The smooth stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill.

Available in size 2-11

By Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill.

Available in size 4-11

By Mineral and Matter

The curve ring is the perfect piece to add an accent to your rings or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill with hammered textured.

Available in size 4-10

By Mineral and Matter

The Luna ring is an open ring on both ends with a goldfill crescent moon on one side and a bezel set lab cultured opal on the other side.  Band is 14k goldfill.

Available in size 4 -11

By Mineral and Matter

By Mineral and Matter

The circle ring is the perfect piece to add an accent to your rings or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill or sterling silver with smooth texture.  The circle is 6mm in diameter.

Available in size 4-10

By Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in sterling silver. 

Available in size 4-11

By Mineral and Matter

The smooth stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in sterling silver. 

Available in size 4-11

By Mineral and Matter

The wide hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This standout ring is 3mm in width and hand forged in 14k goldfill.

Available in size 4-11

By Mineral and Matter

Opal has beautiful flashes of colors, making it stand out.  This ring has a 5mm synthetic opal sits in a bezel cup.  Band is 14k goldfill.

Available in size 4 -11.

By Mineral and Matter

The heart ring is made with a little extra love every time and is the ring to wear when you need a more of it in your life, from yourself or those who care for you.  The open heart is approximately .5" wide and on 1mm 14k goldfill wire.

Available in size 4-11

By Mineral and Matter

This ring is hand-formed in 14k goldfill and set with a natural amazonite stone. Amazonite has a blueish green hue to it and is found in Peru and is named the "Amazon Stone" or amazonite. The blue color comes from trace amounts of lead in the gemstone. 

Available in sizes 4-11
16 Gauge wire thickness
5mm round stone
Polished finish

By Mineral and Matter

By Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection! This ring is 3mm in width and hand textured in sterling silver. 

Available in size 4-11

By Mineral and Matter

This black opal ring has a dark background color which helps the rainbow variations to shine through.  Manmade, this simulated opal is an economical alternative to natural opal, offering a durability that makes it easier to work with in rings and jewelry meant for everyday wear.  The multicolored sparkle is hard to resist! 

This ring has a 6mm simulated black opal sitting in a round bezel cup.  Band is 14k goldfill.

Available in size 4 -11.

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

This sterling silver ring catches light beautifully with its twisted and dotted pattern. It is the perfect addition to any stack of rings.

• Available in sizes 5-11

• 10 Gauge wire thickness

• Polished finish

By Mineral and Matter

The curve ring is the perfect piece to add an accent to your rings or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in .925 sterling silver with hammered textured.

Available in size 4-10

By Mineral and Matter

The Luna ring is an open ring on both ends with a goldfill crescent moon on one side and a bezel set lab cultured opal on the other side.  Band is .925 sterling silver.

Available in size 4 -11

By Mineral and Matter

Three interlocking bands twist and cross in a continuous rolling form — a design with roots in Russian wedding ring tradition, reinterpreted here in polished gold-tone by Godiva, a lesser-known American costume jewelry maker. The result is minimal and tactile, as satisfying to wear as it is to look at. A quiet piece that earns its place on any finger.

Materials: Gold-tone base metal

Details:

• Era: 1980s–1990s
• Markings: "Godiva" stamped inside band
• Style / design notes: Triple interlocking rolling band, crossover construction, high-polish finish
• Stone or material notes: None
• Color: Gold-tone
• Condition: Great vintage condition
• Measurement: Size 7

Collected by Mineral and Matter

By Mineral and Matter

A sculptural tribute to the organic complexity of nature, this 1976 Avon "Flowerblaze" ring captures the spirit of the mid-century floral revival. The ring features a deeply textured, ruffled setting modeled after a blooming carnation, creating a rich interplay of light and shadow. Nestled within its golden petals is a single, brilliant-cut crystal accent that mimics a shimmering drop of morning dew. This piece offers a grounded yet feminine presence, perfect for adding a touch of vintage botanical charm to daily wear.

Materials: Gold-tone base metal, clear crystal
Details: Intricately ruffled carnation design with a single rhinestone accent
Era: 1976
Markings: Signed "AVON" inside the band
Style / design notes: Art Nouveau-inspired floral cocktail ring with a 3D textured finish
Stone or material notes: Round brilliant-cut clear crystal
Function: Statement cocktail ring
Color: Gold and clear
Condition: Vintage with gentle surface wear consistent with age
Measurement: adjustable size 4-5
Collected by Mineral and Matter

Opal has beautiful flashes of colors, making it stand out.  This ring has a 5mm synthetic opal sits in a bezel cup.  Band is .925 sterling silver.

Available in size 4 -11.

By Mineral and Matter

By Mineral and Matter

A cool blue emerald-cut stone sits prong-set in warm gold, flanked by small bow-shaped shoulders for a touch of vintage sweetness. Signed by Esposito, a maker known for well-made mid-century gold filled pieces, this ring has the weight and finish of costume jewelry built to last. The adjustable band means an easy, comfortable fit. A quiet, classic piece that wears well on its own or stacked.

Materials: 10K gold filled, glass stone

Details:

• Era: 1950s–1960s
• Markings: 10KT G.F. ESPO
• Style / design notes: Emerald-cut center stone, bow motif shoulders, adjustable band
• Stone or material notes: Blue faceted glass stone, emerald cut
• Function: Ring, adjustable
• Color: Gold, blue
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Adjustable band

Collected by Mineral and Matter

Diamond-cut rays fan outward from a small center flower, framed by an open, elongated silhouette that catches light from every angle. The wide, textured shoulders taper into a slim band, giving the piece presence without weight. Unsigned, but finely cut, with the kind of intricate openwork more often reserved for finer goldwork. A small, sculptural statement for the hand.

Materials: Gold-tone base metal

Details:

• Era: 1970s–1980s
• Markings: Unmarked
• Style / design notes: Openwork diamond-cut filigree, elongated shield silhouette, floral center motif
• Stone or material notes: None
• Function: Ring
• Color: Antiqued gold
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Size 5

Collected by Mineral and Matter

A wide, asymmetrical leaf unfurls across the finger, its surface covered in fine radiating ribs that catch light from every angle. Cutting diagonally across the center, a smooth inlaid channel holds five small round rhinestones in a gentle curve — the single point of sparkle against an otherwise all-gold composition. The leaf curls slightly at its edges and tapers to a point at the lower corner, giving it a naturalistic quality that softens what could otherwise read as purely geometric. Leaf motif rings in this style were a recurring presence throughout the 1970s and into the 1980s, when nature-inspired forms dominated costume jewelry and gold tone metal was the default. This one is unsigned but well-made, with good weight and clean detail.

Materials
Gold tone base metal, clear rhinestone crystals

Details

• Era: 1970s–1980s
• Maker: Unsigned
• Style / design notes: Wide asymmetrical fluted leaf top; fine radiating rib texture across entire face; diagonal channel set with five graduated round rhinestones across center
• Stone or material notes: Five small round clear rhinestones, flush channel set
• Color: Warm gold tone / clear
• Condition: Good vintage condition, please see images

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

Nine round prong-set crystals appear to float across an irregular organic landscape — a wide, open-worked band of molten-looking gold tone metal that bubbles and branches like coral or cooling lava. The stones sit at varying heights across the top, their silver-tone prongs contrasting against the warm gold beneath, which gives the whole surface a two-tone quality that feels intentional rather than incidental. The underside of the band continues the texture, leaving no part of the ring unfinished. This is squarely in the Brutalist and organic modernist jewelry tradition that defined the 1960s and early 1970s, when cast metal jewelry rejected clean lines in favor of raw, elemental form. It wears like a piece of sculpture.

Materials
Gold tone base metal, clear rhinestone crystals

Details

• Era: 1960s–1970s
• Maker: unkown: Stamped 14KH GE A
• Style / design notes: Wide open-worked band; irregular molten nugget texture throughout; nine round rhinestones prong-set in silver tone settings at varying heights across the top face
• Stone or material notes: Clear round rhinestone crystals, silver tone prong settings
• Color: Warm gold tone / clear
• Condition: Good vintage condition, please see images

Measurement
Size 4.5 (measured on ring mandrel between 4 and 5)

Collected by Mineral and Matter

A sculpted ribbon bow spreads wide across the finger, its looped and gathered folds rendered in warm gold tone with fine engraved line detail across each wing. At the center, a small oval cabochon in muted blue — somewhere between slate and periwinkle, with a slightly speckled, matte surface — anchors the whole composition without competing with it. The bow is generous in scale but sits closer to charming than costume, the kind of ring that reads as intentional rather than loud. Avon produced bow motif jewelry throughout the 1980s in consistent quality, and this one holds up — signed on the interior shank and in very good condition for its age.

Materials
Gold tone base metal, blue cabochon (glass or synthetic)

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Sculptural ribbon bow top; engraved texture detail across bow wings; oval bezel-set cabochon center
• Stone or material notes: Small oval blue cabochon; matte, slightly speckled surface; slate to periwinkle in color
• Color: Warm gold tone / slate blue
• Condition: Good vintage condition, please see images

Measurement
Size 7 

Collected by Mineral and Matter

A faceted oval stone in deep sapphire blue sits flush in a bezel setting, flanked on each side by a ribbed fan of silver tone metal that tapers smoothly into the shank. The silhouette is architectural — substantial without being heavy, with the fluted shoulders giving it a sculptural quality that reads closer to Art Deco revival than costume. The stone shifts between inky navy and bright aqua depending on the light, which is most of the reason to wear it. Rings built around a single bold stone and a strong geometric setting were a recurring theme of 1980s costume jewelry, and this one holds that moment with quiet confidence.

Materials
Silver tone base metal, blue glass or synthetic stone

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Bezel-set oval solitaire; ribbed fan shoulders tapering to a plain shank; low-profile setting keeps stone close to the finger
• Stone or material notes: Faceted oval blue glass or synthetic stone; color reads sapphire to aqua depending on light
• Color: Silver tone / sapphire blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A continuous row of small puffy hearts circles the band, creating an eternity silhouette that feels playful without being precious. The raised, rounded hearts catch light evenly all the way around — as wearable stacked as it is alone. A sweet example of Avon's knack for translating sentiment into something genuinely wearable.

Materials
Gold tone base metal

Details

• Era: 1980's
• Maker: Avon Stamp
• Style / design notes: Eternity band; continuous repeating puffy heart motif around full band; high-polish finish
• Stone or material notes: None
• Color: Warm gold tone
• Condition: Good vintage condition, please see photos 

Measurement
Size 3.5 (measured on ring mandrel between 3 and 4)

Collected by Mineral and Matter

A single cream faux pearl sits at the center of two sweeping bypass bands, each set with a row of clear crystal rhinestones and edged in fine milgrain detail. The movement is elegant and slightly sculptural — the crossover design lifts the pearl off-center just enough to feel dynamic rather than stiff. Signed on the interior shank, it comes with the provenance of a recognized name and the wearability of a piece that never fully goes out of style.

Materials
Gold tone base metal, simulated pearl, clear crystal rhinestones

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Bypass crossover setting; two rhinestone-paved milgrain bands cradling a central faux pearl
• Stone or material notes: Cream simulated pearl center; prong-set clear crystal rhinestone accents
• Color: Warm gold tone / cream / clear
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A single large emerald-cut stone in deep forest green takes the lead here — the kind of saturated, glassy green that reads as genuinely precious from across the room. Four round clear rhinestones flank it two per side, set into angular silver-tone shoulders that echo the geometry of the center stone. The silhouette is clean and slightly Art Deco in spirit — symmetrical, confident, built around the stone rather than around the setting. One of the more convincing faux-emerald pieces Avon produced.

DETAILS:

• Maker: Avon
• Style: Emerald-cut solitaire cocktail ring with side accents
• Center: Deep emerald-green faceted emerald-cut rhinestone
• Accents: Four round clear rhinestones, two per shoulder
• Setting: Angular silver-tone claw setting with geometric shoulders
• Markings: interior band Avon stamp
• Material: Silver-tone base metal
• Era: 1970s 
• Size: Adjustable 4.5-6.5
• Condition: Excellent Vintage Condition

Collected by Mineral and Matter

A faceted aqua blue pear-cut stone sits within an open swirl frame, flanked by a scatter of prong-set clear rhinestones that trail off like the tail of a comet. The teardrop cut catches light from every angle, and its cool blue-topaz tone reads effortlessly against warm gold. The asymmetric swirl setting gives this ring a fluid, almost organic quality unusual for its era. It moves between casual and dressed up without announcing either.

Materials
Gold tone base metal, glass stones

Details

• Era: 1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Open swirl frame; pear-cut center stone; scattered clear rhinestone accents trailing to one side
• Stone or material notes: Aqua blue faceted glass teardrop; clear glass prong-set rhinestone accents
• Color: Gold tone / aqua blue / clear
• Condition: Good vintage condition

Measurement
Size 6.75

Collected by Mineral and Matter

Two heart-shaped stones nestle together in an offset toi et moi setting — one deep garnet red, one clear crystal — each bezel-set and accented by small prong-set rhinestones at the corners. The toi et moi (you and me) format has appeared in fine jewelry since the 18th century, most famously in Napoleon's proposal ring to Joséphine, and this Avon interpretation carries that romantic geometry into everyday wear. The pairing of red and clear against warm gold is bold without effort. A ring with a love story built into its form.

Materials
Gold tone base metal, glass stones

Details

• Era: 1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Toi et moi double heart setting; bezel-set hearts in offset cluster; prong-set clear rhinestone accents at corners
• Stone or material notes: Deep red faceted glass heart; clear faceted glass heart; clear glass rhinestone accents
• Color: Gold tone / red / clear
• Condition: Great vintage condition

Measurement
Size 7

Collected by Mineral and Matter

Three lavender marquise stones cascade diagonally across a split bypass shank, flanked by two silver tone rhinestone bars that cross at the center like a constellation in motion. The color sits in that rare blue-violet range that mimics tanzanite, cool and atmospheric against the warm gold setting. The open split shank construction and flowing bypass design place this firmly in the elegant cocktail ring tradition of the late 1980s and early 90s. It wears beautifully on its own and needs nothing else.

Materials
Gold tone base metal, silver tone accent metal, glass stones

Details

• Era: 1980s
• Markings: Small diamond-shaped hallmark stamp on interior shank
• Style / design notes: Diagonal bypass design; three marquise stones flanked by two rhinestone bar accents; open split shank
• Stone or material notes: Lavender blue-violet faceted glass marquise stones; clear glass rhinestone accents in silver tone settings
• Color: Gold tone / lavender violet / clear
• Condition: Great vintage condition

Measurement
Size 7

Collected by Mineral and Matter

Two opposing diagonal ribbed bands sweep across a domed face, meeting at the center in a knot-like crossover — sculptural, tactile, and entirely stoneless. This kind of bold dome construction was a hallmark of 1970s gold tone jewelry, drawing from the era's love of texture and form over ornament. It wears like a statement but sits close to the finger with unexpected comfort. The kind of ring that photographs beautifully and earns compliments in real life.

Materials
Gold tone base metal

Details

• Era: 1970s–1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Wide dome ring; opposing diagonal ribbed panels meeting at center crossover; high-polish finish
• Color: Warm gold tone
• Condition: Great vintage condition

Measurement
Size 6

Collected by Mineral and Matter

Three deep forest-green baguette stones set diagonally across the face, flanked by rows of prong-set clear rhinestones, a composition that nods to Art Deco geometry while sitting firmly in the 1970s. The silver tone setting gives it a cooler, more understated finish than its gold tone counterparts, letting the green stones anchor the piece. The wide tapered shank and adjustable band make it easy to wear across a range of sizes. A ring that looks considered rather than costumed.

Materials
Silver tone base metal, glass rhinestones

Details

• Era: 1970s–1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Wide tapered shank; three diagonal baguette stones flanked by round rhinestone rows; prong-set throughout
• Stone or material notes: Emerald green glass baguettes; clear glass round rhinestones
• Color: Silver tone / emerald green / clear
• Condition: Excellent vintage condition

Measurement
Adjustable, fits sizes 5–7

Collected by Mineral and Matter

Description
A marquise-shaped panel of oxidized silver-tone filigree frames a single purple rhinestone at its center — petite teardrops and a beaded border arranged with the quiet geometry of a medieval reliquary. The open cutwork shoulders give the ring a lightness that belies its presence on the hand. Stamped Avon, and representative of the brand's more architectural ring designs. A piece that reads as older than it is, in the best way.

Materials
Silver-tone base metal with oxidized finish, purple rhinestone accent

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Marquise filigree panel with cutwork teardrop motifs, beaded border, open split shoulders
• Stone or material notes: Single round purple rhinestone center
• Color: Silver-tone, oxidized dark patina, purple
• Condition: Good vintage condition with gentle surface wear consistent with age

Measurement: Size 7

Collected by Mineral and Matter

A generous cluster of prong-set pear-shaped clear rhinestones tumbles across an openwork silver-tone setting, punctuated by small round marcasite-style accents at the edges. The shank is split and tapered, adding structure to what reads as an organic, scattered arrangement of stones. The dark oxidized tone of the metal deepens the contrast with the bright clear stones — a combination with roots in Art Deco jewelry that never fully goes out of style.

Materials & Details:

• Era: 1960s–1980s
• Markings: 925
• Style notes: Cluster setting with pear-cut rhinestones and marcasite-style round accents, openwork shank
• Stone notes: Faceted clear pear rhinestones with dark round marcasite-style accents
• Color: Silver tone with clear and dark accents
• Condition: Good vintage condition, please see photos 
• Measurement: Size 7

Collected by Mineral and Matter

A large emerald-cut aqua blue rhinestone dominates this silver-tone Avon ring, set high in a four-prong corner setting with open scrollwork shoulders that keep the design light despite the stone's scale. The pale blue-gray color reads like shallow ocean water held in place — cool, clear, and quietly arresting. Avon produced rings of this quality and proportion throughout the 1970s and into the 80s, drawing on fine jewelry proportions to give their costume pieces genuine presence. A strong cocktail ring with an understated elegance.

Materials: Silver-tone base metal, aqua blue faceted glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Emerald-cut solitaire, four corner prongs, open scrollwork shoulders
• Stone notes: Faceted aqua blue glass rhinestone, emerald cut
• Color: Silver, aqua blue
• Condition: Excellent vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

A broad, architectural gold-tone setting cradles a single round faux pearl, its ridged and faceted shoulders radiating outward like rays from a sun — or the ribs of a shell. The substantial weight and geometric form place this firmly in the 1970s, when signet-style rings were worn with intention and jewelry leaned bold and structural. The pearl reads soft against the heavily textured metal, an unexpected pairing that gives the piece real character. Wears with the confidence of a statement ring and the ease of an everyday one.

Materials: Gold-tone base metal, faux pearl

Details:

• Era: 1970s
  
• Style notes: Signet form, ridged radiating shoulders, wide flat band, fan or shell-like setting
• Stone notes: Round faux pearl, gloss finish, bezel-set
• Color: Gold, cream white
• Condition: Good vintage condition, some gold tone loss
• Measurement: Size 9

Collected by Mineral and Matter

A long marquise-cut coral-red Lucite cabochon sits high in an ornate gold-tone setting, its pointed prongs and scrolled shoulder details borrowing from fine jewelry forms of the late 1960s and early 1970s. Avon produced rings like this during their peak costume jewelry era, when bold color and architectural settings were hallmarks of the category. The warm red-orange stone commands attention without weight, and the adjustable shank makes it genuinely wearable across sizes. A confident, sculptural piece.

Materials: Gold-tone base metal, coral-red Lucite cabochon

Details:

• Era: Late 1960s–1970s
• Markings: Avon
• Style notes: Marquise solitaire, ornate pointed prong setting, scrolled shoulders, textured shank
• Stone notes: Coral-red Lucite cabochon, marquise form
• Color: Gold, coral red
• Condition: Good vintage condition, some gold tone loss on band
• Measurement: Adjustable, fits approximately size 5.5–6.5

Collected by Mineral and Matter

A slender gold-tone band anchored by a single prong-set pink rhinestone — quiet and precise. Avon's costume jewelry of the 1970s and 80s leaned into minimalism alongside the era's fine jewelry trends, and this ring reflects that sensibility well. The delicate claw setting elevates what could be a simple piece into something with genuine presence. Wears beautifully alone or stacked.

Materials: Gold-tone base metal, pink glass rhinestone