Avon's Victorian Splendor lives up to its name. A large central pearl is encircled by eight graduating pearl cabochons, small turquoise-blue beads nestled between them against a heavily textured gold setting — the color combination of cream, sky blue, and antique gold is considered and genuinely beautiful. The design draws directly from Edwardian and Victorian cluster ring tradition, and Avon's execution here is among their more ambitious pieces. Underside stamped Avon ©. A named collectible that serious Avon collectors actively seek.

DETAILS:
— Maker: Avon © — Victorian Splendor
— Style: Cluster cocktail ring
— Stones: Graduated pearl cabochons with turquoise-blue accent beads
— Setting: Heavily textured gold-tone floral cluster
— Material: Gold-tone metal
— Era: 1970s
— Size: Size 4-5 Adjustable
— Condition: Excellent vintage; all stones secure, stamp clear, setting intact

Collected by Mineral and Matter

A warm oval tiger's eye cabochon sits in a scrolled gold-filled setting, its chatoyant silky bands of amber and brown shifting with the light in that characteristic way that made the stone a favorite of mid-century jewelry designers. The flowing scroll shoulders give the ring an Art Nouveau-adjacent softness — a sensibility that experienced a strong revival in American jewelry of the 1950s and 60s. At 12K gold filled, this is a step above costume: a bonded gold layer over base metal with meaningful longevity and warm color. A grounded, mineral piece.

Materials: 12K gold filled, natural tiger's eye cabochon

Details:

• Era: 1950s–1960s
• Markings: 12K Gold Filled
• Style notes: Oval solitaire, scroll and claw setting, Art Nouveau revival shoulders
• Stone notes: Natural tiger's eye cabochon, oval, chatoyant
• Color: Gold, amber brown
• Condition: Vintage with gentle surface wear consistent with age, see images
• Measurement: Size 6.75

Collected by Mineral and Matter

A large emerald-cut aqua blue rhinestone dominates this silver-tone Avon ring, set high in a four-prong corner setting with open scrollwork shoulders that keep the design light despite the stone's scale. The pale blue-gray color reads like shallow ocean water held in place — cool, clear, and quietly arresting. Avon produced rings of this quality and proportion throughout the 1970s and into the 80s, drawing on fine jewelry proportions to give their costume pieces genuine presence. A strong cocktail ring with an understated elegance.

Materials: Silver-tone base metal, aqua blue faceted glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Emerald-cut solitaire, four corner prongs, open scrollwork shoulders
• Stone notes: Faceted aqua blue glass rhinestone, emerald cut
• Color: Silver, aqua blue
• Condition: Excellent vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

Hand-bent from a WM. A. Rogers Oneida Ltd. silverplate spoon, this wrap ring carries the graceful floral pattern of mid-century American flatware — roses and small blossoms trailing along scrolled stems. Spoon rings emerged as a folk art form in the 1960s and 70s counterculture, repurposing heirloom-quality flatware into wearable objects with quiet domestic history. The bowl of the spoon forms the wide face of the ring, smooth and domed, while the handle wraps beneath with its embossed detail intact. A piece that sits at the intersection of craft and found object.

Materials: Silverplate over base metal

Details:

• Era: Mid-20th century flatware, converted 1960s–1970s
• Markings: WM. A. Rogers Oneida Ltd.
• Style notes: Wrap/bypass form, spoon bowl face, floral and scroll handle pattern
  
• Color: Silver
• Condition: Good vintage condition
• Measurement: Size 5 adjustable

Collected by Mineral and Matter

Hand-bent from a WM. A. Rogers Oneida Ltd. silverplate spoon, this wrap ring carries the graceful floral pattern of mid-century American flatware — roses and small blossoms trailing along scrolled stems. Spoon rings emerged as a folk art form in the 1960s and 70s counterculture, repurposing heirloom-quality flatware into wearable objects with quiet domestic history. The bowl of the spoon forms the wide face of the ring, smooth and domed, while the handle wraps beneath with its embossed detail intact. A piece that sits at the intersection of craft and found object.

Materials: Silverplate over base metal

Details:

• Era: Mid-20th century flatware, converted 1960s–1970s
• Markings: WM. A. Rogers Oneida Ltd.
• Style notes: Wrap/bypass form, spoon bowl face, floral and scroll handle pattern
  
• Color: Silver
• Condition: Great vintage condition
• Measurement: Size 5 adjustable

Collected by Mineral and Matter

Three parallel gold tone rails open at the center to frame a vertical column of three prong-set clear rhinestones — a clean, architectural composition that reads as both minimal and deliberately considered. The wide open shank gives the ring real presence without weight. Signed ©Avon inside the band.

Materials: Gold tone base metal, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Triple open rail band construction; three prong-set rhinestones in vertical column at center; smooth polished finish
• Stone or material notes: Three round clear rhinestones, prong set
• Color: Gold tone, clear
• Condition: Excellent vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

A domed lattice of twisted wire flowers repeats across the full circumference of the band — each six-petal bloom centered with a small ball and connected at the intersections by additional ball accents, creating an open, lace-like structure that is surprisingly airy for its presence on the hand. The interior reveals the same floral pattern carried through, so the ring is as considered from below as above. Signed ©Avon inside the shank.

Materials: Gold tone base metal

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Full dome band; open twisted wire floral lattice construction; ball center and ball junction accents; filigree continues on interior band
• Stone or material notes: None
• Color: Gold tone
• Condition: Great vintage condition
• Measurement: Size 9

Collected by Mineral and Matter

A deep garnet-red oval stone sits at the center of six pearl cabochons, the whole cluster raised on a heavily textured gold setting with beaded and ridged shoulders — Avon's Roseglow is one of those pieces that borrows directly from Victorian cluster ring tradition without apologizing for it. The underside carries a clear Avon © stamp, and the craftsmanship throughout is more considered than most costume jewelry of its era. Bold enough to be the only ring you wear, grounded enough to mean something.

DETAILS:
— Maker: Avon © — Roseglow
— Style: Cluster cocktail ring
— Center stone: Oval garnet-red glass/rhinestone
— Surround: Six pearl cabochons in individual prong settings
— Shoulders: Textured beaded and ridged gold-tone band
— Material: Gold-tone metal
— Era: 1970s

— Size:Size 4-5 adjustable

— Condition: Good vintage; all stones secure, stamp clear, setting intact, band may have some light tone loss

Collected by Mineral and Matter

A long marquise-cut coral-red Lucite cabochon sits high in an ornate gold-tone setting, its pointed prongs and scrolled shoulder details borrowing from fine jewelry forms of the late 1960s and early 1970s. Avon produced rings like this during their peak costume jewelry era, when bold color and architectural settings were hallmarks of the category. The warm red-orange stone commands attention without weight, and the adjustable shank makes it genuinely wearable across sizes. A confident, sculptural piece.

Materials: Gold-tone base metal, coral-red Lucite cabochon

Details:

• Era: Late 1960s–1970s
• Markings: Avon
• Style notes: Marquise solitaire, ornate pointed prong setting, scrolled shoulders, textured shank
• Stone notes: Coral-red Lucite cabochon, marquise form
• Color: Gold, coral red
• Condition: Good vintage condition, some gold tone loss on band
• Measurement: Adjustable, fits approximately size 5.5–6.5

Collected by Mineral and Matter

The Queensbury was part of a full 1974 Avon collection — ring, earrings, bracelet — and carries the Victorian sensibility of the whole set. An oval faceted faux amethyst sits at center in a rope-style bezel, flanked by a cream faux pearl above and below, with raised gold-tone ball detailing encircling the stone. The scrolled shoulders and antiqued gold tone give it the weight and presence of antique jewelry at a fraction of the scale. One of the more collectible pieces from Avon's early 1970s revival era, and part of a documented named set.

DETAILS:

• Maker: Avon
• Queensbury, 1974
• Style: Victorian revival cocktail ring
• Center: Oval faceted faux amethyst rhinestone
• Accents: Two cream faux seed pearls, above and below center stone
• Setting: Rope-style bezel with raised gold ball detailing; scrolled shoulders
• Markings:  Avon stamp
• Material: Antiqued gold-tone base metal
• Era: 1974
• Size: adjustable 3.5-4.5
• Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

A pale blue oval cameo — white female portrait in profile against a powder blue ground — sits at the center of a wide, ornate gold-tone band worked with scrolls, leaves, and open pierced detailing that darkens beautifully in the recesses. The blue-ground cameo format draws from Wedgwood's jasperware aesthetic, a reference point that gave mid-century costume jewelry makers a respectable visual vocabulary for revival-style pieces. The wide architectural band makes this a true statement ring, substantial without being loud. Adjustable shank adds easy wearability across sizes.

Materials: Gold-tone base metal, molded blue and white resin or glass cameo

Details:

• Era: 1960s–1970s
• Markings: None
• Style notes: Wide cuff-style band, pierced filigree and scroll surround, scalloped edges, Wedgwood-inspired cameo
• Stone notes: Oval blue-ground cameo with white female portrait in profile, molded resin or glass
• Color: Gold, powder blue, white
• Condition: Tone loss and wear throughout the piece, please see images
• Measurement: Adjustable

Collected by Mineral and Matter

A broad, architectural gold-tone setting cradles a single round faux pearl, its ridged and faceted shoulders radiating outward like rays from a sun — or the ribs of a shell. The substantial weight and geometric form place this firmly in the 1970s, when signet-style rings were worn with intention and jewelry leaned bold and structural. The pearl reads soft against the heavily textured metal, an unexpected pairing that gives the piece real character. Wears with the confidence of a statement ring and the ease of an everyday one.

Materials: Gold-tone base metal, faux pearl

Details:

• Era: 1970s
  
• Style notes: Signet form, ridged radiating shoulders, wide flat band, fan or shell-like setting
• Stone notes: Round faux pearl, gloss finish, bezel-set
• Color: Gold, cream white
• Condition: Good vintage condition, some gold tone loss
• Measurement: Size 9

Collected by Mineral and Matter

Six faux pearls of varying sizes are scattered across a textured gold tone setting in a loose, naturalistic cluster — interspersed with silver tone rhinestone-set leaf accents that catch light between the pearls. The arrangement feels botanical rather than rigid, like a sprig caught mid-bloom. Signed ©Avon inside the adjustable shank.

Materials: Gold tone base metal, faux pearls, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Freeform pearl cluster top; textured gold tone leaf and branch setting; silver tone rhinestone leaf accents; adjustable split shank
• Stone or material notes: Six faux pearls, varied sizes, cream tone with good luster; small clear rhinestones in leaf settings
• Color: Gold tone, cream, silver tone accents
• Condition: Good — pearls intact and lustrous, light wear to shank consistent with age
• Measurement: Adjustable, fits size 5–7

Collected by Mineral and Matter

Two smooth angular flanges sweep apart at the center to cradle a single bezel-set clear rhinestone — a minimal, architectural gesture that feels more considered than typical costume jewelry of its era. The wide polished band tapers into the split, giving the ring a graphic, almost modernist silhouette. Signed ©Avon inside the shank.

Materials: Gold tone base metal, clear rhinestone

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Split shank open V construction; single bezel-set rhinestone at center; smooth polished band; architectural profile
• Stone or material notes: Single round clear rhinestone, bezel set
• Color: Gold tone, clear
• Condition: Good vintage condition stone secure and bright
• Measurement: Size 6

Collected by Mineral and Matter

A small but commanding butterfly rendered in silver-tone metal, its wings filled with crushed turquoise and pink stone chip inlay in a mosaic-like pattern. This style of chip inlay work was popular in Southwestern-influenced costume jewelry from the 1970s, made widely for the tourist and gift market but worn with genuine affection. The sculptural form and natural stone materials give it an earthy, grounded quality that reads as quietly collectible. A sweet find for lovers of nature motifs and mineral color.

Materials: Silver-tone base metal, crushed turquoise chip inlay, pink stone chip inlay

Details:

• Era: 1970s
• Style notes: Figural butterfly, chip inlay wings, twisted wire antennae detail
• Stone notes: Crushed turquoise and pink stone chip inlay, epoxy-set
• Color: Silver, turquoise, pink
• Condition: Good vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

A round faux fire opal cabochon glows at the center of this ring, its surface shifting between warm gold, blush, and pale iridescence depending on the light — the effect is genuinely luminous. Textured gold-tone feather-like leaves curl around it from both sides, and three small clear rhinestones scatter loosely along the lower edge like morning dew. The overall composition is loose and organic, more like something found in a garden than assembled on a bench. One of Avon's more poetically designed pieces from their 1970s nature-inspired era.

DETAILS:

• Maker: Avon
• Style: Botanical cocktail ring
• Center: Round faux fire opal cabochon; iridescent warm gold and blush tones
• Accents: Three round clear rhinestones
• Setting: Textured gold-tone feather leaf spray
• Markings: Verify interior band for Avon stamp
• Material: Gold-tone base metal
• Era: 1970s
• Size: adjustable 5-6
• Condition: Good vintage condition, a bit of wear and gold tone loss in a few spots

Collected by Mineral and Matter

A round cream faux pearl sits nestled at the base of a spreading fan of silver-tone marquise leaves, each one set with a clear rhinestone — the whole composition opening outward like a peacock tail or a spray of light caught mid-movement. The beaded pearl setting and the crescent curve above it add a softness that keeps the design from feeling architectural. Released in 1974, the Fan Fare was designed as an expandable ring, making it one of the more versatile pieces from that era. Equal parts refined and botanical.

DETAILS:

• Maker: Avon — Fan Fare, 1974
• Style: Fan spray cocktail ring
• Center: Round cream faux pearl in beaded setting
• Accents: Clear rhinestones set in marquise silver-tone leaves
• Design: Asymmetric fan spray; crescent detail above center pearl
• Markings:  Avon stamp
• Material: Silver-tone base metal
• Era: 1974
• Size: adjustable 4-5
• Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

The Leaf Lights arranges five marquise-cut green rhinestones along a textured gold-tone branch, each stone cradled in its own bezel like a leaf held mid-motion. The stones graduate subtly in tone — pale peridot at the tips deepening to olive at the base — giving the cluster a naturalistic, light-shifting quality that justifies the name. Released in 1974 as part of Avon's botanical series, the Leaf Lights appeared in multiple configurations, this branch variation among the most convincingly organic. A generous, sculptural ring that wears with surprising lightness.

DETAILS:

• Maker: Avon — Leaf Lights, 1974
• Style: Botanical branch cluster ring
• Design: Five marquise rhinestones as leaves along a textured gold-tone branch
• Stones: Five marquise-cut green rhinestones in graduated tones, peridot to olive
• Setting: Individual bezels on textured leaf branch
• Markings: Avon stamp
• Material: Gold-tone base metal
• Era: 1974
• Size: adjustable 4-5 
• Condition: Excellent vintage condition

Collected by Mineral and Matter

A sculptural tribute to the organic complexity of nature, this 1976 Avon "Flowerblaze" ring captures the spirit of the mid-century floral revival. The ring features a deeply textured, ruffled setting modeled after a blooming carnation, creating a rich interplay of light and shadow. Nestled within its golden petals is a single, brilliant-cut crystal accent that mimics a shimmering drop of morning dew. This piece offers a grounded yet feminine presence, perfect for adding a touch of vintage botanical charm to daily wear.

Materials: Gold-tone base metal, clear crystal
Details: Intricately ruffled carnation design with a single rhinestone accent
Era: 1976
Markings: Signed "AVON" inside the band
Style / design notes: Art Nouveau-inspired floral cocktail ring with a 3D textured finish
Stone or material notes: Round brilliant-cut clear crystal
Function: Statement cocktail ring
Color: Gold and clear
Condition: Vintage with gentle surface wear consistent with age
Measurement: adjustable size 4-5
Collected by Mineral and Matter

A smooth, domed gold electroplate band rises to a flush-set heart at the crown — its face a diamond-cut silver-tone metal inlay with a small rhinestone accent at center, the contrast between the warm gold and cool silver quietly elegant. Tona was an American manufacturer known for quality gold-filled and gold electroplate pieces, and this ring reflects their cleaner, more refined output. The heart signet form places it comfortably in the 1970s–80s, when the shape moved between romantic and graphic with ease. A compact, wearable piece.

Materials: Gold electroplate base metal, silver-tone diamond-cut metal inlay, rhinestone accent

Details:

• Era: 1970s–1980s
• Markings: TONA, G.E. (gold electroplate)
• Style notes: Domed signet form, flush-set heart, diamond-cut inlay, two-tone
• Stone notes: Small rhinestone center accent
• Color: Gold, silver
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: Size 7

Collected by Mineral and Matter

A deep black oval cabochon rests within an ornate gold-tone filigree setting, its scrollwork and leaf details drawn from Victorian and Edwardian revival styles that circulated widely in costume jewelry of the 1960s and 70s. The open pierced shoulders and milgrain-edged band give it a delicacy that belies its size, wearing closer to an heirloom than a costume piece. Black and gold is an enduring combination — grounded, a little mysterious, and quietly authoritative. A strong everyday ring.

Materials: Gold-tone base metal, black glass or onyx-style cabochon

Details:

• Era: 1960s–1970s
  
• Style notes: Filigree setting, pierced scrollwork shoulders, leaf and scroll motifs, milgrain edge detail
• Stone notes: Black oval cabochon, glassy finish, likely glass or dyed onyx
• Color: Gold, black
• Condition: Good vintage condition, gentle surface 
• Measurement: Size 8

Collected by Mineral and Matter

A small arc of light—petals or feathers, depending on how you see it—opening around a single pearl.

This piece is part of Avon’s “Fan Fare” design, released in the mid-1970s. The marquise-shaped rhinestones form a soft, radiating fan, anchored by a luminous pearl set low and centered. The curve above it gives the whole piece a sense of motion—like something just beginning to unfold.

It feels airy, but intentional. A quiet statement.

Details

• Brand: Avon

• Collection: “Fan Fare”

• Era: 1974–1975

• Material: silver-tone

• Stones: faux pearl, clear rhinestones

• Size: adjustable (fits approx. 4–5)

• Condition: good vintage condition (light wear consistent with age)

Measurements

• Adjustable fit: approx. size 4–5

• Pearl: approx. 6 mm

A slender gold-tone band anchored by a single prong-set pink rhinestone — quiet and precise. Avon's costume jewelry of the 1970s and 80s leaned into minimalism alongside the era's fine jewelry trends, and this ring reflects that sensibility well. The delicate claw setting elevates what could be a simple piece into something with genuine presence. Wears beautifully alone or stacked.

Materials: Gold-tone base metal, pink glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Solitaire, thin band, prong-set center stone
• Stone notes: Pink glass rhinestone, round cut, prong set
• Color: Gold, pink
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: Size 5

Collected by Mineral and Matter

A single prong-set red rhinestone blossom rises above three silver tone leaves, the composition suggesting a flower caught mid-bloom, stem and all. The asymmetric arrangement gives the ring a naturalistic, almost botanical ease. Signed ©Avon inside the shank.

Materials: Gold tone base metal, silver tone accents, red rhinestone, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Single prong-set red rhinestone bloom; three leaf stones asymmetric spray composition; smooth round shank
• Stone or material notes: One round red rhinestone; clear rhinestones in Color: Gold tone, red, clear
• Condition: Good vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

Three diamond-shaped settings step across the face in descending size — the center set with a single prong-set clear rhinestone against a black enamel ground, the two flanking diamonds filled with solid black enamel. Small ball accents sit at each corner junction, adding a milgrain-like detail that leans into the Art Deco reference. The slender shank keeps the whole composition delicate. Signed ©Avon.

Materials: Gold tone base metal, black enamel, clear rhinestone

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Triple diamond motif in descending scale; black enamel fill; center stone prong-set on black enamel ground; ball accent details at junctions; slender round shank
• Stone or material notes: Single round clear rhinestone, center set
• Color: Gold tone, black, clear
• Condition: Great vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

The Captured Jade Ring from Avon's 1978 collection. A vibrant green jade cylinder—roughly 5/8 inch of pure retro magic—sits snugly between two crisscrossing gold-tone bands that frame it like a tiny work of art. Whether you're a vintage jewelry enthusiast or just love a statement piece with personality, this ring delivers that perfect blend of quirky charm and timeless sophistication that makes '70s Avon so irresistible.

Size 8

Collected by Mineral and Matter

Three interlocking bands twist and cross in a continuous rolling form — a design with roots in Russian wedding ring tradition, reinterpreted here in polished gold-tone by Godiva, a lesser-known American costume jewelry maker. The result is minimal and tactile, as satisfying to wear as it is to look at. A quiet piece that earns its place on any finger.

Materials: Gold-tone base metal

Details:

• Era: 1980s–1990s
• Markings: "Godiva" stamped inside band
• Style / design notes: Triple interlocking rolling band, crossover construction, high-polish finish
• Stone or material notes: None
• Color: Gold-tone
• Condition: Great vintage condition
• Measurement: Size 7

Collected by Mineral and Matter

A single pearl, held in motion.

This vintage ring wraps around itself in a soft, sculptural twist—gold tone lines flowing like a quiet current, meeting at a luminous center. The pearl feels suspended, not set, as if it simply settled there.

There’s a calm elegance to it—mid-century in spirit, but timeless in form. Light, fluid, and quietly expressive.

Details

• Era: 1977

• Material: gold tone

• Stone: faux pearl

• Size: 6

• Condition: good vintage condition with light, natural wear.

Measurements

• Ring size: 6

• Pearl: approx. 5 mm

Collected by Mineral and Matter

Three emerald-green baguettes line up across a silver-tone band, each flanked by a pair of round clear rhinestones — the alternating rhythm of green and white giving the whole face a deliberate, almost architectural precision. The deep forest green reads as genuinely gem-like, the baguette cut adding a formality that lifts it above typical costume jewelry of the era. Part of Avon's Fashion Accents Collection from 1975, the Evening Classic was designed to wear as effortlessly with a blazer as with an evening dress. It still does.

DETAILS:

• Maker: Avon — Evening Classic, 1975
• Style: Multi-stone cocktail band ring
• Stones: Three emerald-green baguette rhinestones; six round clear rhinestones
• Setting: Silver-tone prong and bezel combination
• Markings:  Avon stamp
• Material: Silver-tone base metal
• Era: 1975
• Size: adjustable 4-5
• Condition: Great vintage condition

Collected by Mineral and Matter

Inspired by the intricate geometry of a bird's nest or a celestial swirl, this vintage Avon ring is a study in refined texture. The piece features an airy, openwork dome crafted from overlapping, textured gold-tone wires that create a captivating interplay of light and shadow. Its sculptural form offers a bold yet grounded presence, serving as an effortless statement for daily wear or evening adornment. This design reflects the late-1970s fascination with organic, woven silhouettes, perfect for the modern woman who finds beauty in complex, natural forms. 

Materials: Gold-tone base metal 
Details: Intricate wire-wrapped openwork dome with fine ridged texturing 
Era: Late 1970s 
Markings: Not Signed, but has Avon's signature interior ring adjustable band
Style / design notes: Modernist "vortex" or "bird's nest" aesthetic with fluid, circular lines 
Stone or material notes: Sculpted gold-plated metal; no additional stones 
Function: Statement cocktail ring 
Color: Bright gold 

Condition: Vintage with gentle surface wear consistent with age
Measurement: Size 4-5 Adjustable

Collected by Mineral and Matter

A testament to the fluid grace of the 1970s, this 1975 Avon "Whirlwind" ring features an intricate, sculptural design that mimics the effortless movement of a ribbon caught in a breeze. The gold-tone band blossoms into a highly textured, openwork swirl, creating a sophisticated play of light and dimension across the finger. Its bold yet airy silhouette offers a confident, feminine energy, serving as a timeless statement piece grounded in mid-century artistry. This ring is designed for the modern woman who values craftsmanship and a touch of celestial-inspired movement in her everyday adornment.

Materials: Gold-tone base metal
Details: Stylized "Whirlwind" openwork ribbon design with a deep, ridged texture
Era: 1975
Markings: Stamped "AVON" on the inner band
Style / design notes: Mid-century modernist with Art Nouveau-inspired fluid curves
Stone or material notes: Sculpted gold-plated metal without additional stones
Function: Statement cocktail ring
Color: Bright gold

Condition: Vintage with gentle surface wear consistent with age
Measurement: adjustable size 5-6

Collected by Mineral and Matter

Released in 1981, the Avon Gilded Trellis is a wide openwork band built entirely from interlocking diamond forms — negative space and gold in equal measure, the whole structure open to light from every angle. It sits closer to architectural jewelry than costume, the kind of piece that reads differently depending on how the light falls. Named Avon releases from this era are actively sought by collectors, and the trellis design has an enduring geometric quality that hasn't dated.

DETAILS:
— Maker: Avon (marked)— Gilded Trellis, 1981
— Style: Wide openwork band ring
— Design: Interlocking diamond / lattice cutwork, full band
— Material: Gold-tone metal
— Era: 1981
— Size: 4.5
— Condition: Excellent vintage; openwork crisp and intact, finish bright

Collected by Mineral and Matter

Size 5-6, maybe 7, with adjustable band

Very Good Vintage Condition

Collected by Mineral and Matter

• Brand: Authentic signed Avon (stamped on the interior of the band)
• Era: 1975 - Royal Radiance
• Style: Botanical / Floral Cluster
• Metal: Gold-tone base metal
• Stones: Marquise-cut pink rhinestones and clear chaton rhinestones
• Size:5.5-6.5
• Condition: tone loss on back of band, see pictures.