Each petal is worked in the Spanish damascene tradition — gold wire inlaid into a blackened steel ground in flowing arabesque scrollwork, with a beaded silver tone edge framing each leaf. A smooth faux pearl sits at the center, its soft cream a quiet contrast to the intricate metalwork surrounding it. The backs are gold tone, the fronts richly two-toned. A handcraft technique with centuries of history, translated into an earring that wears beautifully today.

Materials: Blackened steel, gold inlay (damascene), silver tone base metal, faux pearl center

Details:

• Era: 1960s-70s
• Markings: None
• Style / design notes: Six-petal flower form; gold wire damascene inlay on blackened steel petals; beaded silver tone petal edges; faux pearl center; clip back
• Stone or material notes: Faux pearl center cabochon; cream tone, good luster
• Color: Black, gold, silver tone, cream
• Condition: Good vintage condition, please see photos 
• Measurement: Just under 1"

Collected by Mineral and Matter

A coiled rope mesh disc anchors three cascading drops — each a column of aurora borealis rhinestones flanked by twisted chain strands, terminating in either a faux pearl or a faceted AB crystal bead. The AB stones shift through pink, blue, and gold depending on the light, playing beautifully against the warm antique gold mesh. A fully realized mid-century evening earring with real movement and sparkle.

Materials: Gold tone base metal, aurora borealis rhinestones, faux pearl, faceted AB crystal bead

Details:

• Era: 1950s–1960s
• Markings: None
• Style / design notes: Coiled rope mesh clip top; three tassel drops with AB rhinestone columns and twisted chain; faux pearl and AB crystal bead terminals; clip back
• Stone or material notes: Aurora borealis rhinestones with strong color shift; faux pearl and faceted AB crystal drop beads
• Color: Gold tone, aurora borealis, cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2" length

Collected by Mineral and Matter

A smooth, high-polish hematite oval sits in a gunmetal bezel ringed with a double row of textured bead detail — the combination of mirror-like stone and granulated frame creating a quietly hypnotic surface. No color, no distraction — just light and reflection. Substantial and refined, with the kind of understated presence that works as easily with a white shirt as with an evening look.

Materials: Gunmetal tone base metal, hematite

Details:

• Era: 1960s–1970s
• Markings: Whiting & Davis Co.
• Style / design notes: Smooth oval hematite cabochon; double-row beaded bezel; clip back
• Stone or material notes: Hematite oval cabochon; mirror polish; deep graphite tone with strong light reflection
• Color: Gunmetal, black/hematite
• Condition: Good vintage condition, please see photos 
• Measurement: 1" length

Collected by Mineral and Matter

A carved hematite rose sits at the center of each earring — its dark, mirror-polished surface catching light in a way that shifts between graphite and deep pewter. The surrounding silver tone frame is elaborate: open filigree scrollwork, acanthus leaf details, and a twisted rope inner bezel that echoes the Victorian mourning aesthetic the hematite material naturally invokes. Dramatic and deeply wearable, equally at home with black or with unexpected color.

Materials: Silver tone base metal, carved hematite

Details:

• Era: 1950's-70's
• Markings: Whiting & Davis, style #1767
• Style / design notes: Carved hematite rose cameo; open filigree scroll frame; twisted rope bezel; clip back
• Stone or material notes: Carved hematite oval cabochon with rose relief; high polish with strong light reflection
• Color: Silver tone, black/hematite
• Condition: Good vintage condition, please see photos 
• Measurement: 1.5" length

Collected by Mineral and Matter

A single prong-set crystal stud anchors two diverging bar drops, each tipped with its own prong-set stone — creating a scattered, constellation-like effect that moves with the wearer. The splayed double-drop silhouette reads as both geometric and delicate, catching light at every angle. Clean and contemporary, with an understated sparkle.

Materials: Silver tone base metal, clear rhinestone or CZ

Details:

• Era: 1990s–2000s
• Markings: None
• Style / design notes: Single crystal stud top; two diverging bar drops tipped with prong-set stones; post and butterfly back
• Stone or material notes: Clear round stones, prong set; likely CZ or rhinestone
• Color: Silver tone, clear
• Condition: Good vintage condition, see photos please
• Measurement: 1.5" length

Collected by Mineral and Matter

A single wire forms an open teardrop hoop before curling into a small double spiral at the base, finished with two polished ball ends — kinetic and considered in equal measure. The design has the fluid quality of hand-formed wire work, light on the ear and interesting from every angle. Stamped 925.

Materials: Sterling silver (925)

Details:

• Era: 1990s
• Markings: 925 stamped on wire
• Style / design notes: Open teardrop hoop; double spiral base; polished ball terminals; shepherd's hook closure
• Stone or material notes: None
• Color: Sterling silver
• Condition: Good vintage condition, please see photos

Measurement: 1"

Collected by Mineral and Matter

A quiet, intricate line—floral filigree suspended in gold, softened by a single green bead at the base. There’s a sense of movement here, a gentle verticality that feels both delicate and intentional.

The openwork panel catches light in subtle ways, while the soft green bead adds a grounded, almost mineral note. An understated statement—ornate, but not loud.

Materials:
Gold-tone metal, glass bead

Details:

• Clip-on style (screw back with hinged clip)
• Openwork floral filigree panel
• Soft green glass bead drop
• Lightweight with gentle movement
• Era: 1960s–1970s
• Measurement: approx. 2.25" drop length
• Condition: vintage with gentle surface wear consistent with age

Small and solid, these polished silver tone puff heart studs sit close to the lobe with a quiet, confident weight. The domed surface catches light cleanly — no embellishment needed. The kind of earring you put on without thinking and reach for every day.

Materials: Silver tone base metal

Details:

• Era: 1980's-90's
• Markings: None
• Style / Design notes: Puffy heart form; high polish finish; post and butterfly back
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, see photos

Measurement: 0.5"

Collected by Mineral and Matter

A sense of movement held in form—these earrings curve and catch light with quiet precision. The twisted rope hoop softens the structure, while a band of pavé crystals anchors the design with a refined, luminous edge.

Signed Christian Dior, they reflect the bold yet balanced language of late-century designer jewelry—substantial, sculptural, and made to frame the face with intention.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Christian Dior on clip backs
• Clip-on closure with comfort pads
• Twisted rope-style hoop with pavé crystal top
• Dimensional, sculptural design
• Era: 1980s–1990s
• Measurement: approx. 1.25" drop 
• Condition: vintage with gentle surface wear consistent with age

A quiet boldness—rounded gold forms softened by light. These earrings hold a sculptural presence, where crystal and metal meet in balance, reflecting a refined, unmistakable design language.

Clear rhinestones in mixed cuts are set into softly domed gold-tone forms, creating a constellation-like pattern. Signed Givenchy, they carry the weight of late 20th century designer costume jewelry—elegant, considered, and enduring.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Givenchy 
• Clip-on back (comfortable padded clips)
• Round domed design with mixed-cut rhinestones
• Likely 1980s–1990s era
• Designer costume jewelry
• Measurement: approx. 1" diameter 
• Condition: vintage with gentle surface wear consistent with age

Five parallel bar links connected by horizontal rungs form a wide, articulated gate panel that hangs with satisfying weight from a flat top bar post — the same structural logic as a watch bracelet, reinterpreted as an earring. The matte brushed finish keeps the design grounded, letting the geometry do the work. A quietly bold choice that reads as modern regardless of the decade it was made.

Materials: Silver tone base metal

Details:

• Era: 1990s
• Markings: None
• Style / design notes: Wide gate link panel drop; flat top bar; five-row bar link construction; post and butterfly back
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, see photos 

Measurement: 1.5" drop

Collected by Mineral and Matter

Named for the meteor shower that scatters light across the August sky, these earrings suspend four flat star charms on staggered wire stems from a single french hook — each star falling at a slightly different length, like a shower caught mid-descent. Simple, light, and quietly celestial. The kind of earring that moves with you.

Materials: Silver tone base metal

Details:

• Era: 1990s
• Markings: None
• Style / design notes: Four staggered wire stems; flat star charms at varying lengths; french hook closure
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, please see photos 

Measurement: 2.25" drop

Collected by Mineral and Matter

A starburst of aurora borealis rhinestones radiates from an open filigree frame — each stone shifting between green, gold, and ice blue as the light moves. The spiked outer ring gives the design an almost celestial quality, somewhere between a compass rose and a distant galaxy. Marked Sarah Coventry Pat. Pend., placing these in the brand's early design period. A collectors' piece with everyday appeal.

Materials Silver-tone base metal, aurora borealis rhinestones

Details

• Era: 1950s–1960s
• Markings: Stamped "Sarah Cov. Pat. Pend."
• Style / design notes: Round filigree frame with spiked outer edge, cluster of prong-set AB rhinestones
• Stone or material notes: Aurora borealis rhinestones with green, gold, and blue iridescent shift
• Function: Clip-on closure
• Color: Silver-tone, aurora borealis multi
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 1.25" diameter

Collected by Mineral and Matter

A deep black oval cabochon anchored by a single clear rhinestone at center — the contrast is sharp and quietly dramatic. The ornate gold-tone frame carries bead and floral detailing that softens the severity with a Victorian sensibility. Clip-on backs make them accessible without sacrifice. Marked Avon, and wearing every bit of that era's considered elegance.

Materials Gold-tone base metal, black glass or resin cabochon, rhinestone accent

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Oval black cabochon in ornate frame with bead and floral surround, clip-on closure
• Stone or material notes: Black glass or resin cabochon with single clear rhinestone center
• Function: Clip-on closure
• Color: Gold-tone, black, clear
• Condition: Great vintage condition

Collected by Mineral and Matter

Warm amber glass encases a delicate rose motif — the flower suspended inside the stone like something preserved in resin. The beaded bezel and trio of gold bead drops below give the setting a Victorian sensibility, refined and grounded. Lever-back closures make them secure and easy to wear. A piece that feels like it has always existed somewhere quiet and beautiful.

Materials Gold-tone base metal, amber glass cabochon with interior floral motif

Details

• Era: 1970s–1980s, Victorian revival style
  
• Style / design notes: Oval amber glass with encased rose, rope-beaded bezel, triple bead drop detail, lever-back closure
• Stone or material notes: Amber-toned glass with interior rose inclusion, likely lampwork or molded glass
• Color: Gold-tone, warm amber, orange
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 1" drop

Collected by Mineral and Matter

A folded mesh panel is pinched at center by a small bar detail, fanning out above and below into a draped bow form — the same fluid architecture as the matching necklace, scaled for the ear. The mesh catches light along every woven edge, moving between structured and soft as it shifts. Screw back closures suggest mid-century manufacture. Wear them alone or pair with the matching mesh bow necklace for a full set.

Materials: Silver tone base metal

Details:

• Era: 1980s
• Markings: None
• Style / design notes: Draped mesh bow drop; bar pinch center; matching set with mesh bow necklace
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

Two small owls rendered in oxidized silver tone with marcasite-style textured feathering and purple rhinestone eyes that give each bird an alert, knowing expression. The owl was a beloved motif of the 1970s, appearing across jewelry at every scale, and this pair carries the spirit of the decade with quiet charm. Part of a matched set — coordinating bracelet and ring sold separately in the shop.

Materials Silver-tone base metal, oxidized finish; purple rhinestone eyes; post backs with butterfly clutch

Details

• Era: c. 1960s–1970s
  
• Style / design notes: Figural owl form; textured marcasite-style feathering on body and wings; purple rhinestone eyes; post and butterfly back
• Stone notes: Purple rhinestones, round, bezel set at eyes
• Function: Pierced stud earrings
• Color: Silver tone, purple
• Condition: Great vintage condition

Collected by Mineral and Matter

A matte black oval cabochon sits within a sweeping gold-tone crescent, its curve traced by a line of clear rhinestones that amplifies the contrast between deep black and bright crystal. The open swirl frame adds movement, and the polished gold outer arc grounds the composition — graphic and confident in the way that Trifari's later decades did well. Signed Trifari TM on the clip backs, placing these in the brand's post-1969 period. The black and gold palette is as versatile as it gets.

Materials Gold-tone base metal; black glass or resin cabochon; clear prong-set rhinestones

Details

• Era: c. 1980s (Trifari TM mark, post-1969)
• Markings: Signed "Trifari TM" on clip backs
• Style / design notes: Open crescent swirl frame; oval matte black cabochon center; clear rhinestone pave arc along inner crescent edge; smooth polished gold-tone outer swirl; clip-on backs
• Stone notes: Black oval cabochon; clear rhinestones along inner arc
• Function: Clip-on earrings
• Color: Gold tone, black, clear
• Condition: Great vintage condition

Collected by Mineral and Matter

Polished ridges arc across a domed half-hoop form — simple in concept, precise in execution, and exactly the kind of piece Napier was making when the brand was at its most considered. The "Pat. Pend." stamp on the clip back dates these to the period when Napier was actively refining its earring hardware, a detail that places them firmly in the 1950s–1960s. Minor wear consistent with age; the silver tone is largely intact and the clips function well.

Materials: Silver-tone base metal

Details:

• Era: 1950s–1960s
• Markings: "Napier Pat. Pend." stamped on clip back
• Style / design notes: Domed half-hoop form, parallel ribbed surface, clip-back fitting with Napier patented mechanism
• Stone or material notes: None
• Color: Silver-tone
• Condition: Good vintage condition; minor wear and light chipping, clips functional
• Measurement: Approximately 5/8" × 1/2" each

Collected by Mineral and Matter

Puffy, ribbed petals radiate from a domed center in a form that is simultaneously floral and sculptural — the kind of piece Monet built its reputation on through decades of producing accessible gold-tone jewelry with genuine craft. The high-polish finish catches light from every angle, giving these small earrings a presence well beyond their scale. Signed Monet on the clip mechanism.

Materials: Gold-tone base metal

Details:

• Era: 1970s–1980s
• Markings: "Monet" stamped on clip
• Style / design notes: Dimensional flower form, ribbed puffy petals, domed center, high-polish finish, clip-on stud back
• Stone or material notes: None
• Function: Clip-on back
• Color: Gold-tone
• Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

A central raised leaf sits within an oval frame of smaller petals and foliage, all rendered in brushed gold-tone with the confident dimensionality that defined Trifari's mid-century botanical work. The rope-edged oval border contains the composition without constraining it — structured yet organic. Trifari was one of America's premier costume jewelry houses, and pieces like this reflect the brand at its most considered.

Materials: Gold-tone base metal

Details:

• Era: 1960s
• Markings: Trifari signature visible on clip mechanism
• Style / design notes: Oval openwork frame, dimensional central leaf, surrounding petal and foliage detail, rope-edged border, brushed matte finish
• Stone or material notes: None
• Function: Clip-on back
• Color: Gold-tone
• Condition: Great vintage condition
• Measurement: 1.25" tall, 1" wide

Collected by Mineral and Matter

Two graduating strands of prong-set clear rhinestones fall from a small cluster post — minimal in form, maximal in movement. Rhinestone chain earrings of this construction were a staple of evening dressing from the late 1960s through the disco era, catching light with every turn. Unsigned and entirely wearable day or night.

Materials: Silver-tone base metal, clear glass rhinestones

Details:

• Era: 1960s–1970s
• Markings: None
• Style / Design notes: Double strand drop, prong-set rhinestone chain, small cluster post top, graduating strand lengths
• Stone or material notes: Clear glass rhinestones, prong-set
• Function: Post back
• Color: Silver-tone with clear stones
• Condition: Vintage wear and tone loss, see images
• Measurement: 1.5" long

Collected by Mineral and Matter

A prong-set oval faux opal — creamy white with a warm pink-peach flash — sits above a small open-work gold-tone setting accented with three round pink rhinestones arranged in a trefoil pattern. The combination of iridescent stone and soft pink accent creates something that reads as both delicate and considered. Screw-back closures date these confidently to the 1950s, when this scale and palette — feminine without being fussy — was a mid-century staple for daytime dressing.

Materials: Gold-tone base metal; faux opal cabochon; pink rhinestones

Details:

• Era: c. 1940s–1960s, Mid-Century American
  
• Style / design notes: Oval faux opal center stone in prong setting above open-work trefoil base with three pink rhinestone accents; screw-back closures
• Stone or material notes: Faux opal with pink-peach iridescence; round pink rhinestones
• Function: Screw-back earrings; non-pierced
• Color: Gold tone with opalescent pink-white stone and pink rhinestones
• Condition: Great vintage condition

Measurement: 0.5" wide × 0.6" tall

Collected by Mineral and Matter

A prong-set oval aqua rhinestone sits above a spread of clear round rhinestones and a single faux pearl — the three elements arranged into a tulip-like form that is simple, botanical, and quietly elegant. The warm gold-tone setting lifts the cool blue-green of the stone without overpowering it. Screw-back closures date these to the mid-century, when this kind of understated mixed-stone earring was a wardrobe staple worn from office to evening without adjustment.

Materials: Gold-tone base metal; aqua rhinestone; clear rhinestones; faux pearl

Details:

• Era: c. 1940s–1960s, Mid-Century American
  
• Style / design notes: Oval aqua center stone above two curved rhinestone-set wings and single faux pearl base; tulip / floral form; screw-back closures
• Stone or material notes: Oval aqua blue-green rhinestone; small round clear rhinestones; single faux pearl
• Function: Screw-back earrings; non-pierced
• Color: Gold tone with aqua stone, clear rhinestones, and cream pearl
• Condition: Good vintage condition some wear on screw

Measurement: 0.4" wide × 0.7" tall

Collected by Mineral and Matter

A generous spray of peacock-green aurora borealis rhinestones — teardrop and round cuts layered into a botanical cluster that radiates outward from the ear. The stones shift between deep emerald, teal, violet, and gold depending on the light, a signature of the AB coating Swarovski introduced in 1955 and that became synonymous with mid-century glamour. Set in warm gold tone that deepens the jewel-like quality of every stone. Bold in scale, luminous in effect.

Materials: Gold-tone base metal; aurora borealis rhinestones

Details:

• Era: c. 1960s–1980s, Mid-Century American
  
• Style / design notes: Curved leaf spray cluster form; mixed teardrop and round AB rhinestones in overlapping arrangement; prong set throughout; post / stud backs
• Stone or material notes: Aurora borealis rhinestones in peacock green, teal, violet, and gold iridescence; teardrop and round cuts
• Function: Stud earrings; pierced
• Color: Gold tone with iridescent peacock-green AB stones
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 2" wide × 4" long (each)

Collected by Mineral and Matter

A small, enduring shape—
held in gold, softened by time.

These vintage hearts carry a gentle patina, their surface reflecting light in a quieter way. Not new, not loud—just steady. Familiar. Something that has already been chosen once, and still remains.

They sit close to the ear, like a detail meant only for you.

Details

• Type: stud earrings

• Era: vintage (likely 1980s–1990s)

• Material: 14K solid gold

• Design: petite puffed heart

• Backing: post with push backs (standard)

• Condition: very good vintage condition with light surface wear/patina

Measurements

• Size: approx. 0.25” (6mm)

Collected by Mineral and Matter

A small chunky C-hoop in solid lucite or resin — the silhouette is simple and the color does all the work. Each pair has the smooth, glassy finish and satisfying weight that separates vintage lucite from modern acrylic, and the colors have stayed vivid and clear. The wood grain pair adds an earthy contrast to the palette — the same form, a different material language. Small enough to wear every day, substantial enough to be noticed. Unsigned, as the majority of vintage lucite hoop earrings were.

DETAILS

Maker: Unsigned

Design: Solid chunky C-hoop earring; smooth finish; gold-tone stud post

Material: Lucite or resin; wood grain pair in natural wood veneer; gold-tone stud posts

Era: 1970s–80s

Measurement: 1" approx diameter

Condition: Vintage with gentle surface wear consistent with age

Available colors: Peach, Mint green, White, Wood grain dark, Beige, Bright green, Red, Tortoise, Yellow

Collected by Mineral and Matter

A gold-tone open hoop strung with alternating textured gold beads and a single large cluster ball of faux seed pearls at center — the whole thing moving freely when worn, the pearl cluster catching light from every angle. The pearl ball has the dense, tactile quality of something that looks more expensive than it is, each tiny seed pearl packed tightly together into a satisfying sphere. Surgical steel posts make these genuinely wearable for sensitive ears. A considered, versatile earring from Avon's early 1990s push toward more sophisticated everyday jewelry.

DETAILS

Maker: Avon — Casual Hoop, 1993

Design: Open gold-tone hoop with alternating textured gold beads and center faux seed pearl cluster ball; gold ball stud post

Material: Gold-tone base metal; faux seed pearls; surgical steel posts

Era: 1993

Measurement: 2" drop, 1.25" diameter 

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Two figural elephants in warm gold tone, their bodies filled with swirled cream enamel and detailed with dotted blanket markings along the back — each one hanging from a small gold ball stud post. The trunks curve downward on each earring rather than up, a departure from the traditional good luck convention that makes these feel less superstitious and more sculptural. Avon released the Lucky Elephant in 1990 as part of a run of nature-inspired figural earrings, and the cream enamel colorway is the most sought-after of the series. A complete and wearable pair.

DETAILS

Maker: Avon — Lucky Elephant, 1990

Design: Figural elephant drop earrings; swirled cream enamel body; dotted blanket detail; gold ball stud post with hanging elephant charm

Color: Warm gold tone; cream swirl enamel

Material: Gold-tone base metal; cream enamel, surgical steel posts

Era: 1990

Measurement: 1.25 drop by .75" wide

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Three graduated stardust ball studs in warm gold tone — each one covered in a fine all-over texture that catches light like a tiny constellation — packaged in the Mini Trios matchbook-style card in three different sizes. The concept was simple and considered: three interchangeable studs, one for each ear and a spare, sized to suit the mood. The stardust finish has a richness that punches above the piece's scale. Still on the original card, unworn and complete.

DETAILS

Maker: Mini Trios — Matchless Collection

Design: Three graduated stardust ball stud earrings in varying sizes; all-over textured gold-tone finish; original matchbook card packaging

Material: Gold-tone base metal

Era: 1980s

Condition: New old stock — unused, on original card

Collected by Mineral and Matter

Three miniature fruit studs — a pear, an apple, and a mushroom — each rendered in warm gold tone with black enamel fill, packaged in a matchbook-style card that opens to reveal the set inside. The Mini Trios Matchless Collection was a novelty earring concept from the 1980s designed around the idea of three interchangeable studs worn as a rotating trio — one in each ear and one spare. The fruit forms are charming and precise, the black enamel grounding each piece with just enough contrast. Still on the original card, unworn.

DETAILS

Maker: Mini Trios — Matchless Collection

Design: Three figural fruit stud earrings — pear, apple, and mushroom; black enamel with gold-tone detail; original matchbook card packaging

Material: Gold-tone base metal; black enamel

Era: 1980s

Condition: New old stock — unused, on original card

Collected by Mineral and Matter

A matched set in deep oxidized silver tone, each piece centered on a round green moonglow cabochon — that particular mid-century lucite with its milky, light-catching interior that shifts between jade and emerald depending on the angle. The pendant hangs from an open scrollwork frame and rides a fine chain; the earrings repeat the same scrollwork in miniature with screw backs. Moonglow cabochons were widely used in American costume jewelry throughout the 1950s and remain one of the most collected materials from the era — the color in this set is especially vivid and intact. A complete, unworn-looking parure from a decade that dressed with intention.

DETAILS

Maker: Unsigned 

 Design: Round green moonglow cabochon in oxidized silver-tone open scrollwork setting; matching pendant and earrings

Stones: Green moonglow lucite cabochons

Earrings: Screw back; 1" including setting Necklace: 16" chain; 1" pendant

Material: Oxidized silver-tone base metal; moonglow lucite

Era: 1950s

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

A sculptural pair of vintage gold tone clip-on earrings featuring a circular botanical motif. Delicate leaves wind through the openwork design, forming a small wreath-like composition that feels both organic and balanced.

The airy cutout structure allows light to move through the piece, highlighting the soft texture of the leaves against the smooth curved band. Nature-inspired motifs like this were especially popular in mid-century and late 20th century costume jewelry, reflecting the era’s love for botanical forms.

Elegant and understated, these earrings offer a warm vintage glow with a quietly natural rhythm.

Details

• Era: likely 1970s–1980s

• Material: gold tone metal

• Style: botanical / leaf motif

• Closure: clip-on backs

• Signature: unsigned

• Condition: vintage condition with light wear consistent with age

Measurements

• Diameter: approx. .5 inches

Collected by Mineral and Matter

A pair of vintage gold tone hoop earrings accented with subtle rhinestone sparkle. The curved half-hoop design features a row of small stones set along the front, adding a delicate shimmer while keeping the silhouette clean and sculptural.

Jewelry like this became especially popular in the 1970s–1980s, when compact hoops with geometric settings and rhinestone accents were a staple of everyday style. Their balanced shape gives the look of a hoop while sitting comfortably close to the ear.

A versatile vintage pair—easy to wear with both minimal looks and layered jewelry.

Details

• Era: likely 1970s–1980s

• Material: gold tone metal

• Stones: 4 rhinestones on each earring

• Style: half hoop

• Closure: clip-on style back

• Signature: unsigned

• Condition: vintage condition with light wear consistent with age

Measurements

• Diameter: approx. 1 inches

Collected by Mineral and Matter

Striking vintage floral cluster earrings featuring deep sapphire-blue navette stones accented with coordinating round blue crystals in a gold tone setting.

These dimensional earrings have a layered botanical design with elongated marquise-shaped stones forming petal-like drops, highlighted by smaller faceted accent crystals for added sparkle. The rich blue color shifts beautifully in the light, giving them a bold yet elegant presence.

✨ Details:

• Era: Mid-century (circa 1950s–1970s)

• Stones: Faceted blue glass crystals (navette & round)

• Metal: Silver tone setting

• Style: Floral cluster / statement drop

• Closure: Post back, appears to have had clip on cut off and piercing post glued on.

The design has wonderful movement and depth, making them perfect for evening wear or adding drama to a simple outfit.

Condition: Good vintage condition with normal age-related wear to the metal on backs. Stones appear secure and vibrant.

A beautiful, eye-catching pair with classic vintage glamour.

Collected by Mineral and Matter

3/4" length, post back

Large hoops are in very good vintage condition

Medium hoops have a little discoloration and wear

Collected by Mineral and Matter

3/4" length, post back

In good vintage condition, some tone loss on the edges, hard to see

Collected by Mineral and Matter

These sophisticated earrings represent the "career-wear" aesthetic that defined Avon's jewelry line in the late 1980s.

1988-1989

3" length, pierced

In very good vintage condition, New Old Stock (NOS) in original box.

Collected by Mineral and Matter

These vibrant mid-century earrings feature a bold red cabochon/ball accented by a delicate gold-tone leaf cap. A classic example of 1950s–1960s costume jewelry, they offer a pop of retro color and a whimsical "cherry" aesthetic. The earrings have comfortable clip-on backs and showcase the high-quality gold plating typical of the era. The red ball has a shiny, afterglow sheen.

1950-1960's

1" length, clip on

In very good vintage condition

Collected by Mineral and Matter

Vintage Richelieu faux pearl clip-on earrings from the 1960s-70s. These creamy ivory pearls feature the brand's signature multi-layered coating process, giving them an authentic glow and weight that rivals real pearls. Richelieu is known as the gold standard for pearl jewelry in the Mid Century. Signed on the reverse and crafted in polished gold-tone metal, they're perfect for adding timeless elegance to any look. Excellent vintage condition with original luster intact. Comfortable clip-on closure.

1960-1970's

.5" length, clip on

In very good vintage condition

Collected by Mineral and Matter

These abstract shaped earrings with a cz stone center are a nice take on the classic gold stud. 

.25" diameter, pierced

1980-1990's

In very good vintage condition

Collected by Mineral and Matter

A royal blue colored rhinestone circle forms the center of this flower shaped earring from the 1950's.  

3/4" diameter, clip on

Collected by Mineral and Matter

A royal blue colored rhintestone baguette earring from the 1950's.  A trio of two emerald cut rectangle stones in a line above a circle stone, each a little smaller in size than the last.

3/4" diameter, clip on

Collected by Mineral and Matter