: 1990s–2000s
• Markings: None
• Style / design notes: Single crystal stud top; two diverging bar drops tipped with prong-set stones; post and butterfly back
• Stone or material notes: Clear round stones, prong set; likely CZ or rhinestone
• Color: Silver tone, clear
• Condition: Good vintage condition, see photos please
• Measurement: 1.5" length

Collected by Mineral and Matter

A large oval faceted stone in deep amber topaz sits high in an open prong setting, its warm honey-brown depths shifting between cognac and burnt caramel depending on the light. The setting shoulders are finished with a simple scrolled detail on each side, keeping the focus on the stone. Substantial without being heavy — a true cocktail ring with an understated elegance.

Materials: Gold tone base metal, faceted amber glass stone

Details:

• Era: 1960s–1970s
• Markings: Sarah Coventry
• Style / design notes: High prong setting; open gallery; scrolled shoulder detail; single stone cocktail ring
• Stone or material notes: Large oval faceted amber/topaz glass stone; warm cognac tone with good depth and clarity
• Color: Gold tone, amber
• Condition: Good vintage condition, please see photos
• Measurement: Size 6.5

Collected by Mineral and Matter

A narrow rectangular bezel holds a field of crushed teal opal mosaic — its surface a patchwork of blue-green fragments that shift in the light like a tide pool seen from above. The setting face is flanked by low-relief floral scrollwork on each shoulder, giving the ring an almost signet-like formality softened by the organic stone. Small and precise, with a quiet depth that rewards a closer look.

Materials: Silver tone base metal, crushed opal mosaic inlay

Details:

• Era: 1980s–1990s
• Markings: Partial hallmark — circle mark and rectangular cartouche (possibly "OS" or "05"); origin unclear
• Style / design notes: Rectangular bezel setting; crushed opal mosaic inlay; floral scroll shoulder relief; signet-adjacent profile
• Stone or material notes: Crushed teal opal mosaic inlay; blue-green fragmented surface with light shift; no strong play of color
• Color: Silver tone, teal
• Condition: Good vintage condition, please see photos 
• Measurement: Size 7

Collected by Mineral and Matter

A carved hematite rose sits at the center of each earring — its dark, mirror-polished surface catching light in a way that shifts between graphite and deep pewter. The surrounding silver tone frame is elaborate: open filigree scrollwork, acanthus leaf details, and a twisted rope inner bezel that echoes the Victorian mourning aesthetic the hematite material naturally invokes. Dramatic and deeply wearable, equally at home with black or with unexpected color.

Materials: Silver tone base metal, carved hematite

Details:

• Era: 1950's-70's
• Markings: Whiting & Davis, style #1767
• Style / design notes: Carved hematite rose cameo; open filigree scroll frame; twisted rope bezel; clip back
• Stone or material notes: Carved hematite oval cabochon with rose relief; high polish with strong light reflection
• Color: Silver tone, black/hematite
• Condition: Good vintage condition, please see photos 
• Measurement: 1.5" length

Collected by Mineral and Matter

A smooth, high-polish hematite oval sits in a gunmetal bezel ringed with a double row of textured bead detail — the combination of mirror-like stone and granulated frame creating a quietly hypnotic surface. No color, no distraction — just light and reflection. Substantial and refined, with the kind of understated presence that works as easily with a white shirt as with an evening look.

Materials: Gunmetal tone base metal, hematite

Details:

• Era: 1960s–1970s
• Markings: Whiting & Davis Co.
• Style / design notes: Smooth oval hematite cabochon; double-row beaded bezel; clip back
• Stone or material notes: Hematite oval cabochon; mirror polish; deep graphite tone with strong light reflection
• Color: Gunmetal, black/hematite
• Condition: Good vintage condition, please see photos 
• Measurement: 1" length

Collected by Mineral and Matter

A coiled rope mesh disc anchors three cascading drops — each a column of aurora borealis rhinestones flanked by twisted chain strands, terminating in either a faux pearl or a faceted AB crystal bead. The AB stones shift through pink, blue, and gold depending on the light, playing beautifully against the warm antique gold mesh. A fully realized mid-century evening earring with real movement and sparkle.

Materials: Gold tone base metal, aurora borealis rhinestones, faux pearl, faceted AB crystal bead

Details:

• Era: 1950s–1960s
• Markings: None
• Style / design notes: Coiled rope mesh clip top; three tassel drops with AB rhinestone columns and twisted chain; faux pearl and AB crystal bead terminals; clip back
• Stone or material notes: Aurora borealis rhinestones with strong color shift; faux pearl and faceted AB crystal drop beads
• Color: Gold tone, aurora borealis, cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2" length

Collected by Mineral and Matter

Each petal is worked in the Spanish damascene tradition — gold wire inlaid into a blackened steel ground in flowing arabesque scrollwork, with a beaded silver tone edge framing each leaf. A smooth faux pearl sits at the center, its soft cream a quiet contrast to the intricate metalwork surrounding it. The backs are gold tone, the fronts richly two-toned. A handcraft technique with centuries of history, translated into an earring that wears beautifully today.

Materials: Blackened steel, gold inlay (damascene), silver tone base metal, faux pearl center

Details:

• Era: 1960s-70s
• Markings: None
• Style / design notes: Six-petal flower form; gold wire damascene inlay on blackened steel petals; beaded silver tone petal edges; faux pearl center; clip back
• Stone or material notes: Faux pearl center cabochon; cream tone, good luster
• Color: Black, gold, silver tone, cream
• Condition: Good vintage condition, please see photos 
• Measurement: Just under 1"

Collected by Mineral and Matter

The Greek letter Phi set against a white enamel ground, its crossbar set with a row of seed pearls — connected by a fine chain to an "Exemplar" bar with a diamond-set key finial. A Phi Beta fraternity badge, the professional fraternity for music and speech founded in 1912, in a format consistent with early-to-mid 20th century Greek letter jewelry. Finely made and historically grounded, with the weight and material quality that separates a badge like this from costume pieces entirely.

Materials: gold tone, white enamel, seed pearls, stone accent

Details:

• Era: 1920s–1940s
• Markings: stamp on the back of the O
• Style / design notes: Phi letter badge with white enamel ground; seed pearl crossbar; chain-connected Exemplar key bar with diamond-set accent; dual pin stems
• Stone or material notes: Seed pearls on crossbar; faceted white stone  on key connector
• Color: Yellow gold, white enamel, cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2.5" total length

Collected by Mineral and Matter

These clip earrings move through two distinct registers — a fan-shaped palmette top in high relief giving way to a suspended Gothic-arched drop with a textured medallion center and open geometric surround. The palmette form draws from neoclassical ornament while the pointed arch drop leans medieval, a pairing that recurred frequently in the decorative revival aesthetics of 1960s and 70s costume jewelry. The oxidized gold tone adds depth to the casting. Substantial and architectural without being heavy.

Materials Gold-tone base metal, clip-back findings

Details

• Era: 1960s–1970s
• Markings: Unsigned
• Style notes: Two-part clip earring; fan palmette top with relief detail; articulated Gothic arch drop with textured medallion center and open diamond base
• Stone notes: None
• Color: Oxidized gold tone
• Condition: Great vintage condition
• Measurement: Approx. 1.75" drop

Collected by Mineral and Matter

Open-cut rose and leaf charms alternate down this link bracelet, each one connected by a single faux pearl that catches like dew between the petals. The cutout technique gives the metal a lace-like quality, light without losing definition in the floral detail. A romantic, garden-inspired piece typical of 1980s–1990s costume jewelry. Unsigned, with a spring ring clasp and extender chain.

Materials: Gold-tone metal, faux pearls

Details:

• Era: 1980s–1990s
• Markings: None
• Style notes: Link bracelet, cutout rose and leaf charms, faux pearl spacers, spring ring clasp with extender
• Color: Gold-tone with cream pearls
• Condition: Excellent vintage condition
• Measurement: 7"

Collected by Mineral and Matter

A porcelain heart pendant centers a flowing monogram "C," rendered in soft pink and blue and surrounded by a delicate scatter of hand-painted florals. The glazed white background gives the piece a keepsake quality, the kind of personalized gift jewelry popular for monogram lovers. Hung from a gold-tone rope chain, simple enough to layer or wear alone.

Materials: Porcelain, gold-tone metal

Details:

• Era: 1980s–1990s
  
• Style notes: Heart-shaped porcelain pendant, hand-painted monogram and floral design, rope chain
• Color: White with pink, blue, and green florals, gold-tone hardware
• Condition: Grreat vintage condition
• Measurement: 24" chain, pendant 1.25" x 1"

Collected by Mineral and Matter

Bold oval links alternate with sculpted X-shaped stations down this chunky chain, each piece substantial enough to anchor the whole design without veering heavy. The polished gold-tone finish and graphic repetition read like classic 1980s power dressing, the kind of necklace meant to be seen above a blazer collar. Signed Avon on the clasp link, with solid, well-made construction throughout. A true statement piece that still wears comfortably at choker length.

Materials: Gold-tone metal

Details:

• Era: 1980s
• Markings: Avon
• Style notes: Chunky oval link chain with sculpted X-shaped stations
• Color: Gold-tone
• Condition: Great vintage condition
• Measurement: 18"

Collected by Mineral and Matter

Vintage Avon 14K Gold-Filled Ball Station Necklace | 1970s Delicate Chain | Signed Fine Jewelry

Description: A fine cable chain interrupted by a single polished gold ball, simple enough to wear every day and substantial enough to last. The fishhook clasp carries both the Avon signature and a 14K gold-filled stamp, marking this as part of Avon's finer jewelry offerings rather than their costume line. A quietly elegant piece, equally suited layered with other necklaces or worn alone against the collarbone.

Materials: 14K gold-filled metal

Details:

• Era: 1970s
• Markings: Avon, 14K GF
• Style notes: Fine cable chain with single ball station, fishhook clasp
• Color: Gold
• Condition: Good vintage condition
• Measurement: 18"

Collected by Mineral and Matter

An iridescent glass cameo catches rainbow light across its faceted edge, centered by a raised white butterfly that seems to glow against the pale background. The aurora borealis finish was a specialty of mid-century German and Czech glassmakers, prized for the way it shifts color depending on the angle. Stamped Germany on the chain's tag, this is a well-made piece with more dimension than typical costume glass. A delicate, nature-inspired pendant that catches the eye without trying too hard.

Materials: Pressed glass with aurora borealis finish, gold-tone metal

Details:

• Era: 1960s–1980s
• Markings: Germany
• Style notes: Oval glass cameo pendant, molded butterfly motif, cable chain
• Color: Iridescent white and pale yellow with gold-tone hardware
• Condition: Good vintage condition
• Measurement: 16" chain, pendant .75"

Collected by Mineral and Matter

Six oval filigree medallions link together in a continuous scroll motif, each one an open lattice of curling vines and small raised beadwork at the center. The repeating pattern gives the bracelet real presence on the wrist without any added stones or color, just texture and light moving through the open metalwork. Unsigned, with a spring ring clasp.

Materials: Gold-tone metal

Details:

• Era: 1960s–1970s
  
• Style notes: Six oval filigree scroll medallions, spring ring clasp
• Color: Gold-tone
• Condition: Great vintage condition
• Measurement: 8"

Collected by Mineral and Matter

Faceted purple glass stones alternate with smooth gold-tone infinity links, the repeating figure-eight shape giving the bracelet a fluid, continuous look on the wrist. The faux amethyst color reads rich and saturated against the warm gold tone, substantial without being heavy. Signed Avon, this falls within the brand's 1990s run of romantic-leaning costume jewelry. A versatile colored-stone piece that pairs easily with both gold and silver.

Materials: Gold-tone metal, faceted glass stones

Details:

• Era: 1990s
• Markings: Avon
• Style notes: Infinity link chain alternating with bezel-set oval stones
• Stone notes: Purple faceted glass, likely faux amethyst
• Color: Gold-tone with purple stones
• Condition: Excellent vintage condition
• Measurement: 7"

Collected by Mineral and Matter

A flat herringbone chain feeds into a V-shaped pendant cluster of prong-set clear rhinestones — a silhouette that reads like a constellation caught mid-fall. The pendant sits low at the collarbone, drawing the eye down in the way the best 1980s jewelry was designed to do. Clean, unsigned, and quietly glamorous.

Materials & Details:

• Era: 1980s
• Markings: None
• Style notes: Flat herringbone chain, V-shaped rhinestone cluster pendant slide, spring ring clasp
• Stone notes: Prong-set clear rhinestones
• Color: Gold tone with clear stones
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A domed sphere of pavé-set clear rhinestones suspended from a twisted rope chain — small enough to wear daily, bright enough to catch every light in the room. The pendant reads like a tiny planet, densely orbited. Signed Avon with their characteristic oval clasp tag, a reliable mark of consistent construction.

Materials & Details:

• Era: 1980s
• Markings: Signed ©AVON on oval clasp tag
• Style notes: Twisted rope chain, pavé rhinestone ball pendant with bale, spring ring clasp
• Stone notes: Pavé-set clear rhinestones
• Color: Gold tone with clear stones
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A pavé rhinestone heart with a matching rhinestone-set rectangular bale, suspended from a fine cable chain in a warm antique gold tone. The pendant is signed on the reverse, the clasp tag signed again — Avon's way of standing behind the piece twice over. Small in scale, generous in sparkle.

Materials & Details:

• Era: 1980s
• Markings: Signed ©AVON on pendant reverse and oval clasp tag
• Style notes: Fine cable chain, pavé rhinestone heart pendant with rhinestone bale, spring ring clasp
• Stone notes: Pavé-set clear rhinestones
• Color: Antique gold tone with clear stones
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A deep black oval cabochon set into a double oval gold-tone frame, accented with ball details at top and bottom and a single silver-tone rhinestone floret at center. The layered frame gives the pendant more dimension than a standard bezel setting — it reads like a small portrait waiting to be filled. Suspended from a twisted rope chain, signed Avon on the clasp tag.

Materials & Details:

• Era: 1970s–1980s
• Markings: Signed ©AVON on clasp tag
• Style notes: Twisted rope chain, oval pendant in layered double frame with ball accents, spring ring clasp
• Stone notes: Simulated black onyx cabochon with single clear rhinestone floret accent
• Color: Gold tone with black and clear accents
• Condition: Good vintage condition, please see images
• Measurement: 20"

Collected by Mineral and Matter

A Maltese cross form built from bezel-set square-cut stones in sapphire blue, ruby red, and emerald green, set on a matte gold-tone ground with small clear rhinestone accents at each pointed arm. The construction has an almost medieval stained-glass quality — bold geometry, rich color, nothing wasted. Post backs. Unsigned but well-made, with the confident scale of 1980s statement jewelry at its best.

Materials & Details:

• Era: 1980s
• Markings: None
• Style notes: Maltese cross form, bezel-set square-cut multicolor stones, clear rhinestone accents, matte gold-tone ground, post backs
• Stone notes: Sapphire blue, ruby red, emerald green, and clear faceted square rhinestones
• Color: Matte gold tone with multicolor stones
• Condition: Good vintage condition, please see photos 
• Measurement: Approximately 1" across

Collected by Mineral and Matter

An openwork butterfly with wings edged in pavé clear rhinestones and scattered with bezel-set round stones in pink, blue, green, red, amber, purple, and clear — a full spectrum arranged like light through stained glass. The pendant retains its original brooch pin back, making it wearable two ways. Suspended from a fine cable chain with an extender, unsigned but generously built.

Materials & Details:

• Era: 1980s–1990s
• Markings: None
• Style notes: Large openwork butterfly pendant with brooch pin back, fine cable chain with extender, lobster claw clasp
• Stone notes: Pavé clear rhinestones along wing edges; bezel-set multicolor round rhinestones throughout wings
• Color: Gold tone with multicolor stones
• Condition: Good vintage condition, please see photos
• Measurement: Chain adjustable; pendant approximately 2.5" wide

Collected by Mineral and Matter

An open-form pear silhouette rendered in smooth gold-tone wire, its base curling into a tight spiral that cradles a single bezel-set round amber-colored stone. A polished leaf rises from the stem — botanical in feeling without being literal about it. The twisted rope chain completes the piece with a quiet elegance. Signed ©AVON on the clasp tag.

Materials & Details:

• Era: 1980s–1990s
• Markings: Signed ©AVON on clasp tag
• Style notes: Twisted rope chain, open scroll pear pendant with polished leaf stem detail, spring ring clasp
• Stone notes: Bezel-set round amber/citrine-colored stone
• Color: Gold tone with amber stone
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

Open wirework wings fanned wide, each ray of gold-tone wire catching the light like a drawn breath held mid-flight. The body clusters with clear rhinestones on radiating stems — a starburst rather than an ornament. Part of Monet's long-running Menagerie series, introduced in 1962 and produced through the 1980s, this butterfly is one of the most collectible iterations. Signed MONET© on the locking C-clasp.

Materials & Details:

• Era: 1960s–1980s
• Markings: Signed MONET© on locking C-clasp
• Style notes: Open wirework wings with scalloped edges, radiating rhinestone spray body, ball-tipped antennae, teardrop leg details
• Stone notes: Clear rhinestones, prong-set on radiating stems
• Color: Gold tone
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A butterfly rendered in open silhouette, its wings outlined in a continuous border of pavé-set clear rhinestones that trace every curve and scallop. The interior stays clean — just the warm gold tone of the metal, ribbed and open. A single rhinestone marks the body at center. Signed ©Monet on the reverse.

Materials & Details:

• Era: 1970s–1980s
• Markings: Signed ©Monet on reverse
• Style notes: Open-wing silhouette, rhinestone-outlined border, ribbed wing detail, roller safety clasp
• Stone notes: Pavé-set clear rhinestones along wing border, single rhinestone at body center
• Color: Gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

All gold, all texture — the wings of this Trifari butterfly are filled with a dense field of raised gold-tone beads set within an open filigree lattice, each bead catching light differently depending on the angle. The body is sleek and pointed, the antennae curl at the tips with a light hand. Understated and confident. Signed TRIFARI© on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed TRIFARI© on reverse
• Style notes: Open filigree wings filled with raised bead detail, pointed body, curled antennae, simple pin back
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

Small in scale, rich in texture — the wings are covered in fine linear engraving that catches light like the grain of a feather, each quadrant punctuated by a single prong-set emerald green rhinestone. Six stones total, evenly placed, doing just enough. The body is coiled and detailed, the antennae crossed at a slight angle. A quiet, well-made piece.

Materials & Details:

• Era: 1960s–1970s
• Markings: None
• Style notes: Textured engraved wings, crossed antennae, coiled body detail, roller safety clasp
• Stone notes: Six prong-set emerald green rhinestones
• Color: Gold tone with emerald green stones
• Condition: Good vintage condition, please see photos
  

Collected by Mineral and Matter

A small butterfly with wings painted in a wash of chartreuse and forest green — the colors blend and bleed into each other like light through leaves. Silver tone metal frames the wings and forms the body and antennae, the lower wings edged with a scalloped border. Unsigned and petite, the kind of piece that sits quietly on a collar or lapel and still gets noticed.

Materials & Details:

• Era: 1970s–1980s
• Markings: None
• Style notes: Painted enamel wings, scalloped lower wing edges, silver tone body and antennae, simple pin back
• Stone notes: None
• Color: Yellow-green, forest green enamel with silver tone metal
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

One of Boucher's most celebrated subjects — the butterfly — rendered here in a warm earth palette of amber, russet, and golden ochre, each cell of enamel separated by fine gold-tone lines that catch the light like stained glass. Large in scale and confident in presence, with a segmented body, long splayed antennae, and exceptional surface detail throughout. A double pin back ensures secure wear. Signed ©Boucher with style number on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed ©Boucher with style number on reverse
• Style notes: Large-scale four-wing butterfly, cell enamel fill with gold-tone dividers, segmented body, splayed antennae, double pin back
• Stone notes: None
• Color: Amber, russet, golden ochre, gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

Wings painted in deep crimson and burgundy, the veining rendered with precision — small yellow and white accents at the lower wing tips complete a pattern that closely mirrors the monarch. The silver tone metal frame follows every curve and scallop, the body segmented and rounded, the antennae looping at the tips. A naturalistic piece, unsigned but well-made.

Materials & Details:

• Era: 1960s–1970s
• Markings: None
• Style notes: Painted enamel wings with naturalistic monarch-style markings, scalloped wing edges, looped antennae, teardrop leg details, simple pin back
• Stone notes: None
• Color: Deep red, burgundy, yellow, silver tone
• Condition: Good vintage condition, please see photos 

Collected by Mineral and Matter

A painted porcelain oval at the center — pink roses on white, rendered with the soft looseness of a watercolor miniature — set within a gold-tone rope-twist frame with scrolled corner details. The kind of earring that reads as genuinely pretty rather than merely decorative. Signed ©Avon on the reverse.

Materials & Details:

• Era: 1970's-80's
• Markings: Signed ©Avon on reverse
• Style notes: Oval porcelain cabochon with hand-painted pink rose motif, rope-twist gold-tone bezel, scrolled corner accents, clip-on backs
• Stone notes: Painted porcelain floral cabochon
• Color: Gold tone with white and pink porcelain center
• Condition: Good vintage condition, please see photos 

Collected by Mineral and Matter

Wings filled with red glitter resin and cobalt blue, divided by fine cell lines into a symmetrical pattern of peacock-like swirls in teal and orange — vivid and graphic, the kind of color work that reads as both folkloric and maximalist. A gold-tone frame follows the scalloped wing edges, the body segmented and detailed, the antennae looping at the tips. Made in Taiwan, magnet back.

Materials & Details:

• Era: 1970s–1980s
• Markings: Made in Taiwan on reverse
• Style notes: Glitter resin wings with black cell divisions and peacock swirl pattern, scalloped wing edges, segmented body, looped antennae, magnet back
• Stone notes: None
• Color: Red, cobalt blue, teal, orange, gold tone
• Condition: Good vintage condition, please see photos
  

Collected by Mineral and Matter

The bracelet companion to the station necklace — a fine rope chain with evenly spaced polished oval beads, the same quiet rhythm in a smaller scale. Signed ©Avon on the oval hang tag at the spring ring clasp. Understated and well-made, lovely worn alone or paired.

Materials & Details:

• Era: 1980s
• Markings: Signed ©Avon on oval hang tag
• Style notes: Fine rope chain, four evenly spaced polished oval bead stations, spring ring clasp
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

A pair of plump golden doves, each clutching a small cluster of flowers — the motif is unmistakably Disney, carrying the soft romanticism of mid-century fairy tale illustration translated into metal. Cast in warm gold tone with fine surface detail, they sit close to the ear with quiet charm. A signed piece for the collector who wears their magic with restraint.

Materials: Gold tone metal

Details:

• Era: 1980s
• Markings: Signed Disney
• Style notes: Dove with floral cluster, dimensional cast construction, post stud backs
• Stone notes: None
• Color: Gold
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter.

A smooth oval of black glass sits centered in a hammered gold tone disc, the contrast between deep matte and warm beaten metal unhurried and deliberate. The organic irregularity of the hammered surface gives it an almost hand-forged quality — understated in scale, considered in composition. Wear it alone on a fine chain or layer it into something more.

Materials: Gold tone metal, black glass cabochon

Details:

• Era: 1970s–1980s
  
• Style notes: Round hammered disc pendant, oval bezel-set cabochon, jump ring bail
• Stone notes: Oval black glass cabochon, smooth finish
• Color: Gold and black
• Condition: Excellent vintage condition
• Measurement: 1" × ¾" (pendant body)

Collected by Mineral and Matter.

Three letters in looping cursive gold tone — compact, cheerful, and quietly confident on a collar or lapel. The script has the rounded warmth of mid-1960s lettering, cast in polished gold tone with a butterfly clutch back. A small piece that carries its word without effort.

Details:

• Era: 1960s
• Markings: Ballou Reg'd 130 Years (manufacturer's mark on clutch back)
• Style notes: Openwork script lettering, butterfly clutch pin back
  
• Color: Gold
• Condition: Excellent vintage condition
• Measurement: Approx. ¾" wide

Collected by Mineral and Matter.

A lacy gold tone filigree frame surrounds an oval cabochon printed with an 18th-century genre scene — a gentleman, a woman, and children gathered in warm ochres and soft grays, the figures rendered with the loose ease of a period illustration. The openwork border loops in a pattern reminiscent of fine lacework, generous in scale and carefully detailed. A piece that carries a whole world in miniature.

Materials: Gold tone metal, printed oval cabochon

Details:

• Era: 1960s–1970s
  
• Style notes: Oval filigree openwork frame, figural scene cabochon, standard pin back
• Stone notes: Printed genre scene cabochon — 18th-century courting/family scene in warm earth tones
• Color: Gold, earth tones
• Condition: Excellent vintage condition
• Measurement: Approx. 1½" tall × 1¼" wide

Collected by Mineral and Matter.

Interlaced bands of twisted gold tone rope form a circular knot, clear rhinestones bezel-set where the strands cross and curve — the whole composition suggesting movement without going anywhere. It has the confident, uncomplicated geometry of 1960s costume jewelry at its most wearable. Domed and dimensional, it reads well on a lapel or collar.

Materials: Gold tone metal, clear rhinestones

Details:

• Era: 1960s–1970s
  
• Style notes: Round openwork design, interlaced rope-twist bands, bezel-set clear rhinestones throughout, standard pin back
• Stone notes: Clear faceted rhinestones, bezel set
• Color: Gold and clear
• Condition: Great vintage condition
• Measurement: 1½" diameter

Collected by Mineral and Matter.

A rabbit face rendered in textured rope-pattern gold tone, one eye winking — or perhaps missing — and a red rhinestone set at the nose, whiskers fanning out in fine parallel lines below. Sarah Coventry's novelty pieces have a particular fondness for the wry and the warm, and this bunny delivers both. The oversized openwork ears give it a lanky, cartoon-adjacent charm that sits perfectly on a lapel or collar.

Materials: Gold tone metal, red rhinestones

Details:

• Era: 1960s–1970s
• Markings: Signed Sarah Cov on reverse
• Style notes: Rabbit face form, textured rope-pattern body, openwork ears, standard pin back; one rhinestone eye, one oval plain eye (winking detail), red rhinestone nose
• Stone notes: Red rhinestones at eye and nose
• Color: Gold and red
• Condition: Great vintage condition
• Measurement: Approx. 2" tall × 1" wide

Collected by Mineral and Matter.

A shield-shaped head in dark oxidized silver tone, set with a faceted emerald-cut green glass stone at center and ringed with rows of faux marcasite — the whole composition crisp and geometric, drawing from the Art Deco vocabulary with confidence. The openwork setting catches light at every angle, and the tapered band sits cleanly beneath. Signed Avon on the band; a well-made piece that wears above its origins.

Materials: Silver tone metal, green glass, faux marcasite

Details:

• Era: 1970s–1980s
• Markings: Signed Avon on band
• Style notes: Art Deco revival shield-form head, emerald-cut green glass center stone, faux marcasite surround, openwork setting, tapered band
• Stone notes: Faceted emerald-cut green glass center; faux marcasite accents throughout
• Color: Silver and green
• Condition: Good vintage condition
• Size: 7

Collected by Mineral and Matter

Description
A marquise-shaped panel of oxidized silver-tone filigree frames a single purple rhinestone at its center — petite teardrops and a beaded border arranged with the quiet geometry of a medieval reliquary. The open cutwork shoulders give the ring a lightness that belies its presence on the hand. Stamped Avon, and representative of the brand's more architectural ring designs. A piece that reads as older than it is, in the best way.

Materials
Silver-tone base metal with oxidized finish, purple rhinestone accent

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Marquise filigree panel with cutwork teardrop motifs, beaded border, open split shoulders
• Stone or material notes: Single round purple rhinestone center
• Color: Silver-tone, oxidized dark patina, purple
• Condition: Good vintage condition with gentle surface wear consistent with age

Measurement: Size 7

Collected by Mineral and Matter

A tightly woven love knot rendered in ridged gold-tone tubes — simple in concept, satisfying in execution. The form has roots in ancient jewelry traditions, where the knot symbolized continuity and connection. Stamped Avon on the butterfly backing, these are the kind of everyday stud that disappears into a wardrobe and becomes indispensable. Timeless without trying.

Materials
Gold-tone base metal, steel post

Details

• Era: 1970s–1980s
• Markings: Stamped Avon on butterfly backing
• Style / design notes: Three-dimensional woven love knot, ridged tube detail, push-back butterfly closure
• Stone or material notes: None
• Color: Gold-tone
• Condition: Good vintage condition with gentle surface wear consistent with age

Measurement: Approx. .4" diameter knot

Collected by Mineral and Matter

A perfect circle of high-polish gold-tone metal — nothing added, nothing removed. The slightly domed surface catches light the way still water does, shifting from bright to warm depending on the angle. This kind of minimal disc earring has cycled through every decade of modern jewelry without ever losing its footing. The clip-back closure makes them accessible without compromising the clean silhouette.

Materials
Gold-tone base metal

Details

• Era: 1980s
  
• Style / design notes: Smooth domed disc, rimmed edge, clip-on closure
  
• Color: Gold-tone
• Condition: Vintage with gentle surface wear consistent with age

Measurement: .5" diameter

Collected by Mineral and Matter

Three ridged gold-tone bands loop into an open circle, gathered at the top by a crossover knot set with three clear rhinestones. The fanned ends give the piece a sense of movement — like something caught mid-flight. Stamped Avon on the reverse with a classic bar pin closure. A versatile brooch that anchors a lapel, scarf, or neckline without overwhelming it.

Materials
Gold-tone base metal, clear rhinestone accents

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Triple-band open circle with crossover knot top, fanned ends, three-rhinestone accent, bar pin closure
• Stone or material notes: Three clear rhinestones at knot center
• Color: Gold-tone, clear
• Condition: Great vintage condition

Measurement: 1.25" diameter

Collected by Mineral and Matter

A bounding dog and a smaller puppy face each other across a slender gold-tone bar, connected by a draped link chain — the whole scene frozen mid-play. The fur texture is rendered with surprising detail for a piece of this scale, giving each figure real personality. Figural animal brooches were a beloved Avon signature, and this one carries that warmth without sentimentality. A collector's piece that wears as naturally as it charms.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Two textured dog figures on bar pin with draped link chain connecting figures, bullet clasp closure
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: 2.5" wide

Collected by Mineral and Matter

A carved carnelian-tone cameo — a woman's profile in white relief — sits within a delicate branch-and-twig frame accented by four seed pearls. The form reaches back through centuries of mourning and portrait jewelry, here rendered in warm gold-tone with Avon's characteristic care. The bullet clasp keeps it secure at a lapel, scarf, or collar. A piece that carries the weight of a much older tradition.

Materials
Gold-tone base metal, carnelian-tone resin or glass cameo, faux seed pearl accents

Details

• Era: 1970s–1980s, Victorian revival style
• Markings: Stamped Avon
• Style / design notes: Oval cameo in open branch-work frame, four seed pearl accents at cardinal points, bullet clasp closure
• Stone or material notes: Carved carnelian-tone cameo with white female profile relief; faux seed pearls
• Color: Gold-tone, carnelian, white, cream
• Condition: Excellent vintage condition

Measurement: Approx. 2.5" total length

Collected by Mineral and Matter

A chain of polished puffy hearts curves into a small open hoop — the form sitting somewhere between a stud and a huggie. Each heart catches light from a different angle, giving the earring quiet movement without any swing. Stamped Avon, and representative of the brand's more playful geometric designs from the late 1980s. A piece that feels current without trying.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Markings: Stamped Avon
• Style / design notes: Linked puffy heart chain formed into open hoop, push-back stud closure
• Color: Gold-tone
• Condition: Excellent vintage condition

Measurement: .5" long, .6" deep

Collected by Mineral and Matter

A pear-cut emerald green crystal forms the body, a round green stone the head, and two marquise-cut clear rhinestones spread outward as wings — together composing a tiny, luminous angel. The gold halo ring at the top completes the figure with a lightness that keeps it from tipping into kitsch. A butterfly clutch backing makes it easy to pin to a lapel, collar, or coat. The kind of piece that finds the right person and stays with them.

Materials
Gold-tone base metal, emerald green glass or crystal, clear rhinestone accents

Details

• Era: 1980s–1990s
• Style / design notes: Figural angel composed of prong-set crystals — round head, marquise wings, pear body — gold halo ring, butterfly clutch backing
• Stone or material notes: Pear-cut and round emerald green glass or crystal; marquise clear rhinestone wings
• Color: Gold-tone, emerald green, clear
• Condition: Excellent vintage condition

Measurement: Approx. .75" tall

Collected by Mineral and Matter

A woman's profile rendered in high-relief against a fine granulated ground — her hair swept back with the confidence of a figure from antiquity. The round medallion sits above a scrolled fleur-de-lis drop that gives the pendant an architectural weight without heaviness. The large bail suggests it was made to be worn on a substantial chain. Pendant only — no chain included.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s, neoclassical revival style
• Style / design notes: Round medallion with female portrait in high relief, granulated ground, milgrain border, scrolled fleur-de-lis drop, large round bail
• Color: Gold-tone
• Condition: Excellent vintage condition (please reference photos)

Measurement: 1.5" total length including drop

Collected by Mineral and Matter

A wide flat band interrupted by two precise cutouts — the resulting H-shaped front panel is bold without ornamentation, letting the geometry do all the work. The matte crosshatch texture on the inner surface contrasts with the polished exterior in a way that feels considered rather than accidental. Avon produced several minimalist cuff designs in the late 1970s and early 80s that now read as decidedly contemporary. This is one of the better ones.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Markings: Stamped Avon on interior
• Style / design notes: Wide flat cuff with H-bar cutout front panel, matte crosshatch interior, open back
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: 2.5" inner diameter

Collected by Mineral and Matter

Five open gold-tone rings anchor the center of this bracelet, each framed by a line of prong-set clear rhinestones that continues through the rectangular bar links on either side. The interplay between solid geometry and sparkling stone gives the piece a mid-century confidence — structured enough for evening, light enough for afternoon. A hidden box clasp with safety chain closes it securely. An unsigned piece with the quality of a signed one.

Materials
Gold-tone base metal, clear rhinestones

Details

• Era: 1950s–1960s
• Style / design notes: Open circle link center with rhinestone connectors, rectangular bar and rhinestone panel links, hidden box clasp with safety chain
• Stone or material notes: Prong-set clear round rhinestones throughout
• Color: Gold-tone, clear
• Condition: Excellent vintage condition

Measurement: 7.25" not including extender chain

Collected by Mineral and Matter

A single row of clear prong-set rhinestones circles the lower edge of this slim gold tone bangle, catching light with quiet precision. Made by Avon in the 1980s, it reflects the era's affinity for understated sparkle — dressy enough for evening, light enough for every day. The interior is smooth and polished, the silhouette clean and architectural. It wears beautifully alone or layered.

Materials
Gold tone metal, glass rhinestones

Details

• Era: 1980s
• Markings: Signed Avon (stamped interior)
• Style / design notes: Slim slip-on bangle; single eternity row of prong-set clear rhinestones along lower band edge
• Stone or material notes: Clear glass rhinestones, prong-set
• Color: Gold tone / clear
• Condition: Excellent vintage condition

Measurement
Fits wrist size 7.5 (per sizer image)

Collected by Mineral and Matter

Each link of this wide bracelet is formed from a cluster of coiled rope-textured domes, catching light like a honeycomb in amber — organic, repetitive, quietly hypnotic. The construction points to mid-century American or European costume jewelry manufacture, where surface texture was used in place of stones to create substantial presence. It drapes and moves beautifully on the wrist, substantial without being heavy. A piece that earns its place worn alone.

Materials
Gold tone base metal

Details

• Era: 1960s–1970s
• Style / design notes: Wide multi-link bracelet; each link composed of clustered rope-coil dome units; box clasp with safety closure
• Color: Warm gold tone
• Condition: Great vintage condition

Measurement
7 inches long, approximately ¾ inch wide

Collected by Mineral and Matter

A single horseshoe charm hangs from a delicate figaro-style curb chain — small, grounded, and effortlessly worn. The horseshoe has been a symbol of protection and good fortune across cultures for centuries, and this petite version carries that weight with a light touch. Signed Avon on the clasp tag, it sits firmly in the everyday charm bracelet tradition of the 1970s and 80s. The kind of piece that gets layered and never taken off.

Materials
Gold tone base metal

Details

• Era: 1970s–1980s
• Markings: Signed Avon (stamped on clasp tag)
• Style / design notes: Figaro-style curb chain; single suspended horseshoe charm with nail detail; spring ring clasp
• Color: Antique gold tone
• Condition: Great vintage condition

Measurement
7 inches total length, charm approximately ½ inch

Collected by Mineral and Matter

A cursive "B" set with small prong-set rhinestones floats within an open oval frame at the center of a flat herringbone chain — personal, polished, and gently glittering. Initial bracelets were a defining accessory of the late 1970s and early 80s, worn as quiet markers of identity rather than statement pieces. The milgrain detailing along the letter's edge speaks to the care put into even everyday costume pieces of the era. It sits flat and smooth on the wrist.

Materials
Gold tone base metal, glass rhinestones

Details

• Era: 1970s–1980s
• Markings: Signed Avon (stamped clasp tag)
• Style / design notes: Flat herringbone chain; open oval centerpiece with rhinestone-set script letter B; milgrain border detail; spring ring clasp
• Stone or material notes: Clear glass rhinestones, prong-set
• Color: Gold tone / clear
• Condition: Great vintage condition

Measurement
7 inches total length, centerpiece approximately ¾ inch

Collected by Mineral and Matter

A cursive "D" traced in prong-set rhinestones sits within an open oval frame, suspended on a flat herringbone chain that moves like water against the wrist. Initial bracelets were a defining accessory of the late 1970s and early 80s, worn as quiet markers of identity rather than statement pieces. The milgrain detailing along the letter's edge speaks to the care put into even everyday costume pieces of the era. It sits flat and smooth on the wrist.

Materials
Gold tone base metal, glass rhinestones

Details

• Era: 1970s–1980s
• Markings: Signed Avon (stamped clasp tag)
• Style / design notes: Flat herringbone chain; open oval centerpiece with rhinestone-set script letter D; milgrain border detail; spring ring clasp
• Stone or material notes: Clear glass rhinestones, prong-set
• Color: Gold tone / clear
• Condition: Great vintage condition

Measurement
7 inches total length, centerpiece approximately ¾ inch

Collected by Mineral and Matter

Pure chain, no adornment — just the quiet geometry of interlocking flat links moving in perfect unison. The herringbone weave catches light along every angle, giving this bracelet a liquid quality on the wrist. Avon produced some of their most enduring pieces in this style during the late 1970s and early 80s, when the flat snake chain was a wardrobe staple. It stacks, it layers, or it stands alone with equal confidence.

Materials
Gold tone base metal

Details

• Era: 1970s–1980s
• Markings: Signed Avon (stamped clasp tag)
• Style / design notes: Flat herringbone snake chain; spring ring clasp
• Color: Warm gold tone
• Condition: Great vintage condition

Measurement
7 inches total length