The smooth stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill.

Available in size 2-11

By Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill.

Available in size 4-11

By Mineral and Matter

The curve ring is the perfect piece to add an accent to your rings or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill with hammered textured.

Available in size 4-10

By Mineral and Matter

The Luna ring is an open ring on both ends with a goldfill crescent moon on one side and a bezel set lab cultured opal on the other side.  Band is 14k goldfill.

Available in size 4 -11

By Mineral and Matter

By Mineral and Matter

The circle ring is the perfect piece to add an accent to your rings or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill or sterling silver with smooth texture.  The circle is 6mm in diameter.

Available in size 4-10

By Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in sterling silver. 

Available in size 4-11

By Mineral and Matter

The smooth stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in sterling silver. 

Available in size 4-11

By Mineral and Matter

The wide hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This standout ring is 3mm in width and hand forged in 14k goldfill.

Available in size 4-11

By Mineral and Matter

Opal has beautiful flashes of colors, making it stand out.  This ring has a 5mm synthetic opal sits in a bezel cup.  Band is 14k goldfill.

Available in size 4 -11.

By Mineral and Matter

The heart ring is made with a little extra love every time and is the ring to wear when you need a more of it in your life, from yourself or those who care for you.  The open heart is approximately .5" wide and on 1mm 14k goldfill wire.

Available in size 4-11

By Mineral and Matter

This ring is hand-formed in 14k goldfill and set with a natural amazonite stone. Amazonite has a blueish green hue to it and is found in Peru and is named the "Amazon Stone" or amazonite. The blue color comes from trace amounts of lead in the gemstone. 

Available in sizes 4-11
16 Gauge wire thickness
5mm round stone
Polished finish

By Mineral and Matter

By Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection! This ring is 3mm in width and hand textured in sterling silver. 

Available in size 4-11

By Mineral and Matter

This black opal ring has a dark background color which helps the rainbow variations to shine through.  Manmade, this simulated opal is an economical alternative to natural opal, offering a durability that makes it easier to work with in rings and jewelry meant for everyday wear.  The multicolored sparkle is hard to resist! 

This ring has a 6mm simulated black opal sitting in a round bezel cup.  Band is 14k goldfill.

Available in size 4 -11.

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

By Mineral and Matter

This sterling silver ring catches light beautifully with its twisted and dotted pattern. It is the perfect addition to any stack of rings.

• Available in sizes 5-11

• 10 Gauge wire thickness

• Polished finish

By Mineral and Matter

The curve ring is the perfect piece to add an accent to your rings or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in .925 sterling silver with hammered textured.

Available in size 4-10

By Mineral and Matter

The Luna ring is an open ring on both ends with a goldfill crescent moon on one side and a bezel set lab cultured opal on the other side.  Band is .925 sterling silver.

Available in size 4 -11

By Mineral and Matter

Three interlocking bands twist and cross in a continuous rolling form — a design with roots in Russian wedding ring tradition, reinterpreted here in polished gold-tone by Godiva, a lesser-known American costume jewelry maker. The result is minimal and tactile, as satisfying to wear as it is to look at. A quiet piece that earns its place on any finger.

Materials: Gold-tone base metal

Details:

• Era: 1980s–1990s
• Markings: "Godiva" stamped inside band
• Style / design notes: Triple interlocking rolling band, crossover construction, high-polish finish
• Stone or material notes: None
• Color: Gold-tone
• Condition: Great vintage condition
• Measurement: Size 7

Collected by Mineral and Matter

By Mineral and Matter

A deep garnet-red oval stone sits at the center of six pearl cabochons, the whole cluster raised on a heavily textured gold setting with beaded and ridged shoulders — Avon's Roseglow is one of those pieces that borrows directly from Victorian cluster ring tradition without apologizing for it. The underside carries a clear Avon © stamp, and the craftsmanship throughout is more considered than most costume jewelry of its era. Bold enough to be the only ring you wear, grounded enough to mean something.

DETAILS:
— Maker: Avon © — Roseglow
— Style: Cluster cocktail ring
— Center stone: Oval garnet-red glass/rhinestone
— Surround: Six pearl cabochons in individual prong settings
— Shoulders: Textured beaded and ridged gold-tone band
— Material: Gold-tone metal
— Era: 1970s

— Size:Size 4-5 adjustable

— Condition: Good vintage; all stones secure, stamp clear, setting intact, band may have some light tone loss

Collected by Mineral and Matter

A sculptural tribute to the organic complexity of nature, this 1976 Avon "Flowerblaze" ring captures the spirit of the mid-century floral revival. The ring features a deeply textured, ruffled setting modeled after a blooming carnation, creating a rich interplay of light and shadow. Nestled within its golden petals is a single, brilliant-cut crystal accent that mimics a shimmering drop of morning dew. This piece offers a grounded yet feminine presence, perfect for adding a touch of vintage botanical charm to daily wear.

Materials: Gold-tone base metal, clear crystal
Details: Intricately ruffled carnation design with a single rhinestone accent
Era: 1976
Markings: Signed "AVON" inside the band
Style / design notes: Art Nouveau-inspired floral cocktail ring with a 3D textured finish
Stone or material notes: Round brilliant-cut clear crystal
Function: Statement cocktail ring
Color: Gold and clear
Condition: Vintage with gentle surface wear consistent with age
Measurement: adjustable size 4-5
Collected by Mineral and Matter

Opal has beautiful flashes of colors, making it stand out.  This ring has a 5mm synthetic opal sits in a bezel cup.  Band is .925 sterling silver.

Available in size 4 -11.

By Mineral and Matter

By Mineral and Matter

A warm oval tiger's eye cabochon sits in a scrolled gold-filled setting, its chatoyant silky bands of amber and brown shifting with the light in that characteristic way that made the stone a favorite of mid-century jewelry designers. The flowing scroll shoulders give the ring an Art Nouveau-adjacent softness — a sensibility that experienced a strong revival in American jewelry of the 1950s and 60s. At 12K gold filled, this is a step above costume: a bonded gold layer over base metal with meaningful longevity and warm color. A grounded, mineral piece.

Materials: 12K gold filled, natural tiger's eye cabochon

Details:

• Era: 1950s–1960s
• Markings: 12K Gold Filled
• Style notes: Oval solitaire, scroll and claw setting, Art Nouveau revival shoulders
• Stone notes: Natural tiger's eye cabochon, oval, chatoyant
• Color: Gold, amber brown
• Condition: Vintage with gentle surface wear consistent with age, see images
• Measurement: Size 6.75

Collected by Mineral and Matter

A smooth, domed gold electroplate band rises to a flush-set heart at the crown — its face a diamond-cut silver-tone metal inlay with a small rhinestone accent at center, the contrast between the warm gold and cool silver quietly elegant. Tona was an American manufacturer known for quality gold-filled and gold electroplate pieces, and this ring reflects their cleaner, more refined output. The heart signet form places it comfortably in the 1970s–80s, when the shape moved between romantic and graphic with ease. A compact, wearable piece.

Materials: Gold electroplate base metal, silver-tone diamond-cut metal inlay, rhinestone accent

Details:

• Era: 1970s–1980s
• Markings: TONA, G.E. (gold electroplate)
• Style notes: Domed signet form, flush-set heart, diamond-cut inlay, two-tone
• Stone notes: Small rhinestone center accent
• Color: Gold, silver
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: Size 7

Collected by Mineral and Matter

A large emerald-cut aqua blue rhinestone dominates this silver-tone Avon ring, set high in a four-prong corner setting with open scrollwork shoulders that keep the design light despite the stone's scale. The pale blue-gray color reads like shallow ocean water held in place — cool, clear, and quietly arresting. Avon produced rings of this quality and proportion throughout the 1970s and into the 80s, drawing on fine jewelry proportions to give their costume pieces genuine presence. A strong cocktail ring with an understated elegance.

Materials: Silver-tone base metal, aqua blue faceted glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Emerald-cut solitaire, four corner prongs, open scrollwork shoulders
• Stone notes: Faceted aqua blue glass rhinestone, emerald cut
• Color: Silver, aqua blue
• Condition: Excellent vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

A broad, architectural gold-tone setting cradles a single round faux pearl, its ridged and faceted shoulders radiating outward like rays from a sun — or the ribs of a shell. The substantial weight and geometric form place this firmly in the 1970s, when signet-style rings were worn with intention and jewelry leaned bold and structural. The pearl reads soft against the heavily textured metal, an unexpected pairing that gives the piece real character. Wears with the confidence of a statement ring and the ease of an everyday one.

Materials: Gold-tone base metal, faux pearl

Details:

• Era: 1970s
  
• Style notes: Signet form, ridged radiating shoulders, wide flat band, fan or shell-like setting
• Stone notes: Round faux pearl, gloss finish, bezel-set
• Color: Gold, cream white
• Condition: Good vintage condition, some gold tone loss
• Measurement: Size 9

Collected by Mineral and Matter

A deep black oval cabochon rests within an ornate gold-tone filigree setting, its scrollwork and leaf details drawn from Victorian and Edwardian revival styles that circulated widely in costume jewelry of the 1960s and 70s. The open pierced shoulders and milgrain-edged band give it a delicacy that belies its size, wearing closer to an heirloom than a costume piece. Black and gold is an enduring combination — grounded, a little mysterious, and quietly authoritative. A strong everyday ring.

Materials: Gold-tone base metal, black glass or onyx-style cabochon

Details:

• Era: 1960s–1970s
  
• Style notes: Filigree setting, pierced scrollwork shoulders, leaf and scroll motifs, milgrain edge detail
• Stone notes: Black oval cabochon, glassy finish, likely glass or dyed onyx
• Color: Gold, black
• Condition: Good vintage condition, gentle surface 
• Measurement: Size 8

Collected by Mineral and Matter

Hand-bent from a WM. A. Rogers Oneida Ltd. silverplate spoon, this wrap ring carries the graceful floral pattern of mid-century American flatware — roses and small blossoms trailing along scrolled stems. Spoon rings emerged as a folk art form in the 1960s and 70s counterculture, repurposing heirloom-quality flatware into wearable objects with quiet domestic history. The bowl of the spoon forms the wide face of the ring, smooth and domed, while the handle wraps beneath with its embossed detail intact. A piece that sits at the intersection of craft and found object.

Materials: Silverplate over base metal

Details:

• Era: Mid-20th century flatware, converted 1960s–1970s
• Markings: WM. A. Rogers Oneida Ltd.
• Style notes: Wrap/bypass form, spoon bowl face, floral and scroll handle pattern
  
• Color: Silver
• Condition: Good vintage condition
• Measurement: Size 5 adjustable

Collected by Mineral and Matter

Hand-bent from a WM. A. Rogers Oneida Ltd. silverplate spoon, this wrap ring carries the graceful floral pattern of mid-century American flatware — roses and small blossoms trailing along scrolled stems. Spoon rings emerged as a folk art form in the 1960s and 70s counterculture, repurposing heirloom-quality flatware into wearable objects with quiet domestic history. The bowl of the spoon forms the wide face of the ring, smooth and domed, while the handle wraps beneath with its embossed detail intact. A piece that sits at the intersection of craft and found object.

Materials: Silverplate over base metal

Details:

• Era: Mid-20th century flatware, converted 1960s–1970s
• Markings: WM. A. Rogers Oneida Ltd.
• Style notes: Wrap/bypass form, spoon bowl face, floral and scroll handle pattern
  
• Color: Silver
• Condition: Great vintage condition
• Measurement: Size 5 adjustable

Collected by Mineral and Matter

A long marquise-cut coral-red Lucite cabochon sits high in an ornate gold-tone setting, its pointed prongs and scrolled shoulder details borrowing from fine jewelry forms of the late 1960s and early 1970s. Avon produced rings like this during their peak costume jewelry era, when bold color and architectural settings were hallmarks of the category. The warm red-orange stone commands attention without weight, and the adjustable shank makes it genuinely wearable across sizes. A confident, sculptural piece.

Materials: Gold-tone base metal, coral-red Lucite cabochon

Details:

• Era: Late 1960s–1970s
• Markings: Avon
• Style notes: Marquise solitaire, ornate pointed prong setting, scrolled shoulders, textured shank
• Stone notes: Coral-red Lucite cabochon, marquise form
• Color: Gold, coral red
• Condition: Good vintage condition, some gold tone loss on band
• Measurement: Adjustable, fits approximately size 5.5–6.5

Collected by Mineral and Matter

A small but commanding butterfly rendered in silver-tone metal, its wings filled with crushed turquoise and pink stone chip inlay in a mosaic-like pattern. This style of chip inlay work was popular in Southwestern-influenced costume jewelry from the 1970s, made widely for the tourist and gift market but worn with genuine affection. The sculptural form and natural stone materials give it an earthy, grounded quality that reads as quietly collectible. A sweet find for lovers of nature motifs and mineral color.

Materials: Silver-tone base metal, crushed turquoise chip inlay, pink stone chip inlay

Details:

• Era: 1970s
• Style notes: Figural butterfly, chip inlay wings, twisted wire antennae detail
• Stone notes: Crushed turquoise and pink stone chip inlay, epoxy-set
• Color: Silver, turquoise, pink
• Condition: Good vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

A slender gold-tone band anchored by a single prong-set pink rhinestone — quiet and precise. Avon's costume jewelry of the 1970s and 80s leaned into minimalism alongside the era's fine jewelry trends, and this ring reflects that sensibility well. The delicate claw setting elevates what could be a simple piece into something with genuine presence. Wears beautifully alone or stacked.

Materials: Gold-tone base metal, pink glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Solitaire, thin band, prong-set center stone
• Stone notes: Pink glass rhinestone, round cut, prong set
• Color: Gold, pink
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: Size 5

Collected by Mineral and Matter

A single prong-set red rhinestone blossom rises above three silver tone leaves, the composition suggesting a flower caught mid-bloom, stem and all. The asymmetric arrangement gives the ring a naturalistic, almost botanical ease. Signed ©Avon inside the shank.

Materials: Gold tone base metal, silver tone accents, red rhinestone, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Single prong-set red rhinestone bloom; three leaf stones asymmetric spray composition; smooth round shank
• Stone or material notes: One round red rhinestone; clear rhinestones in Color: Gold tone, red, clear
• Condition: Good vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

Three parallel gold tone rails open at the center to frame a vertical column of three prong-set clear rhinestones — a clean, architectural composition that reads as both minimal and deliberately considered. The wide open shank gives the ring real presence without weight. Signed ©Avon inside the band.

Materials: Gold tone base metal, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Triple open rail band construction; three prong-set rhinestones in vertical column at center; smooth polished finish
• Stone or material notes: Three round clear rhinestones, prong set
• Color: Gold tone, clear
• Condition: Excellent vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

A domed lattice of twisted wire flowers repeats across the full circumference of the band — each six-petal bloom centered with a small ball and connected at the intersections by additional ball accents, creating an open, lace-like structure that is surprisingly airy for its presence on the hand. The interior reveals the same floral pattern carried through, so the ring is as considered from below as above. Signed ©Avon inside the shank.

Materials: Gold tone base metal

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Full dome band; open twisted wire floral lattice construction; ball center and ball junction accents; filigree continues on interior band
• Stone or material notes: None
• Color: Gold tone
• Condition: Great vintage condition
• Measurement: Size 9

Collected by Mineral and Matter

Six faux pearls of varying sizes are scattered across a textured gold tone setting in a loose, naturalistic cluster — interspersed with silver tone rhinestone-set leaf accents that catch light between the pearls. The arrangement feels botanical rather than rigid, like a sprig caught mid-bloom. Signed ©Avon inside the adjustable shank.

Materials: Gold tone base metal, faux pearls, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Freeform pearl cluster top; textured gold tone leaf and branch setting; silver tone rhinestone leaf accents; adjustable split shank
• Stone or material notes: Six faux pearls, varied sizes, cream tone with good luster; small clear rhinestones in leaf settings
• Color: Gold tone, cream, silver tone accents
• Condition: Good — pearls intact and lustrous, light wear to shank consistent with age
• Measurement: Adjustable, fits size 5–7

Collected by Mineral and Matter

Two smooth angular flanges sweep apart at the center to cradle a single bezel-set clear rhinestone — a minimal, architectural gesture that feels more considered than typical costume jewelry of its era. The wide polished band tapers into the split, giving the ring a graphic, almost modernist silhouette. Signed ©Avon inside the shank.

Materials: Gold tone base metal, clear rhinestone

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Split shank open V construction; single bezel-set rhinestone at center; smooth polished band; architectural profile
• Stone or material notes: Single round clear rhinestone, bezel set
• Color: Gold tone, clear
• Condition: Good vintage condition stone secure and bright
• Measurement: Size 6

Collected by Mineral and Matter

The Captured Jade Ring from Avon's 1978 collection. A vibrant green jade cylinder—roughly 5/8 inch of pure retro magic—sits snugly between two crisscrossing gold-tone bands that frame it like a tiny work of art. Whether you're a vintage jewelry enthusiast or just love a statement piece with personality, this ring delivers that perfect blend of quirky charm and timeless sophistication that makes '70s Avon so irresistible.

Size 8

Collected by Mineral and Matter

A round faux fire opal cabochon glows at the center of this ring, its surface shifting between warm gold, blush, and pale iridescence depending on the light — the effect is genuinely luminous. Textured gold-tone feather-like leaves curl around it from both sides, and three small clear rhinestones scatter loosely along the lower edge like morning dew. The overall composition is loose and organic, more like something found in a garden than assembled on a bench. One of Avon's more poetically designed pieces from their 1970s nature-inspired era.

DETAILS:

• Maker: Avon
• Style: Botanical cocktail ring
• Center: Round faux fire opal cabochon; iridescent warm gold and blush tones
• Accents: Three round clear rhinestones
• Setting: Textured gold-tone feather leaf spray
• Markings: Verify interior band for Avon stamp
• Material: Gold-tone base metal
• Era: 1970s
• Size: adjustable 5-6
• Condition: Good vintage condition, a bit of wear and gold tone loss in a few spots

Collected by Mineral and Matter

A narrow rectangular bezel holds a field of crushed teal opal mosaic — its surface a patchwork of blue-green fragments that shift in the light like a tide pool seen from above. The setting face is flanked by low-relief floral scrollwork on each shoulder, giving the ring an almost signet-like formality softened by the organic stone. Small and precise, with a quiet depth that rewards a closer look.

Materials: Silver tone base metal, crushed opal mosaic inlay

Details:

• Era: 1980s–1990s
• Markings: Partial hallmark — circle mark and rectangular cartouche (possibly "OS" or "05"); origin unclear
• Style / design notes: Rectangular bezel setting; crushed opal mosaic inlay; floral scroll shoulder relief; signet-adjacent profile
• Stone or material notes: Crushed teal opal mosaic inlay; blue-green fragmented surface with light shift; no strong play of color
• Color: Silver tone, teal
• Condition: Good vintage condition, please see photos 
• Measurement: Size 7

Collected by Mineral and Matter