A small cushion-shaped dial, framed by a scalloped gold case with faceted, leaf-like lugs, glows softly like a moon in its last quarter. The case back carries Bulova’s L6 date code, which places it in 1956. Bulova’s ladies’ dress watches from that era paired fine American timekeeping with jewelry-like cases, and they were made to be worn every day and kept for a lifetime. It still runs on its original wind-up movement. The textured expansion band slips on easily and sits delicately on the wrist.

Materials
Gold-tone case, gold-tone and stainless steel expansion band

Details

• Era: 1950s
• Markings: Bulova on the dial and crown. The case back is stamped “Bulova” with the date code “L6,” which indicates 1956
• Style / design notes: Scalloped cushion case with faceted fan lugs and ribbon-twist band connectors. Silver-tone dial with gold Arabic numerals and dot markers, and gold-tone hands
• Function: Mechanical hand-wind movement
• Color: Gold, champagne silver
• Condition: Good vintage condition. In working wind-up condition. The dial shows light spotting and age patina, with gold-tone wear on the case edges and lugs and light wear on the band
• Measurement: Expansion band fits 6"–8"

Collected by Mineral and Matter

Long faceted bars joined by small round rings, so the chain moves in clean, measured lines like a row of stars in a constellation. Bar link chains were a favorite in 1970s jewelry, modern and architectural, and as easy to wear on their own as with a pendant. At 28", this one falls to a long, relaxed length that suits layering or a single bold drop. The cool silver tone has a quiet, graphic presence.

Materials
Silver-tone base metal

Details

• Era: 1970s
• Style / design notes: Faceted rectangular bar links joined by double round rings
• Color: Silver
• Condition: Good vintage condition. The silver tone is bright overall, with a few small spots of light surface wear and faint marks on some bar faces.
• Measurement: 28"

Collected by Mineral and Matter

A flat curb chain made of interlocking links pressed smooth, so it lies against the skin like a narrow ribbon of gold. Sleek flattened curb chains were a signature of 1980s jewelry, polished enough to wear alone and substantial enough to anchor a layered look. At 24", it falls just below the collarbone. The faceted links catch the light softly with every movement.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Style / design notes: Flat diamond-cut curb chain with a smooth, ribbon-like drape
• Function: Spring ring clasp
• Color: Gold
• Condition: Good vintage condition. 
• Measurement: 24"

Collected by Mineral and Matter

A fine C-link chain, faceted along its length so it ripples with light like water moving over stones. Flat, glossy C-link chains were one of the defining finishes of 1980s jewelry, sleek and fluid against the skin. At 28", it falls to a long, easy length. Wear it alone as a slim gold line, layer it with shorter chains, or hang your own pendant from it.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Markings: Stamped “Korea” on the clasp tag
• Style / design notes: Flat faceted C-link (cobra) chain with a glossy, light-catching finish
• Function: Spring ring clasp
• Color: Gold
• Condition: Great vintage condition. The gold tone is bright overall, with a few small spots of light wear and minor dulling along the links
• Measurement: 28"

Collected by Mineral and Matter

A single round of deep midnight blue sits in a six-prong crown setting, small and dark like a star seen at dusk. It hangs from a glossy C-link chain, a hallmark of 1980s gold-tone jewelry that lies flat and catches the light in a continuous ripple. Solitaire pendants like this were everyday staples of the era, simple enough to wear daily and polished enough for evenings. It’s a quiet note of color at the collarbone, and a natural pick for September birthdays.

Materials
Gold-tone base metal, blue glass

Details

• Era: 1980s
• Style / design notes: Six-prong crown solitaire with a V-shaped rabbit-ear bail, on a flat C-link chain
• Stone or material notes: Prong-set round faceted faux sapphire in deep blue glass
• Function: Spring ring clasp
• Color: Sapphire blue, gold
• Condition: Great vintage condition. The stone is clean, with light darkening in the recesses of the prong setting and faint wear on the chain
• Measurement: 17" chain

Collected by Mineral and Matter

An open heart traced with fine radiating lines, like sunlight fanning out from its center, holds a single creamy faux pearl that swings freely inside the outline. Open heart pendants with a floating pearl were a sweet signature of 1980s gift jewelry, sentimental without being fussy. The heart sits close at the base of the throat on a fine 15" cable chain. It’s an easy layering piece with a soft, romantic glow.

Materials
Gold-tone base metal, faux pearl

Details

• Era: 1980s
• Style / design notes: Open heart outline with sunburst line texture and a floating pearl drop at the center, on a fine cable chain
• Stone or material notes: Round glass faux pearl in creamy white
• Function: Spring ring clasp
• Color: Gold, cream
• Condition: Great vintage condition. The gold tone is bright, with light wear on the pearl coating around the drill hole
• Measurement: 15" chain

Collected by Mineral and Matter

Description
Six talismans for fortune hang from a sturdy curb chain: a painted eight ball, a four-leaf clover, a horseshoe, an acorn, a textured star, and a coin stamped “Republik Österreich 20.” Good luck charm bracelets were a mid-century favorite, collected one keepsake at a time, and this one pairs Old World symbols with a playful nod to the pool hall. The charms move and chime softly as you wear it. It stacks easily with other bracelets, or it can stand alone as a small constellation of wishes at the wrist.

Materials
Gold-tone base metal, painted wood

Details

• Era: 1950s–1960s
• Style / design notes: Curb link chain with six good luck charms: eight ball, four-leaf clover, horseshoe, acorn, textured star, and an Austrian 20 coin-style charm with an eagle on the reverse
• Stone or material notes: Hand-painted black wooden eight ball with gold-tone caps
• Function: Fold-over box clasp
• Color: Gold, black, white
• Condition: Good vintage condition. Light gold-tone wear on the charms, a small spot of green verdigris on the jump ring holding the eight ball, and light paint wear on the eight ball
• Measurement: 7.25"

Collected by Mineral and Matter

Two soft, leaf-like ends curve past each other across the finger, each set with a sliver of abalone shell that shimmers in ocean blues, greens, and violet. Bypass rings with abalone inlay were a signature of Mexican silversmithing from the 1960s and 1970s, and they brought a coastal iridescence into fluid, sculptural metal. The silhouette is organic and slightly hand-formed, so it feels more found than made. It’s an easy everyday ring with a quiet pull toward the sea.

Materials
Silver, abalone shell

Details

• Era: 1960s–1970s
• Style / design notes: Bypass design with two curved, leaf-shaped terminals and a hand-finished organic surface
• Stone or material notes: Inlaid abalone shell in segmented pieces, with blue, green, and violet iridescence
• Color: Silver, iridescent blue-green
• Condition: Good vintage condition. The abalone is intact, with natural seams between the segments, small gaps in the setting compound around the edges of the inlay, light surface scratches, and some soft tarnish in the recesses
• Measurement: Size 6.5

Collected by Mineral and Matter

A milky sky-blue cabochon is set in an elongated oval shield of rope twists, beading, and dark recessed scrolls that look like stamped silverwork from the desert Southwest. Sarah Coventry leaned into this Southwestern-inspired look through the 1970s. Its signed adjustable rings were a party-plan favorite, and they’re still among the brand’s most collected pieces. The long shield sits tall along the finger, and the scroll-engraved shank adjusts for an easy fit.

Materials
Silver-tone metal, faux turquoise

Details

• Era: 1970s
• Markings: Stamped “© Sarah Cov” inside the band
• Style / design notes: Elongated oval shield with a rope-twist border, beaded bezel, and oxidized S-scroll and dot accents. The band is engraved with scrollwork
• Stone or material notes: Oval faux turquoise cabochon in marbled sky blue
• Function: Adjustable split shank
• Color: Silver, sky blue
• Condition: Excellent vintage condition. The plating is bright, with only a few tiny spots of wear, and the cabochon is clean
• Measurement: Adjustable size

Collected by Mineral and Matter

A slim gold-tone column with a brushed crosshatch finish. One face is framed in bright silver-tone diamond knurling, and a ridged roller sits at the side like a small piece of machined jewelry. The Firebird line was Colibri’s Japanese-made division. This design is from the 1970s, when the flip-top butane lighter was a pocket accessory as considered as a cigarette case or a compact. It’s slender enough for an evening bag and graphic enough to display on a vanity or bar cart.

Materials
Gold-tone and silver-tone metal

Details

• Era: 1970s
• Markings: Stamped “Firebird Flipper by Div of Colibri Japan” on the base
• Style / design notes: Brushed crosshatch gold-tone body, silver-tone diamond-knurled border on one face, knurled striker roller and flame adjustment wheel, polished silver-tone base
• Function: Flip-top butane lighter, refillable through the valve on the base, UNTESTED, could need lighter fluid or more to be in working condition.
• Color: Gold, silver
• Condition: Good vintage condition. Visible gold-tone wear along the edges, corners, and back, light surface scratches throughout, and some discoloration on the inner flip arm. Sold as a collectible and display piece, untested
• Measurement: 2.5" by .9"

Collected by Mineral and Matter

Embody the elegance of the Chamali Emerald CZ Hoops. Named after Zubeneschamali, a star that appears green due to an optical illusion of it being nearby to red stars. Reflecting their name, these hoops portray beautiful emerald green cz's along their faces. 

gold plating
Extra layer of tarnish resistance

Curated by Mineral and Matter

Embody the beauty of the Braided Ring Hoops. Named after Saturn's F ring that appears braided to to the gravitational pull of two nearby moons. Keeping after their name, these hoops appear braided and intertwined. Perfect for a night out or even a day-to-day look.

gold plating
Extra layer of tarnish resistance

Curated by Mineral and Matter

Description
A single round of ruby red glass sits high in a six-prong crown setting, faceted to throw off flashes of deep raspberry and crimson. Solitaire pendants on fine chains were a defining look of 1970s and 1980s jewelry, simple, classic, and made to be worn every day. The small scale and V-shaped rabbit-ear bail keep it light and close at the collarbone. A warm note of color that layers easily, and a natural pick for July birthdays.

Materials
Gold-tone base metal, red/ pink glass

Details

• Era: 1970s–1980s
• Style / design notes: Six-prong solitaire setting with a V-shaped rabbit-ear bail, on a fine cable chain
• Stone or material notes: Prong-set round faceted faux ruby red glass
• Color: Ruby red, gold
• Condition: Excellent vintage condition. The stone is bright and clean, with very light wear on the back of the setting
• Measurement: 18" chain, .4" pendant with bail

Collected by Mineral and Matter

Description
Six talismans for fortune hang from a sturdy curb chain: a painted eight ball, a four-leaf clover, a horseshoe, an acorn, a textured star, and a coin stamped “Republik Österreich 20.” Good luck charm bracelets were a mid-century favorite, collected one keepsake at a time, and this one pairs Old World symbols with a playful nod to the pool hall. The charms move and chime softly as you wear it. It stacks easily with other bracelets, or it can stand alone as a small constellation of wishes at the wrist.

Materials
Gold-tone base metal, painted wood

Details

• Era: 1950s–1960s
• Style / design notes: Curb link chain with six good luck charms: eight ball, four-leaf clover, horseshoe, acorn, textured star, and an Austrian 20 coin-style charm with an eagle on the reverse
• Stone or material notes: Hand-painted black wooden eight ball with gold-tone caps
• Function: Fold-over box clasp
• Color: Gold, black, white
• Condition: Good vintage condition. Light gold-tone wear on the charms, a small spot of green verdigris on the jump ring holding the eight ball, and light paint wear on the eight ball
• Measurement: 7.25"

Collected by Mineral and Matter

Description
Small rounds of deep emerald green glass sit in gold-tone crown settings, each prong catching the light like a tiny coronet. Simple solitaire studs like these were a jewelry box staple in the 1980s and 1990s, and they offered a flash of color at a modest scale. These are easy to wear every day and quietly festive through the winter holidays. They’re also a natural choice for May birthdays.

Materials
Gold-tone base metal, rhinestones, silver-tone posts

Details

• Era: 1980s–1990s
• Style / design notes: Solitaire studs in crown-style coronet settings
• Stone or material notes: Prong-set round emerald green rhinestones
• Function: Pierced posts
• Color: Emerald green, gold
• Condition: Good vintage condition. Small spots of gold-tone wear on the settings, and light surface wear on the stones

Collected by Mineral and Matter

Description
A miniature pair of stork embroidery scissors, with a slender beak for the blades and finely textured feathers along the body. The stork scissors design dates back to 19th-century sewing baskets, and it became a favorite emblem of seamstresses, quilters, and midwives. This 1980s pin captures it in small, sculptural form. Wear it on a lapel, a denim jacket, or a tote bag as a quiet nod to handwork and the people who make things.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Style / design notes: Figural stork embroidery scissors with textured feather detail, cast as one solid piece. The blades do not open
• Function: Single post with clutch back
• Color: Gold
• Condition: Great vintage condition, with light surface scratches on the clutch back
• Measurement: 1"

Collected by Mineral and Matter

Description
A hand-painted pink rose blooms on a white guilloché enamel heart, ringed with soft green dots and held by four delicate prongs. The heart sits inside an open frame of twisting ribbons topped with a small gold flower. It’s a romantic Victorian revival design that was much loved in the 1970s and 1980s. The pendant reads as both sentimental and sculptural, and it sits beautifully at the collarbone on its fine curb chain.

Materials
Gold-tone base metal, guilloché enamel

Details

• Era: 1970s–1980s
• Style / design notes: Victorian revival. Open ribbon-and-bow frame with a flower at the top and beaded points around the edge
• Stone or material notes: Prong-set enamel heart, white guilloché ground, hand-painted pink rose with green dots
• Color: Gold, white, pink, green
• Condition: Good vintage condition. Light gold-tone wear on the back and on the tips of the beaded points, where silver-tone metal shows through. The enamel is bright, with small dark spots at the edges of the heart
• Measurement: 18" chain, 1.75" pendant

Collected by Mineral and Matter

Description
A single letter L, drawn in a looping calligraphic hand, hangs from a fine cable chain like a signature pressed into gold. Script initial pendants were a staple of the 1970s and 1980s, quiet and personal pieces chosen to carry a name close to the heart. The small scale works well on its own or layered with other fine chains. A considered gift, or a soft way to wear your own story.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Style / design notes: Calligraphic script L with a curled flourish, on a fine cable chain
• Function: Spring ring clasp
• Color: Gold
• Condition: Great vintage condition, with light surface marks on the face of the pendant from age
• Measurement: 16" chain, .6" pendant

Collected by Mineral and Matter

Description
A ribbed scallop shell rests at the lobe, and a scalloped door knocker hoop swings below it like a small piece of the tide. Shell motifs and door knocker drops were both signatures of 1980s costume jewelry, and this pair brings the two together in warm gold tone. The scale is bold enough to stand on its own with a simple neckline, and light enough for everyday wear. Wear them for coastal summers, or as a sculptural accent through the cooler months.

Materials
Gold-tone base metal, silver-tone butterfly backs

Details

• Era: 1980s
• Style / design notes: Ribbed scallop shell top with a scalloped teardrop door knocker drop, and textured reverse on the shell
• Function: Pierced posts with butterfly backs
• Color: Gold
• Condition: Good vintage condition, light gold-tone wear and spotting on the backs and the hoops, not visible when worn
• Measurement: 1.25"

Collected by Mineral and Matter

Description
A large round crystal sits at the center of each earring, circled by alternating marquise and round stones that radiate outward like a star in bloom. Made by Givenchy in the 1980s, these clips pair the French fashion house’s refined glamour with the softly brushed matte gold finish that defined that decade’s designer costume jewelry. The gently sculpted hexagonal shape gives each stone its own pool of light. Elegant and bold, they work for evening or for adding polish to a simple daytime look.

Materials
Gold-tone metal, rhinestones

Details

• Era: 1980s
• Markings: Givenchy Paris New York © stamped on the clips, Givenchy oval cartouche on the backs
• Style / design notes: Softly hexagonal domed buttons with a central round crystal ringed by alternating marquise and round stones, matte brushed finish
• Stone or material notes: Clear faceted rhinestones, round and marquise cut
• Function: Clip-on earrings with comfort pads
• Color: Matte gold, clear
• Condition: Great vintage condition, all stones present and bright, light surface wear on the matte finish
• Measurement: 1"

Collected by Mineral and Matter

Description
A single bright pink stone sparkles at the center of each stud, like a tiny rose-colored star. Made in the 1980s–1990s, these classic solitaire studs have crown settings with multiple prongs that hold each faceted stone securely. The cheerful pink adds a sweet pop of color to everyday wear. Small, simple, and easy to pair with anything.

Materials
Gold-tone metal, rhinestones

Details

• Era: 1980s–1990s
• Style / design notes: Round solitaire studs in multi-prong crown settings
• Stone or material notes: Round faceted rhinestones in bright pink
• Function: Pierced posts
• Color: Bright pink, gold
• Condition: Good vintage condition, gold-tone loss on the back of the settings with silver tone showing through

Collected by Mineral and Matter

Description
Round golden discs with sculpted relief, shaped like sunlit tidepools or the cratered surface of the moon. Made by Avon in the 1980s, these clip earrings mix polished ridges with finely textured hollows, a bold, organic look typical of that decade’s statement jewelry. The back has a radiating sunburst finish and a signed clip. They’re polished and striking, and pair easily with blazers, knits, or a simple black dress.

Materials
Gold-tone metal

Details

• Era: 1980s
• Markings: © Avon stamped on both clips
• Style / design notes: Round button discs with an abstract sculpted relief, high-polish ridges, and textured hollows, plus a sunburst-textured back
• Function: Clip-on earrings
• Color: Gold
• Condition: Excellent vintage condition, bright finish with minimal wear
• Measurement: 1"

Collected by Mineral and Matter

Description
Twisted rope strands loop into a graceful double ring, crowned by a knot at the top, like a nautical line coiled in warm golden light. Made by Avon in the 1980s, these earrings have the classic door knocker shape that defined the decade’s polished statement jewelry. The finely etched texture catches the light in every twist. They’re bold yet refined, and work for everyday wear or a dressed-up evening.

Materials
Gold-tone metal

Details

• Era: 1980s
• Markings: Avon stamped on the clip
• Style / design notes: Door knocker style with an interlocking double rope ring and knotted top
• Function: Clip-on earrings
• Color: Gold
• Condition: Great vintage condition, bright finish with light wear on the clip backs
• Measurement: 1"

Collected by Mineral and Matter

Description
A sweeping script letter E in polished gold tone, its long curve arcing like a crescent moon and finished with a looped flourish at the base. Made in the 1960s–1970s, this monogram brooch has the clean, modernist calligraphy that was popular for personalized jewelry in those decades. The open, airy strokes give it a light, graceful look. A meaningful gift, or a quiet signature piece on a lapel, scarf, or hat.

Materials
Gold-tone metal

Details

• Era: 1960s–1970s
• Style / design notes: Calligraphic script initial E with an arched spine, open center strokes, and a looped tail
• Function: Pin brooch with C-clasp
• Color: Gold
• Condition: Good vintage condition, light surface scratches and a few small dark spots on the front
• Measurement: [add measurement]

Collected by Mineral and Matter

Description
A sweeping script letter H in polished gold tone, its long strokes curving like a pen line drawn across the night sky. Made in the 1960s–1970s, this monogram brooch has the clean, modernist calligraphy that was popular for personalized jewelry in those decades. A graceful swirl finishes the base, balancing the tall, tapered strokes. A meaningful gift, or a quiet signature piece on a lapel, scarf, or hat.

Materials
Gold-tone metal

Details

• Era: 1960s–1970s
• Style / design notes: Calligraphic script initial H with tapered strokes and a curled tail
• Function: Pin brooch with C-clasp
• Color: Gold
• Condition: Good vintage condition, light surface scratches and a few small dark spots on the front, tarnish on the back
• Measurement: 2"

Collected by Mineral and Matter

Description
A playful kitten lifts one paw to ring a tiny golden bell, gazing out with bright sapphire-blue eyes. Made by Avon in the 1970s, this whimsical figural brooch has finely textured fur, long etched whiskers, and a jaunty bow at the collar. The bell swings freely below the paw and adds a little motion. It’s a sweet piece for cat lovers, and it looks charming on a winter coat or holiday sweater.

Materials
Gold-tone metal, rhinestones

Details

• Era: 1970s
• Markings: Avon stamped on the back
• Style / design notes: Figural seated cat with textured fur, etched whiskers, a bow collar, and a dangling bell charm
• Stone or material notes: Blue rhinestone eyes
• Function: Pin brooch with C-clasp
• Color: Gold, sapphire blue
• Condition: Great vintage condition, light wear inside the bell
• Measurement: 1.5"

Collected by Mineral and Matter

Description
A frosted glass heart holds a single rose in bud, carved from behind so it seems to float inside the glass. An aurora borealis finish gives it shimmering flashes of pink, blue, and gold. Made in the 1980s, the pendant has a scalloped faceted border that catches the light along the edge, and it hangs from a fluted gold-tone bail. A fine, faceted gold-tone chain rounds out a romantic, feminine piece that’s lovely layered or worn on its own.

Materials
Gold-tone metal, glass

Details

• Era: 1980s
• Style / design notes: Reverse-carved intaglio heart pendant with a scalloped faceted border and fluted bail, on a faceted cobra-style chain
• Stone or material notes: Frosted clear glass with an iridescent aurora borealis rose design
• Function: Spring ring clasp
• Color: Gold, clear, iridescent pink and blue
• Condition: Great vintage condition, light gold-tone wear on the chain
• Measurement: 24"

Collected by Mineral and Matter

Description
Three graduated gold hoops curve together like crescent moons rising in a row, each one catching the light on its own. Made in the 1970s, these earrings have the clean, modernist lines of mid-century design, along with the era’s classic screw-back hardware. The adjustable screw backs let you set the fit, so they’re a good choice for non-pierced ears. Sleek, polished, and timeless with everyday wear or evening looks.

Materials
Gold-tone metal

Details

• Era: 1970s
• Style / design notes: Three graduated open half-hoops joined at the top in a crescent shape
• Function: Non-pierced screw-back earrings
• Color: Gold
• Condition: Great vintage condition, light surface wear on the hoops
• Measurement: .75"

Collected by Mineral and Matter

Description
Two small, rounded hoops in buttery yellow enamel, as warm and cheerful as a spring sunrise. Made in the 1980s, they show the decade’s love of bold color and chunky, sculptural shapes in a wearable size. The smooth, glossy finish hugs close to the earlobe for an easy pop of color. Playful and bright, they pair well with denim, white tees, and summer dresses.

Materials
Enameled metal

Details

• Era: 1980s
• Style / design notes: Wide, puffy half-hoop huggie design with a domed profile
• Function: Pierced posts with butterfly backs
• Color: Lemon yellow
• Condition: Good vintage condition, a few small enamel chips and specks near the edges, and light rust spotting on the butterfly backs
• Measurement: .4"

Collected by Mineral and Matter

Description
Triangles of abalone shell shimmer in blue, violet, and sea green along this watch’s band ends, like light on a moonlit tide. Made in the 1990s by Times Square, a brand of FADA Industries, it pairs a classic oval dial with Southwestern-inspired geometric inlay. Ribbed silver-tone borders frame each panel, and the stretch expansion band slips on easily. A colorful piece that mixes everyday ease with ocean-born iridescence.

Materials
Silver-tone metal, stainless steel case back, abalone shell inlay, expansion band

Details

• Era: 1990s
• Markings: Times Square Quartz, Japan Movt on the dial; case back stamped FADA Ind. Inc., Stainless Steel Back, Japan Movt, 5312QB
• Style / design notes: Oval case with white dial and black Arabic numerals, geometric triangle inlay band ends with ribbed borders, stretch expansion band
• Stone or material notes: Natural abalone shell inlay
• Function: Quartz wristwatch with expansion band
• Color: Silver, blue, violet, sea green, white
• Condition: Great vintage condition, light surface wear on the case. NOT WORKING, could need a battery or more to work
• Measurement: Expandable, fits a size 6 wrist

Collected by Mineral and Matter

A small rectangular dial with slim Roman numerals, blued steel hands, and tiny clear and red stone accents sits within a wide bracelet of stepped gold-tone brick links. It looks more like a cuff than a wristwatch. Lucerne made these jewelry-style dress watches through the 1950s, when a ladies’ watch was meant to be as decorative as it was useful. It still runs on its original wind-up movement. The broad, flexible links catch the light like sun on stacked stone.

Materials
Gold-tone metal, rhinestone accents

Details

• Era: 1950s
• Markings: Lucerne on the dial
• Style / design notes: Rectangular case set into a wide stepped brick-link bracelet. Silver-tone dial with Roman numerals, blued hands, and clear and red stone markers
• Function: Mechanical hand-wind movement, fold-over bracelet clasp
• Color: Gold, silver, red
• Condition: Good vintage condition. In working wind-up condition. The dial shows age spotting, and one stone marker near the VIII looks clouded or dark. One pink stone is loose in the face.There’s gold-tone wear on the clasp and on scattered high points of the links, plus light surface scratches on the bracelet and case back, please see images
• Measurement: 6.5"

Collected by Mineral and Matter

Description
A sleek black rectangular dial floats like a slice of night sky in a polished stainless steel case, marked only by two minimalist silver hands. Made by Citizen in the 2000s, it runs on the brand’s Eco-Drive technology, which is powered by light rather than a disposable battery. The half-bangle bracelet has a brushed finish and links into a butterfly clasp, so it wraps the wrist like a cuff. Modern and architectural, it suits both everyday wear and evenings out.

Materials
Stainless steel

Details

• Era: 2000s
• Markings: Citizen Eco-Drive on the dial; case back stamped Citizen Eco-Drive, St. Steel, Water Resist, G620 movement, Japan
• Style / design notes: Rectangular case with minimalist black dial, rigid half-bangle with link section, brushed finish
• Function: Light-powered Eco-Drive wristwatch with butterfly clasp
• Color: Silver, black
• Condition: Good vintage condition, light scratches on the bangle and case, small mark on the dial edge near 12. NOT WORKING, could need a light recharge or more to work
• Measurement: Fits a size 5.5 wrist

Collected by Mineral and Matter

Description
A small octagonal case frames a pale champagne dial with slim gold batons, as clean and quiet as early morning light. Made by Helbros in the 1980s, it shows the understated elegance the American watch brand was known for. The flexible brick-weave bracelet tapers gracefully at the case and drapes smoothly on the wrist. A classic dress watch with a refined geometric shape.

Materials
Gold-tone base metal, stainless steel case back and bracelet

Details

• Era: 1980s
• Markings: Helbros Quartz on the dial; case back stamped Base Metal Bezel, Stainless Steel Back; clasp stamped Stainless Steel Hong Kong
• Style / design notes: Octagonal case with champagne dial, gold baton markers, tapered brick-weave bracelet
• Function: Quartz wristwatch with fold-over clasp
• Color: Gold, champagne
• Condition: Good vintage condition, gold-tone loss on the clasp cover and underside of the bracelet with steel showing through. NOT WORKING, could need a battery or more to work
• Measurement: 8"

Collected by Mineral and Matter

Description
A smoky, sunburst dial fades from honey gold at the center to deep bronze at the edges, like a sunset settling into evening. Made by Timex in the 1970s, this Electric model belongs to the brand’s early battery-powered line, which was a modern novelty at the time. The rounded cushion case has applied gold square markers, and the textured expansion band has a crosshatch finish. It has a warm retro look that feels true to the era.

Materials
Gold-tone metal, stainless steel case back, gold-tone expansion band

Details

• Era: 1970s
• Markings: Timex Electric on the dial, W. Germany on the dial edge
• Style / design notes: Rounded cushion case with gradient sunburst dial, applied square hour markers, and crosshatch-textured expansion band
• Function: Battery-powered electric wristwatch with stretch expansion band and back battery hatch
• Color: Gold, bronze, champagne
• Condition: Good vintage condition, gold-tone wear on the case and band edges, scratches and spotting on the crystal. NOT WORKING, could need a battery or more to work
• Measurement: Expandable, fits a size 5.5 wrist

Collected by Mineral and Matter

Description
A small oval Bulova dial sits between band ends inlaid with turquoise, mother of pearl, and deep black shell, like a desert sky passing from day into night. The case back date code marks the watch as 1965, during the golden era of Bulova’s 23 jewel mechanical movements. Pear-shaped lugs and a softly brushed bezel add mid-century polish, and the U.S.A. expansion band slips easily over the hand. It joins classic American watchmaking with Southwestern inlay in one distinctive piece.

Materials
10K rolled gold plate (RGP) bezel, stainless steel case back, inlaid stone and shell band ends, stainless steel expansion band

Details

• Era: 1960s
• Markings: Bulova 23 on the dial; case back stamped Bulova 10K RGP Bezel, Stainless Steel Back, L5 (1965 date code); U.S.A. on the expansion band
• Style / design notes: Oval case with brushed bezel and pear-shaped lugs, Southwestern-style inlay band ends with rope-edge borders
• Stone or material notes: Turquoise-colored stone, mother of pearl, and black shell or stone inlay
• Function: 23 jewel mechanical wind-up movement, expansion band
• Color: Silver, turquoise, pearl white, black
• Condition: Good vintage condition, spotting on the dial, light wear on the band ends. NOT WORKING, could need a battery or more to work, MISSING GLASS FACE
• Measurement: Expandable, fits a size 5.5 wrist

Collected by Mineral and Matter

Description
A softly glowing champagne dial with a sunray finish sits in a beveled gold-tone frame, marked with slim gold Roman numerals and batons. Made by Anne Klein in the 1990s, it shows the designer’s clean, polished take on the classic tank watch. The open-link bracelet alternates silver bars with gold beaded connectors, so it’s light, airy, and easy to pair with either metal. A refined everyday watch with quiet vintage charm.

Materials
Two-tone base metal, stainless steel case back

Details

• Era: 1990s
• Markings: AK Anne Klein on the dial, AK logo clasp, case back stamped Thailand movement, quartz
• Style / design notes: Rectangular beveled case, sunray champagne dial with Roman numerals and baton markers, open two-tone link bracelet
• Function: Quartz wristwatch with fold-over clasp
• Color: Champagne, gold, silver
• Condition: Great vintage condition, light surface wear on the bracelet. NOT WORKING, could need a battery or more to work
• Measurement: 6.75"

Description
A deep black rectangular dial is framed in polished gold, with slim baton markers and a single crystal accent shining like a lone star in the night sky. Made by Bill Blass in the 1990s, it brings the American designer’s tailored glamour to a classic tank-style case. The bracelet is made of gleaming woven brick links and closes with a signed “BB” fold-over clasp. Bold and refined, it’s a polished statement on the wrist.

Materials
Gold-tone stainless steel, stainless steel case back

Details

• Era: 1990s
• Markings: Bill Blass on the dial and case back, case back stamped 298-112, “BB” logo clasp stamped Stainless Steel Hong Kong
• Style / design notes: Rectangular tank-style case with stepped bezel, inset dial frame, and woven brick link bracelet
• Stone or material notes: Single clear crystal accent on the dial
• Function: Quartz wristwatch with fold-over clasp
• Color: Gold, black
• Condition: Good vintage condition, gold-tone wear on the underside of the bracelet with steel showing through. NOT WORKING, could need a battery or more to work
• Measurement: 7.9"

Collected by Mineral and Matter

Description
Silver and gold links loop into soft sailor’s knots along this bracelet, framing a small round dial of shimmering mother of pearl. Made by Anne Klein II in the 1990s, it reflects the American designer’s polished, sporty-chic approach to everyday elegance. The two-tone finish pairs easily with silver or gold jewelry, and the delicate case keeps it refined on the wrist. A graceful bracelet watch with a nautical touch.

Materials
Two-tone base metal, stainless steel case back, mother of pearl dial

Details

• Era: 1990s
• Markings: Anne Klein II on the dial; case back stamped 10/7357, Thailand movement, quartz
• Style / design notes: Round case with gold Arabic numerals, two-tone knot link bracelet
• Function: Quartz wristwatch with fold-over clasp
• Color: Silver, gold, pearl white
• Condition: Good vintage condition, tarnish and finish loss on the underside of the links. NOT WORKING, could need a battery or more to work
• Measurement: 7"

Collected by Mineral and Matter

Description
Molten-looking nugget links ripple along this watch like gold cooled straight from the earth, framing a soft champagne dial. Made in the 1990s, it shows off the bold nugget texture that was a signature look of the era. A single crystal accent and slim gold baton markers keep the face clean and understated. The bracelet has real presence on the wrist, and its smooth brushed back sits comfortably against the skin.

Materials
Gold-tone metal

Details

• Era: 1990s
• Markings: Parmex Quartz on the dial, Made in China sticker on the back
• Style / design notes: Round dial with nugget-textured case and brick link bracelet, brushed smooth reverse
• Stone or material notes: Single clear crystal accent on the dial
• Function: Quartz wristwatch with fold-over clasp
• Color: Gold, champagne
• Condition: Great vintage condition, bright gold tone with light surface wear on the back. NOT WORKING, could need a battery or more to work
• Measurement: 8"

Collected by Mineral and Matter

Description
A square mother of pearl dial glows softly at the center of this watch, framed by a lattice-patterned border and gold Arabic numerals. Made by Waltham in the 1990s, it carries the name of one of America’s oldest watchmakers in a refined, Deco-inspired tank shape. The bracelet is made of polished brick links that drape like woven gold and closes with a signed “W” fold-over clasp. Classic and feminine, it works as everyday wear or as a polished finishing touch.

Materials
Gold-tone base metal, stainless steel case back, mother of pearl dial

Details

• Era: 1990s
• Markings: Waltham on the dial and case back, “W” on the clasp, Japan movement, China bracelet
• Style / design notes: Square tank-style case, mother of pearl center with lattice-patterned outer dial, brick link bracelet
• Function: Quartz wristwatch with fold-over clasp
• Color: Gold, pearl white
• Condition: Good vintage condition, gold-tone loss on the underside of the bracelet links. NOT WORKING, could need a battery or more to work
• Measurement: 6.75"

Collected by Mineral and Matter

Description
A round, rose-pink crystal hangs between soft swags of gold-tone chain, like a pink moon framed by drifting clouds. Made in the 1980s, these earrings borrow from the ornate chandelier designs of the Victorian era, with embossed floral motifs and a fan-shaped crest. The draped chains sway as you move, catching light all around the bezel-set stone. They’re romantic and feminine, and dressy enough for evenings.

Materials
Gold-tone metal, glass crystals, sterling silver earring backs (likely)

Details

• Era: 1980s
• Style / design notes: Victorian revival chandelier drops with embossed floral crests, triple chain swags, and ball post tops
• Stone or material notes: Round faceted pink crystals, bezel-set
• Function: Pierced posts with butterfly backs
• Color: Rose pink, gold
• Condition: Great vintage condition, light gold-tone wear on the crests
• Measurement: 2.25"

Collected by Mineral and Matter

Description
Five feathered rays burst outward from a polished pinwheel center, like a star caught at the moment it flares across the night sky. Made in the 1960s–1970s, this brooch pairs finely etched Florentine-style texture with smooth, sculpted swirls, a contrast the era loved. Open cutouts between the rays keep it light and airy. Wear it on a coat lapel, a scarf, or a winter sweater for a bit of celestial glow.

Materials
Gold-tone metal

Details

• Era: 1960s–1970s
• Style / design notes: Five-pointed starburst with feathered, ribbed rays, open cutouts, and a polished swirled pinwheel center
• Function: Pin brooch with C-clasp
• Color: Gold
• Condition: Great vintage condition, light surface wear on the polished center
• Measurement: 2.5"

Collected by Mineral and Matter

Description
Bright gold-tone strands twist tightly together, catching light along every turn like sunlight on braided water. This chain dates to the 1980s, when the rope chain was the essential everyday gold piece. It has real weight and drapes smoothly, holding its spiral without kinking. At 18" it sits just below the collarbone, so you can wear it alone, layer it, or hang a favorite pendant from it.

Materials
Gold-tone metal

Details

• Era: 1980s
• Style / design notes: Classic twisted rope chain with a high-polish finish
• Function: Lobster clasp
• Color: Gold
• Condition: Great vintage condition, bright finish with minimal wear
• Measurement: 18"

Collected by Mineral and Matter

Description
At the heart of this pendant sits a glowing cabochon of dragon’s breath glass or a faux opal, flickering pink, amber, and violet like a distant nebula. Around it, emerald-green rhinestones spiral outward on airy gold-tone rays. Made in the 1950s, it shows the era’s taste for celestial starburst designs and the fiery foil-backed glass that collectors still look for today. It hangs from a bar link chain with an adjustable extender, a cosmic piece with real vintage character.

Materials
Gold-tone metal, glass, rhinestones

Details

• Era: 1950s
• Style / design notes: Openwork starburst pendant with spiraling rays on a bar link chain, with an adjustable extender 
• Stone or material notes: Dragon’s breath (fire opal-style) glass cabochon center, prong-set emerald-green rhinestones
• Function: Hook clasp with adjustable extender
• Color: Emerald green, fiery pink, amber, gold
• Condition: Great vintage condition, light gold-tone wear on a few chain links
• Measurement: 17" chain, 1.5" pendant

Collected by Mineral and Matter

Description
Two round medallions hold clusters of sage-green stone chips, like moss gathered on a forest floor. Each one is ringed with rope-twist borders and antiqued, leafy gold-tone settings. Made in the 1960s–1970s, the bracelet pairs the era’s love of natural stone chips with a supple gold-tone mesh band. The medallions meet at a fold-over clasp, so they sit together at the top of the wrist as a bold centerpiece. Earthy, rich, and easy to wear.

Materials
Gold-tone metal, green stone chips

Details

• Era: 1960s–1970s
• Style / design notes: Twin round medallions with rope-twist and antiqued foliate frames, flexible mesh band
• Stone or material notes: Green stone chips, likely jade or aventurine, set in clusters
• Function: Fold-over box clasp
• Color: Sage green, gold
• Condition: Great vintage condition, light wear to the gold tone near the clasp
• Measurement: Fits a size 6.5 wrist

Collected by Mineral and Matter

Description
Lacy gold-tone scrollwork curls across this bangle like vines climbing toward the light. Two rows of clear crystals border it, glinting like a ribbon of stars. Made by Napier in the 1990s, it continues the American jewelry house’s long tradition of refined, wearable gold-tone design. The hinged opening and push clasp make it easy to put on, and the polished, smooth back sits comfortably on the wrist. Elegant enough for evening, quiet enough for every day.

Materials
Gold-tone metal, crystal rhinestones

Details

• Era: 1990s
• Markings: Napier stamped inside band
• Style / design notes: Openwork scroll filigree front, double crystal borders, ribbed edges, polished plain back
• Stone or material notes: Small round clear crystal rhinestones
• Function: Hinged bangle with push-in clasp
• Color: Gold, clear
• Condition: Great vintage condition, light surface marks on the inner back of the band
• Measurement: 7"

Collected by Mineral and Matter

Description
One small seagull is engraved across a field of brushed silver, as if it’s drifting over a quiet sea. This cuff is a 1970s piece, the faceted band shows off the brushed finish, with polished, softly rounded ends. It’s simple and substantial, an easy everyday cuff that stacks well with finer bangles.

Materials
Silver tone

Details

• Era: 1970's
• Markings: Script maker’s mark stamped inside, reading as “Speidel"
• Style / design notes: Open cuff with faceted panels, brushed satin finish, polished rounded ends, and an engraved seagull motif
• Function: Open cuff
• Color: Pewter silver
• Condition: Good vintage condition, light surface scratches and a few small dark spots near one end
• Measurement: 2.6" diameter

Collected by Mineral and Matter

Description
Six large faceted black stones gleam like deep night sky, each framed in antiqued silver-tone filigree with rope-twist borders and small clustered blossoms. Made in the 1950s–1960s, this bracelet draws on Victorian mourning jewelry, where jet-black glass set in ornate metalwork was the height of romantic restraint. The darkened recesses give every curl and bead depth and shadow. It’s bold on the wrist but moves easily on hinged links, a dramatic piece for evenings or layered over a dark sleeve.

Materials
Silver-tone metal, glass

Details

• Era: 1950s–1960s
• Style / design notes: Victorian revival design with six oval links, rope-twist filigree, beaded blossom clusters, antiqued finish, and bar connectors
• Stone or material notes: Large oval faceted black glass stones, bezel-set
• Function: Fold-over box clasp
• Color: Black, antiqued silver
• Condition: Great vintage condition, light surface wear on the stones and natural darkening in the recesses
• Measurement: 7.75"

Collected by Mineral and Matter

Description
Two small hot air balloons drift upward, their panels inlaid with crushed turquoise and a single stripe of coral red. Made in the 1980s, they show the Southwestern-style chip inlay that was everywhere in that decade, here given a light, whimsical shape. The polished silver-tone outlines frame the colors cleanly. They’re playful and easy to wear, a small nod to open skies and adventure.

Materials
Silver-tone metal, crushed turquoise and coral-colored stone inlay

Details

• Era: 1980s
• Style / design notes: Hot air balloon studs with segmented panels, polished outlines, and a textured cast reverse
• Stone or material notes: Crushed turquoise-colored chip inlay with a coral-red center panel
• Function: Pierced posts
• Color: Turquoise, coral red, silver
• Condition: Good vintage condition, one tiny inlay chip near the top of one balloon and tarnish on the backs
• Measurement: .6"

Collected by Mineral and Matter

Description
Wide bands of ribbed silver sweep across the wrist and cross like a wave curling back on itself, catching light on every hammered facet. Made in the 1980s–1990s, this sculptural cuff shows the bold, modernist metalwork popular in those decades. A high polish on the outside meets a softly dimpled hammered texture inside. It’s a statement piece on its own and pairs well with slim bangles.

Materials
Silver-tone metal

Details

• Era: 1980s–1990s
• Style / design notes: Wide open cuff with twisted crossover design, ribbed bands, and a hammered finish
• Function: Open cuff, adjustable
• Color: Silver
• Condition: Great vintage condition, light surface scratches from wear
• Measurement: Fits a size 7 wrist

Collected by Mineral and Matter

Description
A pair of unicorns turn to face each other, their manes rolling in waves of lime, sky blue, and deep forest green. Made in the 1980s, when dreamy unicorn jewelry was everywhere, these studs have cloisonné-style enamel outlined in fine gold-tone wire. Soft pastel tones and a whimsical, storybook look make them fun to wear. They’re light and comfortable, and they bring a little magic to the everyday.

Materials
Gold-tone metal, enamel

Details

• Era: 1980s
• Style / design notes: Mirrored unicorn head studs facing each other, with flowing manes outlined in gold-tone wire and a textured reverse
• Stone or material notes: Cloisonné-style enamel in blush white, lime, sky blue, cobalt, forest green, and amber
• Function: Pierced posts
• Color: Blush white, lime green, sky blue, forest green, gold
• Condition: Good vintage condition, a few tiny enamel specks and light tarnish and residue on the backs
• Measurement: .6"

Collected by Mineral and Matter

Description
A single deep garnet-red stone glows at the center of each stud, like a far-off red star. Made in the 1980s, these classic solitaire studs have six-prong crown settings with rounded tips. The rich wine color brings warmth to everyday wear and looks right at home in autumn and winter. Small, polished, and easy to wear with anything.

Materials
Gold-tone metal, rhinestones

Details

• Era: 1980s
• Style / design notes: Round solitaire studs in six-prong crown settings with ball-tipped prongs
• Stone or material notes: Round faceted rhinestones in deep garnet red
• Function: Pierced posts with bullet clutch backs
• Color: Garnet red, gold
• Condition: Great vintage condition, light gold-tone wear on one earring back
• Measurement: .25"

Collected by Mineral and Matter

Description
Two small polished lockets hang below ball studs like a pair of tiny golden moons. Made in the 1980s, they give the sentimental Victorian locket a wearable, everyday scale. Each one opens on a hinge to hold a tiny photo or keepsake. They’re light and fluid on the ear, a romantic piece with a quiet secret inside.

Materials
Gold-tone metal, sterling silver earring backs

Details

• Era: 1980s
• Markings: 925 stamped on butterfly backs
• Style / design notes: Domed round lockets suspended from ball post studs
• Function: Hinged opening lockets with interior frames; pierced posts with butterfly backs
• Color: Gold, silver
• Condition: Good vintage condition, gold-tone loss inside the lockets, light surface scratches on the fronts, one post tip slightly bent
• Measurement: .9"

Collected by Mineral and Matter

A seven-layer cake stacks “Wishing You a Very Very Happy Birthday” one word at a time, topped with smiling candles. Our folded A2 greeting cards are blank inside.

Great for:

• Sending birthday wishes
• Celebrating milestone birthdays
• Pairing with a birthday gift or flowers

About:

• Folded size: 4.25" × 5.5"
• Letterpress-printed by hand in vibrant and/or neon inks and packaged by our small team in Columbus, Ohio, USA
• Packaged in a cello sleeve
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A birthday wish list pairs a basket of puppies with bodily autonomy, universal healthcare, reproductive freedom, and plenty more worth wishing for. Our folded A2 greeting cards are blank inside.

Great for:

• Sending birthday wishes
• Celebrating milestone birthdays
• Pairing with a birthday gift or flowers

About:

• Card reads “Birthday Wish List: Bodily Autonomy & Universal Healthcare & Reproductive Freedom & Affordable Childcare & Equal Pay & Clean Energy & Gun Control & Prison Reform & Paid Family Leave & LGBTQ Rights & World Peace & Taxes for Billionaires & a Basket of Puppies”
• Folded size: 4.25" × 5.5"
• Letterpress-printed by hand in vibrant and/or neon inks and packaged by our small team in Columbus, Ohio, USA
• Packaged in a cello sleeve
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A wide-eyed owl delivers a goofy little pun on this playful letterpress thank-you card. Our folded A2 greeting cards are blank inside.

Great for:

• Sending thanks with a goofy little owl pun
• Host and hostess thank-you notes
• Teacher and client appreciation
• Friendship and everyday gratitude
• Bird lovers
• Birdwatchers and birders

About:

• Card reads “Hoo Hoo Hoo Thank Yoo!”
• Folded size: 4.25" × 5.5"
• Letterpress-printed by hand in vibrant and/or neon inks and packaged by our small team in Columbus, Ohio, USA
• Packaged in a cello sleeve
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A silly skunk delivers “Happy Birthday, Little Stinker” to the lovable troublemaker in your life. Our folded A2 greeting cards are blank inside.

Great for:

• Sending birthday wishes
• Celebrating milestone birthdays
• Pairing with a birthday gift or flowers
• Great for kids

About:

• Folded size: 4.25" × 5.5"
• Letterpress-printed by hand in vibrant and/or neon inks and packaged by our small team in Columbus, Ohio, USA
• Packaged in a cello sleeve
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A tall slice of vintage wedding cake carries “Happy wedding, happy marriage, happy life” on this colorful letterpress card. Our folded A2 greeting cards are blank inside.

Great for:

• Newlyweds who appreciate a colorful, classic message
• Sending congratulations for weddings and elopements
• Engagements and bridal showers
• Pairing with registry or shower gifts

About:

• Folded size: 4.25" × 5.5"
• Letterpress-printed by hand in vibrant and/or neon inks and packaged by our small team in Columbus, Ohio, USA
• Packaged in a cello sleeve
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A swan gives them permission to spread their wings and “Show Off! It’s Your Birthday!” Our folded A2 greeting cards are blank inside.

Great for:

• Sending birthday wishes
• Celebrating milestone birthdays
• Pairing with a birthday gift or flowers

About:

• Folded size: 4.25" × 5.5"
• Letterpress-printed by hand in vibrant and/or neon inks and packaged by our small team in Columbus, Ohio, USA
• Packaged in a cello sleeve
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A black heart reads “Spooky at Heart” for the year-round goth. Our die-cut vinyl stickers are durable and waterproof for outdoor use.

Use for:

• Decorating water bottles, laptops, phone cases, notebooks, and hard-shell luggage
• Adding personality to cars, toolboxes, storage bins, and other smooth surfaces

About:

• Approximately 3"
• Dishwasher safe
• Made in the USA
• Sold loose
• Artwork by Kiwi Schloffel for the 'Your Gal Kiwi for And Here We Are' collection

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A bruised banana asks, “Be Nice, I’m Sensitive.” Honestly, fair. Our die-cut vinyl stickers are durable and waterproof for outdoor use.

Use for:

• Decorating water bottles, laptops, phone cases, notebooks, and hard-shell luggage
• Adding personality to cars, toolboxes, storage bins, and other smooth surfaces

About:

• Approximately 3"
• Dishwasher safe
• Made in the USA
• Sold loose
• Artwork by Kiwi Schloffel for the 'Your Gal Kiwi for And Here We Are' collection

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A cockroach wakes up in bed beneath “Woke Up Like This,” a painfully relatable nod to Kafka’s The Metamorphosis. Our die-cut vinyl stickers are durable and waterproof for outdoor use.

Use for:

• Decorating water bottles, laptops, phone cases, notebooks, and hard-shell luggage
• Adding personality to cars, toolboxes, storage bins, and other smooth surfaces

About:

• Approximately 3"
• Dishwasher safe
• Made in the USA
• Sold loose
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A slow-moving snail announces “On My Way to Procrastinate.” No rush. Our die-cut vinyl stickers are durable and waterproof for outdoor use.

Use for:

• Decorating water bottles, laptops, phone cases, notebooks, and hard-shell luggage
• Adding personality to cars, toolboxes, storage bins, and other smooth surfaces

About:

• Approximately 3"
• Dishwasher safe
• Made in the USA
• Sold loose
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A pair of crows spells out “Murder”—which is, delightfully, the proper name for a group of crows. Our die-cut vinyl stickers are durable and waterproof for outdoor use.

Use for:

• Decorating water bottles, laptops, phone cases, notebooks, and hard-shell luggage
• Adding personality to cars, toolboxes, storage bins, and other smooth surfaces

About:

• Approximately 3"
• Dishwasher safe
• Made in the USA
• Sold loose
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

A squawking seagull declares “I Love Screaming!” Loud, honest, relatable. Our die-cut vinyl stickers are durable and waterproof for outdoor use.

Use for:

• Decorating water bottles, laptops, phone cases, notebooks, and hard-shell luggage
• Adding personality to cars, toolboxes, storage bins, and other smooth surfaces

About:

• Approximately 3"
• Dishwasher safe
• Made in the USA
• Sold loose
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

Boo! This cute little ghost pairs a soft white tea scent with just the right amount of spooky-season charm. Our illustrated air fresheners come sealed in a plastic bag with a hanging cardboard topper.

Use for:

• Freshening your car, office, locker, or home
• Adding a little personality wherever it hangs
• Keeping as a decorative ornament after the scent fades

About:

• Double-sided ghost shape with a light purple string
• White tea scented: a calming herbal fragrance
• Designed in Columbus, Ohio, USA
• Made in China
• Artwork by Meghan Hopkins Sokorai

And Here We Are® is a woman-owned stationery and gift brand creating modern, colorful greeting cards, notebooks, paper goods, and small gifts from our letterpress studio in Columbus, Ohio. Our letterpress paper goods are hand-printed and assembled by our small team.

Every design is hand-drawn by artist Meghan Hopkins Sokorai. No AI is used in the creation of our artwork or products.

Description:
A polished green jade bead rests in the curve of an inner ring, cradled by a fan of twisted rope filigree that sweeps out like ripples on water. A second ring encloses it all, and the whole design reads like a small sun rising over a gold horizon. Pairing gold-filled wirework with jade was a mid-century favorite, and this piece has the clean, graceful lines typical of the 1960s. It sits lightly at the collarbone on a fine curb chain.

Materials:
14K gold-filled metal, jade

Details:

• Era: 1960s
• Markings: Clasp stamped “de 14K G.F.”; small “B” mark on the pendant bail
• Style/design notes: Double-ring pendant with a twisted rope filigree fan
• Stone or material notes: Round mottled green jade bead in a cup setting
• Function: Spring ring clasp
• Color: Gold, green
• Condition: Great vintage condition, with light wear on the rings
• Measurement: 19.5" chain, 0.75" pendant

Collected by Mineral and Matter

Tightly linked curb chain in warm gold tone, each faceted link catching the light like scattered starlight. Made by Sarah Coventry in the 1970s–1980s, it carries the name of one of America’s best-loved home-party jewelry companies. At 28" it falls long and fluid. Wear it alone, double it at the collarbone, or hang a favorite pendant from it.

Materials
Gold-tone metal

Details

• Era: 1970s–1980s
• Markings: “Sarah Cov” hang tag at clasp
• Style / design notes: Faceted curb link chain, long length
• Function: Spring ring clasp
• Color: Gold
• Condition: Great vintage condition, light gold-tone wear on a few links
• Measurement: 28"

Collected by Mineral and Matter

Flat links tightly woven in a herringbone pattern catch the light like ripples moving across still water. This chain dates to the 1980s, when sleek herringbone chains were an everyday staple. It lies flat and smooth against the skin and moves fluidly as you wear it. At 20" it falls below the collarbone, so it works on its own or layered under shorter chains.

Materials
Gold-tone metal

Details

• Era: 1980s
• Style / design notes: Flat herringbone-style woven link chain
• Function: Spring ring clasp
• Color: Gold
• Condition: Good vintage condition, light speckled gold-tone wear across the links
• Measurement: 20"

Collected by Mineral and Matter

A single long-stemmed rose is drawn in simple relief across a softly rounded oval, like a pressed flower kept between the pages of a book. This 1990s piece has a quiet, hand-sketched look, and the back of the charm is finished with radiating sunburst lines. It hangs from an elongated paperclip chain that keeps it light and modern on the neck. At 15" it sits at the base of the throat and layers easily with gold or silver.

Materials
Silver-tone metal

Details

• Era: 1990s
• Style / design notes: Organic oval charm with an outlined rose in relief, sunburst-textured reverse, elongated paperclip link chain
• Function: Spring ring clasp
• Color: Silver
• Condition: Great vintage condition, light surface scratches on the charm
• Measurement: 15" chain

Collected by Mineral and Matter

A smooth oval of frosted Green glows softly from within, like a lagoon seen through morning mist. Made in the 1960s–1970s, it shows the era’s taste for bold, satin-finished glass cabochons in simple settings. A fine beaded bezel frames the stone, and it hangs from a gold-tone curb chain. The clean silhouette and rich color make it easy to wear every day.

Materials
Gold-tone metal, frosted glass cabochon (likely)

Details

• Era: 1960s–1970s
• Style / design notes: Domed oval cabochon in a beaded bezel setting with a round bail, on a curb link chain
• Stone or material notes:Green cabochon with a frosted satin finish and soft internal glow
• Function: Spring ring clasp
• Color: Teal, gold
• Condition: Great vintage condition, light gold-tone wear on the bail
• Measurement: 16" chain, 1" pendant

Collected by Mineral and Matter

Small flat links twist around one another and catch the light from every angle, shimmering like sun on moving water. Made by Avon in the 1980s, this chain shows the brand’s knack for polished, easy-to-wear gold tone. At 18" it sits just below the collarbone and moves fluidly with the body. It’s a bright layering chain that also holds a favorite pendant well.

Materials
Gold-tone metal

Details

• Era: 1980s
• Markings: Avon hang tag at clasp
• Style / design notes: Twisted flat-link chain with faceted, light-reflective links
• Function: Spring ring clasp
• Color: Gold
• Condition: Great vintage condition
• Measurement: 18"

Collected by Mineral and Matter

Description:
Slim rectangular links in brushed gold tone line up in a smooth double row, so the bracelet drapes like a ribbon of light. Each bar carries a fine satin texture and catches a soft glow rather than a bright shine. Monet perfected this kind of clean, tailored goldwork in the 1970s–1980s, when understated gold was the polished finishing touch. It closes securely with a signed fold-over clasp and wears beautifully alone or stacked.

Materials:
Gold-tone metal

Details:

• Era: 1970s–1980s
• Markings: Signed Monet© on the clasp
• Style/design notes: Flexible double-row bar links with a brushed satin finish
• Function: Fold-over clasp
• Color: Gold
• Condition: Great vintage condition, with a few small dark spots on the links near the clasp
• Measurement: 7"

Collected by Mineral and Matter

A gold-inlaid bird glides between carnations and a mountain ridge on this open circle, with a small flower medallion swaying at its center like a moon caught in orbit. Made in Japan in the 1960s–1970s, it reflects the Kyoto damascene tradition popularized by studios like Amita, where gold is hammered into darkened steel in delicate nature scenes. The matte black ground and soft gold motifs give it a quiet, painterly depth. Newly paired with a 14k gold filled chain, it is ready for everyday wear and layering.

Materials
Damascene (gold inlay on darkened steel), gold-tone metal, 14k gold filled chain (new)

Details

• Era: 1960s–1970s (pendant)
• Style / design notes: Open circle with articulated flower medallion, bird, carnation, and mountain motifs, prong-set panels, polished gold-tone back
• Stone or material notes: Japanese-style damascene, Amita style; vintage pendant on a new 14k gold filled cable chain
• Function: Spring ring clasp with extender
• Color: Matte black, gold
• Condition: Great vintage condition, light gold-tone wear on the bail and reverse
• Measurement: 18" chain, 1" pendant

Collected by Mineral and Matter

Description:
A coiled serpent wraps the wrist in flexible tubogas, a tightly spiraled metal tube that moves like a living body. At each end, an engraved scaled head and tail cross over one another. Small pink-red stone eyes give the snake a watchful glint. Snake jewelry, a symbol of eternity and renewal since antiquity, was beloved in the 1940s–1950s. This wrap style flexes to fit the wrist with no clasp.

Materials:
Silver-tone metal, rhinestones

Details:

• Era: 1940s–1950s
• Style/design notes: Flexible tubogas wrap bangle with an engraved, scaled head and tail that overlap
• Stone or material notes: Round pink-red rhinestone eyes
• Function: Flexible wrap, no clasp
• Color: Silver, pink-red
• Condition: Good vintage condition. The plating is worn inside the coil and shows warm gold-tone base metal, and the edges of the head and tail caps show wear.

Collected by Mineral and Matter

Description:
Four oval cabochons in deep midnight blue, flecked with gold, alternate with polished gold-tone links on either side of a round champagne dial with gold Roman numerals. Watches like this, which pair a natural stone with gold, were a polished favorite of the 1990s, part jewelry and part timepiece. The stones’ night-sky color gives the gold a warm, regal contrast. It sits elegantly on the wrist and closes with a fold-over clasp.

Materials:
Gold-tone metal, stainless steel case back, lapis cabochons

Details:

• Era: 1990s
• Markings: Dial signed Madison Gems. Case back stamped Madison Gems, Stainless Steel Caseback, Japan Movt.
• Style/design notes: Round case with a sunray champagne dial and Roman numerals; panther-style links alternating with bezel-set oval cabochons
• Stone or material notes: Oval lapis cabochons with natural pyrite flecks
• Function: Quartz movement, fold-over clasp
• Color: Gold, cobalt blue
• Condition: Great vintage condition, with light wear on the clasp. UNTESTED, could need a battery or more to work.
• Measurement: 8"

Collected by Mineral and Matter

Description:
A softly rounded gold-tone case frames a brushed champagne dial with slim gold baton markers and Arabic 12 and 6. The proportions are clean and quietly elegant. The ribbed expansion band has a fine textured finish and fastens with a fold-over clasp and a small safety chain. Simple, ladylike Timex dress watches like this were everyday staples of the 1970s, and this one wears as much like a bracelet as a timepiece.

Materials:
Gold-tone base metal bezel, stainless steel back, ribbed expansion band

Details:

• Era: 1970s
• Markings: Dial signed Timex; case back stamped Base Metal Bezel, S. Steel Back
• Style/design notes: Cushion-round case with wire lugs, a champagne baton dial, and a ribbed expansion band with a fold-over clasp and safety chain
• Function: Mechanical wind-up movement with a crown
• Color: Gold, champagne
• Condition: Good vintage condition, with tone wear on the band and lug ends and light scratches on the case back. UNTESTED, could need a battery or more to work.
• Measurement: Fits a size 6 wrist on a bracelet sizer

Collected by Mineral and Matter

Sculpted leaves swirled in forest green, burgundy, and soft coral drift along this necklace like foliage at the turn of the season, each one paired with a gold-tone sprig and a single emerald-green rhinestone. Made in the 1950s–1960s, it reflects the molded thermoset botanicals that Lisner and other American makers popularized in that era. The light gold-tone setting keeps the deep marbled colors glowing rather than heavy. A rich, autumnal piece that sits beautifully at the collarbone.

Materials
Light gold-tone metal, thermoset plastic, rhinestones

Details

• Era: 1950s–1960s
• Style / design notes: Seven articulated links with sculpted marbled leaves, textured gold-tone leaf sprigs, adjustable chain
• Stone or material notes: Marbled thermoset in green, burgundy, and coral; emerald-green round rhinestone accents
• Function: Hook clasp with adjustable chain
• Color: Forest green, burgundy, coral, light gold
• Condition: Good vintage condition, light gold-tone wear on the chain and reverse of the links
• Measurement: 18" total length

Collected by Mineral and Matter

Description:
A small round dial in soft silver, with a stylized 12 and 6, slim baton markers and fine silver hands. It sits in a case flanked by sculpted crossover lugs, like a ribbon tied at each side. Made in 1977 by Caravelle, Bulova’s Swiss-made line, it’s the kind of delicate everyday dress watch women wore through the decade. The tapered band has a crosshatch texture that catches the light, and a fold-over clasp keeps it secure. It’s a working wind-up watch that runs on a few turns of the crown.

Materials:
Silver-tone base metal bezel, stainless steel back, textured expansion band

Details:

• Era: 1977
• Markings: Dial signed Caravelle. Case back stamped Caravelle, N7, Base Metal Bezel, Stainless Steel Back.
• Style/design notes: Round case with sculpted crossover lugs, a silver baton dial with stylized 12 and 6, and a tapered crosshatch-textured band with a fold-over clasp
• Function: Mechanical wind-up movement, working
• Color: Silver
• Condition: Great vintage condition, with light wear on the lugs and band
• Measurement: Fits a size 5.5 wrist on a bracelet sizer

Collected by Mineral and Matter

A unicorn in soft coral and seafoam enamel lifts its head through a ring of midnight black, circled by pink and cobalt blossoms and trailing green leaves. Made in the 1980s, when unicorns and cloisonné enamel were at the height of their popularity, it captures that era’s dreamy, storybook spirit. The open cutout design lets light and skin show through, giving the pendant depth and movement. A whimsical piece that layers easily with chokers and finer chains.

Materials
Gold-tone metal, cloisonné enamel

Details

• Era: 1980s
• Markings: Hang tag at clasp
• Style / design notes: Openwork medallion with unicorn head, floral wreath of blossoms and leaves, rope-twist border, textured reverse
• Stone or material notes: Enamel in black, coral, seafoam, pink, cobalt blue, and green with gold-tone wirework
• Function: Spring ring clasp
• Color: Black, coral pink, cobalt blue, green, gold
• Condition: Great vintage condition, light wear to the black enamel near the edges
• Measurement: 18" chain, 1" charm

Collected by Mineral and Matter