A beautiful and delicate example of late 1970s Avon design. This authentic 1977 "Chainfall" necklace features an elegant alternating pattern of polished gold-tone twisted bar links and fine cable chain. Measuring approximately 26 inches, it offers a perfect length for effortless layering or a minimalist solo statement. Signed "AVON" on the hang tag near the secure spring ring clasp.

• Brand: Authentic Vintage Avon (Hallmarked/Signed "AVON" on the clasps).
• Release Date: 1978.
• Convertible Design: The bracelet and necklace feature matching link sizes and clasps, allowing you to attach the bracelet to the necklace to create an extended, longer chain.
• Material: High-quality 23k gold-tone plating over a durable base metal.
• Clasp: Secure spring-ring closures on both pieces.
• Condition: Excellent vintage condition with a bright, consistent gold finish and smooth link articulation.

• Necklace: Approximately 18" alone, or 23" with the bracelet added on
• Bracelet: Approximately 7" (Standard wrist size).

A sleek vintage flat cobra chain in warm gold tone — interlocking V-shaped links that create a smooth, flexible surface with a subtle chevron texture. Sits flat and fluid against the skin, with that classic 1970s–80s chain appeal. Wears as a choker length at 17".

Metal: Gold-tone base metal
Style: Flat cobra / snake link chain
Length: 17"
Markings: Unmarked 
Era: Circa 1970s–1980s
Condition: Good vintage — chain supple and bright, clasp functional

A clean and elegant signed Monet station chain featuring polished flat bar links evenly spaced along a fine oval cable chain. Simple, versatile, and well-made — works beautifully as a layering chain or standalone. Signed "Monet" on the clasp tag.

Brand: Monet (signed)
Metal: Silver-tone base metal
Style: Bar station chain
Length: 28"
Closure: Spring ring clasp
Era: Circa 1970s–1980s
Condition: Good vintage — chain intact, clasp functional

A striking vintage chevron bar necklace featuring segmented synthetic opal or glitter enamel inlay in creamy white with vivid iridescent flashes of pink, green, and gold. Set in silver-tone metal, the curved V-shape pendant measures approx. 3" across and sits beautifully at the neckline. Clean, modern, and luminous.

Metal: Silver-tone

Pendant: Approx. 3" wide, chevron/V-bar shape
Inlay: Synthetic opal or glitter enamel — iridescent multi-color flash
Chain: Silver-tone cable chain
Markings: Unsigned
Era: Circa 1980s
Condition: Good vintage — inlay intact and vivid, chain and clasp functional

Elegant two-tone pendant featuring a flowing silver-tone open-work disc and leaf spray with a pair of raised gold-tone pansy flowers at center. The contrast between the bright silver filigree and warm gold blooms gives this a sophisticated, nature-inspired look. Hangs on an adjustable slider chain, 20–28".

Metal: Two-tone silver and gold-tone base metal
Chain: Adjustable slider, 20–28"
Markings: Unmarked
Era: Circa 1970s–1980s
Condition: Good vintage — pendant intact, chain and slider functional

Charming matched pair of signed Gerry's swan brooches in silver-tone with pebbled body texture, finely etched wing feathers, and a bright blue rhinestone eye on each. Sold individually — ideal as scatter pins or a collar pair.

Brand: Gerry's (signed)
Metal: Silver-tone base metal
Stones: Blue rhinestone eyes
Quantity: 2 matching brooches
Era: Circa 1960s–1970s
Condition: Good vintage — all rhinestones present, clasps functional

A classic vintage love knot pendant set inside an open diamond-shaped frame with a fine cut-edge border, suspended on an 18" curb chain. The rope-twist knot is beautifully detailed and sits freely within the frame. Clean, timeless mid-century design.

Style: Love knot pendant necklace
Metal: Silver-tone base metal
Chain: 18" curb chain
Markings: Unmarked
Condition: Good vintage — pendant and chain intact, clasp functional

Striking vintage brooch featuring a fully dimensional silver-tone rose with deeply sculpted layered petals, flanked by two textured leaf sprays. The bold 3D form and heavy casting give this an almost sculptural quality — a real statement piece at 2 inches wide. Unmarked, likely mid-century.

Style: Figural floral brooch
Metal: Silver-tone base metal
Size: Approx. 2" x 1"
Markings: Unmarked
Condition: Good vintage — some oxidation in recesses, clasp functional

An elegant vintage cocktail ring centered on a large oval rose quartz cabochon with a soft milky translucency. The stone is prong-set in a gold-tone mount and flanked on each shoulder by three sparkling clear rhinestones in a diagonal staircase arrangement, giving the ring a polished, dressed-up feel. The tapered shank is clean and classic. Size 5.

◆ Rose quartz is one of the most beloved semi-precious stones — known as the "stone of unconditional love," it has been used in jewelry for centuries and remains highly sought-after in vintage settings.

◆ The rhinestone shoulder accent in a staircase or diagonal arrangement is a signature design detail of mid-century cocktail jewelry, common in quality 1950s–1970s costume and semi-fine pieces.

◆ The combination of a large pale cabochon with clear sparkling side stones creates a sophisticated contrast that mimics fine jewelry — this ring photographs beautifully and wears as a true statement piece.

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Style: Cocktail / statement ring
Stone: Large oval cabochon — rose quartz
Accent stones: 3 prong-set clear rhinestones each shoulder
Metal: Gold-tone base metal
Setting: 4-prong oval, tapered split shank
Markings: Unmarked
Size: 5
Condition: Good vintage — stone luminous, all rhinestones present, light wear to metal

Three interlocking bands twist and cross in a continuous rolling form — a design with roots in Russian wedding ring tradition, reinterpreted here in polished gold-tone by Godiva, a lesser-known American costume jewelry maker. The result is minimal and tactile, as satisfying to wear as it is to look at. A quiet piece that earns its place on any finger.

Materials: Gold-tone base metal

Details:

• Era: 1980s–1990s
• Markings: "Godiva" stamped inside band
• Style / design notes: Triple interlocking rolling band, crossover construction, high-polish finish
• Stone or material notes: None
• Color: Gold-tone
• Condition: Great vintage condition
• Measurement: Size 7

Collected by Mineral and Matter

A continuous line of prong-set clear rhinestones curves into a clean V and falls into a single elongated drop — the lariat form at its most elemental. Rhinestone chain necklaces of this construction were hallmarks of mid-century evening dressing, worn against bare skin or over a simple neckline where the drop could move freely. Unsigned and quietly spectacular.

Materials: Silver-tone base metal, clear glass rhinestones

Details:

• Era: 1950s–1960s
• Markings: None
• Style / design notes: Lariat Y-necklace, continuous prong-set rhinestone chain, single pendant drop, no focal centerpiece — the drop is the focus
• Stone or material notes: Clear glass rhinestones, prong-set throughout
• Color: Silver-tone with clear stones
• Condition: Wear and tone loss, see images
• Measurement: 12.5" wearing length with 7" extender; 2" drop

Collected by Mineral and Matter

A jet-black panel set within a milgrain-edged silver frame, adorned with a delicate applied cluster of flowers and a single faceted stone — the Victorian language of grief rendered in miniature. The locket opens to reveal two photo compartments, intact and ready to hold a portrait. Stamped "Silver" on the reverse, this is a genuine artifact of mourning jewelry's most significant era, when remembrance was worn close to the body.

Materials: Silver, black onyx or glass panel, clear paste or rhinestone accent

Details:

• Era: Victorian, late 1800s
• Markings: "Silver" stamped on reverse
• Style / design notes: Rectangular form, milgrain border, applied floral and leaf motif, faceted stone accent, hinged double photo locket
• Stone or material notes: Black onyx or black glass panel; single clear paste or rhinestone
• Function: Opens to two photo compartments
• Color: Silver with black panel
• Condition: Vintage with gentle surface wear consistent with age; light scratching to reverse
• Measurement: 0.5" x 0.75"

Collected by Mineral and Matter

Two graduating strands of prong-set clear rhinestones fall from a small cluster post — minimal in form, maximal in movement. Rhinestone chain earrings of this construction were a staple of evening dressing from the late 1960s through the disco era, catching light with every turn. Unsigned and entirely wearable day or night.

Materials: Silver-tone base metal, clear glass rhinestones

Details:

• Era: 1960s–1970s
• Markings: None
• Style / Design notes: Double strand drop, prong-set rhinestone chain, small cluster post top, graduating strand lengths
• Stone or material notes: Clear glass rhinestones, prong-set
• Function: Post back
• Color: Silver-tone with clear stones
• Condition: Vintage wear and tone loss, see images
• Measurement: 1.5" long

Collected by Mineral and Matter

Radiating arms of prong-set rhinestones extend from a larger central stone in a starburst formation that evokes both a snowflake and a distant star. The pale ice-blue stones catch light with quiet intensity — a characteristic of quality glass rhinestones from this era. Unsigned and effortlessly wearable on a lapel, collar, or knitwear.

Materials: Silver-tone base metal, pale blue glass rhinestones

Details:

• Era: 1950s–1960s
• Markings: None
• Style / design notes: Starburst/snowflake form, radiating arms, prong-set stones throughout, larger central stone
• Stone or material notes: Pale ice-blue glass rhinestones, prong-set
• Color: Silver-tone with pale blue stones
• Condition: Vintage with gentle surface wear consistent with age
• Measurement: 1.5" diameter

Collected by Mineral and Matter

Three looping openwork petals build upward in concentric ridged layers, crowned by a polished dome — the overall effect is somewhere between a garden bloom and a satellite in orbit. The combination of matte textured wire and high-polish center reflects the sculptural confidence of 1960s American costume jewelry at its best. Unsigned and ready to wear.

Materials: Gold-tone base metal

Details:

• Era: 1960s
• Markings: None
• Style / design notes: Three-petal flower form, dimensional concentric openwork layers, polished dome center, single curved stem, matte textured finish on petals
• Stone or material notes: None — polished gold-tone dome center
• Color: Gold-tone
• Condition: Good Vintage condition, some wear and chipping on the back of the brooch
• Measurement: 2" x 2.25"

Collected by Mineral and Matter

A classic serpentine chain in warm gold tone — each faceted link flat on top, angled at the edges, moving together in one continuous fluid motion. This style of chain was a staple of American costume jewelry throughout the 1970s and '80s, often manufactured in South Korea for domestic brands. Worn alone it reads as effortlessly minimal; paired with a pendant it disappears into the piece. The kind of chain that never really goes out.

Materials: Gold-tone base metal

Details:

• Era: 1970s–1980s
• Markings: Signed Korea
• Style / design notes: Flat serpentine/snake link chain; faceted individual links; smooth drape with slight flexibility
• Stone or material notes: None
• Color: Warm gold tone
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 22"

Collected by Mineral and Matter

Faceted black glass rounds alternate with larger square-cut black stones along a figure-eight brass-tone link chain — the silhouette somewhere between rosary and lariat. The Y-drop falls into a double chain tassel finished with small black bead drops, giving the piece a deliberate, unhurried movement. Dark without being heavy, and precisely the kind of necklace that disappears into an all-black outfit in the best possible way.

Materials: Brass-tone base metal, faceted black glass round beads, prong-set square black glass stones, figaro/figure-eight chain

Details:

• Era: 1990s–2000s
• Markings: None visible; lobster clasp closure
• Style / design notes: Alternating round faceted black beads and square-cut black glass stones in prong settings; Y-drop silhouette with double chain tassel and bead drop finials; figure-eight brass-tone connecting links throughout
• Stone or material notes: Faceted black glass rounds and square-cut black glass stones
• Color: Jet black, antique brass tone
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 16" with 1.5" drop

Collected by Mineral and Matter

Jet-black faceted beads strung in a long continuous strand, punctuated at intervals by small crystal rhinestone rondelles that catch light like tiny constellations. The faceting gives each bead a subdued geometric quality — not glassy or loud, but quietly dimensional. At 30", it drapes well doubled or worn long, and the spring ring clasp keeps things understated at the back.

Materials: Black faceted plastic/resin beads, crystal rhinestone rondelle spacers, gold-tone spring ring clasp

Details:

• Era: 1970s–1980s
• Markings: None
• Style / design notes: Uniformly strung faceted black beads with evenly spaced rhinestone rondelle accents throughout
• Stone or material notes: Plastic/resin beads; clear rhinestone rondelles
• Color: Jet black and clear crystal
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 30"

Collected by Mineral and Matter

This authentic vintage Monet woven chain features a sparkling braided texture. Crafted with Monet's legendary triple-plating technique, the necklace maintains its lustrous 22k gold appearance despite decades of wear.

1972-1982

Measures 16"

Gold Tone

Collected by Mineral and Matter

Three pieces built from the same DNA — a gold rope chain interwoven with a silver-tone beaded strand, the contrast between the two metals giving each piece a quiet texture that catches light without announcing itself. The 28" length drapes easily over a turtleneck or layered; the 18" sits cleanly at the collarbone; the bracelet closes with a lobster clasp and wears close to the wrist. A set that functions just as well broken apart as worn together.

Materials: Gold-tone and silver-tone base metal

Details:

• Era: 1980s
• Markings: None visible
• Style / design notes: Twisted rope chain interwoven with silver-tone beaded chain; cylinder end caps on bracelet; lobster clasp closure on bracelet
  
• Color: Gold and silver tone
• Condition: Vintage with gentle surface wear consistent with age

Measurement: Necklace 1 — 28"; Necklace 2 — 18"; Bracelet — 7"

Collected by Mineral and Matter

• Designer: Caron (Presented on original brand card).
• Design: Intricate three-row gold-tone mesh with crystal-encrusted geometric stations.
• Material: High-polished gold-tone metal and faceted clear glass crystals.
• Set Includes: 1 graduated mesh necklace and 1 pair of matching articulated drop earrings.
• Backing: Necklace features a secure adjustable lobster clasp; earrings have comfortable post-and-butterfly backings for pierced ears.
• Year Estimate: Circa 1980s.
• Condition: Excellent vintage condition with original crystals secure and a bright, lustrous finish.
• Style: Hollywood Regency, 80s Glamour, Formal Statement.

A domed oval of cream porcelain printed with a full cottage garden bouquet — blowsy pink rose, mauve chrysanthemum, blue daisies, and yellow wildflowers against a soft ivory ground — set in a scalloped gold-tone frame and suspended from a delicate double-strand chain. Transfer-printed porcelain pendants like this were a quiet fixture of 1970s and 80s jewelry, carrying the same botanical sensibility as Victorian china patterns into everyday wearable form. The domed surface catches light softly, giving the flowers a gentle three-dimensional quality.

Materials: Gold-tone base metal; cream porcelain with floral transfer print

Details:

• Era: c. 1970s–1980s
• Markings: None observed
• Style / design notes: Oval domed porcelain cabochon with polychrome floral bouquet transfer print; scalloped gold-tone bezel frame; double-strand fine chain; spring-ring clasp
• Stone or material notes: Cream porcelain with pink rose, blue daisy, mauve, and yellow floral print
• Function: Pendant necklace
• Color: Cream, pink, blue, yellow, gold tone
• Condition: good condition, wear and tone loss on the back of the pendant

Measurement: Pendant 1.5" tall × 1" wide; 18" chain

Collected by Mineral and Matter

Add a touch of mid-century sophistication to your jewelry collection with this elegant Sarah Coventry station necklace. This piece features three decorative focal points, each showcasing a cluster of three lustrous faux pearls of varying sizes set within an ornate, rope-textured gold-tone frame. Connected by a unique combination of elongated bar links and textured round chains, this necklace offers a refined geometric silhouette that sits beautifully along the collarbone.

Designer: Sarah Coventry (Signed on the clasp)
Design: Triple-station pendant style with faux pearl clusters and rope-textured bezels
Material: Polished and textured gold-tone metal with high-quality faux pearls
Year Estimate: Circa 1960s
Measurements: Approximately 16" in total length; each station is 1" wide
Condition: Excellent vintage condition with original pearls secure and a bright gold-tone finish
Style: Mid-Century Modern, Classic, Hollywood Regency, Bridal 

Collected by Mineral and Matter

Add a touch of vintage charm and good fortune to your attire with this classic gold-tone tie tac. Featuring a traditional horseshoe silhouette—a timeless symbol of luck—this piece is accented by three sparkling round-cut crystals in clear, purple, and blue. Its textured gold-tone finish and integrated safety chain with a bar stay make it both a functional and stylish accessory for any formal or professional look.

Design: Domed horseshoe with three bezel-set multicolor crystals.
Material: Polished and textured gold-tone metal with glass crystals.
Backing: Secure tie tac pin with a clutch back and safety chain.
Year Estimate: Circa 1970s - 1980s.
Measurements: Horseshoe is approximately 0.5" in height; total chain length is 2".
Condition: Excellent vintage condition with original crystals secure and a bright gold-tone finish.
Style: Retro, Traditional, Equestrian-Inspired.

Collected by Mineral and Matter

Add a touch of timeless charm to your accessory collection with this vintage gold-tone stick pin. The piece features a beautifully textured heart-shaped head with a scalloped edge and elegant diagonal ribbing that catches the light from every angle. Perfect for securing a lapel, adorning a scarf, or adding a classic accent to a hat or tie, this pin is a versatile staple for any vintage enthusiast.

Design: Ribbed heart with scalloped edges.
Material: Polished gold-tone metal.
Backing: Traditional stick pin with a secure, removable end cap.
Year Estimate: Circa 1970s - 1980s.
Measurements: Heart head is approximately 0.75" wide; total pin length is 2.5".
Condition: Excellent vintage condition with a bright, lustrous finish.
Style: Retro, Romantic, Classic, Minimalist.

Collected by Mineral and Matter

Discover the timeless elegance of this authentic signed Krementz necklace, a stunning example of mid-century American jewelry craftsmanship. Renowned for their superior "gold overlay" process—which is significantly thicker and more durable than standard plating—Krementz pieces are designed to retain their brilliant luster for a lifetime.
This 24-inch Matinee length strand features a sophisticated alternating pattern of high-polish spheres and intricately ribbed textured beads. The mix of surfaces catches the light from every angle, offering a rich, dimensional look that elevates any ensemble from casual to formal.

Brand: Authentic Krementz (Signed on the clasp/tag)
Length: 24 inches (Matinee Length)
Material: 14K Gold Overlay / High-Quality 
Design: Alternating 6mm-8mm
Era: 1970s–1980s
Closure: Secure Lobster
Condition: Excellent vintage condition; gold finish is bright and free of tarnish.

Illuminate your jewelry collection with this stunning Italian-crafted Margarita chain. Known for its exceptional brilliance, this style—also called a "Glitter" or "Rock" chain—features intricate, diamond-cut links that mimic the shimmer of a thousand tiny crystals. 

This authentic estate piece is made of .925 sterling silver with a rich gold vermeil finish, offering the luxurious look of solid gold with the durability and prestige of Italian silver craftsmanship. Its fluid, textured silhouette makes it a perfect standalone statement or a radiant base for a favorite pendant. 

Chain Style: Margarita / Sparkle / Glitter Chain

Length: 23" with adjustable slider
Material: .925 Sterling Silver
Finish: Yellow Gold Vermeil (Plated)
Origin: Made in Italy (Marked "925 Italy")
Condition: Excellent vintage estate condition

• Era: 1955-1970's

• Era: 1960-1980's
• Measures: 2.25" inner diameter on longest edge (oval shaped)

Description: A substantial rectangular pendant in antiqued silver tone with a richly scrolled and beaded frame — reversible, showing a faceted blue glass stone on one face and an ornate cross motif on the other. The dual-sided construction is a thoughtful detail, offering two entirely different readings of the same piece: one luminous and decorative, one quietly devotional. The twisted rope chain and spring-ring clasp are consistent with mid-century to later production. A pendant with genuine presence and rare versatility.

Materials: Silver-tone / antiqued base metal; blue glass stone (one side); cast cross motif (reverse)

Details:

• Era: c. 1970s–1980s
• Markings: None observed
• Style / design notes: Rectangular pendant with ornate scrollwork and beaded border frame; faceted blue glass stone on front face; embossed cross design on reverse; reversible; twisted rope chain; spring-ring clasp
• Stone or material notes: Faceted blue glass cabochon/stone; deep cobalt blue
• Function: Reversible pendant necklace
• Color: Antiqued silver tone with cobalt blue stone
• Condition: Great Vintage condition

Measurement: Pendant 1" wide × 1.5" tall; 24" chain

Collected by Mineral and Matter

Four small mother of pearl brooches, each one a different expression of the same luminous material. The set includes a carved MOP bar with an engraved botanical motif, a plain iridescent MOP bar in warm cream, a square MOP brooch with a clean unadorned face, and a slim silver-tone oval bar pin. Mother of pearl has been used in jewelry since antiquity, prized for the soft iridescence that shifts between cream, blush, and pale green depending on the light. They offer versatile styling options across necklines, scarves, and lapels.

Materials: Natural mother of pearl; silver-tone base metal 

Details:

• Era: c. 1920s–1960s, Early to Mid-Century
• Markings: None observed on any piece
• Style / design notes: (1) Carved MOP bar with engraved botanical/dragonfly motif, 1" × 0.2"; (2) Plain iridescent MOP bar, 1.9" × 0.3"; (3) Square MOP brooch, 0.6" × 0.6"; (4) Silver-tone slim oval bar pin, 1.1" × 0.1"
• Stone or material notes: Natural mother of pearl throughout; iridescent cream-white with blush and green flash
• Function: Brooches / bar pins
• Color: Cream, iridescent white, silver tone
• Condition: Vintage with wear and discoloration on the back/ metal sections of the brooches

Collected by Mineral and Matter

Description: A fine twisted rope chain splits at center into two equal drops, each ending in a simple open-heart outline — a lariat construction that wears asymmetrically and moves constantly, the two hearts falling at different heights depending on how the chain settles. Napier, founded in 1875 and one of the most enduring names in American costume jewelry, brought their characteristic precision to this quietly romantic design. The cool silver tone keeps it contemporary; the heart motif keeps it personal.

Materials: Silver-tone base metal

Details:

• Era: c. 1980s–1990s, Napier
• Markings: Signed "Napier" on barrel clasp
• Style / design notes: Fine twisted rope chain; splits into two equal-length drops; open heart charm at each end; lariat / Y-necklace form; barrel clasp
• Stone or material notes: No stones; all metal
• Function: Lariat / Y-necklace
• Color: Silver tone
• Condition: Excellent Vintage Condition

Measurement: 38" total length

Collected by Mineral and Matter

A wide, substantial Monet bracelet built from overlapping chevron-shaped panels — each one combining a brushed satin surface with polished marquise-shaped accents along the spine, creating a two-texture effect that catches and reflects light in different ways simultaneously. The construction is architectural and confident, the kind of bracelet Monet produced in the 1960s and 70s when American costume jewelry was at its most ambitious in terms of design and finish quality. Safety-chain clasp keeps it secure on the wrist.

Materials: Gold-tone base metal

Details:

• Era: c. 1960s–1970s, Monet
• Markings: Signed "Monet" on clasp
• Style / design notes: Wide chevron / diagonal panel links; brushed satin texture on main panels; polished marquise-shaped accents along upper edge; safety-chain box clasp
• Stone or material notes: No stones; all metal
• Function: Bracelet
• Color: Warm gold tone; two-finish (brushed and polished)
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 7" including clasp

Collected by Mineral and Matter

Description: A petite open-work bow in warm gold tone — each loop cut through with a delicate filigree pattern that keeps the piece light without diminishing its presence. The bow motif has a long history in jewelry, from 18th century sentiment pins to mid-century costume accessories, and this small version carries that tradition with quiet charm. Tack-back closure makes it easy to wear on a lapel, collar, knitwear, or pinned to a ribbon.

Materials: Gold-tone base metal

Details:

• Era: c. 1960s–1980s
• Markings: None observed
• Style / design notes: Open-work filigree bow form; tack-pin back with butterfly clutch
• Stone or material notes: No stones; all metal
• Function: Lapel / tack pin
• Color: Warm gold tone
• Condition: Excellent vintage condition

Measurement: 0.75" wide × 0.5" tall

Collected by Mineral and Matter

Description: A long, continuous strand of jet-black faceted glass beads — each one cut to catch and absorb light in equal measure, creating a strand that reads as both graphic and quietly luxurious. The graduated sizing moves smoothly from smaller beads at the nape to larger at the center, a construction with roots in Victorian mourning jewelry that has since transcended its origins entirely. At 37 inches, it wears as a single opera-length strand, doubles into a layered choker, or wraps for a completely different silhouette. Deeply versatile.

Materials: Black faceted glass beads; metal clasp

Details:

• Era: c. 1940s–1960s, Mid-Century
  
• Style / design notes: Graduated faceted black glass beads; uniform strand with no spacers; barrel or box clasp
• Stone or material notes: Jet black faceted glass beads; deep matte-to-glossy finish depending on angle
• Function: Necklace; wearable as single opera strand, doubled, or wrapped
• Color: Jet black
• Condition: Great vintage condition

Measurement: 37"

Collected by Mineral and Matter

Description: Deep black faceted beads — each one cut to catch and fragment light — strung in a long, confident strand with two clear rhinestone rondelle stations and flanking gold-tone disc spacers at even intervals. The rhinestone rondelles interrupt the darkness with a burst of sparkle that reads almost like stars against a night sky. An opera-length strand with the versatility to wear long, doubled, or wrapped — equally at home over a black turtleneck or an evening dress.

Materials: Black faceted glass or acrylic beads; clear rhinestone rondelles; gold-tone metal spacers and lobster clasp

Details:

• Era: c. 1970s–1980s
  
• Style / design notes: Uniform faceted black beads; two rhinestone rondelle stations with gold-tone disc spacers; lobster clasp
• Stone or material notes: Black faceted beads; clear prong-set rhinestone rondelles
• Function: Necklace; wearable as single or doubled strand
• Color: Black and gold tone with clear rhinestone accents
• Condition: Great vintage condition

Measurement: 24"

Collected by Mineral and Matter

A sleek, finely linked serpentine chain in cool silver tone — the kind of foundational piece that a house like Trifari understood was as necessary as any statement jewel. Founded in New York in the 1920s and elevated by French designer Alfred Philippe, Trifari built its reputation on exactly this kind of precise, enduring construction. The flat links lie smooth against the skin and catch light without competing for attention. Wears as well with a pendant as it does alone.

Materials: Silver-tone base metal

Details:

• Era: c. 1955–1975, Mid-Century American
• Markings: Signed "Crown Trifari" on clasp
• Style / design notes: Fine flat serpentine / snake chain; smooth uniform links; spring-ring or barrel clasp
  
• Function: Chain necklace; also suitable as pendant chain
• Color: Silver tone
• Condition: Excellent vintage condiiton

Measurement: 24"

Collected by Mineral and Matter

A fully pavé-set rose bouquet — every surface of the stem, bud, leaves, and ribbon tie covered in closely set round rhinestones, with baguette-cut accents placed in the leaves for structural contrast. The scale and construction point clearly to the 1940s–50s, when large, all-over rhinestone floral brooches were produced at their most ambitious. The pot metal setting has the slightly oxidized warmth characteristic of the era, adding depth beneath the stones rather than competing with them. A serious piece of mid-century costume jewelry.

Materials: Silver-tone / pot metal base; clear round and baguette rhinestones

A generous spray of peacock-green aurora borealis rhinestones — teardrop and round cuts layered into a botanical cluster that radiates outward from the ear. The stones shift between deep emerald, teal, violet, and gold depending on the light, a signature of the AB coating Swarovski introduced in 1955 and that became synonymous with mid-century glamour. Set in warm gold tone that deepens the jewel-like quality of every stone. Bold in scale, luminous in effect.

Materials: Gold-tone base metal; aurora borealis rhinestones

Details:

• Era: c. 1960s–1980s, Mid-Century American
  
• Style / design notes: Curved leaf spray cluster form; mixed teardrop and round AB rhinestones in overlapping arrangement; prong set throughout; post / stud backs
• Stone or material notes: Aurora borealis rhinestones in peacock green, teal, violet, and gold iridescence; teardrop and round cuts
• Function: Stud earrings; pierced
• Color: Gold tone with iridescent peacock-green AB stones
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 2" wide × 4" long (each)

Collected by Mineral and Matter

Three cascading strands of prong-set clear rhinestones fall from a starburst rhinestone cluster — each strand terminating in a faceted square stone that catches and throws light with every movement. The dark rhodium-tone setting deepens the stones' sparkle, lending a cooler, more dramatic quality than gold-tone would allow. Screw-back closures date these to the mid-century, when this style of evening earring — architectural, luminous, unapologetically present — was worn to be noticed.

Materials: Silver-tone / rhodium-tone base metal; clear glass rhinestones

Details:

• Era: c. 1940s–1960s, Mid-Century American
  
• Style / design notes: Starburst rhinestone cluster top with three cascading rhinestone strand drops; faceted square terminal stones; mixed round and baguette-style prong settings; screw-back closures
• Stone or material notes: Clear faceted glass rhinestones; square and round cuts
• Function: Dangle / drop earrings; non-pierced screw-back
• Color: Silver tone / dark rhodium with clear stones
• Condition: Great vintage condition, some discoloring on a few of the rhinestone

Measurement: 1" wide × 2.5" long

Collected by Mineral and Matter

A 

full-bloom rose on a thorned stem — the bloom itself built from finely crosshatched mesh that gives it a soft, textile-like depth, while the stem and leaves are cast in a smoother, matte gold tone for contrast. The combination of textures is the quiet sophistication of mid-century American costume jewelry at its best, echoing the naturalistic rose brooches produced by Giovanni, Monet, and their contemporaries. Elegant on a blazer lapel, a winter coat, or pinned to a scarf.

Materials: Gold-tone base metal

Details:

• Era: c. 1960s–1970s, Mid-Century American
  
• Style / design: Full-bloom rose with fine crosshatch mesh petals; cast stem with thorn detail; two textured leaves; naturalistic figural form
  
• Function: Brooch / pin
• Color: Warm gold tone
• Condition: Great vintage condition little wear on top of one petal
• Measurement: 1.74" wide × 2.5" tall

Collected by Mineral and Matter

A grounded form—quiet strength in profile.
This lion, cast in warm gold tone, carries a naturalistic stance with subtle texturing through the mane and body. The finish leans matte, allowing the contours to hold the light rather than reflect it.

Produced by Jonette Jewelry, a maker known for figural pieces with personality and detail.

Details

• Maker: JJ (Jonette Jewelry)

• Era: 1970s–1980s

• Material: Gold tone metal

• Color: Antiqued gold

• Design: Standing lion, figural

• Closure: Rollover safety clasp

Measurements

• Approx. 2.5" x 1.5"

Condition

Good vintage condition. Light surface wear and patina consistent with age. No structural issues. Clasp functions properly.

MISSING TWO RHINESTONES*

A deep cobalt field, softly domed, holds a structured floral spray in warm gold tone. Small rhinestones are set throughout the stems and blossoms, adding contrast and light.

Two stones are missing, leaving small openings within the composition. The form remains intact, with a balanced, mid-century silhouette.

Details

• Brand: Lisner

• Era: Mid-century (1950s–1960s)

• Material: Gold tone metal, glass cabochon, rhinestones

• Color: Blue, gold, clear

• Design: Floral spray on oval cabochon

• Closure: Rollover safety clasp

Measurements

• Approx. 1.25" x 1"

Condition

Good vintage condition with visible wear. Two rhinestones are missing. Light surface wear to metal and minor aging to stones. Clasp functions properly.

• Layered leaf form in gold tone metal, structured with openwork and set with marquise-cut clear rhinestones. The composition balances texture and light, with a brushed leaf overlay framing the faceted stones beneath.

  Signed BSK, a mid-century American costume jewelry maker active from the 1940s–1980s.

  Details

  • Brand: BSK

  • Era: Mid-century (circa 1960s–1970s)

  • Material: Gold tone metal

  • Stones: Clear marquise rhinestones

  • Design: Leaf / spray / openwork

  • Marking: Signed BSK

  • Closure: Rollover safety clasp

  Measurements

  • 2.5" x 2.75"

  Condition

  Very good vintage condition with minor surface wear consistent with age. Stones intact. Clasp secure.

A structured composition of looping gold tone ribbons, each edge traced in fine texture and set with clear rhinestones. The form gathers inward, creating depth and movement through layered arcs and openwork spacing.

Signed Lisner, a mid-century American costume jewelry maker known for dimensional, well-balanced designs.

Details

• Brand: Lisner

• Type: Brooch

• Era: Mid-century (circa 1950s–1960s)

• Material: Gold tone metal

• Stones: Clear rhinestones

• Design: Swirl / ribbon / openwork cluster

• Marking: Signed “Lisner” on reverse

• Closure: Rollover safety clasp

Measurements

• Approx. 1.5" diameter

• Condition

  Very good vintage condition. Light surface wear consistent with age. Rhinestones present and bright. Clasp functions properly.

   

A small, enduring shape—
held in gold, softened by time.

These vintage hearts carry a gentle patina, their surface reflecting light in a quieter way. Not new, not loud—just steady. Familiar. Something that has already been chosen once, and still remains.

They sit close to the ear, like a detail meant only for you.

Details

• Type: stud earrings

• Era: vintage (likely 1980s–1990s)

• Material: 14K solid gold

• Design: petite puffed heart

• Backing: post with push backs (standard)

• Condition: very good vintage condition with light surface wear/patina

Measurements

• Size: approx. 0.25” (6mm)

Collected by Mineral and Matter

Like constellations drawn in shadow—
dark forms, softly illuminated.

This Trifari necklace is composed of glossy black beads arranged in sculptural, almost architectural links. Small gold tone spacers punctuate the rhythm, adding warmth and quiet contrast.

There is a balance here—structure and softness, geometry and flow. At 23 inches, it rests just below the collarbone, present but never loud.

A piece that feels both grounded and celestial.

Details

• Brand: Trifari

• Era: 1950s–1960s

• Material: black lucite or acrylic beads, gold tone metal spacers

• Length: 23 inches

• Style: beaded / sculptural link necklace

• Closure: spring ring

• Marking: signed Trifari

• Condition: excellent vintage condition with light wear

Measurements

• Length: 23”

Collected by Mineral and Matter

Like sunlight filtered through branches—
soft, layered, quietly radiant.

This Avon “Gilded Strands” necklace drapes in gentle tiers, each chain falling at its own rhythm. Fine gold tone links create a sense of movement, anchored by small white bead accents that feel like pauses—moments of stillness within flow.

It’s a piece that lives in layers—subtle, dimensional, and easy to return to.

Details

• Brand: Avon

• Collection: “Gilded Strands”

• Era: 1990s

• Material: gold tone plated metal, faux pearl / bead accents

• Length: shortest approx. 16 inches, longest approx. 22 inches

• Style: layered / multi-strand necklace

• Closure: spring ring clasp

• Marking: signed Avon

• Condition: very good vintage condition with light, natural wear

Measurements

• Shortest strand: 16”

• Longest strand: 22”

Collected by Mineral and Matter

A small arc of light—petals or feathers, depending on how you see it—opening around a single pearl.

This piece is part of Avon’s “Fan Fare” design, released in the mid-1970s. The marquise-shaped rhinestones form a soft, radiating fan, anchored by a luminous pearl set low and centered. The curve above it gives the whole piece a sense of motion—like something just beginning to unfold.

It feels airy, but intentional. A quiet statement.

Details

• Brand: Avon

• Collection: “Fan Fare”

• Era: 1974–1975

• Material: silver-tone

• Stones: faux pearl, clear rhinestones

• Size: adjustable (fits approx. 4–5)

• Condition: good vintage condition (light wear consistent with age)

Measurements

• Adjustable fit: approx. size 4–5

• Pearl: approx. 6 mm

A single pearl, held in motion.

This vintage ring wraps around itself in a soft, sculptural twist—gold tone lines flowing like a quiet current, meeting at a luminous center. The pearl feels suspended, not set, as if it simply settled there.

There’s a calm elegance to it—mid-century in spirit, but timeless in form. Light, fluid, and quietly expressive.

Details

• Era: 1977

• Material: gold tone

• Stone: faux pearl

• Size: 6

• Condition: good vintage condition with light, natural wear.

Measurements

• Ring size: 6

• Pearl: approx. 5 mm

Collected by Mineral and Matter

This evocative piece features a detailed carnelian glass intaglio of Helen of Troy, a figure whose legendary beauty remains a timeless symbol of grace and terrestrial power. The deep amber-hued glass is held in a minimalist bezel, suspended from a substantial gold-tone rope chain that grounds the ethereal subject matter. It is a versatile modern heirloom, designed to be worn as a daily talisman of confidence.

Materials: Gold-tone metal, carnelian-colored glass
Details: Large oval intaglio pendant on a thick rope twist chain
Era: Victorian Revival, circa 1970s
Markings: None visible
Style / design notes: Neoclassical intaglio featuring a draped female figure with birds
Stone or material notes: Molded glass with a smooth, translucent finish that mimics natural carnelian
Function: Statement pendant necklace
Color: Rich russet orange and warm gold
Condition: vintage with gentle surface wear consistent with age
Measurement: 18" chain, 1.75" pendant

Collected by Mineral and Matter

A boldly cast torch with a high-polish flame and a finely ribbed handle — the kind of figural brooch that carried real symbolic weight in mid-century America, evoking liberty, knowledge, and illumination. The dimensional casting catches light dramatically, contrasting the smooth flame against a stippled cup collar. Small in scale but strong in presence; it pins well to a blazer or coat lapel and reads with quiet authority.

Materials: Gold-tone base metal

Details:

• Era: c. 1940s–1960s, Mid-Century American
  
• Style / design notes: Figural torch; dimensional cast flame with stippled cup; vertically ribbed tapering handle; high-polish finish
  
• Function: Brooch / pin
• Color: Bright gold tone
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 0.75" wide × 1.9" tall

Collected by Mineral and Matter

Six dimensional roses — each with a fine crosshatch-textured surface and a tightly furled center bud — arranged in an open wreath form that feels both structured and organic. A design aesthetic common to the late 1950s and early 1960s, when American costume jewelry makers elevated everyday metals into something quietly architectural. The hexagonal frame anchoring each bloom gives the piece a geometric backbone beneath all that bloom. Wears beautifully on a lapel, collar, or knitwear.

Materials: Gold-tone base metal

Details:

• Era: c. 1955–1965, Mid-Century
  
• Style / design notes: Six textured dimensional rose blooms in open wreath / circle formation; hexagonal inner frame; hinged pin back
  
• Function: Brooch / pin
• Color: Warm gold tone
• Condition: Great vintage condition

Measurement: 1" diameter

Collected by Mineral and Matter

A small chunky C-hoop in solid lucite or resin — the silhouette is simple and the color does all the work. Each pair has the smooth, glassy finish and satisfying weight that separates vintage lucite from modern acrylic, and the colors have stayed vivid and clear. The wood grain pair adds an earthy contrast to the palette — the same form, a different material language. Small enough to wear every day, substantial enough to be noticed. Unsigned, as the majority of vintage lucite hoop earrings were.

DETAILS

Maker: Unsigned

Design: Solid chunky C-hoop earring; smooth finish; gold-tone stud post

Material: Lucite or resin; wood grain pair in natural wood veneer; gold-tone stud posts

Era: 1970s–80s

Measurement: 1" approx diameter

Condition: Vintage with gentle surface wear consistent with age

Available colors: Peach, Mint green, White, Wood grain dark, Beige, Bright green, Red, Tortoise, Yellow

Collected by Mineral and Matter

A gold-tone open hoop strung with alternating textured gold beads and a single large cluster ball of faux seed pearls at center — the whole thing moving freely when worn, the pearl cluster catching light from every angle. The pearl ball has the dense, tactile quality of something that looks more expensive than it is, each tiny seed pearl packed tightly together into a satisfying sphere. Surgical steel posts make these genuinely wearable for sensitive ears. A considered, versatile earring from Avon's early 1990s push toward more sophisticated everyday jewelry.

DETAILS

Maker: Avon — Casual Hoop, 1993

Design: Open gold-tone hoop with alternating textured gold beads and center faux seed pearl cluster ball; gold ball stud post

Material: Gold-tone base metal; faux seed pearls; surgical steel posts

Era: 1993

Measurement: 2" drop, 1.25" diameter 

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Two figural elephants in warm gold tone, their bodies filled with swirled cream enamel and detailed with dotted blanket markings along the back — each one hanging from a small gold ball stud post. The trunks curve downward on each earring rather than up, a departure from the traditional good luck convention that makes these feel less superstitious and more sculptural. Avon released the Lucky Elephant in 1990 as part of a run of nature-inspired figural earrings, and the cream enamel colorway is the most sought-after of the series. A complete and wearable pair.

DETAILS

Maker: Avon — Lucky Elephant, 1990

Design: Figural elephant drop earrings; swirled cream enamel body; dotted blanket detail; gold ball stud post with hanging elephant charm

Color: Warm gold tone; cream swirl enamel

Material: Gold-tone base metal; cream enamel, surgical steel posts

Era: 1990

Measurement: 1.25 drop by .75" wide

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Three graduated stardust ball studs in warm gold tone — each one covered in a fine all-over texture that catches light like a tiny constellation — packaged in the Mini Trios matchbook-style card in three different sizes. The concept was simple and considered: three interchangeable studs, one for each ear and a spare, sized to suit the mood. The stardust finish has a richness that punches above the piece's scale. Still on the original card, unworn and complete.

DETAILS

Maker: Mini Trios — Matchless Collection

Design: Three graduated stardust ball stud earrings in varying sizes; all-over textured gold-tone finish; original matchbook card packaging

Material: Gold-tone base metal

Era: 1980s

Condition: New old stock — unused, on original card

Collected by Mineral and Matter

Three miniature fruit studs — a pear, an apple, and a mushroom — each rendered in warm gold tone with black enamel fill, packaged in a matchbook-style card that opens to reveal the set inside. The Mini Trios Matchless Collection was a novelty earring concept from the 1980s designed around the idea of three interchangeable studs worn as a rotating trio — one in each ear and one spare. The fruit forms are charming and precise, the black enamel grounding each piece with just enough contrast. Still on the original card, unworn.

DETAILS

Maker: Mini Trios — Matchless Collection

Design: Three figural fruit stud earrings — pear, apple, and mushroom; black enamel with gold-tone detail; original matchbook card packaging

Material: Gold-tone base metal; black enamel

Era: 1980s

Condition: New old stock — unused, on original card

Collected by Mineral and Matter

The words Extra Special cut through a small rectangular gold-tone plaque in open block lettering — the kind of direct, self-assured sentiment that mid-century and early post-war novelty jewelry wore without irony. Stick pins of this type were pinned to lapels, hat bands, and scarves, a small declaration worn close to the body. Unsigned, as the vast majority of novelty stick pins were. A tiny, confident object with a lot of personality for its size.

DETAILS

Maker: Unsigned

Design: Open block letter "Extra Special" gold-tone plaque on stick pin; textured letter faces with polished border

Material: Gold-tone base metal

Era: 1970s–80s

Measurement: 2.25" stick; 0.75" wide pin top

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

A white gardenia molded in raised relief against a deep forest green porcelain ground — the petals detailed enough to show their curl and overlap, the stem and leaves extending below in a single graceful line. The porcelain has the smooth, matte quality that separates it from pressed glass or resin, and the colors have held without fading. It sits in a gold-tone oval frame with a woven filigree border, a setting style common to quality porcelain brooch production of the 1960s and 1970s. Unsigned, as the majority of porcelain cameo brooches of this period were.

DETAILS

Maker: Unsigned

Design: White gardenia in raised relief on forest green porcelain ground; gold-tone woven filigree oval frame; pin back

Color: Kelly green ground; cream white flower

Material: Porcelain; gold-tone base metal frame

Era: 1960s–70s

Measurement: 1.75" x 1.5"

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

Marquise-shaped mother of pearl beads in a full spectrum of sun-bleached color — aqua, coral, tangerine, yellow, sage, and cream — strung in a continuous 48-inch rope with faceted champagne crystal spacers between each bead, the whole strand hand-knotted for security and drape. The iridescent surface of the shell catches light differently in each color, giving the necklace a warmth that reads as genuinely tropical without being literal about it. Long enough to wear as a single strand at opera length, doubled as a layered look, or knotted loosely at the collarbone. A generous, wearable piece that carries its era lightly.

DETAILS

Maker: Unsigned 

 Design: Oval marquise mother of pearl beads in multicolor dyed palette; faceted champagne crystal rondelle spacers; hand-knotted between each bead

Color: Aqua, coral, tangerine, yellow, sage, cream

Material: Dyed mother of pearl shell; faceted crystal glass spacers

Era: 1970s–80s

Measurement: 48" continuous strand

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

A matched set in deep oxidized silver tone, each piece centered on a round green moonglow cabochon — that particular mid-century lucite with its milky, light-catching interior that shifts between jade and emerald depending on the angle. The pendant hangs from an open scrollwork frame and rides a fine chain; the earrings repeat the same scrollwork in miniature with screw backs. Moonglow cabochons were widely used in American costume jewelry throughout the 1950s and remain one of the most collected materials from the era — the color in this set is especially vivid and intact. A complete, unworn-looking parure from a decade that dressed with intention.

DETAILS

Maker: Unsigned 

 Design: Round green moonglow cabochon in oxidized silver-tone open scrollwork setting; matching pendant and earrings

Stones: Green moonglow lucite cabochons

Earrings: Screw back; 1" including setting Necklace: 16" chain; 1" pendant

Material: Oxidized silver-tone base metal; moonglow lucite

Era: 1950s

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

A resin cameo portrait sits at the center of an open filigree heart, the whole pendant edged in a continuous line of aurora borealis rhinestones that shift between pale blue and silver depending on the light. Below, a cascade of fine gold-tone chain falls in a tassel — the kind of detail that turns a pendant into a statement without requiring any effort from the wearer. The cameo itself is a classical female profile in cream and warm brown, framed by a sunburst of radiating gold-tone petals. A maximalist piece from a decade that understood how to layer beauty. Unsigned.

DETAILS

Maker: Unsigned

Design: Resin cameo portrait in sunburst setting; open filigree heart frame; AB rhinestone border; chain tassel drop; rope chain

Color: Warm gold tone; cream and brown cameo; aurora borealis rhinestones

Material: Gold-tone base metal; resin cameo; aurora borealis rhinestones; chain tassel

Era: 1970s

Measurement: 22" chain; pendant 4" including tassel

Condition: Vintage with gentle surface wear consistent with age, some tone loss on chain

Collected by Mineral and Matter

A hand-painted porcelain plaque set into a scalloped gold-tone bezel that doubles as a brooch and pendant. Two soft blush peonies are painted against a wash of sky blue, their petals rendered with the delicate, unhurried brushwork that defines mid-century Scandinavian porcelain at its best. Founded in 1853 in Copenhagen, Bing & Grøndahl was granted the title of purveyor to the Royal Danish Court — a standard of craft reflected even in small wearable pieces like this one. Marked B&G on the reverse with the castle mark. A wearable piece of Danish porcelain history.

DETAILS

Maker: Bing & Grøndahl, Copenhagen, Denmark — marked B&G with castle mark on reverse

Design: Hand-painted blush peony bouquet on pale blue porcelain ground; scalloped gold-tone bezel frame; pendant loop and pin back

Material: Hand-painted porcelain; gold-filled metal frame, marked 1/20

Era: c. 1940s–60s

Measurement: 2x1.5" 

Condition: Vintage with gentle surface wear consistent with age

Collected by Mineral and Matter

A refined vintage round locket charm featuring engraved vertical lines framed by delicate floral garlands. At the center sits a smooth circular cartouche, originally intended for a monogram or engraving, surrounded by balanced geometric lines that echo Art Deco design language.

The composition blends structure and ornament—linear engraving paired with botanical details—creating a quiet harmony between geometry and nature. Lockets like this were widely produced during the mid-20th century Art Deco revival, reflecting the elegance of earlier 1920s design.

The pendant opens to hold a photograph or small keepsake, carrying memory close in a piece both decorative and intimate.

Details

• Era: likely 1940s–1960s Art Deco revival

• Material: gold tone metal

• Motif: engraved floral wreath and vertical stripe pattern

• Style: round hinged locket pendant

• Signature: unsigned

• Condition: vintage condition with light wear consistent with age

Measurements

• Pendant diameter: approx. 1.5 in.
  

Collected by Mineral and Matter

An intricate vintage Victorian revival locket necklace, richly decorated with engraved florals, scrollwork, and dark enamel accents that create striking contrast against warm gold tones. The oval center panel is framed by an elaborate ornamental border, echoing the romantic decorative language of late Victorian jewelry.

Lockets like this were revived in the 1960s–1970s, when Victorian-inspired pieces became popular again for their symbolism and ornate craftsmanship. The hinged pendant opens to hold a small photograph or keepsake, carrying memory quietly close.

A piece that feels like a small heirloom—ornamental, nostalgic, and deeply romantic.

Details

• Era: likely 1960s–1970s Victorian Revival

• Material: gold tone metal with dark enamel accents

• Motif: floral and scroll engraving

• Style: ornate oval locket pendant

• Closure: hinged locket with chain clasp

• Signature: unsigned

• Condition: vintage condition with light wear consistent with age