Each petal is worked in the Spanish damascene tradition — gold wire inlaid into a blackened steel ground in flowing arabesque scrollwork, with a beaded silver tone edge framing each leaf. A smooth faux pearl sits at the center, its soft cream a quiet contrast to the intricate metalwork surrounding it. The backs are gold tone, the fronts richly two-toned. A handcraft technique with centuries of history, translated into an earring that wears beautifully today.

Materials: Blackened steel, gold inlay (damascene), silver tone base metal, faux pearl center

Details:

• Era: 1960s-70s
• Markings: None
• Style / design notes: Six-petal flower form; gold wire damascene inlay on blackened steel petals; beaded silver tone petal edges; faux pearl center; clip back
• Stone or material notes: Faux pearl center cabochon; cream tone, good luster
• Color: Black, gold, silver tone, cream
• Condition: Good vintage condition, please see photos 
• Measurement: Just under 1"

Collected by Mineral and Matter

A coiled rope mesh disc anchors three cascading drops — each a column of aurora borealis rhinestones flanked by twisted chain strands, terminating in either a faux pearl or a faceted AB crystal bead. The AB stones shift through pink, blue, and gold depending on the light, playing beautifully against the warm antique gold mesh. A fully realized mid-century evening earring with real movement and sparkle.

Materials: Gold tone base metal, aurora borealis rhinestones, faux pearl, faceted AB crystal bead

Details:

• Era: 1950s–1960s
• Markings: None
• Style / design notes: Coiled rope mesh clip top; three tassel drops with AB rhinestone columns and twisted chain; faux pearl and AB crystal bead terminals; clip back
• Stone or material notes: Aurora borealis rhinestones with strong color shift; faux pearl and faceted AB crystal drop beads
• Color: Gold tone, aurora borealis, cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2" length

Collected by Mineral and Matter

A smooth, high-polish hematite oval sits in a gunmetal bezel ringed with a double row of textured bead detail — the combination of mirror-like stone and granulated frame creating a quietly hypnotic surface. No color, no distraction — just light and reflection. Substantial and refined, with the kind of understated presence that works as easily with a white shirt as with an evening look.

Materials: Gunmetal tone base metal, hematite

Details:

• Era: 1960s–1970s
• Markings: Whiting & Davis Co.
• Style / design notes: Smooth oval hematite cabochon; double-row beaded bezel; clip back
• Stone or material notes: Hematite oval cabochon; mirror polish; deep graphite tone with strong light reflection
• Color: Gunmetal, black/hematite
• Condition: Good vintage condition, please see photos 
• Measurement: 1" length

Collected by Mineral and Matter

A quiet, intricate line—floral filigree suspended in gold, softened by a single green bead at the base. There’s a sense of movement here, a gentle verticality that feels both delicate and intentional.

The openwork panel catches light in subtle ways, while the soft green bead adds a grounded, almost mineral note. An understated statement—ornate, but not loud.

Materials:
Gold-tone metal, glass bead

Details:

• Clip-on style (screw back with hinged clip)
• Openwork floral filigree panel
• Soft green glass bead drop
• Lightweight with gentle movement
• Era: 1960s–1970s
• Measurement: approx. 2.25" drop length
• Condition: vintage with gentle surface wear consistent with age

A sense of movement held in form—these earrings curve and catch light with quiet precision. The twisted rope hoop softens the structure, while a band of pavé crystals anchors the design with a refined, luminous edge.

Signed Christian Dior, they reflect the bold yet balanced language of late-century designer jewelry—substantial, sculptural, and made to frame the face with intention.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Christian Dior on clip backs
• Clip-on closure with comfort pads
• Twisted rope-style hoop with pavé crystal top
• Dimensional, sculptural design
• Era: 1980s–1990s
• Measurement: approx. 1.25" drop 
• Condition: vintage with gentle surface wear consistent with age

A quiet boldness—rounded gold forms softened by light. These earrings hold a sculptural presence, where crystal and metal meet in balance, reflecting a refined, unmistakable design language.

Clear rhinestones in mixed cuts are set into softly domed gold-tone forms, creating a constellation-like pattern. Signed Givenchy, they carry the weight of late 20th century designer costume jewelry—elegant, considered, and enduring.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Givenchy 
• Clip-on back (comfortable padded clips)
• Round domed design with mixed-cut rhinestones
• Likely 1980s–1990s era
• Designer costume jewelry
• Measurement: approx. 1" diameter 
• Condition: vintage with gentle surface wear consistent with age

Five parallel bar links connected by horizontal rungs form a wide, articulated gate panel that hangs with satisfying weight from a flat top bar post — the same structural logic as a watch bracelet, reinterpreted as an earring. The matte brushed finish keeps the design grounded, letting the geometry do the work. A quietly bold choice that reads as modern regardless of the decade it was made.

Materials: Silver tone base metal

Details:

• Era: 1990s
• Markings: None
• Style / design notes: Wide gate link panel drop; flat top bar; five-row bar link construction; post and butterfly back
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, see photos 

Measurement: 1.5" drop

Collected by Mineral and Matter

Named for the meteor shower that scatters light across the August sky, these earrings suspend four flat star charms on staggered wire stems from a single french hook — each star falling at a slightly different length, like a shower caught mid-descent. Simple, light, and quietly celestial. The kind of earring that moves with you.

Materials: Silver tone base metal

Details:

• Era: 1990s
• Markings: None
• Style / design notes: Four staggered wire stems; flat star charms at varying lengths; french hook closure
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, please see photos 

Measurement: 2.25" drop

Collected by Mineral and Matter

A starburst of aurora borealis rhinestones radiates from an open filigree frame — each stone shifting between green, gold, and ice blue as the light moves. The spiked outer ring gives the design an almost celestial quality, somewhere between a compass rose and a distant galaxy. Marked Sarah Coventry Pat. Pend., placing these in the brand's early design period. A collectors' piece with everyday appeal.

Materials Silver-tone base metal, aurora borealis rhinestones

Details

• Era: 1950s–1960s
• Markings: Stamped "Sarah Cov. Pat. Pend."
• Style / design notes: Round filigree frame with spiked outer edge, cluster of prong-set AB rhinestones
• Stone or material notes: Aurora borealis rhinestones with green, gold, and blue iridescent shift
• Function: Clip-on closure
• Color: Silver-tone, aurora borealis multi
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 1.25" diameter

Collected by Mineral and Matter

A deep black oval cabochon anchored by a single clear rhinestone at center — the contrast is sharp and quietly dramatic. The ornate gold-tone frame carries bead and floral detailing that softens the severity with a Victorian sensibility. Clip-on backs make them accessible without sacrifice. Marked Avon, and wearing every bit of that era's considered elegance.

Materials Gold-tone base metal, black glass or resin cabochon, rhinestone accent

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Oval black cabochon in ornate frame with bead and floral surround, clip-on closure
• Stone or material notes: Black glass or resin cabochon with single clear rhinestone center
• Function: Clip-on closure
• Color: Gold-tone, black, clear
• Condition: Great vintage condition

Collected by Mineral and Matter

Warm amber glass encases a delicate rose motif — the flower suspended inside the stone like something preserved in resin. The beaded bezel and trio of gold bead drops below give the setting a Victorian sensibility, refined and grounded. Lever-back closures make them secure and easy to wear. A piece that feels like it has always existed somewhere quiet and beautiful.

Materials Gold-tone base metal, amber glass cabochon with interior floral motif

Details

• Era: 1970s–1980s, Victorian revival style
  
• Style / design notes: Oval amber glass with encased rose, rope-beaded bezel, triple bead drop detail, lever-back closure
• Stone or material notes: Amber-toned glass with interior rose inclusion, likely lampwork or molded glass
• Color: Gold-tone, warm amber, orange
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 1" drop

Collected by Mineral and Matter

A folded mesh panel is pinched at center by a small bar detail, fanning out above and below into a draped bow form — the same fluid architecture as the matching necklace, scaled for the ear. The mesh catches light along every woven edge, moving between structured and soft as it shifts. Screw back closures suggest mid-century manufacture. Wear them alone or pair with the matching mesh bow necklace for a full set.

Materials: Silver tone base metal

Details:

• Era: 1980s
• Markings: None
• Style / design notes: Draped mesh bow drop; bar pinch center; matching set with mesh bow necklace
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

Two small owls rendered in oxidized silver tone with marcasite-style textured feathering and purple rhinestone eyes that give each bird an alert, knowing expression. The owl was a beloved motif of the 1970s, appearing across jewelry at every scale, and this pair carries the spirit of the decade with quiet charm. Part of a matched set — coordinating bracelet and ring sold separately in the shop.

Materials Silver-tone base metal, oxidized finish; purple rhinestone eyes; post backs with butterfly clutch

Details

• Era: c. 1960s–1970s
  
• Style / design notes: Figural owl form; textured marcasite-style feathering on body and wings; purple rhinestone eyes; post and butterfly back
• Stone notes: Purple rhinestones, round, bezel set at eyes
• Function: Pierced stud earrings
• Color: Silver tone, purple
• Condition: Great vintage condition

Collected by Mineral and Matter

A matte black oval cabochon sits within a sweeping gold-tone crescent, its curve traced by a line of clear rhinestones that amplifies the contrast between deep black and bright crystal. The open swirl frame adds movement, and the polished gold outer arc grounds the composition — graphic and confident in the way that Trifari's later decades did well. Signed Trifari TM on the clip backs, placing these in the brand's post-1969 period. The black and gold palette is as versatile as it gets.

Materials Gold-tone base metal; black glass or resin cabochon; clear prong-set rhinestones

Details

• Era: c. 1980s (Trifari TM mark, post-1969)
• Markings: Signed "Trifari TM" on clip backs
• Style / design notes: Open crescent swirl frame; oval matte black cabochon center; clear rhinestone pave arc along inner crescent edge; smooth polished gold-tone outer swirl; clip-on backs
• Stone notes: Black oval cabochon; clear rhinestones along inner arc
• Function: Clip-on earrings
• Color: Gold tone, black, clear
• Condition: Great vintage condition

Collected by Mineral and Matter

Puffy, ribbed petals radiate from a domed center in a form that is simultaneously floral and sculptural — the kind of piece Monet built its reputation on through decades of producing accessible gold-tone jewelry with genuine craft. The high-polish finish catches light from every angle, giving these small earrings a presence well beyond their scale. Signed Monet on the clip mechanism.

Materials: Gold-tone base metal

Details:

• Era: 1970s–1980s
• Markings: "Monet" stamped on clip
• Style / design notes: Dimensional flower form, ribbed puffy petals, domed center, high-polish finish, clip-on stud back
• Stone or material notes: None
• Function: Clip-on back
• Color: Gold-tone
• Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Two graduating strands of prong-set clear rhinestones fall from a small cluster post — minimal in form, maximal in movement. Rhinestone chain earrings of this construction were a staple of evening dressing from the late 1960s through the disco era, catching light with every turn. Unsigned and entirely wearable day or night.

Materials: Silver-tone base metal, clear glass rhinestones

Details:

• Era: 1960s–1970s
• Markings: None
• Style / Design notes: Double strand drop, prong-set rhinestone chain, small cluster post top, graduating strand lengths
• Stone or material notes: Clear glass rhinestones, prong-set
• Function: Post back
• Color: Silver-tone with clear stones
• Condition: Vintage wear and tone loss, see images
• Measurement: 1.5" long

Collected by Mineral and Matter

A sculptural pair of vintage gold tone clip-on earrings featuring a circular botanical motif. Delicate leaves wind through the openwork design, forming a small wreath-like composition that feels both organic and balanced.

The airy cutout structure allows light to move through the piece, highlighting the soft texture of the leaves against the smooth curved band. Nature-inspired motifs like this were especially popular in mid-century and late 20th century costume jewelry, reflecting the era’s love for botanical forms.

Elegant and understated, these earrings offer a warm vintage glow with a quietly natural rhythm.

Details

• Era: likely 1970s–1980s

• Material: gold tone metal

• Style: botanical / leaf motif

• Closure: clip-on backs

• Signature: unsigned

• Condition: vintage condition with light wear consistent with age

Measurements

• Diameter: approx. .5 inches

Collected by Mineral and Matter

These vibrant mid-century earrings feature a bold red cabochon/ball accented by a delicate gold-tone leaf cap. A classic example of 1950s–1960s costume jewelry, they offer a pop of retro color and a whimsical "cherry" aesthetic. The earrings have comfortable clip-on backs and showcase the high-quality gold plating typical of the era. The red ball has a shiny, afterglow sheen.

1950-1960's

1" length, clip on

In very good vintage condition

Collected by Mineral and Matter

Vintage Richelieu faux pearl clip-on earrings from the 1960s-70s. These creamy ivory pearls feature the brand's signature multi-layered coating process, giving them an authentic glow and weight that rivals real pearls. Richelieu is known as the gold standard for pearl jewelry in the Mid Century. Signed on the reverse and crafted in polished gold-tone metal, they're perfect for adding timeless elegance to any look. Excellent vintage condition with original luster intact. Comfortable clip-on closure.

1960-1970's

.5" length, clip on

In very good vintage condition

Collected by Mineral and Matter

These abstract shaped earrings with a cz stone center are a nice take on the classic gold stud. 

.25" diameter, pierced

1980-1990's

In very good vintage condition

Collected by Mineral and Matter

A royal blue colored rhinestone circle forms the center of this flower shaped earring from the 1950's.  

3/4" diameter, clip on

Collected by Mineral and Matter

A royal blue colored rhintestone baguette earring from the 1950's.  A trio of two emerald cut rectangle stones in a line above a circle stone, each a little smaller in size than the last.

3/4" diameter, clip on

Collected by Mineral and Matter