A pair of classic screw-back earrings, each set with a single faux pearl held in a petal-like prong setting. Unmarked, with adjustable screw fittings for a non-pierced fit. A dainty, versatile pair that works equally well for everyday wear or dressier occasions.

Materials
Gold-tone metal, faux pearl

Details

• Era: Mid-century
• Style / design notes: Screw-back fittings, petal prong settings
• Color: Gold-tone with white pearl
• Condition: Good vintage condition, please see images
• Measurement: 0.5" long

Collected by Mineral and Matter

A classic strand of graduated faux pearls with a soft, luminous glow, hand-knotted between each bead for durability and drape. The clasp is a marquise-shaped sterling silver piece set with a single sparkling rhinestone, marked "Sterling" on the reverse. A timeless, elegant staple that layers beautifully or stands alone.

Materials
Faux pearls, sterling silver

Details

• Era: Mid-century
• Markings: Sterling
• Style / design notes: Graduated beads, hand-knotted, rhinestone-set clasp
• Color: Cream
• Condition: Good vintage condition, please see images
• Measurement: 17" long

Collected by Mineral and Matter

A delicate gold-tone chain necklace by Monet, set with small white cube beads spaced evenly along its length. The chain alternates fine cable links with short bar segments, giving the piece a light, architectural rhythm between each bead station. Signed "Monet" on a tag near the lobster clasp. A clean, wearable everyday piece at choker length.

Materials
Gold-tone metal, acrylic/lucite beads

Details

• Era: 1980s
• Markings: Monet
• Style / design notes: Bar and cable link chain, white cube bead stations, lobster clasp
• Color: Gold-tone with white
• Condition: Good vintage condition, please see images
• Measurement: 15" long

Collected by Mineral and Matter

A long gold-tone herringbone chain necklace with small clusters of faux pearls set at intervals along its length, adding a soft, beaded rhythm to the sleek chain. Unsigned, with a spring ring clasp. A long layering length with just enough texture to stand alone.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Style / design notes: Herringbone chain with faux pearl stations, spring ring clasp
• Color: Gold-tone with cream pearls
• Condition: Good vintage condition, please see images
• Measurement: 30" long

Collected by Mineral and Matter

A pair of Napier drop earrings with a slender textured wire loop that swings from the post, each finished with a single faux pearl at the base. Signed "Napier" on the earring back. A delicate, elongated silhouette with subtle movement.

Materials
Gold-tone metal, faux pearl

Details

• Era: 1980s
• Markings: Napier
• Style / design notes: Open wire drop with faux pearl, pierced post
• Color: Gold-tone with cream pearl
• Condition: Good vintage condition, please see images
• Measurement: 1" long

Collected by Mineral and Matter

A simple gold-tone curb chain necklace with a single teardrop faux pearl pendant swinging at the center. Unsigned, with a spring ring clasp. A dainty, minimal piece that sits close to the neck at choker length.

Materials
Gold-tone metal, faux pearl

Details

• Era: 1980s
• Style / design notes: Curb chain, teardrop faux pearl drop, spring ring clasp
• Color: Gold-tone with cream pearl
• Condition: Good vintage condition, please see images
• Measurement: 14" long

Collected by Mineral and Matter

A slim gold-tone chain necklace with a sliding bead mechanism that lets you adjust the length shorter than its full 24" drop, plus a delicate multi-strand section at the bottom for a bit of drape. Unmarked. A flexible, easy-to-style piece that adapts to different necklines.

Materials
Gold-tone metal

Details

• Era: 1980s
• Style / design notes: Adjustable slide clasp, multi-strand drape detail
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 24" long, adjustable to shorter lengths

Collected by Mineral and Matter

A vintage pendant watch necklace featuring a round, openwork gold-tone medallion with a scrolling heart motif surrounding the watch face. The watch is signed "Bueren 17 Jewels" and marked "base metal bezel, S. Steel back" on the case. Sold untested. A statement piece with real conversation-starting charm on a long bar link chain.

Materials
Gold-tone metal, base metal bezel, stainless steel back

Details

• Era: 1960s–70s
• Markings: Bueren 17 Jewels; Base Metal Bezel, S. Steel Back
• Style / design notes: Openwork medallion pendant, watch untested, bar link chain with spring ring clasp
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: Watch face 1.5" diameter, chain 24" long

Collected by Mineral and Matter

*UNTESTED- Could just need a simple battery or possibly more intricate repairs to have a working/ticking watch.

A pair of round gold-tone stud earrings with a raised, molten nugget-style texture across the surface, giving them real dimension and shine. Marked "Korea" on the backs. Pierced posts with butterfly backs — a bold little everyday stud with genuine 1980s character.

Materials
Gold-tone metal

Details

• Era: 1980s
• Markings: Korea
• Style / design notes: Round nugget/textured design, pierced post with butterfly back
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 0.5" wide

Collected by Mineral and Matter

A long box chain necklace in gold-tone metal, its square-link design giving good weight and shine. A small dangling Crown trifari charm hangs near the spring ring clasp, adding a personal touch. A versatile layering piece with plenty of length.

Materials
Gold-tone metal

Details

• Era: 1970s–1980s
• Markings: Crown Trifari charm
• Style / design notes: Box chain, small dangling initial charm at clasp, spring ring clasp
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 30" long

Collected by Mineral and Matter

A slim gold-tone bangle bracelet with a fine twisted rope texture running its full circumference. Simple, stackable, and easy to wear alone or layered with other bangles.

Materials
Gold-tone metal

Details

• Era: 1980s
• Markings: None
• Style / design notes: Twisted rope texture, solid bangle
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 2.75" diameter, fits approximately a size 8 wrist

Collected by Mineral and Matter

A slender gold-tone rope chain bracelet with a fine twisted texture, still bearing its original retail tag and lobster clasp closure — genuine deadstock condition. A simple, wearable everyday piece.

Materials
Gold-tone metal

Details

• Era: 1970s-80's
• Markings: Korea KK
• Style / design notes: Twisted rope chain, lobster clasp, original store tag attached (new old stock)
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 7.5" long

Collected by Mineral and Matter

A pair of gold-tone stud earrings with a sculptural open oval silhouette, textured with fine ribbed detailing all the way around. Pierced posts with butterfly backs. A simple, sculptural everyday piece with real dimension.

Materials
Gold-tone metal

Details

• Era: 1980s
• Markings: None
• Style / design notes: Open oval ring design, ribbed/fluted texture, pierced post with butterfly back
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 1.5" long and wide

Collected by Mineral and Matter

An antique-style watch fob chain with rectangular engraved bar links joined by small oval connectors, finished with a spring ring clasp and swivel-style bar fitting. The etched detailing on each link gives this piece genuine Victorian/Edwardian-era character, with a warm oxidized patina throughout.

Materials
Silver-tone metal

Details

• Era: Late 1800s–early 1900s
• Markings: None
• Style / design notes: Engraved rectangular bar links, spring ring clasp with swivel fitting, watch-chain style construction
• Color: Silver-tone with dark patina
• Condition: Good vintage condition, please see images
• Measurement: 12" long

Collected by Mineral and Matter

A scroll-link chain necklace in gold-tone metal. Finished with a spring ring clasp. A versatile everyday chain with a bit of extra shine from its mixed-metal design.

Materials
Gold-tone metal

Details

• Era: 1970s–1980s
• Markings: None
• Style / design notes: Two-tone scroll/S-link chain, spring ring clasp
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 18" long

Collected by Mineral and Matter

A slim gold-tone wire bangle with a hook-and-eye closure at the center, secured on either side by coiled wire wraps. A heart-shaped charm sits at the front, engraved with the script initial "D" — a sweet, personalized touch on a simple, wearable design.

Materials
Gold-tone metal

Details

• Era: 1950s–1970s
• Markings: None
• Style / design notes: Wire hook bangle, coiled wire wrap detailing, engraved heart charm ("D")
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 2.5" long, 2" wide

Collected by Mineral and Matter

A round open-face pendant watch with a strikingly graphic dial — alternating black enamel-style segments hold white Roman numeral hour markers around an engraved gold-tone center medallion with ornate scrollwork hands. The case back carries matching hand-engraved scroll detailing, and the dial reads "Swiss Made." Hangs from a gold-tone cable chain with spring ring clasp. A dramatic, richly detailed vintage timepiece.

Materials
Gold-tone metal, glass crystal

Details

• Era: 1960s–1970s
• Markings: Swiss Made
• Style / design notes: Open-face pendant watch, black enamel-style Roman numeral segments, engraved scrollwork dial center and case back, cable chain
• Color: Gold-tone with black accents
• Condition: Good vintage condition, please see images
• Measurement: Pendant 1.5" long, chain 12" long (drop, clasped)
• Function: Watch untested

Collected by Mineral and Matter

*UNTESTED- Could just need a simple battery or possibly more intricate repairs to have a working/ticking watch.

A gold-tone fleur-de-lis brooch designed in ornate Victorian Revival style, set with faceted amethyst-tone rhinestones, clear rhinestones, and faux pearl accents. A dangling oval locket completes the piece, its front centered on a large faux pearl cabochon framed by amethyst rhinestones and more pearls, opening to reveal two photo compartments. Wearable as either a brooch or pendant, and suspended here from a fine cable chain stamped 925 Canada. A romantic, richly detailed statement piece.

Materials
Gold-tone metal, faux pearl, amethyst-tone rhinestones, sterling silver chain (925, Canada)

Details

• Era: 1980s
• Markings: 925 Canada (on chain)
• Style / design notes: Fleur-de-lis brooch/pendant convertible, dangling oval locket with two photo compartments, amethyst and clear rhinestone accents, faux pearl details
• Color: Gold-tone with purple rhinestones and faux pearls
• Condition: Good vintage condition, please see images
• Measurement: Pendant 2.25" long, chain 8.75" long (clasped)

Collected by Mineral and Matter

A round Saxony pendant watch with a two-tone gold and silver-tone case, etched with a delicate floral and leaf motif around the dial. The watch face reads clean with baton markers on a silvery background. Hangs from a fine cable chain with spring ring clasp — a refined, wearable piece with genuine 1960s–70s Swiss watchmaking detail.

Materials
Gold-tone and silver-tone metal, glass crystal

Details

• Era: 1960s–1970s
• Markings: Saxony, Swiss Made
• Style / design notes: Two-tone etched floral case, round pendant watch, cable chain
• Color: Gold-tone and silver-tone
• Condition: Good vintage condition, please see images
• Measurement: Pendant 1.5" long, chain 12" long (drop, clasped)
• Function: Watch untested

Collected by Mineral and Matter

*UNTESTED- Could just need a simple battery or possibly more intricate repairs to have a working/ticking watch.

A round pendant watch by Sheffield, its dial marked "Swiss Made, Shock Resistant," set within a dramatic gold-tone mesh frame that coils outward like a nest. The watch face reads clean and legible with baton markers, sitting slightly off-center within the swirl. Hangs from a gold-tone rope chain with spring ring clasp. A statement piece of 1960s–70s design with genuine mechanical charm.

Materials
Gold-tone metal, glass crystal

Details

• Era: 1960s–1970s
• Markings: Sheffield, Swiss Made, Shock Resistant
• Style / design notes: Mesh swirl frame, round pendant watch, rope chain
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: Pendant 1.5" long, chain 12.5" long (drop, clasped)
• Function: Watch untested

Collected by Mineral and Matter

*UNTESTED- Could just need a simple battery or possibly more intricate repairs to have a working/ticking watch.

A substantial 1930s panel-link bracelet in warm gold-filled tone, its brick-woven bands catching light from every angle. At center, a cluster of oval blue rhinestones forms a floral burst, flanked by two smaller sunburst filigree accents. Signed "PR.ST.CO. 1/20-12K G.F." on the fold-over clasp, by the Providence Stock Company. A substantial, eye-catching bracelet with real Art Deco-era presence.

Materials
Gold-filled metal, blue glass rhinestones

Details

• Era: 1930s
• Markings: PR.ST.CO. 1/20-12K G.F.
• Style / design notes: Brick/panel link design, blue rhinestone floral cluster center, sunburst filigree side accents, fold-over clasp
• Color: Gold-tone with blue rhinestones
• Condition: Good vintage condition, please see images
• Measurement: 7" long, 0.75" wide

Collected by Mineral and Matter

A large emerald-cut blue stone sits like a piece of sky held in place by simple gold prongs, its stepped facets catching light with quiet clarity. The clean architectural setting keeps all the attention on the stone, sized generously enough to make a real statement. Bold and easy to wear on its own.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Stamped 18K Elec. Plate
• Style / design notes: Emerald-cut solitaire, four-prong setting, open gallery
• Stone or material notes: Large emerald-cut blue glass or crystal stone
• Color: Gold-tone with light blue stone
• Condition: good vintage condition

Measurement: Size 9

Collected by Mineral and Matter

Two faceted teal heart-shaped stones stack like waves cresting one after the other, framed by a rope-twist border and a cluster of dimensional silver flowers. The layered floral detailing gives the piece real texture and depth beyond the sparkle alone. Signed Sarah Coventry and adjustable, easy to wear and hard to overlook.

Materials

Details

• Era: 1970s
• Markings: Signed Sarah Cov.
• Style / design notes: Double heart silhouette, rope-twist bezel, floral cluster detailing
• Stone or material notes: Faceted teal glass or crystal hearts
• Color: Silver-tone with teal stones
• Condition: good vintage condition

Measurement: Adjustable, fits most sizes

Collected by Mineral and Matter

Five marquise-cut blue stones step across the finger like a row of petals, each flanked by small clear rhinestone accents that add extra sparkle. The graduated cluster gives the ring a soft peak at center, tapering cleanly into a simple silver-tone band. Adjustable and easy to wear from day into evening.

Materials

Details

• Era: Late 20th century
• Markings: Stamped W
• Style / design notes: Graduated marquise cluster, rhinestone accents
• Stone or material notes: Marquise-cut blue stones, round clear rhinestone accents
• Color: Silver-tone with blue and clear stones
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 4.5-6.5

Collected by Mineral and Matter

Five marquise-cut blue stones step across the finger like a row of petals, each flanked by small clear rhinestone accents that add extra sparkle. The graduated cluster gives the ring a soft peak at center, tapering cleanly into a simple silver-tone band. Adjustable and easy to wear from day into evening.

Materials

Details

• Era: Late 20th century
• Markings: Stamped W
• Style / design notes: Graduated marquise cluster, rhinestone accents
• Stone or material notes: Marquise-cut blue stones, round clear rhinestone accents
• Color: Silver-tone with blue and clear stones
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 4-7

Collected by Mineral and Matter

A gleaming oval hematite cabochon sits at the heart of a Gothic-inspired frame, its dark shine grounded by four small turquoise cabochons set like compass points. The scrolled, cross-shaped silhouette gives the ring an antique, cathedral-window feel. Signed Avon and adjustable, it moves easily from one hand to another.

Materials

Details

• Era: Late 20th century
• Markings: Signed Avon
• Style / design notes: Cross-shaped openwork frame, rope-twist bezel, four turquoise accent stones
• Stone or material notes: Oval hematite cabochon, round turquoise cabochons
• Color: Silver-tone with grey hematite and turquoise blue accents
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 5–7

Collected by Mineral and Matter

Seven emerald-green marquise stones curve across the finger like leaves caught mid-fall, set in a ribbed silver-tone band. The graduated arrangement gives the ring real movement, substantial without feeling heavy. Signed Coventry, a reliable name in well-made costume jewelry.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Signed Coventry
• Style / design notes: Curved cluster of marquise stones, ribbed shank
• Stone or material notes: Green marquise-cut rhinestones
• Color: Silver-tone with emerald green stones
• Condition: good vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A round cultured pearl rests at the center like a small moon, ringed by a full halo of clear cubic zirconia that catches light from every angle. The split shoulders keep the setting light despite its size, making it easy to wear from morning into evening. A genuine pearl at heart, dressed for a bit of occasion.

Materials

Details

• Era: Late 20th century
• Style / design notes: Round pearl solitaire, full CZ halo, split shoulders
• Stone or material notes: Genuine cultured pearl (according to the tooth test), clear cubic zirconia halo
• Color: Silver-tone with white pearl
• Condition: Excellent vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A large square-cut peridot-green stone sits high in a modernist, bar-set frame, with a split shank that curves and crosses beneath it. The bold, minimal setting lets the stone take full center stage — clean lines with real color impact. Stamped 925 sterling.

Materials
Sterling silver, peridot-tone faceted stone

Details

• Style / design notes: Large square-cut center stone, bar-set modernist frame, split shank
• Color: Silver with green stone
• Condition: vintage with gentle surface wear consistent with age, stone shifts slightly in setting
• Measurement: Size 7

Collected by Mineral and Matter

A rich purple oval cabochon sits at the center of a textured, sunburst-style setting in oxidized silver-tone, dotted with four tiny faux pearls. The antiqued finish gives it an antique, almost Victorian-revival feel. Signed "Sarah Cov." inside the band. A striking, richly detailed cocktail ring.

Materials
Silver-tone metal, amethyst-tone cabochon, faux pearls

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Oval cabochon in textured sunburst setting with faux pearl accents, oxidized finish
• Color: Antiqued silver-tone with purple stone
• Condition: Good vintage condition, please see photos 
• Measurement: Size 6

Collected by Mineral and Matter

Two faceted blue heart-shaped glass stones stack together, framed by small silver-tone flowers and leaves at the base — Sarah Coventry's 1973 "Love Story" design. Signed "©Sarah" inside the band. A sweet, romantic cocktail ring with genuine collector appeal.

Materials
Silver-tone metal, blue glass stones

Details

• Era: 1973
• Markings: Sarah Coventry
• Style / design notes: "Love Story" double heart stones with floral accents
• Color: Silver-tone with blue stones
• Condition: Good vintage condition, please see images
• Measurement: Size 6.5

Collected by Mineral and Matter

A cabochon-cut blue star sapphire simulant catches the light with a visible six-ray star, cradled in a naturalistic, branch-like setting with tiny clear accent stones tucked into the twigs. Marked "18K" with a letter "H" inside the band. A classic Linde-style star stone with sculptural, nature-inspired detailing.

Materials
Base metal, blue star sapphire simulant, clear accent stones

Details

• Markings: 18K, can not make out rest of stamp 
• Style / design notes: Cabochon star sapphire in branch/twig setting with accent stones
• Color: Silver-tone with blue stone
• Condition: Good vintage condition, please see images
• Measurement: Size 7

Collected by Mineral and Matter

A delicate open-wire butterfly takes flight across the finger, its curled wings and simple silhouette catching light from every angle. Signed "Sarah Coventry" inside the band. Lightweight and playful, this is a classic 1970s design that reads sweet without being fussy.

Materials
Silver-tone metal

Details

• Era: 1970s
• Markings: Sarah Coventry
• Style / design notes: Open wire butterfly silhouette
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Measurement: Size 6.5

Collected by Mineral and Matter

Four oval amber-toned glass cabochons arrange in a pinwheel cluster within an open, sculptural gold-tone setting — Sarah Coventry's "Bouquet" style. The cutout gallery below adds movement and shine to the warm honey-colored stones. Signed "Sarah Cov." inside the band, a recognizable name in vintage costume jewelry with a devoted collector following.

Materials
Gold-tone metal, glass cabochons

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Four-stone cluster cabochon setting, open gallery band
• Color: Gold-tone with amber cabochons
• Condition: Good vintage condition, please see images 
• Measurement: Size 6

Collected by Mineral and Matter

Hand-formed sterling silver wire winds into a tall, multi-coil spiral, wrapping the finger in six overlapping bands. The open, adjustable-style ends give it a sculptural, modern look built from a single continuous wire. Stamped 925 on the inside coil, marking it as solid sterling. Bold on its own, and easy to catch light from every angle.

Materials
Sterling silver (925)

Details

• Era: 1970s–1980s
• Markings: 925
• Style / design notes: Multi-coil spiral wrap design, hand-formed wire
• Color: Silver
• Condition: vintage with gentle surface wear consistent with age
• Measurement: 1.25" long, size 7

Collected by Mineral and Matter

Textured and smooth oval links alternate down the length of this bracelet, twisting slightly to catch light differently as it moves on the wrist. The pattern gives it a rope-like, dimensional look without any added stones — just the interplay of matte and polished gold-tone finishes. A spring ring clasp closes it securely at the back.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Style / design notes: Alternating textured and smooth oval link chain, rope-twist look, spring ring clasp
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 8.25" long (unclasped), 2.5" diameter (clasped)

Collected by Mineral and Matter

A bold curb link chain, each link flattened and beveled for extra shine, makes this a substantial, everyday-wearable statement bracelet. The fold-over box clasp is signed "Avon," marking it as a well-made mainstay from the brand's jewelry line. Warm gold tone throughout, with a hefty, tactile weight in the hand.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Markings: Avon
• Style / design notes: Curb link chain, signed fold-over box clasp
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: 8" long (unclasped), 2.75" diameter (clasped)

Collected by Mineral and Matter

Large, irregularly shaped baroque-style faux pearls string into a bold single-strand bracelet, each one catching light differently thanks to the natural variation in their surfaces. A gold-tone fishhook clasp closes it at the back. Substantial in the hand and on the neck, this reads more statement piece than delicate strand.

Materials
Faux baroque pearls, gold-tone clasp

Details

• Era: 1980s
• Style / design notes: Single-strand chunky choker, baroque-style faux pearls, fishhook clasp
• Color: Cream/ivory
• Condition: Good vintage condition, please see images
• Measurement: 8" long unclasped, 3" diameter when clasped, individual pearls are 1/4th inches wide

Collected by Mineral and Matter

A wide gold-tone bangle wrapped in a swirling ribbed cable pattern, its dimension coming from the twist rather than any added stone. Beaded rings mark the center and edges where the design shifts direction, a small structural detail borrowed from finer cable bracelet designs. Hinged with a snap closure for easy on-off wear, substantial enough to stand alone on the wrist.

Materials
Gold-tone metal

Details

• Era: 1980s
• Style / design notes: Wide hinged bangle, twisted ribbed cable pattern, beaded ring accents
• Color: Gold-tone
• Function: Hinged closure with snap clasp
• Condition: Good vintage condition, please see images 
• length: 2" by 2.5"

Collected by Mineral and Matter

A textured gold-tone poodle sits mid-turn, its nugget-finish coat giving real dimension against the smoother collar and paws. Ruby-colored rhinestone eyes catch the light without tipping into costume-jewelry sweetness. A 1950s–1960s figural brooch, the kind sold by the boxful in mid-century department stores and still charming decades on.

Materials
Gold-tone metal, rhinestone eyes

Details

• Era: 1950s–1960s
• Style / design notes: Figural poodle brooch, textured nugget finish, safety-catch pin back
• Stone or material notes: Ruby-colored rhinestone eyes
• Color: Gold-tone
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

A small winged cherub charm swings from a delicate rope chain, its wings and figure cast with more texture and detail than most costume charms of this size manage. The kind of quiet, sentimental piece meant to be given rather than bought for oneself. Gold-tone finish throughout, spring-ring clasp.

Materials
Gold-tone base metal

Details

• Style / design notes: Cherub/angel charm pendant on fine rope chain bracelet, spring-ring clasp
• Era: 1970s 
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Length: 7" plus 1" charm

Collected by Mineral and Matter

Ingraham's tonneau-shaped case has the barrel-curved silhouette of true Art Deco design, its Arabic numeral dial marked simply "Made in U.S.A." A dollar-watch maker in its day, Ingraham built pieces meant for everyday wear rather than display cases, and this one still shows it. Gold-tone case, hand-wind movement, sold untested.

Materials
Gold-tone base metal

Details

• Era: 1930s–1940s
• Markings: INGRAHAM, MADE IN U.S.A.
• Style / design notes: Tonneau (barrel) case, Art Deco styling, Arabic numeral dial, hand-wind
• Color: Gold-tone case, cream dial
• Function: Mechanical hand-wind watch, untested
• Condition: Good vintage condition, please see images
• Measurement: 2" to 4.5" stretch diameter

Collected by Mineral and Matter

*UNTESTED- Could just need a simple battery or possibly more intricate repairs to have a working/ticking watch.

A large oval purple cabochon sits at the heart of a textured, sunburst-shaped setting, with faux pearls ringing the edge at each point. Sarah Coventry favored this kind of layered, radiating silhouette for its statement rings, letting the smooth stone play off the rougher, hammered metalwork around it. The adjustable band fits a range of sizes. A bold piece with genuine presence.

Materials: Silver-tone base metal, glass stone, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Starburst-shaped textured setting, oval cabochon center, faux pearl accents at each point, adjustable band
• Stone or material notes: Oval purple cabochon with round faux pearl accents
• Function: Ring, adjustable
• Color: Silver-tone, deep purple, white
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A bold, deep purple oval stone commands the whole hand, faceted for maximum shine and set simply in gold-tone prongs. The plain, understated band lets the stone do all the talking, giving the piece a graphic, modern edge despite its vintage roots. A striking solitaire with genuine presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Large oval faceted solitaire, simple prong setting
• Stone or material notes: Deep purple oval rhinestone
• Function: Ring
• Color: Gold-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 7.25

Collected by Mineral and Matter

A polished hematite oval sits at the center of an open, beaded filigree frame, with four round faux turquoise points radiating outward like a compass. This is Avon's "Mirabella" design, a Gothic-inspired silhouette from the brand's 1974 catalog that pairs cool gray with sky blue for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, hematite, faux turquoise

Details:

• Era: 1974
• Markings: Avon
• Style / design notes: "Mirabella" design, beaded openwork frame, four-point compass layout
• Stone or material notes: Oval hematite cabochon center with four round faux turquoise accents
• Function: Ring, adjustable
• Color: Silver-tone, gunmetal, turquoise blue
• Condition: Great vintage condition

Measurement: Adjustable, sized 5–7

Collected by Mineral and Matter

Three faceted red stones stack vertically down the center of an open oval frame, textured gold-tone shoulders adding a bit of shine at the sides. Sarah Coventry built this kind of graphic, negative-space design into many of its cocktail rings, letting the open frame do as much visual work as the stones themselves. The adjustable band fits a range of sizes. A bold, clean piece with a punch of color.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah
• Style / design notes: Open oval frame, three vertically stacked prong-set stones, textured shoulders, adjustable band
• Stone or material notes: Three faceted round red rhinestones
• Function: Ring, adjustable
• Color: Gold-tone, red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A smooth, dark cabochon sits framed in a fluted silver-tone bezel, edged with a fine rope-twist border for extra dimension. Sarah Coventry paired this kind of graphic silver-and-black palette often, and it wears with an easy, low-key polish. The adjustable band takes it from finger to finger without fuss. A quiet, versatile piece that goes with almost anything.

Materials: Silver-tone base metal, faux stone

Details:

• Era: 1970s
• Markings: Sarahcov
• Style / design notes: Fluted bezel with rope-twist trim, round bombé-style setting, adjustable band
• Stone or material notes: Round black cabochon
• Function: Ring, adjustable
• Color: Silver-tone, black
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

Marquise-cut rhinestones fan out in two tiers to form a full, faceted flower, deep blue tips giving way to clear stones near the center. Set in a two-tone finish, the design catches light from multiple angles like petals mid-bloom. The scale is substantial without being heavy on the hand, built for a bit of shine on an ordinary day. A cluster ring with real presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Style / design notes: Layered marquise-cut flower cluster, two-tone prong settings
• Stone or material notes: Blue and clear marquise rhinestones
• Function: Ring
• Color: Gold-tone, silver-tone, blue, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A cool blue emerald-cut stone sits prong-set in warm gold, flanked by small bow-shaped shoulders for a touch of vintage sweetness. Signed by Esposito, a maker known for well-made mid-century gold filled pieces, this ring has the weight and finish of costume jewelry built to last. The adjustable band means an easy, comfortable fit. A quiet, classic piece that wears well on its own or stacked.

Materials: 10K gold filled, glass stone

Details:

• Era: 1950s–1960s
• Markings: 10KT G.F. ESPO
• Style / design notes: Emerald-cut center stone, bow motif shoulders, adjustable band
• Stone or material notes: Blue faceted glass stone, emerald cut
• Function: Ring, adjustable
• Color: Gold, blue
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Adjustable band

Collected by Mineral and Matter

Textured gold tone leaves form a graceful open wreath, each pair cradling a single round faux pearl so the pearls appear to bloom naturally throughout the circular design. The leaves feature fine veining that catches the light with a soft satin finish, while the creamy faux pearls provide gentle contrast against the warm gold tone metal. The open center keeps the brooch feeling light and balanced, making it equally suited for a lapel, sweater, scarf, hat, or handbag.

The laurel wreath has long been a symbol of victory, celebration, and enduring elegance, making this a timeless vintage accessory that transitions easily between everyday wear and more formal occasions. The back is finished with a secure rollover safety clasp that functions smoothly and holds the brooch firmly in place. Unsigned and in great vintage condition.

Materials
Gold tone base metal; faux pearl

Details

• Era: Late 1960s–1980s 
• Maker: Unsigned
• Style / design notes: Open circular laurel wreath design with textured leaves and evenly spaced faux pearls; rollover safety clasp
• Stone or material notes: Faux pearl, round, cream/white tone, approximately 6–7 mm, multiple
• Color: Warm gold tone with cream faux pearls
• Condition: Good vintage condition, please see images
• Measurement: 1.5 in diameter

Collected by
Mineral and Matter

Two textured gold tone bars arc gently downward in a double swag, meeting at the center and suspending three faux pearls from cup settings along the lower edge — one at each end of the inner bar and one larger pearl hanging from the center point. The bars are finished with a fine crosshatch texture across their entire surface, which keeps the gold from reading as plain stamped metal and gives the pendant a handmade quality at close range. The pearls are round and lustrous with a warm cream tone, graduated very slightly so the center pearl reads as the focal point without the difference being dramatic.

The festoon or swag necklace is a format with roots in Victorian and Edwardian jewelry, where draped metalwork suspending pearls or stones was a standard for formal dress. This version translates that sensibility into costume jewelry scaled for everyday wear — the pendant is modest in size, the cable chain is fine, and the whole piece sits close to the collarbone rather than making a statement. It works as well with a casual neckline as with something more formal, which likely accounts for how many versions of this basic arrangement were produced through the 1970s and 1980s. Spring ring clasp. Unsigned and in great condition.

Materials
Gold tone base metal; faux pearl

Details

• Era: 1970s–1980s
• Maker: Unsigned
• Style / design notes: Double swag bar pendant with crosshatch texture; three faux pearls in cup settings, center pearl slightly larger; fine cable chain; spring ring clasp
• Stone or material notes: Faux pearl, cream/white tone, round
• Color: Warm yellow gold tone with cream pearl
• Condition: Good vintage condition, please see images

Measurement
Chain 9 in long when clasped; pendant approx. 2 in wide

Collected by
Mineral and Matter

Repeating X-shaped links connect end to end in a continuous chain, each one cast with fine parallel ribbing across both bars of the cross and edged with a thin silver tone outline that gives the whole bracelet a quietly two-tone quality. The links are substantial without being heavy — there's enough presence to catch light from multiple angles as the wrist moves, and enough flexibility that the bracelet drapes rather than sits stiff. The X-link or cross-link bracelet was a dominant format in gold tone costume jewelry through the late 1980s , when geometric chain styles with textural surface detail were a wardrobe standard. A box clasp with safety tab closes it securely. Unsigned and in great condition.

Materials
Gold tone base metal

Details

• Era: 1970's-1980s
• Maker: Unsigned
• Style / design notes: Repeating X-cross links with fine parallel rib texture; silver tone edging creates subtle two-tone effect; box clasp with safety tab closure
• Stone or material notes: None
• Color: Warm gold tone with silver tone edge detail
• Condition: Good vintage condition, please see images

Measurement
Approx. 7.25 in long when unclasped 

Collected by Mineral and Matter

A generous cream simulated pearl sits in a simple gold tone cup, suspended from a hinged leverback that opens and closes with a satisfying click. The leverback format sits a touch lower on the earlobe than a standard stud, giving the pearl just enough room to be seen from the front without any drop.. The pearl has good even luster and the warm gold tone of the finding suits it without competing. Classic and versatile in the way only a pearl stud equivalent can be.

Materials
Gold tone base metal, simulated pearl

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Round simulated pearl in gold tone cup setting; hinged leverback closure; pierced
• Stone or material notes: Cream simulated pearl; smooth, even luster
• Color: Cream / warm gold tone
• Condition: Good vintage condition, please see images 

Measurement
1.5 cm long, 1.5 cm wide

Collected by Mineral and Matter

A nautilus shell rendered in warm, high-polish gold — the spiral coils inward from a scalloped outer edge to a tight central whorl, with fine radiating ribs fanning across the entire surface. The form is both architectural and organic, the kind of shape that looks equally at home in a natural history museum and on an ear. Stamped 14K G.F. on the interior, these are gold filled rather than plated, meaning a substantially thicker layer of gold bonded to a base metal core — a meaningful step up in quality and longevity from standard costume jewelry. The steel post and butterfly back closures are practical and secure. Coastal and nature-inspired jewelry of this caliber had a strong moment in the late 1980s and early 1990s, and pieces like this have held their appeal without effort.

Materials
14K gold filled, steel post and butterfly back closures

Details

• Era: 1980s
• Maker: Unsigned; stamped 14K G.F. on interior
• Style / design notes: Sculptural nautilus / spiral shell form; fine radiating rib detail across face; scalloped outer edge; tight central spiral
• Closure: Steel post and butterfly back (pierced)
• Color: Warm yellow gold
• Condition: Good vintage condition, please see images

Measurement
Approx. 0.75 in across, 0.5 in wide

Collected by Mineral and Matter

Each arm curls slightly at its tip, giving these starfish a sense of movement — as though caught mid-drift rather than pressed flat into a mold. The surface is covered in raised dot and granule texture that mimics the real thing closely enough to reward a second look. The scale is generous without being oversized, sitting comfortably on the ear with the kind of presence that reads from across a room. Gold tone starfish earrings of this quality were a coastal jewelry staple through the late 1980s and into the 1990s, pairing equally well with a linen shirt in August or a sweater in February. Post and butterfly back closures keep them secure and easy to wear daily.

Materials
Gold tone base metal, post and butterfly back closures

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Sculptural starfish form; five arms with upturned curling tips; raised dot and granule texture across entire face and reverse
• Closure: Post and butterfly back (pierced)
• Color: Warm gold tone
• Condition: Good vintage condition, please see images

Measurement
Approx. 1.25" across

Collected by Mineral and Matter

A sculpted ribbon bow spreads wide across the finger, its looped and gathered folds rendered in warm gold tone with fine engraved line detail across each wing. At the center, a small oval cabochon in muted blue — somewhere between slate and periwinkle, with a slightly speckled, matte surface — anchors the whole composition without competing with it. The bow is generous in scale but sits closer to charming than costume, the kind of ring that reads as intentional rather than loud. Avon produced bow motif jewelry throughout the 1980s in consistent quality, and this one holds up — signed on the interior shank and in very good condition for its age.

Materials
Gold tone base metal, blue cabochon (glass or synthetic)

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Sculptural ribbon bow top; engraved texture detail across bow wings; oval bezel-set cabochon center
• Stone or material notes: Small oval blue cabochon; matte, slightly speckled surface; slate to periwinkle in color
• Color: Warm gold tone / slate blue
• Condition: Good vintage condition, please see images

Measurement
Size 7 

Collected by Mineral and Matter

A faceted oval stone in deep sapphire blue sits flush in a bezel setting, flanked on each side by a ribbed fan of silver tone metal that tapers smoothly into the shank. The silhouette is architectural — substantial without being heavy, with the fluted shoulders giving it a sculptural quality that reads closer to Art Deco revival than costume. The stone shifts between inky navy and bright aqua depending on the light, which is most of the reason to wear it. Rings built around a single bold stone and a strong geometric setting were a recurring theme of 1980s costume jewelry, and this one holds that moment with quiet confidence.

Materials
Silver tone base metal, blue glass or synthetic stone

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Bezel-set oval solitaire; ribbed fan shoulders tapering to a plain shank; low-profile setting keeps stone close to the finger
• Stone or material notes: Faceted oval blue glass or synthetic stone; color reads sapphire to aqua depending on light
• Color: Silver tone / sapphire blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A single cream faux pearl sits at the center of two sweeping bypass bands, each set with a row of clear crystal rhinestones and edged in fine milgrain detail. The movement is elegant and slightly sculptural — the crossover design lifts the pearl off-center just enough to feel dynamic rather than stiff. Signed on the interior shank, it comes with the provenance of a recognized name and the wearability of a piece that never fully goes out of style.

Materials
Gold tone base metal, simulated pearl, clear crystal rhinestones

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Bypass crossover setting; two rhinestone-paved milgrain bands cradling a central faux pearl
• Stone or material notes: Cream simulated pearl center; prong-set clear crystal rhinestone accents
• Color: Warm gold tone / cream / clear
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A full tide pool circles the wrist — sea turtles, sand dollars, starfish, shells, and seahorses cast in oxidized silver tone, punctuated by sapphire blue, aurora borealis, and pale aqua glass stones set between each motif. The elastic construction makes it effortless to wear while the density of detail rewards a closer look. Coastal charm jewelry of this kind peaked in the 1990s, when layered nature motifs and iridescent stones defined a certain sun-warmed, beachside aesthetic. It carries that spirit without irony.

Materials
Silver tone base metal, glass stones, elastic band

Details

• Era: 1990s 
• Style / design notes: Elastic stretch bracelet; repeating nautical motifs including sea turtle, sand dollar, starfish, shell, and seahorse; bezel and prong-set stone accents throughout
• Stone or material notes: Sapphire blue glass rounds, aurora borealis glass rounds, pale aqua oval glass cabochon
• Color: Oxidized silver tone / blue / aqua / aurora borealis
• Condition: Good vintage condition, please see images

Measurement
Fits up to size 7.5 wrist, about 3 in diameter

Collected by Mineral and Matter

A single band of cobalt blue enamel runs the full circumference of this slim gold bangle — one clean line of color, nothing more. The restraint is the point. This kind of minimal enamel bangle sits in a long tradition of everyday stacking jewelry, and the cobalt-and-gold pairing has an almost nautical clarity that works across seasons. Wear it alone for its quiet confidence or stack several for a different kind of statement entirely. The smooth interior and polished edges speak to quality construction despite its unsigned status.

Materials
Gold tone base metal, enamel

Details

• Era: 1970s–1980s
• Style / design notes: Slim slip-on bangle; single continuous cobalt blue enamel stripe along exterior; polished gold tone rims and interior
• Color: Gold tone / cobalt blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 8 wrist, 2.75 in diameter

Collected by Mineral and Matter

A large cream faux pearl sits at the center of a milgrain-dotted bezel, encircled by an oval wreath of interlocking laurel-leaf chain links — a composition that draws from classical antiquity with an ease that feels entirely modern. The laurel wreath has signified honor and achievement since ancient Greece and Rome, and its use in jewelry has never fully left. The chunky open chain frame gives this brooch unexpected weight and presence for its size. It pins to a lapel, a knit, or a scarf with equal authority.

Materials
Gold tone base metal, faux pearl

Details

• Era: 1970s–1980s
• Style / design notes: Oval laurel-leaf chain frame; milgrain dot bezel; large domed faux pearl center; standard pin back
• Stone or material notes: Large cream faux pearl cabochon
• Color: Warm gold tone / cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2 in length, 1 in width 

Collected by Mineral and Matter

A generous cascade of open ribbon loops fans upward from a trio of cream faux pearls at the center, two trailing tails curling beneath — effortlessly formal and just as easily worn every day. The bow brooch has a long lineage in fine and costume jewelry alike, from Victorian mourning pieces to mid-century glamour, and this Avon version carries that tradition with a light hand. The combination of brushed and polished gold surfaces gives the piece subtle dimension. Pin it at the collar, on a coat lapel, or at the shoulder of a dress.

Materials
Gold tone base metal, faux pearls

Details

• Era: 1980s
• Markings: Signed Avon (stamped reverse)
• Style / design notes: Multi-loop open ribbon bow; three cream faux pearl cluster center; brushed and polished gold tone surfaces; trailing ribbon tails; standard pin back
• Stone or material notes: Cream faux pearls
• Color: Warm gold tone / cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2 in length, 1.5 in width 

Collected by Mineral and Matter

Five asymmetric arms radiate outward with ribbed, naturalistic detail — the center dimpled with fine granular texture that mimics the actual surface of a sea star pulled from tidal water. The slightly irregular form keeps it from feeling too polished, too perfect, which is exactly what makes it work. Unsigned coastal jewelry of this kind was produced in abundance during the 1970s and 80s, when nature motifs were a quiet constant in American accessory design. Pin it to a lapel, a hat brim, or a canvas bag and let it do the rest.

Materials
Gold tone base metal

Details

• Era: 1970s–1980s
• Style / design notes: Five-arm starfish form; ribbed arm detail; granular textured center; standard pin back
• Color: Warm gold tone
• Condition: Good vintage condition, please see photos
• Measurement: 2.25 in width and length

Collected by Mineral and Matter

A full-sail schooner rendered in white and navy enamel, red pennant flying, gold star on the mainsail, with a dangling anchor charm swinging from the hull — every detail accounted for, nothing excessive. Nautical motifs surged in American costume jewelry through the 1980s, carried by the decade's love of preppy dressing and coastal aesthetics, and Avon produced some of the most charming versions. The rope-twist mast and open hull give this brooch a sense of movement even standing still. Pin it to a blazer lapel, a canvas tote, or a linen shirt — it belongs anywhere near the water.

Materials
Gold tone base metal, enamel

Details

• Era: 1980s
• Markings: Signed Avon (stamped reverse of hull)
• Style / design notes: Dimensional sailboat form; white and navy enamel sails; red enamel pennant flag; gold star accent; rope-twist mast detail; open hull; suspended anchor charm; standard pin back
• Color: Gold tone / white / navy / red
• Condition: Good vintage condition, please see images
• Measurement: 2.75 in length, about 1.5 in width 

Collected by Mineral and Matter 

Ribbed double bars interlock in a continuous zigzag pattern that mimics the look of woven metal — structured and tactile in equal measure. The bracelet has real presence on the wrist without feeling heavy, and the ridged surface catches light in a way that reads more considered than costume. Finished with a simple toggle clasp that keeps the clean geometry intact.

Materials

• Era: 1980s
• Style / design notes: Interlocking ribbed double-bar links in a chevron zigzag pattern; toggle clasp with ring
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: 7.5" unclasped 

Collected by Mineral and Matter

Openwork oval frames holding anchor motifs alternate with textured coiled rope knot discs — a bracelet that reads like a sailor's logbook rendered in gold. The alternating rhythm of the two motifs gives it a collected, almost curated feel, as though each link was chosen deliberately. A toggle-style box clasp closes the nautical narrative cleanly.

Materials

• Era: 1970s–1980s
  
• Style / design notes: Alternating openwork anchor ovals and textured coiled rope knot links; toggle box clasp
• Color: Gold-tone
• Condition: Excellent vintage condition

Measurement: 7.25" unclasped 

Collected by Mineral and Matter

A single large emerald-cut stone in deep forest green takes the lead here — the kind of saturated, glassy green that reads as genuinely precious from across the room. Four round clear rhinestones flank it two per side, set into angular silver-tone shoulders that echo the geometry of the center stone. The silhouette is clean and slightly Art Deco in spirit — symmetrical, confident, built around the stone rather than around the setting. One of the more convincing faux-emerald pieces Avon produced.

DETAILS:

• Maker: Avon
• Style: Emerald-cut solitaire cocktail ring with side accents
• Center: Deep emerald-green faceted emerald-cut rhinestone
• Accents: Four round clear rhinestones, two per shoulder
• Setting: Angular silver-tone claw setting with geometric shoulders
• Markings: interior band Avon stamp
• Material: Silver-tone base metal
• Era: 1970s 
• Size: Adjustable 4.5-6.5
• Condition: Excellent Vintage Condition

Collected by Mineral and Matter

•  gold plating
• extra layer of tarnish resistance
  

Curated by Mineral and Matter

A faceted aqua blue pear-cut stone sits within an open swirl frame, flanked by a scatter of prong-set clear rhinestones that trail off like the tail of a comet. The teardrop cut catches light from every angle, and its cool blue-topaz tone reads effortlessly against warm gold. The asymmetric swirl setting gives this ring a fluid, almost organic quality unusual for its era. It moves between casual and dressed up without announcing either.

Materials
Gold tone base metal, glass stones

Details

• Era: 1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Open swirl frame; pear-cut center stone; scattered clear rhinestone accents trailing to one side
• Stone or material notes: Aqua blue faceted glass teardrop; clear glass prong-set rhinestone accents
• Color: Gold tone / aqua blue / clear
• Condition: Good vintage condition

Measurement
Size 6.75

Collected by Mineral and Matter

Three deep forest-green baguette stones set diagonally across the face, flanked by rows of prong-set clear rhinestones, a composition that nods to Art Deco geometry while sitting firmly in the 1970s. The silver tone setting gives it a cooler, more understated finish than its gold tone counterparts, letting the green stones anchor the piece. The wide tapered shank and adjustable band make it easy to wear across a range of sizes. A ring that looks considered rather than costumed.

Materials
Silver tone base metal, glass rhinestones

Details

• Era: 1970s–1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Wide tapered shank; three diagonal baguette stones flanked by round rhinestone rows; prong-set throughout
• Stone or material notes: Emerald green glass baguettes; clear glass round rhinestones
• Color: Silver tone / emerald green / clear
• Condition: Excellent vintage condition

Measurement
Adjustable, fits sizes 5–7

Collected by Mineral and Matter

A single row of clear prong-set rhinestones circles the lower edge of this slim gold tone bangle, catching light with quiet precision. Made by Avon in the 1980s, it reflects the era's affinity for understated sparkle — dressy enough for evening, light enough for every day. The interior is smooth and polished, the silhouette clean and architectural. It wears beautifully alone or layered.

Materials
Gold tone metal, glass rhinestones

Details

• Era: 1980s
• Markings: Signed Avon (stamped interior)
• Style / design notes: Slim slip-on bangle; single eternity row of prong-set clear rhinestones along lower band edge
• Stone or material notes: Clear glass rhinestones, prong-set
• Color: Gold tone / clear
• Condition: Excellent vintage condition

Measurement
Fits wrist size 7.5 (per sizer image)

Collected by Mineral and Matter

A chain of polished puffy hearts curves into a small open hoop — the form sitting somewhere between a stud and a huggie. Each heart catches light from a different angle, giving the earring quiet movement without any swing. Stamped Avon, and representative of the brand's more playful geometric designs from the late 1980s. A piece that feels current without trying.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Markings: Stamped Avon
• Style / design notes: Linked puffy heart chain formed into open hoop, push-back stud closure
• Color: Gold-tone
• Condition: Excellent vintage condition

Measurement: .5" long, .6" deep

Collected by Mineral and Matter

Three ridged gold-tone bands loop into an open circle, gathered at the top by a crossover knot set with three clear rhinestones. The fanned ends give the piece a sense of movement — like something caught mid-flight. Stamped Avon on the reverse with a classic bar pin closure. A versatile brooch that anchors a lapel, scarf, or neckline without overwhelming it.

Materials
Gold-tone base metal, clear rhinestone accents

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Triple-band open circle with crossover knot top, fanned ends, three-rhinestone accent, bar pin closure
• Stone or material notes: Three clear rhinestones at knot center
• Color: Gold-tone, clear
• Condition: Great vintage condition

Measurement: 1.25" diameter

Collected by Mineral and Matter

A tightly woven love knot rendered in ridged gold-tone tubes — simple in concept, satisfying in execution. The form has roots in ancient jewelry traditions, where the knot symbolized continuity and connection. Stamped Avon on the butterfly backing, these are the kind of everyday stud that disappears into a wardrobe and becomes indispensable. Timeless without trying.

Materials
Gold-tone base metal, steel post

Details

• Era: 1970s–1980s
• Markings: Stamped Avon on butterfly backing
• Style / design notes: Three-dimensional woven love knot, ridged tube detail, push-back butterfly closure
• Stone or material notes: None
• Color: Gold-tone
• Condition: Good vintage condition with gentle surface wear consistent with age

Measurement: Approx. .4" diameter knot

Collected by Mineral and Matter

Interlaced bands of twisted gold tone rope form a circular knot, clear rhinestones bezel-set where the strands cross and curve — the whole composition suggesting movement without going anywhere. It has the confident, uncomplicated geometry of 1960s costume jewelry at its most wearable. Domed and dimensional, it reads well on a lapel or collar.

Materials: Gold tone metal, clear rhinestones

Details:

• Era: 1960s–1970s
  
• Style notes: Round openwork design, interlaced rope-twist bands, bezel-set clear rhinestones throughout, standard pin back
• Stone notes: Clear faceted rhinestones, bezel set
• Color: Gold and clear
• Condition: Great vintage condition
• Measurement: 1½" diameter

Collected by Mineral and Matter.

A lacy gold tone filigree frame surrounds an oval cabochon printed with an 18th-century genre scene — a gentleman, a woman, and children gathered in warm ochres and soft grays, the figures rendered with the loose ease of a period illustration. The openwork border loops in a pattern reminiscent of fine lacework, generous in scale and carefully detailed. A piece that carries a whole world in miniature.

Materials: Gold tone metal, printed oval cabochon

Details:

• Era: 1960s–1970s
  
• Style notes: Oval filigree openwork frame, figural scene cabochon, standard pin back
• Stone notes: Printed genre scene cabochon — 18th-century courting/family scene in warm earth tones
• Color: Gold, earth tones
• Condition: Excellent vintage condition
• Measurement: Approx. 1½" tall × 1¼" wide

Collected by Mineral and Matter.

A pair of plump golden doves, each clutching a small cluster of flowers — the motif is unmistakably Disney, carrying the soft romanticism of mid-century fairy tale illustration translated into metal. Cast in warm gold tone with fine surface detail, they sit close to the ear with quiet charm. A signed piece for the collector who wears their magic with restraint.

Materials: Gold tone metal

Details:

• Era: 1980s
• Markings: Signed Disney
• Style notes: Dove with floral cluster, dimensional cast construction, post stud backs
• Stone notes: None
• Color: Gold
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter.

Six sculpted leaves radiate from a central point in warm gold tone, each surface etched with fine crosshatch texture that catches light like hammered metal. The composition has the organic confidence of 1960s naturalist design — simple, unhurried, satisfying in the hand. A quiet piece that wears well on a lapel or coat.

Materials: Gold tone metal

Details:

• Era: 1960s–1970s
• Markings:none
• Style notes: Six-petal leaf cluster, dimensional construction, etched surface texture throughout
• Stone notes: None
• Color: Gold
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter.

The simplest possible earring — a small polished gold-tone sphere on a post, nothing added, nothing removed. The kind of stud that disappears into daily wear and somehow still gets noticed. Signed Avon on the butterfly back. Pierced ears.

Materials & Details:

• Era: 1980s–1990s
• Markings: Signed Avon on butterfly back
• Style notes: Polished sphere form, post back with butterfly clutch
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see photos 

Collected by Mineral and Matter

The letter F in bark-textured twig form — two horizontal branches extending from a vertical stem, each end blunt-cut, with a small sprig of leaves at the junction. The same naturalistic hand as the rest of the series: unhurried, botanical, all texture and no ornament. Signed ©Sarah Cov on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed ©Sarah Cov on reverse
• Style notes: Letter F in bark-textured twig form, leaf sprig detail, roller safety clasp
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

Four open heart-shaped petals form a clover, each lobe outlined in a slim gold-tone wire loop and anchored by a prong-set clear rhinestone. A fifth stone sits at the center where the petals meet, the whole composition balanced by a small curling stem. Petite and sparkling — the kind of pin that works on a lapel or collar with equal ease. Signed Sarah Coventry on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed Sarah Coventry on reverse
• Style notes: Open wire four-leaf clover form with heart-shaped lobes, curled stem, roller safety clasp
• Stone notes: Five prong-set clear rhinestones, one per lobe plus center
• Color: Gold tone with clear stones
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A painted porcelain oval at the center — pink roses on white, rendered with the soft looseness of a watercolor miniature — set within a gold-tone rope-twist frame with scrolled corner details. The kind of earring that reads as genuinely pretty rather than merely decorative. Signed ©Avon on the reverse.

Materials & Details:

• Era: 1970's-80's
• Markings: Signed ©Avon on reverse
• Style notes: Oval porcelain cabochon with hand-painted pink rose motif, rope-twist gold-tone bezel, scrolled corner accents, clip-on backs
• Stone notes: Painted porcelain floral cabochon
• Color: Gold tone with white and pink porcelain center
• Condition: Good vintage condition, please see photos 

Collected by Mineral and Matter

All gold, all texture — the wings of this Trifari butterfly are filled with a dense field of raised gold-tone beads set within an open filigree lattice, each bead catching light differently depending on the angle. The body is sleek and pointed, the antennae curl at the tips with a light hand. Understated and confident. Signed TRIFARI© on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed TRIFARI© on reverse
• Style notes: Open filigree wings filled with raised bead detail, pointed body, curled antennae, simple pin back
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter