A gold-tone band twists into an asymmetrical bypass silhouette, one arm curving up and over to cradle a prong-set pear-cut clear stone. The movement in the band does the work here rather than the stone size — a sculptural, fluid line typical of 1970s modernist costume rings. Marked on the interior of the shank, though the mark is worn.

Materials
Gold-tone metal, clear cubic zirconia or paste stone

Details

• Era: 1970s
• Style / design notes: Modernist bypass band, swirl design, prong-set pear-cut stone
• Stone or material notes: Clear pear-cut stone
• Color: Gold-tone with clear stone
• Condition: Good vintage condition, please see images
• Size:6

Collected by Mineral and Matter

An oval hematite-toned cabochon opens on a hidden hinge, revealing a small compartment once designed to hold solid perfume. The rope-twist gold-tone bezel frames the stone's smoky, reflective surface with quiet drama. A locket ring built for a private ritual, equally at home holding a keepsake today.

Materials
Gold-tone metal, hematite-color glass cabochon

Details

• Era: 1970s
• Markings: Avon
• Style / design notes: Hinged locket/poison ring, rope-twist bezel, opens to hold solid perfume
• Stone or material notes: Oval hematite-color cabochon (glass)
• Color: Gunmetal gray cabochon, gold-tone setting
• Function: Locket ring, hinged compartment
• Condition: good vintage condition
• Measurement: Size 8.5

Collected by Mineral and Matter

Cut and coiled from a silver-plated serving spoon, this ring carries the raised floral pattern of its original handle into a wraparound band. The gold-tone finish catches light along the scrolling petals, worn soft at the high points where decades of hands have passed it on. A quiet piece of tableware history, reshaped for the finger. Comfortable for daily wear, with the easy, lived-in character only vintage flatware carries.

Materials: Silver-plated base metal, gold-tone finish

Details

• Era: 1960s–1970s
• Markings: WMA Rogers Oneida Ltd
• Style / design notes: Wraparound spoon handle ring, floral repoussé pattern
• Color: Gold
• Condition: Good vintage condition, gentle tarnishing in the engraved recesses consistent with age
• Measurement: Size 6

Collected by Mineral and Matter

A single faux pearl sits nestled at the center of an organic, freeform flower, its petals rendered with soft texture and a bit of natural asymmetry rather than a rigid symmetrical shape. Sarah Coventry brought this kind of sculptural, botanical detail to its better pearl-centered rings, giving the piece real dimension beyond a flat stamped design. The adjustable band fits a range of sizes. A gentle, romantic piece with genuine craftsmanship.

Materials: Gold-tone base metal, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Freeform textured flower design, single pearl center, adjustable band
• Stone or material notes: Round faux pearl
• Function: Ring, adjustable
• Color: Gold-tone, cream
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

Two oval cabochons in soft milky white flash hints of color as they catch the light, set in ornate scalloped bezels at either end of an open bypass band. The design curves and crosses at the center, giving the ring a sense of movement rather than a fixed, static setting. A romantic, glowing pair of stones with genuine opal-like character.

Materials: Gold-tone base metal, glass cabochons

Details:

• Style / design notes: Open bypass band, scalloped bezel settings, two-stone design
• Stone or material notes: Two oval opalescent cabochons with visible play-of-color
• Function: Ring
• Color: Gold-tone, milky white with iridescent flashes
• Condition: Great vintage condition

Measurement: Size 6

Collected by Mineral and Matter

A smooth ivory cabochon sits at the center of an open, scalloped flower, ringed by clear rhinestones set between each petal. Sarah Coventry favored this kind of layered floral silhouette, letting the openwork gold-tone shape read as light and airy despite the ring's full coverage across the finger. The adjustable band fits a range of sizes. A pretty, wearable piece with old-world charm.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Markings: Sarah Cov
• Style / design notes: Open scalloped flower design, round cabochon center, rhinestone accents between petals, adjustable band
• Stone or material notes: Ivory round cabochon with clear rhinestone accents
• Function: Ring, adjustable
• Color: Gold-tone, ivory, clear
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A large powdery blue cabochon, moonstone in tone, sits prong-set in an architectural gold-tone mount with open, angular shoulders. This is Sarah Coventry's "Beauty Glow" design from the 1960s, built around a single smooth stone in a bold, sculptural frame. The adjustable band fits a range of sizes. A quietly striking piece with a serene, glowing color.

Materials: Gold-tone base metal, glass cabochon

Details:

• Era: 1960s
• Markings: Sarah Cov
• Style / design notes: "Beauty Glow" design, open geometric prong setting, adjustable band
• Stone or material notes: Large oval powder blue moonstone-style glass cabochon
• Function: Ring, adjustable
• Color: Gold-tone, powder blue
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A wide cuff-style band wraps the finger in an all-over etched pattern, crisscrossing wave lines that catch light differently from every angle. No stone, no setting — just bold, sculptural metalwork carrying the whole design. The open, adjustable-style back gives it a relaxed, contemporary fit despite the vintage detailing. A striking, textural statement ring for anyone who likes their jewelry with a bit of edge.

Materials: Gold-tone base metal

Details:

• Style / design notes: Wide cuff-style band, all-over etched wave/feather texture, open back
• Function: Ring
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: Size 6.5

Collected by Mineral and Matter

A rectangular white lucite panel sits centered in a buckle-shaped frame, flanked by cross-hatched textured gold-tone shoulders that curve outward with real architectural presence. Sarah Coventry built this kind of clean, graphic contrast into its panel-style rings, pairing a smooth pop of white against warmer engraved gold. The adjustable band fits a range of sizes. A bold, sculptural piece with genuine mid-century polish.

Materials: Gold-tone base metal, lucite

Details:

• Markings: Sarah
• Style / design notes: Buckle-shaped frame, rectangular lucite panel, cross-hatched textured shoulders, adjustable band
• Stone or material notes: White rectangular lucite panel
• Function: Ring, adjustable
• Color: Gold-tone, white
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A large oval purple cabochon sits at the heart of a textured, sunburst-shaped setting, with faux pearls ringing the edge at each point. Sarah Coventry favored this kind of layered, radiating silhouette for its statement rings, letting the smooth stone play off the rougher, hammered metalwork around it. The adjustable band fits a range of sizes. A bold piece with genuine presence.

Materials: Silver-tone base metal, glass stone, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Starburst-shaped textured setting, oval cabochon center, faux pearl accents at each point, adjustable band
• Stone or material notes: Oval purple cabochon with round faux pearl accents
• Function: Ring, adjustable
• Color: Silver-tone, deep purple, white
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A round faux pearl and a faceted garnet-red stone stack vertically inside an elaborate, teardrop-shaped frame, each ringed by fine beaded and rope-twist detailing. Sarah Coventry brought this level of ornamentation to its better mixed-stone rings, pairing soft luster with a burst of deep color for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, faux pearl, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: Teardrop-shaped openwork frame, beaded and rope-twist trim, vertically stacked stones, adjustable band
• Stone or material notes: Round faux pearl and faceted round garnet-red stone
• Function: Ring, adjustable
• Color: Silver-tone, white, deep red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A deep purple stone, faceted into a striking elongated hexagon, sits framed in an open, angular silver-tone setting that echoes its geometry line for line. This is Sarah Coventry's "Mystique" design, built around the kind of bold, sculptural stone cut the brand favored for its statement pieces. The adjustable band means an easy fit. A dramatic, architectural ring with real graphic punch.

Materials: Silver-tone base metal, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: "Mystique" design, elongated hexagonal facet-cut stone, open geometric frame, adjustable band
• Stone or material notes: Deep purple hexagonal-cut glass stone
• Function: Ring, adjustable
• Color: Silver-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A smooth oval cabochon in soft moss green sits prong-set at the center, ringed by a double row of sparkling clear rhinestones that catch the light on either side. The scalloped gold-tone shoulders give the ring a bit of movement, sweeping outward from the stone toward a simple band. A versatile piece that pairs deep, earthy color with plenty of sparkle.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Style / design notes: Oval prong-set cabochon center, double-row clear rhinestone halo, scalloped shoulders
• Stone or material notes: Green oval cabochon with clear round rhinestone accents
• Function: Ring
• Color: Gold-tone, green, clear
• Condition: Great vintage condition

Measurement: Size 9

Collected by Mineral and Matter

A bold, deep purple oval stone commands the whole hand, faceted for maximum shine and set simply in gold-tone prongs. The plain, understated band lets the stone do all the talking, giving the piece a graphic, modern edge despite its vintage roots. A striking solitaire with genuine presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Large oval faceted solitaire, simple prong setting
• Stone or material notes: Deep purple oval rhinestone
• Function: Ring
• Color: Gold-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 7.25

Collected by Mineral and Matter

Seven deep red garnets cluster together in a wide, faceted arrangement, their oval cuts catching light from every direction. Openwork filigree shoulders carry the design down into the band, adding delicacy beneath the boldness up top. Marked sterling silver, this is a substantial, well-made piece with genuine gemstone richness. A striking statement ring with real weight and warmth.

Materials: Sterling silver, garnet

Details:

• Markings: 925, Thailand
• Style / design notes: Faceted oval garnet cluster, openwork filigree shoulders
• Stone or material notes: Seven garnets in oval cuts
• Function: Ring
• Color: Silver, deep red
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A polished hematite oval sits at the center of an open, beaded filigree frame, with four round faux turquoise points radiating outward like a compass. This is Avon's "Mirabella" design, a Gothic-inspired silhouette from the brand's 1974 catalog that pairs cool gray with sky blue for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, hematite, faux turquoise

Details:

• Era: 1974
• Markings: Avon
• Style / design notes: "Mirabella" design, beaded openwork frame, four-point compass layout
• Stone or material notes: Oval hematite cabochon center with four round faux turquoise accents
• Function: Ring, adjustable
• Color: Silver-tone, gunmetal, turquoise blue
• Condition: Great vintage condition

Measurement: Adjustable, sized 5–7

Collected by Mineral and Matter

A deep garnet-red marquise stone sits prong-set at the center, flanked by small clear accent stones and open filigree shoulders that let light pass through the design. The scrollwork carries a delicate, romantic feel more often found in fine antique settings. A rich pop of color with detailed craftsmanship throughout.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Marquise-cut center stone, open filigree scroll shoulders, small round accent stones
• Stone or material notes: Deep red marquise rhinestone with clear round accents
• Function: Ring
• Color: Gold-tone, deep red, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Three faceted red stones stack vertically down the center of an open oval frame, textured gold-tone shoulders adding a bit of shine at the sides. Sarah Coventry built this kind of graphic, negative-space design into many of its cocktail rings, letting the open frame do as much visual work as the stones themselves. The adjustable band fits a range of sizes. A bold, clean piece with a punch of color.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah
• Style / design notes: Open oval frame, three vertically stacked prong-set stones, textured shoulders, adjustable band
• Stone or material notes: Three faceted round red rhinestones
• Function: Ring, adjustable
• Color: Gold-tone, red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A deep, wine-red oval rhinestone sits prong-set at the center, flanked by delicate bow-shaped shoulders that curve outward from the band. The rich, saturated color reads almost like true garnet, warm and glowing against the gold-tone setting. A romantic, detailed piece with more personality than a simple solitaire.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Oval prong-set center stone, bow-shaped shoulders
• Stone or material notes: Deep red-brown oval rhinestone
• Function: Ring
• Color: Gold-tone, deep red
• Condition: Great vintage condition

Measurement: Size 7.5

Collected by Mineral and Matter

A large rivoli-cut stone flashes deep purple and iridescent red as it catches the light, prong-set in a square, ribbed gold-tone frame with a distinctly architectural edge. Sarah Coventry favored this kind of aurora borealis crystal in its cocktail and statement rings, and the mix of geometric setting with a color-shifting stone gives it real drama. The adjustable band fits a range of sizes. Bold, bright, and built to be noticed.

Materials: Gold-tone base metal, aurora borealis rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah Cov
• Style / design notes: Square ribbed frame, prong-set rivoli stone, adjustable band
• Stone or material notes: Round faceted aurora borealis rhinestone in purple with red-violet flash
• Function: Ring, adjustable
• Color: Gold-tone, purple, iridescent
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A dark rhinestone sits prong-set against a fluted, wave-textured gold-tone surface, a single small clear accent stone tucked at its shoulder for contrast. The lines swirl and taper down into a simple band, giving the piece quiet movement without excess. A compact, versatile ring that reads more refined than its costume roots.

Materials: Gold-tone base metal, rhinestone

Details:

• Markings: HM
• Style / design notes: Fluted wave-textured setting, prong-set center stone with single accent stone
• Stone or material notes: Black oval rhinestone with a small clear accent
• Function: Ring
• Color: Gold-tone, black, clear
• Condition: Great vintage condition

Measurement: Size 6

Collected by Mineral and Matter

A smooth, dark cabochon sits framed in a fluted silver-tone bezel, edged with a fine rope-twist border for extra dimension. Sarah Coventry paired this kind of graphic silver-and-black palette often, and it wears with an easy, low-key polish. The adjustable band takes it from finger to finger without fuss. A quiet, versatile piece that goes with almost anything.

Materials: Silver-tone base metal, faux stone

Details:

• Era: 1970s
• Markings: Sarahcov
• Style / design notes: Fluted bezel with rope-twist trim, round bombé-style setting, adjustable band
• Stone or material notes: Round black cabochon
• Function: Ring, adjustable
• Color: Silver-tone, black
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A classical soldier's profile, plumed helmet and all, is carved into a dark hematite panel and set within a fluted silver-tone frame. Sarah Coventry, a longtime name in mid-century American costume jewelry, drew often on Roman and classical imagery for its intaglio pieces, and the design still carries real graphic weight today. The adjustable band means an easy fit for almost any hand. Bold and unmistakably vintage.

Materials: Silver-tone base metal, hematite

Details:

• Era: 1970s
• Markings: Sarah Cov
• Style / design notes: Rectangular intaglio panel, fluted shoulders, adjustable band
• Stone or material notes: Faux hematite panel with carved Roman soldier profile
• Function: Ring, adjustable
• Color: Silver-tone, gold, black
• Condition: Great vintage condition

Measurement: Size 7, adjustable

Collected by Mineral and Matter

Two deep blue oval stones anchor an asymmetric bypass design, each flanked by a small round clear accent for contrast. The open, sculptural gold-tone band curves and doubles back on itself beneath the stones, giving the piece unexpected dimension from every angle. Modern in its irregularity, with the rich color of sapphire without the formality. A striking everyday statement piece.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Asymmetric bypass band, two oval blue rhinestones with round clear accents
• Stone or material notes: Blue oval and clear round rhinestones
• Function: Ring
• Color: Gold-tone, deep blue, clear
• Condition: Great vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A brilliant round cubic zirconia sits solitaire in a swirling, open bypass setting, textured gold catching light at the shoulders like beaten metal. The design has real movement, the band curving in on itself as it meets the stone. Signed by Esposito and clearly marked as gold electroplate, this is a well-made piece of American costume jewelry with genuine presence.

Materials: 14KT gold electroplate, cubic zirconia

Details:

• Era: 1970s–1980s
• Markings: 14KT GE ESPD
• Style / design notes: Bypass swirl setting, textured shoulders, solitaire round stone
• Stone or material notes: Round cubic zirconia
• Function: Ring
• Color: Gold, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Marquise-cut rhinestones fan out in two tiers to form a full, faceted flower, deep blue tips giving way to clear stones near the center. Set in a two-tone finish, the design catches light from multiple angles like petals mid-bloom. The scale is substantial without being heavy on the hand, built for a bit of shine on an ordinary day. A cluster ring with real presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Style / design notes: Layered marquise-cut flower cluster, two-tone prong settings
• Stone or material notes: Blue and clear marquise rhinestones
• Function: Ring
• Color: Gold-tone, silver-tone, blue, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A cool blue emerald-cut stone sits prong-set in warm gold, flanked by small bow-shaped shoulders for a touch of vintage sweetness. Signed by Esposito, a maker known for well-made mid-century gold filled pieces, this ring has the weight and finish of costume jewelry built to last. The adjustable band means an easy, comfortable fit. A quiet, classic piece that wears well on its own or stacked.

Materials: 10K gold filled, glass stone

Details:

• Era: 1950s–1960s
• Markings: 10KT G.F. ESPO
• Style / design notes: Emerald-cut center stone, bow motif shoulders, adjustable band
• Stone or material notes: Blue faceted glass stone, emerald cut
• Function: Ring, adjustable
• Color: Gold, blue
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Adjustable band

Collected by Mineral and Matter

Diamond-cut rays fan outward from a small center flower, framed by an open, elongated silhouette that catches light from every angle. The wide, textured shoulders taper into a slim band, giving the piece presence without weight. Unsigned, but finely cut, with the kind of intricate openwork more often reserved for finer goldwork. A small, sculptural statement for the hand.

Materials: Gold-tone base metal

Details:

• Era: 1970s–1980s
• Markings: Unmarked
• Style / design notes: Openwork diamond-cut filigree, elongated shield silhouette, floral center motif
• Stone or material notes: None
• Function: Ring
• Color: Antiqued gold
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Size 5

Collected by Mineral and Matter

A wide, asymmetrical leaf unfurls across the finger, its surface covered in fine radiating ribs that catch light from every angle. Cutting diagonally across the center, a smooth inlaid channel holds five small round rhinestones in a gentle curve — the single point of sparkle against an otherwise all-gold composition. The leaf curls slightly at its edges and tapers to a point at the lower corner, giving it a naturalistic quality that softens what could otherwise read as purely geometric. Leaf motif rings in this style were a recurring presence throughout the 1970s and into the 1980s, when nature-inspired forms dominated costume jewelry and gold tone metal was the default. This one is unsigned but well-made, with good weight and clean detail.

Materials
Gold tone base metal, clear rhinestone crystals

Details

• Era: 1970s–1980s
• Maker: Unsigned
• Style / design notes: Wide asymmetrical fluted leaf top; fine radiating rib texture across entire face; diagonal channel set with five graduated round rhinestones across center
• Stone or material notes: Five small round clear rhinestones, flush channel set
• Color: Warm gold tone / clear
• Condition: Good vintage condition, please see images

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

Nine round prong-set crystals appear to float across an irregular organic landscape — a wide, open-worked band of molten-looking gold tone metal that bubbles and branches like coral or cooling lava. The stones sit at varying heights across the top, their silver-tone prongs contrasting against the warm gold beneath, which gives the whole surface a two-tone quality that feels intentional rather than incidental. The underside of the band continues the texture, leaving no part of the ring unfinished. This is squarely in the Brutalist and organic modernist jewelry tradition that defined the 1960s and early 1970s, when cast metal jewelry rejected clean lines in favor of raw, elemental form. It wears like a piece of sculpture.

Materials
Gold tone base metal, clear rhinestone crystals

Details

• Era: 1960s–1970s
• Maker: unkown: Stamped 14KH GE A
• Style / design notes: Wide open-worked band; irregular molten nugget texture throughout; nine round rhinestones prong-set in silver tone settings at varying heights across the top face
• Stone or material notes: Clear round rhinestone crystals, silver tone prong settings
• Color: Warm gold tone / clear
• Condition: Good vintage condition, please see images

Measurement
Size 4.5 (measured on ring mandrel between 4 and 5)

Collected by Mineral and Matter

A sculpted ribbon bow spreads wide across the finger, its looped and gathered folds rendered in warm gold tone with fine engraved line detail across each wing. At the center, a small oval cabochon in muted blue — somewhere between slate and periwinkle, with a slightly speckled, matte surface — anchors the whole composition without competing with it. The bow is generous in scale but sits closer to charming than costume, the kind of ring that reads as intentional rather than loud. Avon produced bow motif jewelry throughout the 1980s in consistent quality, and this one holds up — signed on the interior shank and in very good condition for its age.

Materials
Gold tone base metal, blue cabochon (glass or synthetic)

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Sculptural ribbon bow top; engraved texture detail across bow wings; oval bezel-set cabochon center
• Stone or material notes: Small oval blue cabochon; matte, slightly speckled surface; slate to periwinkle in color
• Color: Warm gold tone / slate blue
• Condition: Good vintage condition, please see images

Measurement
Size 7 

Collected by Mineral and Matter

A faceted oval stone in deep sapphire blue sits flush in a bezel setting, flanked on each side by a ribbed fan of silver tone metal that tapers smoothly into the shank. The silhouette is architectural — substantial without being heavy, with the fluted shoulders giving it a sculptural quality that reads closer to Art Deco revival than costume. The stone shifts between inky navy and bright aqua depending on the light, which is most of the reason to wear it. Rings built around a single bold stone and a strong geometric setting were a recurring theme of 1980s costume jewelry, and this one holds that moment with quiet confidence.

Materials
Silver tone base metal, blue glass or synthetic stone

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Bezel-set oval solitaire; ribbed fan shoulders tapering to a plain shank; low-profile setting keeps stone close to the finger
• Stone or material notes: Faceted oval blue glass or synthetic stone; color reads sapphire to aqua depending on light
• Color: Silver tone / sapphire blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A continuous row of small puffy hearts circles the band, creating an eternity silhouette that feels playful without being precious. The raised, rounded hearts catch light evenly all the way around — as wearable stacked as it is alone. A sweet example of Avon's knack for translating sentiment into something genuinely wearable.

Materials
Gold tone base metal

Details

• Era: 1980's
• Maker: Avon Stamp
• Style / design notes: Eternity band; continuous repeating puffy heart motif around full band; high-polish finish
• Stone or material notes: None
• Color: Warm gold tone
• Condition: Good vintage condition, please see photos 

Measurement
Size 3.5 (measured on ring mandrel between 3 and 4)

Collected by Mineral and Matter

A single cream faux pearl sits at the center of two sweeping bypass bands, each set with a row of clear crystal rhinestones and edged in fine milgrain detail. The movement is elegant and slightly sculptural — the crossover design lifts the pearl off-center just enough to feel dynamic rather than stiff. Signed on the interior shank, it comes with the provenance of a recognized name and the wearability of a piece that never fully goes out of style.

Materials
Gold tone base metal, simulated pearl, clear crystal rhinestones

Details

• Era: 1980s
• Maker: Avon (signed on interior shank)
• Style / design notes: Bypass crossover setting; two rhinestone-paved milgrain bands cradling a central faux pearl
• Stone or material notes: Cream simulated pearl center; prong-set clear crystal rhinestone accents
• Color: Warm gold tone / cream / clear
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter

A single large emerald-cut stone in deep forest green takes the lead here — the kind of saturated, glassy green that reads as genuinely precious from across the room. Four round clear rhinestones flank it two per side, set into angular silver-tone shoulders that echo the geometry of the center stone. The silhouette is clean and slightly Art Deco in spirit — symmetrical, confident, built around the stone rather than around the setting. One of the more convincing faux-emerald pieces Avon produced.

DETAILS:

• Maker: Avon
• Style: Emerald-cut solitaire cocktail ring with side accents
• Center: Deep emerald-green faceted emerald-cut rhinestone
• Accents: Four round clear rhinestones, two per shoulder
• Setting: Angular silver-tone claw setting with geometric shoulders
• Markings: interior band Avon stamp
• Material: Silver-tone base metal
• Era: 1970s 
• Size: Adjustable 4.5-6.5
• Condition: Excellent Vintage Condition

Collected by Mineral and Matter

A faceted aqua blue pear-cut stone sits within an open swirl frame, flanked by a scatter of prong-set clear rhinestones that trail off like the tail of a comet. The teardrop cut catches light from every angle, and its cool blue-topaz tone reads effortlessly against warm gold. The asymmetric swirl setting gives this ring a fluid, almost organic quality unusual for its era. It moves between casual and dressed up without announcing either.

Materials
Gold tone base metal, glass stones

Details

• Era: 1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Open swirl frame; pear-cut center stone; scattered clear rhinestone accents trailing to one side
• Stone or material notes: Aqua blue faceted glass teardrop; clear glass prong-set rhinestone accents
• Color: Gold tone / aqua blue / clear
• Condition: Good vintage condition

Measurement
Size 6.75

Collected by Mineral and Matter

Two heart-shaped stones nestle together in an offset toi et moi setting — one deep garnet red, one clear crystal — each bezel-set and accented by small prong-set rhinestones at the corners. The toi et moi (you and me) format has appeared in fine jewelry since the 18th century, most famously in Napoleon's proposal ring to Joséphine, and this Avon interpretation carries that romantic geometry into everyday wear. The pairing of red and clear against warm gold is bold without effort. A ring with a love story built into its form.

Materials
Gold tone base metal, glass stones

Details

• Era: 1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Toi et moi double heart setting; bezel-set hearts in offset cluster; prong-set clear rhinestone accents at corners
• Stone or material notes: Deep red faceted glass heart; clear faceted glass heart; clear glass rhinestone accents
• Color: Gold tone / red / clear
• Condition: Great vintage condition

Measurement
Size 7

Collected by Mineral and Matter

Three lavender marquise stones cascade diagonally across a split bypass shank, flanked by two silver tone rhinestone bars that cross at the center like a constellation in motion. The color sits in that rare blue-violet range that mimics tanzanite, cool and atmospheric against the warm gold setting. The open split shank construction and flowing bypass design place this firmly in the elegant cocktail ring tradition of the late 1980s and early 90s. It wears beautifully on its own and needs nothing else.

Materials
Gold tone base metal, silver tone accent metal, glass stones

Details

• Era: 1980s
• Markings: Small diamond-shaped hallmark stamp on interior shank
• Style / design notes: Diagonal bypass design; three marquise stones flanked by two rhinestone bar accents; open split shank
• Stone or material notes: Lavender blue-violet faceted glass marquise stones; clear glass rhinestone accents in silver tone settings
• Color: Gold tone / lavender violet / clear
• Condition: Great vintage condition

Measurement
Size 7

Collected by Mineral and Matter

Two opposing diagonal ribbed bands sweep across a domed face, meeting at the center in a knot-like crossover — sculptural, tactile, and entirely stoneless. This kind of bold dome construction was a hallmark of 1970s gold tone jewelry, drawing from the era's love of texture and form over ornament. It wears like a statement but sits close to the finger with unexpected comfort. The kind of ring that photographs beautifully and earns compliments in real life.

Materials
Gold tone base metal

Details

• Era: 1970s–1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Wide dome ring; opposing diagonal ribbed panels meeting at center crossover; high-polish finish
• Color: Warm gold tone
• Condition: Great vintage condition

Measurement
Size 6

Collected by Mineral and Matter

Three deep forest-green baguette stones set diagonally across the face, flanked by rows of prong-set clear rhinestones, a composition that nods to Art Deco geometry while sitting firmly in the 1970s. The silver tone setting gives it a cooler, more understated finish than its gold tone counterparts, letting the green stones anchor the piece. The wide tapered shank and adjustable band make it easy to wear across a range of sizes. A ring that looks considered rather than costumed.

Materials
Silver tone base metal, glass rhinestones

Details

• Era: 1970s–1980s
• Markings: Signed Avon (interior shank)
• Style / design notes: Wide tapered shank; three diagonal baguette stones flanked by round rhinestone rows; prong-set throughout
• Stone or material notes: Emerald green glass baguettes; clear glass round rhinestones
• Color: Silver tone / emerald green / clear
• Condition: Excellent vintage condition

Measurement
Adjustable, fits sizes 5–7

Collected by Mineral and Matter

Description
A marquise-shaped panel of oxidized silver-tone filigree frames a single purple rhinestone at its center — petite teardrops and a beaded border arranged with the quiet geometry of a medieval reliquary. The open cutwork shoulders give the ring a lightness that belies its presence on the hand. Stamped Avon, and representative of the brand's more architectural ring designs. A piece that reads as older than it is, in the best way.

Materials
Silver-tone base metal with oxidized finish, purple rhinestone accent

Details

• Era: 1970s–1980s
• Markings: Stamped Avon
• Style / design notes: Marquise filigree panel with cutwork teardrop motifs, beaded border, open split shoulders
• Stone or material notes: Single round purple rhinestone center
• Color: Silver-tone, oxidized dark patina, purple
• Condition: Good vintage condition with gentle surface wear consistent with age

Measurement: Size 7

Collected by Mineral and Matter

A generous cluster of prong-set pear-shaped clear rhinestones tumbles across an openwork silver-tone setting, punctuated by small round marcasite-style accents at the edges. The shank is split and tapered, adding structure to what reads as an organic, scattered arrangement of stones. The dark oxidized tone of the metal deepens the contrast with the bright clear stones — a combination with roots in Art Deco jewelry that never fully goes out of style.

Materials & Details:

• Era: 1960s–1980s
• Markings: 925
• Style notes: Cluster setting with pear-cut rhinestones and marcasite-style round accents, openwork shank
• Stone notes: Faceted clear pear rhinestones with dark round marcasite-style accents
• Color: Silver tone with clear and dark accents
• Condition: Good vintage condition, please see photos 
• Measurement: Size 7

Collected by Mineral and Matter

A large emerald-cut aqua blue rhinestone dominates this silver-tone Avon ring, set high in a four-prong corner setting with open scrollwork shoulders that keep the design light despite the stone's scale. The pale blue-gray color reads like shallow ocean water held in place — cool, clear, and quietly arresting. Avon produced rings of this quality and proportion throughout the 1970s and into the 80s, drawing on fine jewelry proportions to give their costume pieces genuine presence. A strong cocktail ring with an understated elegance.

Materials: Silver-tone base metal, aqua blue faceted glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Emerald-cut solitaire, four corner prongs, open scrollwork shoulders
• Stone notes: Faceted aqua blue glass rhinestone, emerald cut
• Color: Silver, aqua blue
• Condition: Excellent vintage condition
• Measurement: Size 6

Collected by Mineral and Matter

A broad, architectural gold-tone setting cradles a single round faux pearl, its ridged and faceted shoulders radiating outward like rays from a sun — or the ribs of a shell. The substantial weight and geometric form place this firmly in the 1970s, when signet-style rings were worn with intention and jewelry leaned bold and structural. The pearl reads soft against the heavily textured metal, an unexpected pairing that gives the piece real character. Wears with the confidence of a statement ring and the ease of an everyday one.

Materials: Gold-tone base metal, faux pearl

Details:

• Era: 1970s
  
• Style notes: Signet form, ridged radiating shoulders, wide flat band, fan or shell-like setting
• Stone notes: Round faux pearl, gloss finish, bezel-set
• Color: Gold, cream white
• Condition: Good vintage condition, some gold tone loss
• Measurement: Size 9

Collected by Mineral and Matter

A slender gold-tone band anchored by a single prong-set pink rhinestone — quiet and precise. Avon's costume jewelry of the 1970s and 80s leaned into minimalism alongside the era's fine jewelry trends, and this ring reflects that sensibility well. The delicate claw setting elevates what could be a simple piece into something with genuine presence. Wears beautifully alone or stacked.

Materials: Gold-tone base metal, pink glass rhinestone

Details:

• Era: 1970s–1980s
• Markings: Avon
• Style notes: Solitaire, thin band, prong-set center stone
• Stone notes: Pink glass rhinestone, round cut, prong set
• Color: Gold, pink
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: Size 5

Collected by Mineral and Matter

Three parallel gold tone rails open at the center to frame a vertical column of three prong-set clear rhinestones — a clean, architectural composition that reads as both minimal and deliberately considered. The wide open shank gives the ring real presence without weight. Signed ©Avon inside the band.

Materials: Gold tone base metal, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Triple open rail band construction; three prong-set rhinestones in vertical column at center; smooth polished finish
• Stone or material notes: Three round clear rhinestones, prong set
• Color: Gold tone, clear
• Condition: Excellent vintage condition
• Measurement: Size 5

Collected by Mineral and Matter

Six faux pearls of varying sizes are scattered across a textured gold tone setting in a loose, naturalistic cluster — interspersed with silver tone rhinestone-set leaf accents that catch light between the pearls. The arrangement feels botanical rather than rigid, like a sprig caught mid-bloom. Signed ©Avon inside the adjustable shank.

Materials: Gold tone base metal, faux pearls, clear rhinestones

Details:

• Era: 1970s–1980s
• Markings: ©Avon
• Style / design notes: Freeform pearl cluster top; textured gold tone leaf and branch setting; silver tone rhinestone leaf accents; adjustable split shank
• Stone or material notes: Six faux pearls, varied sizes, cream tone with good luster; small clear rhinestones in leaf settings
• Color: Gold tone, cream, silver tone accents
• Condition: Good — pearls intact and lustrous, light wear to shank consistent with age
• Measurement: Adjustable, fits size 5–7

Collected by Mineral and Matter

A round faux fire opal cabochon glows at the center of this ring, its surface shifting between warm gold, blush, and pale iridescence depending on the light — the effect is genuinely luminous. Textured gold-tone feather-like leaves curl around it from both sides, and three small clear rhinestones scatter loosely along the lower edge like morning dew. The overall composition is loose and organic, more like something found in a garden than assembled on a bench. One of Avon's more poetically designed pieces from their 1970s nature-inspired era.

DETAILS:

• Maker: Avon
• Style: Botanical cocktail ring
• Center: Round faux fire opal cabochon; iridescent warm gold and blush tones
• Accents: Three round clear rhinestones
• Setting: Textured gold-tone feather leaf spray
• Markings: Verify interior band for Avon stamp
• Material: Gold-tone base metal
• Era: 1970s
• Size: adjustable 5-6
• Condition: Good vintage condition, a bit of wear and gold tone loss in a few spots

Collected by Mineral and Matter

A large oval faceted stone in deep amber topaz sits high in an open prong setting, its warm honey-brown depths shifting between cognac and burnt caramel depending on the light. The setting shoulders are finished with a simple scrolled detail on each side, keeping the focus on the stone. Substantial without being heavy — a true cocktail ring with an understated elegance.

Materials: Gold tone base metal, faceted amber glass stone

Details:

• Era: 1960s–1970s
• Markings: Sarah Coventry
• Style / design notes: High prong setting; open gallery; scrolled shoulder detail; single stone cocktail ring
• Stone or material notes: Large oval faceted amber/topaz glass stone; warm cognac tone with good depth and clarity
• Color: Gold tone, amber
• Condition: Good vintage condition, please see photos
• Measurement: Size 6.5

Collected by Mineral and Matter

A small, fully dimensional owl perches on a simple split band — feathers textured in fine relief, purple rhinestone eyes catching light with unexpected intensity. Owls carried real cultural currency in the 1970s, appearing across jewelry, ceramics, and print as symbols of quiet wisdom. This one has the charm of something found rather than bought. A ring that sparks conversation without demanding it. Stamped Sarah Coventry

Materials Silver-tone base metal, purple rhinestone accents

Details

• Era: 1970s
  
• Style / design notes: Three-dimensional owl figure with textured feather relief, split shank band
• Stone or material notes: Small purple rhinestone eyes
• Color: Silver-tone, purple
• Condition: Great vintage condition
• Measurement: adjustable

Collected by Mineral and Matter

A bold floral cluster of round brilliant cubic zirconia — center stone ringed by eight larger stones, all framed by a pavé halo — sits atop a triple split shank set with additional CZ down each band. The layered construction gives the ring considerable presence without heaviness, and the rhodium-finish sterling catches light from every angle. Vintage-inspired in its cluster silhouette and generous scale, it works as well with denim as it does with a dressed-up look.

Materials: 925 sterling silver; round brilliant cubic zirconia (simulated); rhodium plated finish

Details:

• Era: c. 2000s–2010s, vintage-inspired design
• Markings: Stamped "925 CN" and "FZN" on inner shank
• Style / design notes: Round CZ center stone; eight-stone surrounding cluster; pavé halo frame; triple split shank with pavé CZ set down each band
• Stone or material notes: Cubic zirconia — all simulated; no natural stones
• Function: Cocktail / fashion ring
• Color: Clear and silver
• Condition: Excellent condition

Measurement: Size 8

Collected by Mineral and Matter

Five oval faceted stones — amethyst, peridot, champagne topaz, blue topaz, and amethyst — line up in a graduated spectrum across an oxidized sterling band framed above and below by rows of marcasite. Thai sterling workshops were producing some of the finest accessible gemstone jewelry from the 1970s onward, and the CNA maker's mark, wide tapered band, and oxidized finish suggest this piece dates to the earlier end of that tradition. Stamped 925, CNA, and Thailand on the inner band.

Materials: Sterling silver (925), amethyst, peridot, champagne topaz, blue topaz, marcasite

Details:

• Era: 1970s–1980s
• Markings: "925 CNA" and "Thailand" stamped inside band
• Style / design notes: Five-stone graduated band, oval faceted gemstones in prong settings, marcasite pavé border above and below, oxidized finish, wide tapered band
• Stone or material notes: Natural gemstones — amethyst (x2), peridot, champagne topaz, blue topaz; marcasite accent rows
• Color: Oxidized silver with multi-color stones
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: Size 8

Collected by Mineral and Matter

An elegant vintage cocktail ring centered on a large oval rose quartz cabochon with a soft milky translucency. The stone is prong-set in a gold-tone mount and flanked on each shoulder by three sparkling clear rhinestones in a diagonal staircase arrangement, giving the ring a polished, dressed-up feel. The tapered shank is clean and classic. Size 5.

◆ Rose quartz is one of the most beloved semi-precious stones — known as the "stone of unconditional love," it has been used in jewelry for centuries and remains highly sought-after in vintage settings.

◆ The rhinestone shoulder accent in a staircase or diagonal arrangement is a signature design detail of mid-century cocktail jewelry, common in quality 1950s–1970s costume and semi-fine pieces.

◆ The combination of a large pale cabochon with clear sparkling side stones creates a sophisticated contrast that mimics fine jewelry — this ring photographs beautifully and wears as a true statement piece.

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Style: Cocktail / statement ring
Stone: Large oval cabochon — rose quartz
Accent stones: 3 prong-set clear rhinestones each shoulder
Metal: Gold-tone base metal
Setting: 4-prong oval, tapered split shank
Markings: Unmarked
Size: 5
Condition: Good vintage — stone luminous, all rhinestones present, light wear to metal

Three interlocking bands twist and cross in a continuous rolling form — a design with roots in Russian wedding ring tradition, reinterpreted here in polished gold-tone by Godiva, a lesser-known American costume jewelry maker. The result is minimal and tactile, as satisfying to wear as it is to look at. A quiet piece that earns its place on any finger.

Materials: Gold-tone base metal

Details:

• Era: 1980s–1990s
• Markings: "Godiva" stamped inside band
• Style / design notes: Triple interlocking rolling band, crossover construction, high-polish finish
• Stone or material notes: None
• Color: Gold-tone
• Condition: Great vintage condition
• Measurement: Size 7

Collected by Mineral and Matter

A small arc of light—petals or feathers, depending on how you see it—opening around a single pearl.

This piece is part of Avon’s “Fan Fare” design, released in the mid-1970s. The marquise-shaped rhinestones form a soft, radiating fan, anchored by a luminous pearl set low and centered. The curve above it gives the whole piece a sense of motion—like something just beginning to unfold.

It feels airy, but intentional. A quiet statement.

Details

• Brand: Avon

• Collection: “Fan Fare”

• Era: 1974–1975

• Material: silver-tone

• Stones: faux pearl, clear rhinestones

• Size: adjustable (fits approx. 4–5)

• Condition: good vintage condition (light wear consistent with age)

Measurements

• Adjustable fit: approx. size 4–5

• Pearl: approx. 6 mm

A single pearl, held in motion.

This vintage ring wraps around itself in a soft, sculptural twist—gold tone lines flowing like a quiet current, meeting at a luminous center. The pearl feels suspended, not set, as if it simply settled there.

There’s a calm elegance to it—mid-century in spirit, but timeless in form. Light, fluid, and quietly expressive.

Details

• Era: 1977

• Material: gold tone

• Stone: faux pearl

• Size: 6

• Condition: good vintage condition with light, natural wear.

Measurements

• Ring size: 6

• Pearl: approx. 5 mm

Collected by Mineral and Matter

A round cream faux pearl sits nestled at the base of a spreading fan of silver-tone marquise leaves, each one set with a clear rhinestone — the whole composition opening outward like a peacock tail or a spray of light caught mid-movement. The beaded pearl setting and the crescent curve above it add a softness that keeps the design from feeling architectural. Released in 1974, the Fan Fare was designed as an expandable ring, making it one of the more versatile pieces from that era. Equal parts refined and botanical.

DETAILS:

• Maker: Avon — Fan Fare, 1974
• Style: Fan spray cocktail ring
• Center: Round cream faux pearl in beaded setting
• Accents: Clear rhinestones set in marquise silver-tone leaves
• Design: Asymmetric fan spray; crescent detail above center pearl
• Markings:  Avon stamp
• Material: Silver-tone base metal
• Era: 1974
• Size: adjustable 4-5
• Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Three emerald-green baguettes line up across a silver-tone band, each flanked by a pair of round clear rhinestones — the alternating rhythm of green and white giving the whole face a deliberate, almost architectural precision. The deep forest green reads as genuinely gem-like, the baguette cut adding a formality that lifts it above typical costume jewelry of the era. Part of Avon's Fashion Accents Collection from 1975, the Evening Classic was designed to wear as effortlessly with a blazer as with an evening dress. It still does.

DETAILS:

• Maker: Avon — Evening Classic, 1975
• Style: Multi-stone cocktail band ring
• Stones: Three emerald-green baguette rhinestones; six round clear rhinestones
• Setting: Silver-tone prong and bezel combination
• Markings:  Avon stamp
• Material: Silver-tone base metal
• Era: 1975
• Size: adjustable 4-5
• Condition: Great vintage condition

Collected by Mineral and Matter

The Leaf Lights arranges five marquise-cut green rhinestones along a textured gold-tone branch, each stone cradled in its own bezel like a leaf held mid-motion. The stones graduate subtly in tone — pale peridot at the tips deepening to olive at the base — giving the cluster a naturalistic, light-shifting quality that justifies the name. Released in 1974 as part of Avon's botanical series, the Leaf Lights appeared in multiple configurations, this branch variation among the most convincingly organic. A generous, sculptural ring that wears with surprising lightness.

DETAILS:

• Maker: Avon — Leaf Lights, 1974
• Style: Botanical branch cluster ring
• Design: Five marquise rhinestones as leaves along a textured gold-tone branch
• Stones: Five marquise-cut green rhinestones in graduated tones, peridot to olive
• Setting: Individual bezels on textured leaf branch
• Markings: Avon stamp
• Material: Gold-tone base metal
• Era: 1974
• Size: adjustable 4-5 
• Condition: Excellent vintage condition

Collected by Mineral and Matter

Avon's Victorian Splendor lives up to its name. A large central pearl is encircled by eight graduating pearl cabochons, small turquoise-blue beads nestled between them against a heavily textured gold setting — the color combination of cream, sky blue, and antique gold is considered and genuinely beautiful. The design draws directly from Edwardian and Victorian cluster ring tradition, and Avon's execution here is among their more ambitious pieces. Underside stamped Avon ©. A named collectible that serious Avon collectors actively seek.

DETAILS:
— Maker: Avon © — Victorian Splendor
— Style: Cluster cocktail ring
— Stones: Graduated pearl cabochons with turquoise-blue accent beads
— Setting: Heavily textured gold-tone floral cluster
— Material: Gold-tone metal
— Era: 1970s
— Size: Size 4-5 Adjustable
— Condition: Excellent vintage; all stones secure, stamp clear, setting intact

Collected by Mineral and Matter

Inspired by the intricate geometry of a bird's nest or a celestial swirl, this vintage Avon ring is a study in refined texture. The piece features an airy, openwork dome crafted from overlapping, textured gold-tone wires that create a captivating interplay of light and shadow. Its sculptural form offers a bold yet grounded presence, serving as an effortless statement for daily wear or evening adornment. This design reflects the late-1970s fascination with organic, woven silhouettes, perfect for the modern woman who finds beauty in complex, natural forms. 

Materials: Gold-tone base metal 
Details: Intricate wire-wrapped openwork dome with fine ridged texturing 
Era: Late 1970s 
Markings: Not Signed, but has Avon's signature interior ring adjustable band
Style / design notes: Modernist "vortex" or "bird's nest" aesthetic with fluid, circular lines 
Stone or material notes: Sculpted gold-plated metal; no additional stones 
Function: Statement cocktail ring 
Color: Bright gold 

Condition: Vintage with gentle surface wear consistent with age
Measurement: Size 4-5 Adjustable

Collected by Mineral and Matter

A testament to the fluid grace of the 1970s, this 1975 Avon "Whirlwind" ring features an intricate, sculptural design that mimics the effortless movement of a ribbon caught in a breeze. The gold-tone band blossoms into a highly textured, openwork swirl, creating a sophisticated play of light and dimension across the finger. Its bold yet airy silhouette offers a confident, feminine energy, serving as a timeless statement piece grounded in mid-century artistry. This ring is designed for the modern woman who values craftsmanship and a touch of celestial-inspired movement in her everyday adornment.

Materials: Gold-tone base metal
Details: Stylized "Whirlwind" openwork ribbon design with a deep, ridged texture
Era: 1975
Markings: Stamped "AVON" on the inner band
Style / design notes: Mid-century modernist with Art Nouveau-inspired fluid curves
Stone or material notes: Sculpted gold-plated metal without additional stones
Function: Statement cocktail ring
Color: Bright gold

Condition: Vintage with gentle surface wear consistent with age
Measurement: adjustable size 5-6

Collected by Mineral and Matter

A sculptural tribute to the organic complexity of nature, this 1976 Avon "Flowerblaze" ring captures the spirit of the mid-century floral revival. The ring features a deeply textured, ruffled setting modeled after a blooming carnation, creating a rich interplay of light and shadow. Nestled within its golden petals is a single, brilliant-cut crystal accent that mimics a shimmering drop of morning dew. This piece offers a grounded yet feminine presence, perfect for adding a touch of vintage botanical charm to daily wear.

Materials: Gold-tone base metal, clear crystal
Details: Intricately ruffled carnation design with a single rhinestone accent
Era: 1976
Markings: Signed "AVON" inside the band
Style / design notes: Art Nouveau-inspired floral cocktail ring with a 3D textured finish
Stone or material notes: Round brilliant-cut clear crystal
Function: Statement cocktail ring
Color: Gold and clear
Condition: Vintage with gentle surface wear consistent with age
Measurement: adjustable size 4-5
Collected by Mineral and Matter

Released in 1981, the Avon Gilded Trellis is a wide openwork band built entirely from interlocking diamond forms — negative space and gold in equal measure, the whole structure open to light from every angle. It sits closer to architectural jewelry than costume, the kind of piece that reads differently depending on how the light falls. Named Avon releases from this era are actively sought by collectors, and the trellis design has an enduring geometric quality that hasn't dated.

DETAILS:
— Maker: Avon (marked)— Gilded Trellis, 1981
— Style: Wide openwork band ring
— Design: Interlocking diamond / lattice cutwork, full band
— Material: Gold-tone metal
— Era: 1981
— Size: 4.5
— Condition: Excellent vintage; openwork crisp and intact, finish bright

Collected by Mineral and Matter

Size 6-7 with adjustable band

Good Vintage Condition- some tone loss on inside band

Collected by Mineral and Matter

These abstract shaped earrings with a cz stone center are a nice take on the classic gold stud. 

.25" diameter, pierced

1980-1990's

In very good vintage condition

Collected by Mineral and Matter

A royal blue colored rhinestone circle forms the center of this flower shaped earring from the 1950's.  

3/4" diameter, clip on

Collected by Mineral and Matter