Two faceted teal heart-shaped stones stack like waves cresting one after the other, framed by a rope-twist border and a cluster of dimensional silver flowers. The layered floral detailing gives the piece real texture and depth beyond the sparkle alone. Signed Sarah Coventry and adjustable, easy to wear and hard to overlook.

Materials

Details

• Era: 1970s
• Markings: Signed Sarah Cov.
• Style / design notes: Double heart silhouette, rope-twist bezel, floral cluster detailing
• Stone or material notes: Faceted teal glass or crystal hearts
• Color: Silver-tone with teal stones
• Condition: good vintage condition

Measurement: Adjustable, fits most sizes

Collected by Mineral and Matter

Five marquise-cut blue stones step across the finger like a row of petals, each flanked by small clear rhinestone accents that add extra sparkle. The graduated cluster gives the ring a soft peak at center, tapering cleanly into a simple silver-tone band. Adjustable and easy to wear from day into evening.

Materials

Details

• Era: Late 20th century
• Markings: Stamped W
• Style / design notes: Graduated marquise cluster, rhinestone accents
• Stone or material notes: Marquise-cut blue stones, round clear rhinestone accents
• Color: Silver-tone with blue and clear stones
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 4.5-6.5

Collected by Mineral and Matter

Five marquise-cut blue stones step across the finger like a row of petals, each flanked by small clear rhinestone accents that add extra sparkle. The graduated cluster gives the ring a soft peak at center, tapering cleanly into a simple silver-tone band. Adjustable and easy to wear from day into evening.

Materials

Details

• Era: Late 20th century
• Markings: Stamped W
• Style / design notes: Graduated marquise cluster, rhinestone accents
• Stone or material notes: Marquise-cut blue stones, round clear rhinestone accents
• Color: Silver-tone with blue and clear stones
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 4-7

Collected by Mineral and Matter

Seven emerald-green marquise stones curve across the finger like leaves caught mid-fall, set in a ribbed silver-tone band. The graduated arrangement gives the ring real movement, substantial without feeling heavy. Signed Coventry, a reliable name in well-made costume jewelry.

Materials

Details

• Era: Mid-to-late 20th century
• Markings: Signed Coventry
• Style / design notes: Curved cluster of marquise stones, ribbed shank
• Stone or material notes: Green marquise-cut rhinestones
• Color: Silver-tone with emerald green stones
• Condition: good vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A rich purple oval cabochon sits at the center of a textured, sunburst-style setting in oxidized silver-tone, dotted with four tiny faux pearls. The antiqued finish gives it an antique, almost Victorian-revival feel. Signed "Sarah Cov." inside the band. A striking, richly detailed cocktail ring.

Materials
Silver-tone metal, amethyst-tone cabochon, faux pearls

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Oval cabochon in textured sunburst setting with faux pearl accents, oxidized finish
• Color: Antiqued silver-tone with purple stone
• Condition: Good vintage condition, please see photos 
• Measurement: Size 6

Collected by Mineral and Matter

A cabochon-cut blue star sapphire simulant catches the light with a visible six-ray star, cradled in a naturalistic, branch-like setting with tiny clear accent stones tucked into the twigs. Marked "18K" with a letter "H" inside the band. A classic Linde-style star stone with sculptural, nature-inspired detailing.

Materials
Base metal, blue star sapphire simulant, clear accent stones

Details

• Markings: 18K, can not make out rest of stamp 
• Style / design notes: Cabochon star sapphire in branch/twig setting with accent stones
• Color: Silver-tone with blue stone
• Condition: Good vintage condition, please see images
• Measurement: Size 7

Collected by Mineral and Matter

Four oval amber-toned glass cabochons arrange in a pinwheel cluster within an open, sculptural gold-tone setting — Sarah Coventry's "Bouquet" style. The cutout gallery below adds movement and shine to the warm honey-colored stones. Signed "Sarah Cov." inside the band, a recognizable name in vintage costume jewelry with a devoted collector following.

Materials
Gold-tone metal, glass cabochons

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Four-stone cluster cabochon setting, open gallery band
• Color: Gold-tone with amber cabochons
• Condition: Good vintage condition, please see images 
• Measurement: Size 6

Collected by Mineral and Matter

A single cream faux pearl sits at the center of two sweeping bypass bands, each set with a row of clear crystal rhinestones and edged in fine milgrain detail. The movement is elegant and slightly sculptural — the crossover design lifts the pearl off-center just enough to feel dynamic rather than stiff. Signed on the interior shank, it comes with the provenance of a recognized name and the wearability of a piece that never fully goes out of style.

Materials
Gold tone base metal, simulated pearl, clear crystal rhinestones

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Bypass crossover setting; two rhinestone-paved milgrain bands cradling a central faux pearl
• Stone or material notes: Cream simulated pearl center; prong-set clear crystal rhinestone accents
• Color: Warm gold tone / cream / clear
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A faceted aqua blue pear-cut stone sits within an open swirl frame, flanked by a scatter of prong-set clear rhinestones that trail off like the tail of a comet. The teardrop cut catches light from every angle, and its cool blue-topaz tone reads effortlessly against warm gold. The asymmetric swirl setting gives this ring a fluid, almost organic quality unusual for its era. It moves between casual and dressed up without announcing either.

Materials
Gold tone base metal, glass stones

Details

• Era: 1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Open swirl frame; pear-cut center stone; scattered clear rhinestone accents trailing to one side
• Stone or material notes: Aqua blue faceted glass teardrop; clear glass prong-set rhinestone accents
• Color: Gold tone / aqua blue / clear
• Condition: Good vintage condition

Measurement
Size 6.75

Collected by Mineral and Matter

Six faux pearls of varying sizes are scattered across a textured gold tone setting in a loose, naturalistic cluster — interspersed with silver tone rhinestone-set leaf accents that catch light between the pearls. The arrangement feels botanical rather than rigid, like a sprig caught mid-bloom. Signed ©Avon inside the adjustable shank.

Materials: Gold tone base metal, faux pearls, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Freeform pearl cluster top; textured gold tone leaf and branch setting; silver tone rhinestone leaf accents; adjustable split shank
• Stone or material notes: Six faux pearls, varied sizes, cream tone with good luster; small clear rhinestones in leaf settings
• Color: Gold tone, cream, silver tone accents
• Condition: Good — pearls intact and lustrous, light wear to shank consistent with age
• Measurement: Adjustable, fits size 5–7

Collected by Mineral and Matter

A single large emerald-cut stone in deep forest green takes the lead here — the kind of saturated, glassy green that reads as genuinely precious from across the room. Four round clear rhinestones flank it two per side, set into angular silver-tone shoulders that echo the geometry of the center stone. The silhouette is clean and slightly Art Deco in spirit — symmetrical, confident, built around the stone rather than around the setting. One of the more convincing faux-emerald pieces Avon produced.

DETAILS:

• Maker: Avon
• Style: Emerald-cut solitaire cocktail ring with side accents
• Center: Deep emerald-green faceted emerald-cut rhinestone
• Accents: Four round clear rhinestones, two per shoulder
• Setting: Angular silver-tone claw setting with geometric shoulders
• Markings: interior band Avon stamp
• Material: Silver-tone base metal
• Era: 1970s 
• Size: Adjustable 4.5-6.5
• Condition: Excellent Vintage Condition

Collected by Mineral and Matter

A round cream faux pearl sits nestled at the base of a spreading fan of silver-tone marquise leaves, each one set with a clear rhinestone — the whole composition opening outward like a peacock tail or a spray of light caught mid-movement. The beaded pearl setting and the crescent curve above it add a softness that keeps the design from feeling architectural. Released in 1974, the Fan Fare was designed as an expandable ring, making it one of the more versatile pieces from that era. Equal parts refined and botanical.

DETAILS:

• Maker: Avon — Fan Fare, 1974
• Style: Fan spray cocktail ring
• Center: Round cream faux pearl in beaded setting
• Accents: Clear rhinestones set in marquise silver-tone leaves
• Design: Asymmetric fan spray; crescent detail above center pearl
• Markings:  Avon stamp
• Material: Silver-tone base metal
• Era: 1974
• Size: adjustable 4-5
• Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Description
A radiant-cut pink stone glows at the center like the first blush of dawn, flanked by two clear tapered stones that catch and scatter the light. This 1990s ring takes its shape from the classic three-stone engagement design, set high in polished silver-tone prongs for maximum sparkle. The open-back band adjusts gently to fit, making it an easy, comfortable choice for everyday or evening. A bright pop of color with a clean, timeless silhouette.

Materials
Silver-tone metal, pink and clear faceted crystals

Details

• Era: 1990s
• Style / design notes: Three-stone design with radiant-cut center and tapered baguette side stones, high prong setting, open adjustable band
• Stone or material notes: Pink radiant-cut center crystal, clear tapered side crystals
• Function: Adjustable band
• Color: Pink, clear, silver
• Condition: Excellent vintage condition
• Measurement: Adjustable, fits sizes 7–9

Collected by Mineral and Matter

Description
A silver-tone butterfly set with clear rhinestones rests across a brushed gold-tone band, its wings scattered with light like stars on a summer night. This 1970s–1980s ring pairs a textured Florentine finish with small heart-shaped cutouts on each shoulder, a romantic detail that shows from every angle. The two-tone contrast keeps it bright and easy to style with both gold and silver. A sweet, wearable piece with a nature-inspired charm.

Materials
Gold-tone metal, silver-tone metal, clear rhinestones

Details

• Era: 1970s–1980s
• Markings: CC stamped inside band
• Style / design notes: Two-tone butterfly motif, brushed Florentine-finish band, heart cutouts at the shoulders
• Stone or material notes: Clear rhinestones
• Color: Gold, silver, clear
• Condition: Great vintage condition, with light scratches and surface wear inside the band
• Measurement: Size 10

Collected by Mineral and Matter

An openwork shield of aged gold and silver-tone metal cradles a star-shaped flower, its petals set with marquise faux jade in a soft, mottled green. Round emerald-cut rhinestones and cabochons ring the bloom, giving the whole piece a dimensional, garden-grown quality. The adjustable band lets it move easily from one hand to the next, a small relic of a well-loved jewelry box.

Materials: Silver-tone and antiqued gold-tone base metal, faux jade cabochons, glass rhinestones

Details

• Era: 1960s–1970s
• Style / design notes: Openwork shield form, two-tone filigree, floral motif, adjustable band
• Stone or material notes: Marquise faux jade petals, round green glass cabochons, faceted emerald-tone rhinestones
• Color: Green and antiqued gold
• Condition: Good vintage condition, gold-tone finish shows wear at high points

Measurement: Adjustable

Collected by Mineral and Matter

A single round stone catches the light from a classic four-prong setting, its split cathedral shoulders lending a quiet, architectural lift. The silhouette borrows from mid-century solitaire design — spare, symmetrical, built to be worn daily rather than saved for occasion. Gold-tone base metal warms the stone's cool sparkle, a small study in contrast.

Materials: Gold-tone base metal, faceted round rhinestone

Details

• Era: 1980s
• Style / design notes: Classic four-prong solitaire setting with split cathedral shoulders
• Stone or material notes: Round brilliant-cut clear rhinestone
• Color: Gold-tone with clear stone
• Condition: Good vintage condition, light surface wear and finish loss visible at the shank
• Measurement: Size 5

Collected by Mineral and Matter

An open, sculptural teardrop shape swirls around a single round clear stone set off-center within the loop, creating a modern, asymmetrical silhouette. The negative space and fluid line give this ring a sleek, minimalist feel quite different from the ornate cluster styles of the era. A simple, wearable statement piece with a distinctive shape.

Materials: Gold-tone base metal, clear stone

Details:

• Era: 1970s–1980s
• Style/design notes: Open teardrop/swirl silhouette with a single round clear stone set within the loop, asymmetrical design
• Stone/material notes: Clear round stone, likely cubic zirconia or paste given the setting style
• Function: Ring
• Color: Clear with gold-tone hardware
• Condition: Good vintage condition, please see photos
• Measurement: Approximately size 5

Collected by Mineral and Matter

A gleaming oval hematite cabochon sits at the heart of a Gothic-inspired frame, its dark shine grounded by four small turquoise cabochons set like compass points. The scrolled, cross-shaped silhouette gives the ring an antique, cathedral-window feel. Signed Avon and adjustable, it moves easily from one hand to another.

Materials

Details

• Era: Late 20th century
• Markings: Signed Avon
• Style / design notes: Cross-shaped openwork frame, rope-twist bezel, four turquoise accent stones
• Stone or material notes: Oval hematite cabochon, round turquoise cabochons
• Color: Silver-tone with grey hematite and turquoise blue accents
• Condition: good vintage condition

Measurement: Adjustable, fits sizes 5–7

Collected by Mineral and Matter

A polished hematite oval sits at the center of an open, beaded filigree frame, with four round faux turquoise points radiating outward like a compass. This is Avon's "Mirabella" design, a Gothic-inspired silhouette from the brand's 1974 catalog that pairs cool gray with sky blue for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, hematite, faux turquoise

Details:

• Era: 1974
• Markings: Avon
• Style / design notes: "Mirabella" design, beaded openwork frame, four-point compass layout
• Stone or material notes: Oval hematite cabochon center with four round faux turquoise accents
• Function: Ring, adjustable
• Color: Silver-tone, gunmetal, turquoise blue
• Condition: Great vintage condition

Measurement: Adjustable, sized 5–7

Collected by Mineral and Matter

Three faceted red stones stack vertically down the center of an open oval frame, textured gold-tone shoulders adding a bit of shine at the sides. Sarah Coventry built this kind of graphic, negative-space design into many of its cocktail rings, letting the open frame do as much visual work as the stones themselves. The adjustable band fits a range of sizes. A bold, clean piece with a punch of color.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah
• Style / design notes: Open oval frame, three vertically stacked prong-set stones, textured shoulders, adjustable band
• Stone or material notes: Three faceted round red rhinestones
• Function: Ring, adjustable
• Color: Gold-tone, red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

Three deep forest-green baguette stones set diagonally across the face, flanked by rows of prong-set clear rhinestones, a composition that nods to Art Deco geometry while sitting firmly in the 1970s. The silver tone setting gives it a cooler, more understated finish than its gold tone counterparts, letting the green stones anchor the piece. The wide tapered shank and adjustable band make it easy to wear across a range of sizes. A ring that looks considered rather than costumed.

Materials
Silver tone base metal, glass rhinestones

Details

• Era: 1970s–1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Wide tapered shank; three diagonal baguette stones flanked by round rhinestone rows; prong-set throughout
• Stone or material notes: Emerald green glass baguettes; clear glass round rhinestones
• Color: Silver tone / emerald green / clear
• Condition: Excellent vintage condition

Measurement
Adjustable, fits sizes 5–7

Collected by Mineral and Matter

A small, fully dimensional owl perches on a simple split band — feathers textured in fine relief, purple rhinestone eyes catching light with unexpected intensity. Owls carried real cultural currency in the 1970s, appearing across jewelry, ceramics, and print as symbols of quiet wisdom. This one has the charm of something found rather than bought. A ring that sparks conversation without demanding it. Stamped Sarah Coventry

Materials Silver-tone base metal, purple rhinestone accents

Details

• Era: 1970s
  
• Style / design notes: Three-dimensional owl figure with textured feather relief, split shank band
• Stone or material notes: Small purple rhinestone eyes
• Color: Silver-tone, purple
• Condition: Great vintage condition
• Measurement: adjustable

Collected by Mineral and Matter

A small arc of light—petals or feathers, depending on how you see it—opening around a single pearl.

This piece is part of Avon’s “Fan Fare” design, released in the mid-1970s. The marquise-shaped rhinestones form a soft, radiating fan, anchored by a luminous pearl set low and centered. The curve above it gives the whole piece a sense of motion—like something just beginning to unfold.

It feels airy, but intentional. A quiet statement.

Details

• Brand: Avon

• Collection: “Fan Fare”

• Era: 1974–1975

• Material: silver-tone

• Stones: faux pearl, clear rhinestones

• Size: adjustable (fits approx. 4–5)

• Condition: good vintage condition (light wear consistent with age)

Measurements

• Adjustable fit: approx. size 4–5

• Pearl: approx. 6 mm

The curve ring is the perfect piece to add an accent to your rings or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in .925 sterling silver with hammered textured.

Available in size 4-10

By Mineral and Matter

The heart ring is made with a little extra love every time and is the ring to wear when you need a more of it in your life, from yourself or those who care for you.  The open heart is approximately .5" wide and on 1mm 14k goldfill wire.

Available in size 4-11

By Mineral and Matter

A round coral-tone cabochon rises from a textured, sunburst-ribbed gold-tone setting, its asymmetric bow-like sides giving the design real movement. Signed Avon on the underside, with an adjustable band that fits a range of sizes. A confident, sculptural piece from an era when Avon's costume jewelry leaned bold.

Materials
Gold-tone base metal, glass cabochon

Details

• Era: 1970s
• Markings: Signed "Avon"
• Style / design notes: Textured ribbed setting, asymmetric bow motif, adjustable band
• Stone or material notes: Round coral-tone glass cabochon
• Color: Gold tone, coral
• Condition: Good vintage condition, please see images
• Measurement: Adjustable, size 4-5

Collected by Mineral and Matter

A polished oval face is set off by a fine crosshatch waffle texture across its surface, framed by stepped shoulders that taper into a smooth silver-tone band. Simple and unadorned, it reads equally at home as an everyday signet or a subtle statement piece. The band is adjustable, making it a flexible fit.

Materials: Silver-tone base metal

Details:

• Era: 1970s–1980s
• Style/design notes: Oval signet-style face with crosshatch waffle texture, stepped shoulders, smooth adjustable band
• Function: Ring, adjustable band
• Color: Silver-tone
• Condition: Good vintage condition, please see photos
• Measurement: Adjustable

Collected by Mineral and Matter

A large oval purple cabochon sits at the heart of a textured, sunburst-shaped setting, with faux pearls ringing the edge at each point. Sarah Coventry favored this kind of layered, radiating silhouette for its statement rings, letting the smooth stone play off the rougher, hammered metalwork around it. The adjustable band fits a range of sizes. A bold piece with genuine presence.

Materials: Silver-tone base metal, glass stone, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Starburst-shaped textured setting, oval cabochon center, faux pearl accents at each point, adjustable band
• Stone or material notes: Oval purple cabochon with round faux pearl accents
• Function: Ring, adjustable
• Color: Silver-tone, deep purple, white
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A bold, deep purple oval stone commands the whole hand, faceted for maximum shine and set simply in gold-tone prongs. The plain, understated band lets the stone do all the talking, giving the piece a graphic, modern edge despite its vintage roots. A striking solitaire with genuine presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Large oval faceted solitaire, simple prong setting
• Stone or material notes: Deep purple oval rhinestone
• Function: Ring
• Color: Gold-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 7.25

Collected by Mineral and Matter

A faceted oval stone in deep sapphire blue sits flush in a bezel setting, flanked on each side by a ribbed fan of silver tone metal that tapers smoothly into the shank. The silhouette is architectural — substantial without being heavy, with the fluted shoulders giving it a sculptural quality that reads closer to Art Deco revival than costume. The stone shifts between inky navy and bright aqua depending on the light, which is most of the reason to wear it. Rings built around a single bold stone and a strong geometric setting were a recurring theme of 1980s costume jewelry, and this one holds that moment with quiet confidence.

Materials
Silver tone base metal, blue glass or synthetic stone

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Bezel-set oval solitaire; ribbed fan shoulders tapering to a plain shank; low-profile setting keeps stone close to the finger
• Stone or material notes: Faceted oval blue glass or synthetic stone; color reads sapphire to aqua depending on light
• Color: Silver tone / sapphire blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A single pearl, held in motion.

This vintage ring wraps around itself in a soft, sculptural twist—gold tone lines flowing like a quiet current, meeting at a luminous center. The pearl feels suspended, not set, as if it simply settled there.

There’s a calm elegance to it—mid-century in spirit, but timeless in form. Light, fluid, and quietly expressive.

Details

• Era: 1977

• Material: gold tone

• Stone: faux pearl

• Size: 6

• Condition: good vintage condition with light, natural wear.

Measurements

• Ring size: 6

• Pearl: approx. 5 mm

Collected by Mineral and Matter

Three emerald-green baguettes line up across a silver-tone band, each flanked by a pair of round clear rhinestones — the alternating rhythm of green and white giving the whole face a deliberate, almost architectural precision. The deep forest green reads as genuinely gem-like, the baguette cut adding a formality that lifts it above typical costume jewelry of the era. Part of Avon's Fashion Accents Collection from 1975, the Evening Classic was designed to wear as effortlessly with a blazer as with an evening dress. It still does.

DETAILS:

• Maker: Avon — Evening Classic, 1975
• Style: Multi-stone cocktail band ring
• Stones: Three emerald-green baguette rhinestones; six round clear rhinestones
• Setting: Silver-tone prong and bezel combination
• Markings:  Avon stamp
• Material: Silver-tone base metal
• Era: 1975
• Size: adjustable 4-5
• Condition: Great vintage condition

Collected by Mineral and Matter

Ten clear rhinestones climb a diamond-shaped lattice in a bold bypass setting, catching light from every angle. Substantial without being heavy, this is a statement piece built for evening wear or anytime a little extra sparkle is called for. Open gallery work underneath keeps it light on the hand.

Materials
Gold-tone base metal, rhinestones

Details

• Era: 1980s
• Style / design notes: Diamond-shaped rhinestone cluster, open lattice gallery, bypass band
• Stone or material notes: 10 round clear rhinestones
• Color: Gold tone, clear
• Condition: Good vintage condition, please see images
• Measurement: Size 9

Collected by Mineral and Matter

Ten clear rhinestones climb a diamond-shaped lattice in a bold bypass setting, catching light from every angle. Substantial without being heavy, this is a statement piece built for evening wear or anytime a little extra sparkle is called for. Open gallery work underneath keeps it light on the hand.

Materials
Gold-tone base metal, rhinestones

Details

• Era: 1980s
• Style / design notes: Diamond-shaped rhinestone cluster, open lattice gallery, bypass band
• Stone or material notes: 10 round clear rhinestones
• Color: Gold tone, clear
• Condition: Good vintage condition, please see images
• Measurement: Size 7

Collected by Mineral and Matter

A faceted oval stone in deep sapphire blue sits prong-set at the center, flanked by split gold-tone shoulders each set with a small round accent cz stone . A clean, classic cocktail ring silhouette that wears well on its own or stacked. The center stone carries some light surface wear, a small trace of the decades behind it.

Materials
Gold-tone base metal, glass stones

Details

• Era: 1970s–1980s
• Style / design notes: Prong-set oval center stone, split shoulder design with round accent stones
• Stone or material notes: Faceted blue glass center stone with light surface wear; lilac round accent stones
• Color: Gold tone, blue
• Condition: Good vintage condition, please see images; center stone shows light surface wear
• Measurement: Size 7.75

Collected by Mineral and Matter

A diagonal band of green rhinestones cuts across a field of pavé-set clear stones, the two rows meeting at an offset angle rather than a centered symmetry. The bypass-style shank continues that same diagonal energy, giving the whole piece a sense of motion. It's a dense, faceted cluster built for maximum sparkle in a compact silhouette.

Materials: Silver-tone base metal, pavé-set clear rhinestones, green rhinestone diagonal accent row

Details

• Era: 1970s–1980s
• Style / design notes: Diagonal pavé cluster with bypass-influenced shank
• Stone or material notes: Pavé clear rhinestones surrounding a diagonal row of green rhinestones
• Color: Silver-tone with clear and green stones
• Condition: Good vintage condition, light surface wear
• Measurement: Size 6

Collected by Mineral and Matter

A smooth, dark cabochon sits framed in a fluted silver-tone bezel, edged with a fine rope-twist border for extra dimension. Sarah Coventry paired this kind of graphic silver-and-black palette often, and it wears with an easy, low-key polish. The adjustable band takes it from finger to finger without fuss. A quiet, versatile piece that goes with almost anything.

Materials: Silver-tone base metal, faux stone

Details:

• Era: 1970s
• Markings: Sarahcov
• Style / design notes: Fluted bezel with rope-twist trim, round bombé-style setting, adjustable band
• Stone or material notes: Round black cabochon
• Function: Ring, adjustable
• Color: Silver-tone, black
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

Size 6-7 with adjustable band

Good Vintage Condition- some tone loss on inside band

Collected by Mineral and Matter

The smooth stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill.

Available in size 2-11

By Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in 14k goldfill.

Available in size 4-11

By Mineral and Matter

A delicate open-wire butterfly takes flight across the finger, its curled wings and simple silhouette catching light from every angle. Signed "Sarah Coventry" inside the band. Lightweight and playful, this is a classic 1970s design that reads sweet without being fussy.

Materials
Silver-tone metal

Details

• Era: 1970s
• Markings: Sarah Coventry
• Style / design notes: Open wire butterfly silhouette
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Measurement: Size 6.5

Collected by Mineral and Matter

The smooth stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in sterling silver. 

Available in size 4-11

By Mineral and Matter

The hammered stacking ring is the perfect piece to add to your own stack or a great way to start your collection!  This dainty ring is 1mm in thickness and hand forged in sterling silver. 

Available in size 4-11

By Mineral and Matter