A handmade spoon ring fashioned from a silver-tone Oneida spoon handle, wrapped into a bypass-style band with a soft floral design at the bowl. Stamped "Oneida Korea 46" on the interior. A charming upcycled piece with real vintage flatware character.

Materials
Silver-tone metal

Details

• Era: 1950s–60s pattern, ring conversion date unknown
• Markings: Oneida Korea 46
• Style / design notes: Spoon ring, bypass style, floral pattern
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Measurement: Size 6

Collected by Mineral and Matter

A large emerald-cut blue stone sits like a piece of sky held in place by simple gold prongs, its stepped facets catching light with quiet clarity. The clean architectural setting keeps all the attention on the stone, sized generously enough to make a real statement. Bold and easy to wear on its own.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Stamped 18K Elec. Plate
• Style / design notes: Emerald-cut solitaire, four-prong setting, open gallery
• Stone or material notes: Large emerald-cut blue glass or crystal stone
• Color: Gold-tone with light blue stone
• Condition: good vintage condition

Measurement: Size 9

Collected by Mineral and Matter

Two faceted teal heart-shaped stones stack like waves cresting one after the other, framed by a rope-twist border and a cluster of dimensional silver flowers. The layered floral detailing gives the piece real texture and depth beyond the sparkle alone. Signed Sarah Coventry and adjustable, easy to wear and hard to overlook.

Materials

Details

• Era: 1970s
• Markings: Signed Sarah Cov.
• Style / design notes: Double heart silhouette, rope-twist bezel, floral cluster detailing
• Stone or material notes: Faceted teal glass or crystal hearts
• Color: Silver-tone with teal stones
• Condition: good vintage condition

Measurement: Adjustable, fits most sizes

Collected by Mineral and Matter

Five marquise-cut blue stones step across the finger like a row of petals, each flanked by small clear rhinestone accents that add extra sparkle. The graduated cluster gives the ring a soft peak at center, tapering cleanly into a simple silver-tone band. Adjustable and easy to wear from day into evening.

Materials

Details

• Era: Late 20th century
• Markings: Stamped W
• Style / design notes: Graduated marquise cluster, rhinestone accents
• Stone or material notes: Marquise-cut blue stones, round clear rhinestone accents
• Color: Silver-tone with blue and clear stones
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 4.5-6.5

Collected by Mineral and Matter

Five marquise-cut blue stones step across the finger like a row of petals, each flanked by small clear rhinestone accents that add extra sparkle. The graduated cluster gives the ring a soft peak at center, tapering cleanly into a simple silver-tone band. Adjustable and easy to wear from day into evening.

Materials

Details

• Era: Late 20th century
• Markings: Stamped W
• Style / design notes: Graduated marquise cluster, rhinestone accents
• Stone or material notes: Marquise-cut blue stones, round clear rhinestone accents
• Color: Silver-tone with blue and clear stones
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 4-7

Collected by Mineral and Matter

A deep red oval cabochon sits at the center of a wide silver-tone cuff, framed by heart-shaped cutouts and southwestern-inspired scrollwork. The brushed texture across the band adds depth without overwhelming the piece, letting the red stone hold the eye. Signed Sarah and adjustable, ready for daily wear.

Materials

Details

• Era: Late 20th century
• Markings: Signed Sarah
• Style / design notes: Wide cuff silhouette, scrollwork with heart cutouts, brushed texture
• Stone or material notes: Oval red glass or acrylic cabochon
• Color: Silver-tone with deep red stone
• Condition: good vintage condition

Measurement: Size 6.5, adjustable

Collected by Mineral and Matter

An oval abalone cabochon shifts through blue, green, and violet like light on tide-pool water, held in a scalloped bezel that echoes a shell's own curved edge. The band carries fine floral etching that continues the ring's natural theme all the way around. Adjustable and one of a kind, since no two abalone stones shimmer quite the same.

Materials

Details

• Era: Mid-20th century
• Style / design notes: Scalloped bezel setting, floral-etched band
• Stone or material notes: Natural abalone shell cabochon
• Color: Silver-tone with iridescent blue, green, and purple shell
• Condition: good vintage condition

Measurement: Adjustable, fits most sizes

Collected by Mineral and Matter

An eight-pointed Maltese cross radiates outward like a compass rose, each arm textured with dot and bead detailing around a single sparkling center stone. The openwork silhouette gives the ring a light, architectural presence for its size. Signed Avon, with a clean vintage geometry that still reads modern.

Materials

Details

• Era: Late 20th century
• Markings: Signed Avon
• Style / design notes: Maltese cross openwork silhouette, textured bead detailing
• Stone or material notes: Round faceted clear/blue-tinted rhinestone center
• Color: Silver-tone with clear-blue center stone
• Condition: Excellent vintage condition

Measurement: Size 6

Collected by Mineral and Matter

A gleaming oval hematite cabochon sits at the heart of a Gothic-inspired frame, its dark shine grounded by four small turquoise cabochons set like compass points. The scrolled, cross-shaped silhouette gives the ring an antique, cathedral-window feel. Signed Avon and adjustable, it moves easily from one hand to another.

Materials

Details

• Era: Late 20th century
• Markings: Signed Avon
• Style / design notes: Cross-shaped openwork frame, rope-twist bezel, four turquoise accent stones
• Stone or material notes: Oval hematite cabochon, round turquoise cabochons
• Color: Silver-tone with grey hematite and turquoise blue accents
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 5–7

Collected by Mineral and Matter

Two curved bands spiral past each other like waves folding in on themselves, each pierced with a row of cutout leaf shapes. The bypass silhouette gives the ring a fluid, sculptural quality on the hand. A bold, textural piece that stands well on its own.

Materials

Details

• Era: Mid-to-late 20th century
• Style / design notes: Bypass wrap silhouette, pierced leaf cutout pattern, textured surface
• Color: Silver-tone
• Condition: good vintage condition

Measurement: Size 6

Collected by Mineral and Matter

Seven emerald-green marquise stones curve across the finger like leaves caught mid-fall, set in a ribbed silver-tone band. The graduated arrangement gives the ring real movement, substantial without feeling heavy. Signed Coventry, a reliable name in well-made costume jewelry.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Signed Coventry
• Style / design notes: Curved cluster of marquise stones, ribbed shank
• Stone or material notes: Green marquise-cut rhinestones
• Color: Silver-tone with emerald green stones
• Condition: good vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A clean rectangular face holds a smooth white stone, set flush into a substantial gold-tone band. The architectural, straight-edged silhouette gives it a modern, unisex feel despite its vintage roots. Simple, sturdy, and easy to wear on its own.

Materials

Details

• Era: Mid-to-late 20th century
• Style / design notes: Rectangular signet face, flush-set stone, substantial band
• Stone or material notes: White stone inlay, possibly milk glass or resin
• Color: Gold-tone with white stone
• Condition: good vintage condition

Measurement: Size 8

Collected by Mineral and Matter

An elongated oval of art glass holds three soft bursts of color, pink, deep red, and blue, suspended in a warm, mottled ground like tidepools at dusk. A beaded silver-tone border frames the stone, giving it a folk-art quality rarely seen in costume jewelry. Signed by Sarah Coventry and adjustable, so it fits easily and wears well.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Signed Sarah Coventry
• Style / design notes: Elongated oval silhouette, beaded bezel border, adjustable band
• Stone or material notes: Art glass cabochon with pink, red, and blue accents
• Color: Silver-tone with multicolor glass
• Condition: good vintage condition

Measurement: Adjustable, fits most sizes

Collected by Mineral and Matter

A round cultured pearl rests at the center like a small moon, ringed by a full halo of clear cubic zirconia that catches light from every angle. The split shoulders keep the setting light despite its size, making it easy to wear from morning into evening. A genuine pearl at heart, dressed for a bit of occasion.

Materials

Details

• Era: Late 20th century
• Style / design notes: Round pearl solitaire, full CZ halo, split shoulders
• Stone or material notes: Genuine cultured pearl (according to the tooth test), clear cubic zirconia halo
• Color: Silver-tone with white pearl
• Condition: Excellent vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A long oval agate glows at its center like the eye of a storm, warm orange-red set against soft grey banding. The ornate scrolled shoulders and bezel setting suggest an Art Deco or Art Deco-revival hand, giving the piece real weight and presence. Genuine stone, genuine silver, and unmistakably one of a kind.

Materials

Details

• Era: Art Deco style, likely mid-20th century
• Markings: Partial mark, appears to read Sterling
• Style / design notes: Ornate scrolled shoulders, bezel-set elongated oval
• Stone or material notes: Natural banded agate cabochon with orange-red center
• Color: Silver-tone with orange, red, and grey stone
• Condition: good vintage condition

Measurement: Size 9

Collected by Mineral and Matter

An oval fire opal glows with flashes of coral, teal, and gold, like sunlight moving through water. Set on a split gold shank with delicate bead accents, the stone catches every angle it's turned toward. A quiet, warm-toned solitaire suited to daily wear.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Stamped 18KT H.G.E. (heavy gold electroplate)
• Style / design notes: Split shank, prong-set solitaire, bead detailing at shoulders
• Stone or material notes: Oval fire opal cabochon
• Color: Gold-tone with iridescent orange-pink opal
• Condition: good vintage condition

Measurement: Size 7.5

Collected by Mineral and Matter

A smoky center stone sits like a seed at the heart of a flower, ringed by clear rhinestones on a wide, brushed-gold band. The open cuff style has substantial presence on the hand, textured to catch light along its ridges. Signed by Sarah Coventry, a house known for well-made costume jewelry with lasting appeal.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Signed Sarah Coventry
• Style / design notes: Wide open cuff band, brushed texture, flower cluster motif
• Stone or material notes: Smoky topaz-colored center stone, clear rhinestone halo
• Color: Gold-tone with smoky brown center stone
• Condition: good vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A large pear-cut stone sits like a single drop of water, held by a two-tone prong setting that lifts it above an open, split gold shank. The negative space on either side gives the ring a light, architectural feel despite its size. An eye-catching solitaire built for someone who wears her jewelry with confidence.

Materials

Details

• Era: Late 20th century
• Markings: Stamped 18KT G.E. (gold electroplate)
• Style / design notes: Pear-cut solitaire, two-tone prong setting, split shank
• Stone or material notes: Pear-cut clear cubic zirconia
• Color: Gold-tone with silver-tone setting, clear stone
• Condition: good vintage condition

Measurement: Size 6.5

Collected by Mineral and Matter

Crosshatched lines fan across the wide band like light refracted through water, catching every angle as the hand moves. The saddle-style silhouette has real presence without a single stone, relying entirely on texture and form. A confident everyday ring that holds its own alone or stacked.

Materials

Details

• Era: Mid-to-late 20th century
  
• Style / design notes: Wide saddle band, diamond-cut sunburst engraving
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A single round stone rests where two ribbons of gold cross and knot, like vines meeting at a single point of light. The twisted shoulders give the band a quiet sense of movement, grounding a classic solitaire in something more organic. Unmarked but well made, this is an easy everyday ring with a little extra character at the center.

Materials

Details

• Era: Mid-to-late 20th century
• Style / design notes: Twist-motif shoulders, prong-set round solitaire
• Stone or material notes: Round-cut clear cubic zirconia
• Color: Gold-tone with clear stone
• Condition: Excellent vintage condition

Measurement: Size 9

Collected by Mineral and Matter

A marquise-cut lavender stone catches light like dusk settling over mountains, set in a slender gold-tone band with delicate split shoulders. The elongated silhouette elevates a simple solitaire into something quietly celestial. Comfortable enough for daily wear, striking enough to hold its own alone.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Stamped Korea
• Style / design notes: Marquise solitaire, split-shoulder gold-tone band, four-prong setting
• Stone or material notes: Lavender cubic zirconia, marquise cut
• Color: Gold-tone with lavender stone
• Condition: good vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A vertical elongated face crowds with marquise-cut purple crystals radiating outward from a round clear center stone, all framed by a halo of champagne-toned crystals — the overall silhouette somewhere between a garden in bloom and a cathedral window. The openwork gold-tone setting beneath gives the piece an architectural lift off the finger, adding depth and shadow. A genuinely dramatic cocktail ring that commands attention without trying.

Materials

• Era: 1960s–1970s
• Style / design notes: Elongated vertical cocktail face with openwork paisley-form frame; marquise and round prong-set stones; split shank band
• Stone or material notes: Purple marquise crystals; round clear center crystal; champagne-toned round accent crystals
• Color: Gold-tone with purple and clear crystal
• Condition: Excellent vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A large faceted clear crystal is caged in twisted gold-tone wire — looped and coiled by hand into a setting that feels both raw and intentional. The stone has the clarity and cut of glass crystal, catching light across its table and step-cut facets with quiet brilliance. A piece that sits at the intersection of craft and jewelry, with the kind of handmade irregularity that no two examples share exactly.

Materials

• Era: 1970s–1980s
• Style / design notes: Hand wire-wrapped setting with twisted and looped gold-tone wire cage; wrapped wire band
• Stone or material notes: Large faceted clear glass crystal; rectangular octagonal cut
• Color: Gold-tone with clear crystal
• Condition: Great vintage condition

Measurement: Size 5

Collected by Mineral and Matter

A large square-cut, deep emerald-green stone commands attention in a clean, four-prong open setting, letting light pass through the pavilion and amplify the color. The high-polish sterling band keeps the focus entirely on the stone. Stamped 925 sterling.

Materials
Sterling silver, emerald-tone faceted stone

Details

• Style / design notes: Large square-cut center stone, open four-prong setting
• Color: Silver with emerald-green stone
• Condition: vintage with gentle surface wear consistent with age
• Measurement: Size 8

Collected by Mineral and Matter

A textured, dotted starfish crests the surface of a wide domed band — bold in scale, effortless in wear. The open cuff-style construction and substantial band width give it the feeling of a small sculpture, while the starfish motif keeps it grounded in something natural and unhurried. Marked "©SARAH" inside the band, the sister mark to Sarah Coventry's collectible line.

Materials

• Era: 1960s–1970s
• Markings: "©SARAH" stamped inside band
• Style / design notes: Wide domed cuff-style band with raised textured starfish motif; open shank
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: Size 5

Collected by Mineral and Matter

A large square-cut peridot-green stone sits high in a modernist, bar-set frame, with a split shank that curves and crosses beneath it. The bold, minimal setting lets the stone take full center stage — clean lines with real color impact. Stamped 925 sterling.

Materials
Sterling silver, peridot-tone faceted stone

Details

• Style / design notes: Large square-cut center stone, bar-set modernist frame, split shank
• Color: Silver with green stone
• Condition: vintage with gentle surface wear consistent with age, stone shifts slightly in setting
• Measurement: Size 7

Collected by Mineral and Matter

A deep red glass cabochon sits at the center of a heavily textured cross-shaped setting, surrounded by four cream faux pearls and flanked by raised rope-twisted lobes — the whole composition reads like something lifted from a medieval reliquary. Sarah Coventry, one of mid-century America's most beloved costume jewelry brands, brought this kind of Renaissance-inspired craftsmanship to everyday wear with remarkable consistency. The adjustable band makes it accessible across sizes without sacrificing the ring's substantial presence.

Materials

• Era: 1960s–1970s
• Markings: "©COVENTRY" stamped inside band
• Style / design notes: Cross-form cocktail ring with rope-textured lobes and raised setting; adjustable shank
• Stone or material notes: Deep red glass cabochon center; four cream faux pearls
• Color: Antiqued gold-tone with red and cream
• Condition: Great vintage condition

Measurement: Adjustable

Collected by Mineral and Matter

A rich purple oval cabochon sits at the center of a textured, sunburst-style setting in oxidized silver-tone, dotted with four tiny faux pearls. The antiqued finish gives it an antique, almost Victorian-revival feel. Signed "Sarah Cov." inside the band. A striking, richly detailed cocktail ring.

Materials
Silver-tone metal, amethyst-tone cabochon, faux pearls

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Oval cabochon in textured sunburst setting with faux pearl accents, oxidized finish
• Color: Antiqued silver-tone with purple stone
• Condition: Good vintage condition, please see photos 
• Measurement: Size 6

Collected by Mineral and Matter

Marquise-cut purple stones fan out into a full blooming flower, with tiny clear accent stones sparkling at the center. The dimensional, prong-set petals give this ring real movement and presence. Unmarked, with a substantial silver-tone band.

Materials
Silver-tone metal, amethyst-tone faceted stones, clear accent stones

Details

• Style / design notes: Marquise-cut petals forming a flower cluster, clear center accents
• Color: Silver-tone with purple stones
• Condition: Good vintage condition, please see images
• Measurement: Size 9

Collected by Mineral and Matter

A large emerald-cut deep red stone sits within a scalloped, flower-shaped halo, punctuated with tiny round red accents and pavé clear stones along each petal. The dimensional, statement-piece setting gives it real presence on the hand. Unmarked, but well-constructed with a substantial, high-polish band.

Materials
Silver-tone metal, red faceted center stone, clear and red accent stones

Details

• Style / design notes: Emerald-cut center stone, ornate scalloped floral halo with pavé and round accent stones
• Color: Silver-tone with deep red center stone
• Condition: Good vintage condition, please see photos 
• Measurement: Size 7

Collected by Mineral and Matter

Two faceted blue heart-shaped glass stones stack together, framed by small silver-tone flowers and leaves at the base — Sarah Coventry's 1973 "Love Story" design. Signed "©Sarah" inside the band. A sweet, romantic cocktail ring with genuine collector appeal.

Materials
Silver-tone metal, blue glass stones

Details

• Era: 1973
• Markings: Sarah Coventry
• Style / design notes: "Love Story" double heart stones with floral accents
• Color: Silver-tone with blue stones
• Condition: Good vintage condition, please see images
• Measurement: Size 6.5

Collected by Mineral and Matter

A cabochon-cut blue star sapphire simulant catches the light with a visible six-ray star, cradled in a naturalistic, branch-like setting with tiny clear accent stones tucked into the twigs. Marked "18K" with a letter "H" inside the band. A classic Linde-style star stone with sculptural, nature-inspired detailing.

Materials
Base metal, blue star sapphire simulant, clear accent stones

Details

• Markings: 18K, can not make out rest of stamp 
• Style / design notes: Cabochon star sapphire in branch/twig setting with accent stones
• Color: Silver-tone with blue stone
• Condition: Good vintage condition, please see images
• Measurement: Size 7

Collected by Mineral and Matter

A delicate open-wire butterfly takes flight across the finger, its curled wings and simple silhouette catching light from every angle. Signed "Sarah Coventry" inside the band. Lightweight and playful, this is a classic 1970s design that reads sweet without being fussy.

Materials
Silver-tone metal

Details

• Era: 1970s
• Markings: Sarah Coventry
• Style / design notes: Open wire butterfly silhouette
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Measurement: Size 6.5

Collected by Mineral and Matter

A deep purple oval faceted stone sits in a scalloped, flower-like gold-tone halo, with tiny clear accent stones tucked into each curve. The open gallery beneath the setting adds sparkle and dimension. Unmarked, but nicely detailed — a cocktail-ring silhouette with vintage romance.

Materials
Gold-tone metal, amethyst-tone glass stone, clear accent stones

Details

• Era: 1970s
• Style / design notes: Oval faceted center stone, scalloped floral halo with clear accents
• Color: Gold-tone with purple stone
• Condition: Good vintage condition, please see images
• Measurement: Size 9

Collected by Mineral and Matter

Naturalistic branch forms cross and taper into an asymmetrical, textured design — bark-like texture along the "twigs" contrasts with a smooth flat panel, giving it real dimension. Signed "Sarah Cov." inside the band, a well-known name in vintage costume jewelry. A wearable piece of nature-inspired sculpture for the hand.

Materials
Gold-tone metal

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Asymmetrical branch/twig sculptural design, textured bark finish
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: Size 6

Collected by Mineral and Matter

A round-cut cubic zirconia sits in a two-tone prong setting, framed by an open scrollwork crescent that gives the ring an antique, hand-detailed feel. The pierced filigree shoulders add lightness and dimension on either side of the stone. Stamped 14KT GE inside the band. A romantic, engagement-style ring with real presence.

Materials
14k gold fill, cubic zirconia

Details

• Markings: 14KT GE
• Style / design notes: Round solitaire CZ, scrollwork filigree shoulders, two-tone prong setting
• Color: Gold with clear stone
• Condition: Good vintage condition, please see images
• Measurement: Size 8

Collected by Mineral and Matter

A high-polish gold-tone dome curls and wraps in a bold, wave-like sculptural form — no stones needed here, just clean lines and a satisfying weight on the hand. The bombé shape gives it real presence, reading modern and confident with any outfit. Unmarked, but well-made with a substantial, hollow-cast body.

Materials
Gold-tone base metal

Details

• Style / design notes: Sculptural bombé wave design, high-polish finish, hollow-cast
• Color: Gold-tone
• Condition: Good vintage condition, please see photos 
• Measurement: Size 7

Collected by Mineral and Matter

Four oval amber-toned glass cabochons arrange in a pinwheel cluster within an open, sculptural gold-tone setting — Sarah Coventry's "Bouquet" style. The cutout gallery below adds movement and shine to the warm honey-colored stones. Signed "Sarah Cov." inside the band, a recognizable name in vintage costume jewelry with a devoted collector following.

Materials
Gold-tone metal, glass cabochons

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Four-stone cluster cabochon setting, open gallery band
• Color: Gold-tone with amber cabochons
• Condition: Good vintage condition, please see images 
• Measurement: Size 6

Collected by Mineral and Matter

An elongated oval faux turquoise cabochon sits in a rope-twist silver-tone bezel, giving this ring a Southwestern-inspired, hand-worked look. The split shank band tapers into decorative shoulders on either side of the stone. Simple, wearable, and easy to stack or wear solo.

Materials
Silver-tone metal, faux turquoise cabochon

Details

• Era: 1970s–1980s
• Style / design notes: Oval cabochon with rope-twist bezel, split shank band
• Color: Silver-tone with turquoise-blue stone
• Condition: Good vintage condition, please see images
• Measurement: Size 5.5–6

Collected by Mineral and Matter

Two pear-cut blue stones sit side by side within a textured, leaf-like silver-tone frame, split by a rope-twist center bar. The open gallery underneath the stones and hand-textured surface give it a naturalistic, nature-inspired feel. Signed "Sarah" inside the band, adjustable at the shank. A cool-toned statement ring that pairs easily with silver jewelry.

Materials
Silver-tone metal, faceted blue glass stones

Details

• Era: 1970s
• Markings: Sarah
• Style / design notes: Double pear-cut stone setting, textured leaf motif, rope-twist center, adjustable band
• Color: Silver-tone with blue stones
• Condition: Good vintage condition, please see images
• Measurement: Size 7.5

Collected by Mineral and Matter

Hand-formed sterling silver wire winds into a tall, multi-coil spiral, wrapping the finger in six overlapping bands. The open, adjustable-style ends give it a sculptural, modern look built from a single continuous wire. Stamped 925 on the inside coil, marking it as solid sterling. Bold on its own, and easy to catch light from every angle.

Materials
Sterling silver (925)

Details

• Era: 1970s–1980s
• Markings: 925
• Style / design notes: Multi-coil spiral wrap design, hand-formed wire
• Color: Silver
• Condition: vintage with gentle surface wear consistent with age
• Measurement: 1.25" long, size 7

Collected by Mineral and Matter

A single faux pearl sits nestled at the center of an organic, freeform flower, its petals rendered with soft texture and a bit of natural asymmetry rather than a rigid symmetrical shape. Sarah Coventry brought this kind of sculptural, botanical detail to its better pearl-centered rings, giving the piece real dimension beyond a flat stamped design. The adjustable band fits a range of sizes. A gentle, romantic piece with genuine craftsmanship.

Materials: Gold-tone base metal, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Freeform textured flower design, single pearl center, adjustable band
• Stone or material notes: Round faux pearl
• Function: Ring, adjustable
• Color: Gold-tone, cream
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A smooth ivory cabochon sits at the center of an open, scalloped flower, ringed by clear rhinestones set between each petal. Sarah Coventry favored this kind of layered floral silhouette, letting the openwork gold-tone shape read as light and airy despite the ring's full coverage across the finger. The adjustable band fits a range of sizes. A pretty, wearable piece with old-world charm.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Markings: Sarah Cov
• Style / design notes: Open scalloped flower design, round cabochon center, rhinestone accents between petals, adjustable band
• Stone or material notes: Ivory round cabochon with clear rhinestone accents
• Function: Ring, adjustable
• Color: Gold-tone, ivory, clear
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A large powdery blue cabochon, moonstone in tone, sits prong-set in an architectural gold-tone mount with open, angular shoulders. This is Sarah Coventry's "Beauty Glow" design from the 1960s, built around a single smooth stone in a bold, sculptural frame. The adjustable band fits a range of sizes. A quietly striking piece with a serene, glowing color.

Materials: Gold-tone base metal, glass cabochon

Details:

• Era: 1960s
• Markings: Sarah Cov
• Style / design notes: "Beauty Glow" design, open geometric prong setting, adjustable band
• Stone or material notes: Large oval powder blue moonstone-style glass cabochon
• Function: Ring, adjustable
• Color: Gold-tone, powder blue
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A wide cuff-style band wraps the finger in an all-over etched pattern, crisscrossing wave lines that catch light differently from every angle. No stone, no setting — just bold, sculptural metalwork carrying the whole design. The open, adjustable-style back gives it a relaxed, contemporary fit despite the vintage detailing. A striking, textural statement ring for anyone who likes their jewelry with a bit of edge.

Materials: Gold-tone base metal

Details:

• Style / design notes: Wide cuff-style band, all-over etched wave/feather texture, open back
• Function: Ring
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: Size 6.5

Collected by Mineral and Matter

A rectangular white lucite panel sits centered in a buckle-shaped frame, flanked by cross-hatched textured gold-tone shoulders that curve outward with real architectural presence. Sarah Coventry built this kind of clean, graphic contrast into its panel-style rings, pairing a smooth pop of white against warmer engraved gold. The adjustable band fits a range of sizes. A bold, sculptural piece with genuine mid-century polish.

Materials: Gold-tone base metal, lucite

Details:

• Markings: Sarah
• Style / design notes: Buckle-shaped frame, rectangular lucite panel, cross-hatched textured shoulders, adjustable band
• Stone or material notes: White rectangular lucite panel
• Function: Ring, adjustable
• Color: Gold-tone, white
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A large oval purple cabochon sits at the heart of a textured, sunburst-shaped setting, with faux pearls ringing the edge at each point. Sarah Coventry favored this kind of layered, radiating silhouette for its statement rings, letting the smooth stone play off the rougher, hammered metalwork around it. The adjustable band fits a range of sizes. A bold piece with genuine presence.

Materials: Silver-tone base metal, glass stone, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Starburst-shaped textured setting, oval cabochon center, faux pearl accents at each point, adjustable band
• Stone or material notes: Oval purple cabochon with round faux pearl accents
• Function: Ring, adjustable
• Color: Silver-tone, deep purple, white
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A round faux pearl and a faceted garnet-red stone stack vertically inside an elaborate, teardrop-shaped frame, each ringed by fine beaded and rope-twist detailing. Sarah Coventry brought this level of ornamentation to its better mixed-stone rings, pairing soft luster with a burst of deep color for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, faux pearl, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: Teardrop-shaped openwork frame, beaded and rope-twist trim, vertically stacked stones, adjustable band
• Stone or material notes: Round faux pearl and faceted round garnet-red stone
• Function: Ring, adjustable
• Color: Silver-tone, white, deep red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A deep purple stone, faceted into a striking elongated hexagon, sits framed in an open, angular silver-tone setting that echoes its geometry line for line. This is Sarah Coventry's "Mystique" design, built around the kind of bold, sculptural stone cut the brand favored for its statement pieces. The adjustable band means an easy fit. A dramatic, architectural ring with real graphic punch.

Materials: Silver-tone base metal, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: "Mystique" design, elongated hexagonal facet-cut stone, open geometric frame, adjustable band
• Stone or material notes: Deep purple hexagonal-cut glass stone
• Function: Ring, adjustable
• Color: Silver-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A smooth oval cabochon in soft moss green sits prong-set at the center, ringed by a double row of sparkling clear rhinestones that catch the light on either side. The scalloped gold-tone shoulders give the ring a bit of movement, sweeping outward from the stone toward a simple band. A versatile piece that pairs deep, earthy color with plenty of sparkle.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Style / design notes: Oval prong-set cabochon center, double-row clear rhinestone halo, scalloped shoulders
• Stone or material notes: Green oval cabochon with clear round rhinestone accents
• Function: Ring
• Color: Gold-tone, green, clear
• Condition: Great vintage condition

Measurement: Size 9

Collected by Mineral and Matter

A bold, deep purple oval stone commands the whole hand, faceted for maximum shine and set simply in gold-tone prongs. The plain, understated band lets the stone do all the talking, giving the piece a graphic, modern edge despite its vintage roots. A striking solitaire with genuine presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Large oval faceted solitaire, simple prong setting
• Stone or material notes: Deep purple oval rhinestone
• Function: Ring
• Color: Gold-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 7.25

Collected by Mineral and Matter

Seven deep red garnets cluster together in a wide, faceted arrangement, their oval cuts catching light from every direction. Openwork filigree shoulders carry the design down into the band, adding delicacy beneath the boldness up top. Marked sterling silver, this is a substantial, well-made piece with genuine gemstone richness. A striking statement ring with real weight and warmth.

Materials: Sterling silver, garnet

Details:

• Markings: 925, Thailand
• Style / design notes: Faceted oval garnet cluster, openwork filigree shoulders
• Stone or material notes: Seven garnets in oval cuts
• Function: Ring
• Color: Silver, deep red
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A polished hematite oval sits at the center of an open, beaded filigree frame, with four round faux turquoise points radiating outward like a compass. This is Avon's "Mirabella" design, a Gothic-inspired silhouette from the brand's 1974 catalog that pairs cool gray with sky blue for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, hematite, faux turquoise

Details:

• Era: 1974
• Markings: Avon
• Style / design notes: "Mirabella" design, beaded openwork frame, four-point compass layout
• Stone or material notes: Oval hematite cabochon center with four round faux turquoise accents
• Function: Ring, adjustable
• Color: Silver-tone, gunmetal, turquoise blue
• Condition: Great vintage condition

Measurement: Adjustable, sized 5–7

Collected by Mineral and Matter

A deep garnet-red marquise stone sits prong-set at the center, flanked by small clear accent stones and open filigree shoulders that let light pass through the design. The scrollwork carries a delicate, romantic feel more often found in fine antique settings. A rich pop of color with detailed craftsmanship throughout.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Marquise-cut center stone, open filigree scroll shoulders, small round accent stones
• Stone or material notes: Deep red marquise rhinestone with clear round accents
• Function: Ring
• Color: Gold-tone, deep red, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Three faceted red stones stack vertically down the center of an open oval frame, textured gold-tone shoulders adding a bit of shine at the sides. Sarah Coventry built this kind of graphic, negative-space design into many of its cocktail rings, letting the open frame do as much visual work as the stones themselves. The adjustable band fits a range of sizes. A bold, clean piece with a punch of color.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah
• Style / design notes: Open oval frame, three vertically stacked prong-set stones, textured shoulders, adjustable band
• Stone or material notes: Three faceted round red rhinestones
• Function: Ring, adjustable
• Color: Gold-tone, red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A deep, wine-red oval rhinestone sits prong-set at the center, flanked by delicate bow-shaped shoulders that curve outward from the band. The rich, saturated color reads almost like true garnet, warm and glowing against the gold-tone setting. A romantic, detailed piece with more personality than a simple solitaire.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Oval prong-set center stone, bow-shaped shoulders
• Stone or material notes: Deep red-brown oval rhinestone
• Function: Ring
• Color: Gold-tone, deep red
• Condition: Great vintage condition

Measurement: Size 7.5

Collected by Mineral and Matter

A large rivoli-cut stone flashes deep purple and iridescent red as it catches the light, prong-set in a square, ribbed gold-tone frame with a distinctly architectural edge. Sarah Coventry favored this kind of aurora borealis crystal in its cocktail and statement rings, and the mix of geometric setting with a color-shifting stone gives it real drama. The adjustable band fits a range of sizes. Bold, bright, and built to be noticed.

Materials: Gold-tone base metal, aurora borealis rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah Cov
• Style / design notes: Square ribbed frame, prong-set rivoli stone, adjustable band
• Stone or material notes: Round faceted aurora borealis rhinestone in purple with red-violet flash
• Function: Ring, adjustable
• Color: Gold-tone, purple, iridescent
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A dark rhinestone sits prong-set against a fluted, wave-textured gold-tone surface, a single small clear accent stone tucked at its shoulder for contrast. The lines swirl and taper down into a simple band, giving the piece quiet movement without excess. A compact, versatile ring that reads more refined than its costume roots.

Materials: Gold-tone base metal, rhinestone

Details:

• Markings: HM
• Style / design notes: Fluted wave-textured setting, prong-set center stone with single accent stone
• Stone or material notes: Black oval rhinestone with a small clear accent
• Function: Ring
• Color: Gold-tone, black, clear
• Condition: Great vintage condition

Measurement: Size 6

Collected by Mineral and Matter

A smooth, dark cabochon sits framed in a fluted silver-tone bezel, edged with a fine rope-twist border for extra dimension. Sarah Coventry paired this kind of graphic silver-and-black palette often, and it wears with an easy, low-key polish. The adjustable band takes it from finger to finger without fuss. A quiet, versatile piece that goes with almost anything.

Materials: Silver-tone base metal, faux stone

Details:

• Era: 1970s
• Markings: Sarahcov
• Style / design notes: Fluted bezel with rope-twist trim, round bombé-style setting, adjustable band
• Stone or material notes: Round black cabochon
• Function: Ring, adjustable
• Color: Silver-tone, black
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

Two deep blue oval stones anchor an asymmetric bypass design, each flanked by a small round clear accent for contrast. The open, sculptural gold-tone band curves and doubles back on itself beneath the stones, giving the piece unexpected dimension from every angle. Modern in its irregularity, with the rich color of sapphire without the formality. A striking everyday statement piece.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Asymmetric bypass band, two oval blue rhinestones with round clear accents
• Stone or material notes: Blue oval and clear round rhinestones
• Function: Ring
• Color: Gold-tone, deep blue, clear
• Condition: Great vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A brilliant round cubic zirconia sits solitaire in a swirling, open bypass setting, textured gold catching light at the shoulders like beaten metal. The design has real movement, the band curving in on itself as it meets the stone. Signed by Esposito and clearly marked as gold electroplate, this is a well-made piece of American costume jewelry with genuine presence.

Materials: 14KT gold electroplate, cubic zirconia

Details:

• Era: 1970s–1980s
• Markings: 14KT GE ESPD
• Style / design notes: Bypass swirl setting, textured shoulders, solitaire round stone
• Stone or material notes: Round cubic zirconia
• Function: Ring
• Color: Gold, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Marquise-cut rhinestones fan out in two tiers to form a full, faceted flower, deep blue tips giving way to clear stones near the center. Set in a two-tone finish, the design catches light from multiple angles like petals mid-bloom. The scale is substantial without being heavy on the hand, built for a bit of shine on an ordinary day. A cluster ring with real presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Style / design notes: Layered marquise-cut flower cluster, two-tone prong settings
• Stone or material notes: Blue and clear marquise rhinestones
• Function: Ring
• Color: Gold-tone, silver-tone, blue, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A cool blue emerald-cut stone sits prong-set in warm gold, flanked by small bow-shaped shoulders for a touch of vintage sweetness. Signed by Esposito, a maker known for well-made mid-century gold filled pieces, this ring has the weight and finish of costume jewelry built to last. The adjustable band means an easy, comfortable fit. A quiet, classic piece that wears well on its own or stacked.

Materials: 10K gold filled, glass stone

Details:

• Era: 1950s–1960s
• Markings: 10KT G.F. ESPO
• Style / design notes: Emerald-cut center stone, bow motif shoulders, adjustable band
• Stone or material notes: Blue faceted glass stone, emerald cut
• Function: Ring, adjustable
• Color: Gold, blue
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Adjustable band

Collected by Mineral and Matter

A wide, asymmetrical leaf unfurls across the finger, its surface covered in fine radiating ribs that catch light from every angle. Cutting diagonally across the center, a smooth inlaid channel holds five small round rhinestones in a gentle curve — the single point of sparkle against an otherwise all-gold composition. The leaf curls slightly at its edges and tapers to a point at the lower corner, giving it a naturalistic quality that softens what could otherwise read as purely geometric. Leaf motif rings in this style were a recurring presence throughout the 1970s and into the 1980s, when nature-inspired forms dominated costume jewelry and gold tone metal was the default. This one is unsigned but well-made, with good weight and clean detail.

Materials
Gold tone base metal, clear rhinestone crystals

Details

• Era: 1970s–1980s
• Maker: Unsigned
• Style / design notes: Wide asymmetrical fluted leaf top; fine radiating rib texture across entire face; diagonal channel set with five graduated round rhinestones across center
• Stone or material notes: Five small round clear rhinestones, flush channel set
• Color: Warm gold tone / clear
• Condition: Good vintage condition, please see images

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A sculpted ribbon bow spreads wide across the finger, its looped and gathered folds rendered in warm gold tone with fine engraved line detail across each wing. At the center, a small oval cabochon in muted blue — somewhere between slate and periwinkle, with a slightly speckled, matte surface — anchors the whole composition without competing with it. The bow is generous in scale but sits closer to charming than costume, the kind of ring that reads as intentional rather than loud. Avon produced bow motif jewelry throughout the 1980s in consistent quality, and this one holds up — signed on the interior shank and in very good condition for its age.

Materials
Gold tone base metal, blue cabochon (glass or synthetic)

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Sculptural ribbon bow top; engraved texture detail across bow wings; oval bezel-set cabochon center
• Stone or material notes: Small oval blue cabochon; matte, slightly speckled surface; slate to periwinkle in color
• Color: Warm gold tone / slate blue
• Condition: Good vintage condition, please see images

Measurement
Size 7 

Collected by Mineral and Matter

A faceted oval stone in deep sapphire blue sits flush in a bezel setting, flanked on each side by a ribbed fan of silver tone metal that tapers smoothly into the shank. The silhouette is architectural — substantial without being heavy, with the fluted shoulders giving it a sculptural quality that reads closer to Art Deco revival than costume. The stone shifts between inky navy and bright aqua depending on the light, which is most of the reason to wear it. Rings built around a single bold stone and a strong geometric setting were a recurring theme of 1980s costume jewelry, and this one holds that moment with quiet confidence.

Materials
Silver tone base metal, blue glass or synthetic stone

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Bezel-set oval solitaire; ribbed fan shoulders tapering to a plain shank; low-profile setting keeps stone close to the finger
• Stone or material notes: Faceted oval blue glass or synthetic stone; color reads sapphire to aqua depending on light
• Color: Silver tone / sapphire blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A single cream faux pearl sits at the center of two sweeping bypass bands, each set with a row of clear crystal rhinestones and edged in fine milgrain detail. The movement is elegant and slightly sculptural — the crossover design lifts the pearl off-center just enough to feel dynamic rather than stiff. Signed on the interior shank, it comes with the provenance of a recognized name and the wearability of a piece that never fully goes out of style.

Materials
Gold tone base metal, simulated pearl, clear crystal rhinestones

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Bypass crossover setting; two rhinestone-paved milgrain bands cradling a central faux pearl
• Stone or material notes: Cream simulated pearl center; prong-set clear crystal rhinestone accents
• Color: Warm gold tone / cream / clear
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A single large emerald-cut stone in deep forest green takes the lead here — the kind of saturated, glassy green that reads as genuinely precious from across the room. Four round clear rhinestones flank it two per side, set into angular silver-tone shoulders that echo the geometry of the center stone. The silhouette is clean and slightly Art Deco in spirit — symmetrical, confident, built around the stone rather than around the setting. One of the more convincing faux-emerald pieces Avon produced.

DETAILS:

• Maker: Avon
• Style: Emerald-cut solitaire cocktail ring with side accents
• Center: Deep emerald-green faceted emerald-cut rhinestone
• Accents: Four round clear rhinestones, two per shoulder
• Setting: Angular silver-tone claw setting with geometric shoulders
• Markings: interior band Avon stamp
• Material: Silver-tone base metal
• Era: 1970s 
• Size: Adjustable 4.5-6.5
• Condition: Excellent Vintage Condition

Collected by Mineral and Matter

A faceted aqua blue pear-cut stone sits within an open swirl frame, flanked by a scatter of prong-set clear rhinestones that trail off like the tail of a comet. The teardrop cut catches light from every angle, and its cool blue-topaz tone reads effortlessly against warm gold. The asymmetric swirl setting gives this ring a fluid, almost organic quality unusual for its era. It moves between casual and dressed up without announcing either.

Materials
Gold tone base metal, glass stones

Details

• Era: 1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Open swirl frame; pear-cut center stone; scattered clear rhinestone accents trailing to one side
• Stone or material notes: Aqua blue faceted glass teardrop; clear glass prong-set rhinestone accents
• Color: Gold tone / aqua blue / clear
• Condition: Good vintage condition

Measurement
Size 6.75

Collected by Mineral and Matter

Three deep forest-green baguette stones set diagonally across the face, flanked by rows of prong-set clear rhinestones, a composition that nods to Art Deco geometry while sitting firmly in the 1970s. The silver tone setting gives it a cooler, more understated finish than its gold tone counterparts, letting the green stones anchor the piece. The wide tapered shank and adjustable band make it easy to wear across a range of sizes. A ring that looks considered rather than costumed.

Materials
Silver tone base metal, glass rhinestones

Details

• Era: 1970s–1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Wide tapered shank; three diagonal baguette stones flanked by round rhinestone rows; prong-set throughout
• Stone or material notes: Emerald green glass baguettes; clear glass round rhinestones
• Color: Silver tone / emerald green / clear
• Condition: Excellent vintage condition

Measurement
Adjustable, fits sizes 5–7

Collected by Mineral and Matter

A generous cluster of prong-set pear-shaped clear rhinestones tumbles across an openwork silver-tone setting, punctuated by small round marcasite-style accents at the edges. The shank is split and tapered, adding structure to what reads as an organic, scattered arrangement of stones. The dark oxidized tone of the metal deepens the contrast with the bright clear stones — a combination with roots in Art Deco jewelry that never fully goes out of style.

Materials & Details:

• Era: 1960s–1980s
• Markings: 925
• Style notes: Cluster setting with pear-cut rhinestones and marcasite-style round accents, openwork shank
• Stone notes: Faceted clear pear rhinestones with dark round marcasite-style accents
• Color: Silver tone with clear and dark accents
• Condition: Good vintage condition, please see photos 
• Measurement: Size 7

Collected by Mineral and Matter

A large emerald-cut aqua blue rhinestone dominates this silver-tone Avon ring, set high in a four-prong corner setting with open scrollwork shoulders that keep the design light despite the stone's scale. The pale blue-gray color reads like shallow ocean water held in place — cool, clear, and quietly arresting. Avon produced rings of this quality and proportion throughout the 1970s and into the 80s, drawing on fine jewelry proportions to give their costume pieces genuine presence. A strong cocktail ring with an understated elegance.

Materials: Silver-tone base metal, aqua blue faceted glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Emerald-cut solitaire, four corner prongs, open scrollwork shoulders
• Stone notes: Faceted aqua blue glass rhinestone, emerald cut
• Color: Silver, aqua blue
• Condition: Excellent vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

Three parallel gold tone rails open at the center to frame a vertical column of three prong-set clear rhinestones — a clean, architectural composition that reads as both minimal and deliberately considered. The wide open shank gives the ring real presence without weight. Signed ©Avon inside the band.

Materials: Gold tone base metal, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Triple open rail band construction; three prong-set rhinestones in vertical column at center; smooth polished finish
• Stone or material notes: Three round clear rhinestones, prong set
• Color: Gold tone, clear
• Condition: Excellent vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

Six faux pearls of varying sizes are scattered across a textured gold tone setting in a loose, naturalistic cluster — interspersed with silver tone rhinestone-set leaf accents that catch light between the pearls. The arrangement feels botanical rather than rigid, like a sprig caught mid-bloom. Signed ©Avon inside the adjustable shank.

Materials: Gold tone base metal, faux pearls, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Freeform pearl cluster top; textured gold tone leaf and branch setting; silver tone rhinestone leaf accents; adjustable split shank
• Stone or material notes: Six faux pearls, varied sizes, cream tone with good luster; small clear rhinestones in leaf settings
• Color: Gold tone, cream, silver tone accents
• Condition: Good — pearls intact and lustrous, light wear to shank consistent with age
• Measurement: Adjustable, fits size 5–7

Collected by Mineral and Matter

A small, fully dimensional owl perches on a simple split band — feathers textured in fine relief, purple rhinestone eyes catching light with unexpected intensity. Owls carried real cultural currency in the 1970s, appearing across jewelry, ceramics, and print as symbols of quiet wisdom. This one has the charm of something found rather than bought. A ring that sparks conversation without demanding it. Stamped Sarah Coventry

Materials Silver-tone base metal, purple rhinestone accents

Details

• Era: 1970s
  
• Style / design notes: Three-dimensional owl figure with textured feather relief, split shank band
• Stone or material notes: Small purple rhinestone eyes
• Color: Silver-tone, purple
• Condition: Great vintage condition
• Measurement: adjustable

Collected by Mineral and Matter

A bold floral cluster of round brilliant cubic zirconia — center stone ringed by eight larger stones, all framed by a pavé halo — sits atop a triple split shank set with additional CZ down each band. The layered construction gives the ring considerable presence without heaviness, and the rhodium-finish sterling catches light from every angle. Vintage-inspired in its cluster silhouette and generous scale, it works as well with denim as it does with a dressed-up look.

Materials: 925 sterling silver; round brilliant cubic zirconia (simulated); rhodium plated finish

Details:

• Era: c. 2000s–2010s, vintage-inspired design
• Markings: Stamped "925 CN" and "FZN" on inner shank
• Style / design notes: Round CZ center stone; eight-stone surrounding cluster; pavé halo frame; triple split shank with pavé CZ set down each band
• Stone or material notes: Cubic zirconia — all simulated; no natural stones
• Function: Cocktail / fashion ring
• Color: Clear and silver
• Condition: Excellent condition

Measurement: Size 8

Collected by Mineral and Matter

Five oval faceted stones — amethyst, peridot, champagne topaz, blue topaz, and amethyst — line up in a graduated spectrum across an oxidized sterling band framed above and below by rows of marcasite. Thai sterling workshops were producing some of the finest accessible gemstone jewelry from the 1970s onward, and the CNA maker's mark, wide tapered band, and oxidized finish suggest this piece dates to the earlier end of that tradition. Stamped 925, CNA, and Thailand on the inner band.

Materials: Sterling silver (925), amethyst, peridot, champagne topaz, blue topaz, marcasite

Details:

• Era: 1970s–1980s
• Markings: "925 CNA" and "Thailand" stamped inside band
• Style / design notes: Five-stone graduated band, oval faceted gemstones in prong settings, marcasite pavé border above and below, oxidized finish, wide tapered band
• Stone or material notes: Natural gemstones — amethyst (x2), peridot, champagne topaz, blue topaz; marcasite accent rows
• Color: Oxidized silver with multi-color stones
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: Size 8

Collected by Mineral and Matter

A small arc of light—petals or feathers, depending on how you see it—opening around a single pearl.

This piece is part of Avon’s “Fan Fare” design, released in the mid-1970s. The marquise-shaped rhinestones form a soft, radiating fan, anchored by a luminous pearl set low and centered. The curve above it gives the whole piece a sense of motion—like something just beginning to unfold.

It feels airy, but intentional. A quiet statement.

Details

• Brand: Avon

• Collection: “Fan Fare”

• Era: 1974–1975

• Material: silver-tone

• Stones: faux pearl, clear rhinestones

• Size: adjustable (fits approx. 4–5)

• Condition: good vintage condition (light wear consistent with age)

Measurements

• Adjustable fit: approx. size 4–5

• Pearl: approx. 6 mm

A single pearl, held in motion.

This vintage ring wraps around itself in a soft, sculptural twist—gold tone lines flowing like a quiet current, meeting at a luminous center. The pearl feels suspended, not set, as if it simply settled there.

There’s a calm elegance to it—mid-century in spirit, but timeless in form. Light, fluid, and quietly expressive.

Details

• Era: 1977

• Material: gold tone

• Stone: faux pearl

• Size: 6

• Condition: good vintage condition with light, natural wear.

Measurements

• Ring size: 6

• Pearl: approx. 5 mm

Collected by Mineral and Matter

A round cream faux pearl sits nestled at the base of a spreading fan of silver-tone marquise leaves, each one set with a clear rhinestone — the whole composition opening outward like a peacock tail or a spray of light caught mid-movement. The beaded pearl setting and the crescent curve above it add a softness that keeps the design from feeling architectural. Released in 1974, the Fan Fare was designed as an expandable ring, making it one of the more versatile pieces from that era. Equal parts refined and botanical.

DETAILS:

• Maker: Avon — Fan Fare, 1974
• Style: Fan spray cocktail ring
• Center: Round cream faux pearl in beaded setting
• Accents: Clear rhinestones set in marquise silver-tone leaves
• Design: Asymmetric fan spray; crescent detail above center pearl
• Markings:  Avon stamp
• Material: Silver-tone base metal
• Era: 1974
• Size: adjustable 4-5
• Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter