A round solitaire stone rises from a sculptural, saddle-shaped mount at the front of a wide, diagonally textured band. The gold electroplate finish gives the piece real substance and shine, while the raised setting adds architectural interest beyond a typical solitaire. Bold and comfortable, with the kind of heft that reads as a statement ring rather than a delicate one.

Materials: 8K gold electroplate (HGE), glass stone

Details:

• Markings: 8K HGE
• Style / design notes: Wide diagonally textured band, raised saddle-shaped solitaire mount
• Stone or material notes: Round faceted clear stone
• Function: Ring
• Color: Gold, clear
• Condition: Great vintage condition

Measurement: Size 6

Collected by Mineral and Matter

A dark rhinestone sits prong-set against a fluted, wave-textured gold-tone surface, a single small clear accent stone tucked at its shoulder for contrast. The lines swirl and taper down into a simple band, giving the piece quiet movement without excess. A compact, versatile ring that reads more refined than its costume roots.

Materials: Gold-tone base metal, rhinestone

Details:

• Markings: HM
• Style / design notes: Fluted wave-textured setting, prong-set center stone with single accent stone
• Stone or material notes: Black oval rhinestone with a small clear accent
• Function: Ring
• Color: Gold-tone, black, clear
• Condition: Great vintage condition

Measurement: Size 6

Collected by Mineral and Matter

A long, faceted oval hematite stone catches sharp glints of light against a gunmetal-dark surface, set high in a silver-tone prong mount with scrolling shoulders on either side. This matches Sarah Coventry's "Ebb Tide" design from the early 1970s, a style built around bold, elongated stones and sculptural detailing. The adjustable band makes it easy to wear across sizes. A dramatic, architectural piece with real presence on the hand.

Materials: Silver-tone base metal, hematite

Details:

• Era: Early 1970s
• Markings: Sarah Cov
• Style / design notes: "Ebb Tide" design, elongated faceted oval stone, scrolled prong shoulders, adjustable band
• Stone or material notes: Faceted oval hematite
• Function: Ring, adjustable
• Color: Silver-tone, gunmetal black
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A smooth, dark cabochon sits framed in a fluted silver-tone bezel, edged with a fine rope-twist border for extra dimension. Sarah Coventry paired this kind of graphic silver-and-black palette often, and it wears with an easy, low-key polish. The adjustable band takes it from finger to finger without fuss. A quiet, versatile piece that goes with almost anything.

Materials: Silver-tone base metal, faux stone

Details:

• Era: 1970s
• Markings: Sarahcov
• Style / design notes: Fluted bezel with rope-twist trim, round bombé-style setting, adjustable band
• Stone or material notes: Round black cabochon
• Function: Ring, adjustable
• Color: Silver-tone, black
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A classical soldier's profile, plumed helmet and all, is carved into a dark hematite panel and set within a fluted silver-tone frame. Sarah Coventry, a longtime name in mid-century American costume jewelry, drew often on Roman and classical imagery for its intaglio pieces, and the design still carries real graphic weight today. The adjustable band means an easy fit for almost any hand. Bold and unmistakably vintage.

Materials: Silver-tone base metal, hematite

Details:

• Era: 1970s
• Markings: Sarah Cov
• Style / design notes: Rectangular intaglio panel, fluted shoulders, adjustable band
• Stone or material notes: Faux hematite panel with carved Roman soldier profile
• Function: Ring, adjustable
• Color: Silver-tone, gold, black
• Condition: Great vintage condition

Measurement: Size 7, adjustable

Collected by Mineral and Matter

Two deep blue oval stones anchor an asymmetric bypass design, each flanked by a small round clear accent for contrast. The open, sculptural gold-tone band curves and doubles back on itself beneath the stones, giving the piece unexpected dimension from every angle. Modern in its irregularity, with the rich color of sapphire without the formality. A striking everyday statement piece.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Asymmetric bypass band, two oval blue rhinestones with round clear accents
• Stone or material notes: Blue oval and clear round rhinestones
• Function: Ring
• Color: Gold-tone, deep blue, clear
• Condition: Great vintage condition

Measurement: Size 8

Collected by Mineral and Matter

A brilliant round cubic zirconia sits solitaire in a swirling, open bypass setting, textured gold catching light at the shoulders like beaten metal. The design has real movement, the band curving in on itself as it meets the stone. Signed by Esposito and clearly marked as gold electroplate, this is a well-made piece of American costume jewelry with genuine presence.

Materials: 14KT gold electroplate, cubic zirconia

Details:

• Era: 1970s–1980s
• Markings: 14KT GE ESPD
• Style / design notes: Bypass swirl setting, textured shoulders, solitaire round stone
• Stone or material notes: Round cubic zirconia
• Function: Ring
• Color: Gold, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Marquise-cut rhinestones fan out in two tiers to form a full, faceted flower, deep blue tips giving way to clear stones near the center. Set in a two-tone finish, the design catches light from multiple angles like petals mid-bloom. The scale is substantial without being heavy on the hand, built for a bit of shine on an ordinary day. A cluster ring with real presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Style / design notes: Layered marquise-cut flower cluster, two-tone prong settings
• Stone or material notes: Blue and clear marquise rhinestones
• Function: Ring
• Color: Gold-tone, silver-tone, blue, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A mechanical Navarre watch set into a rigid cuff bracelet, black enamel banding worked with a raised gold fleur-de-lis pattern along its length. The dial keeps things simple — Arabic numerals at 12 and 6, slim baton markers between — while the enameled cuff carries all the visual weight. Swiss-made, 17 jewels, hand-wind, sold untested.

Materials
Gold-tone metal, black enamel

Details

• Era: 1940s–1950s
• Markings: NAVARRE, 17 JEWELS
• Style / design notes: Cuff bracelet watch, black enamel with gold fleur-de-lis motif, rectangular dial
• Color: Gold-tone with black enamel
• Function: Mechanical hand-wind watch, untested
• Condition: Good vintage condition, please see images 

Collected by Mineral and Matter

A double-row gate-link chain runs the length of this bracelet, each connecting link set with an alternating black and clear rhinestone for a subtle graphic rhythm. The links have real weight to them, more substantial than a typical costume tennis bracelet. Lobster clasp closure, unsigned.

Materials
Gold-tone metal, black and clear rhinestones

Details

• Era: 1980s
• Style / design notes: Double gate-link chain bracelet, alternating rhinestone-set links, lobster clasp
• Stone or material notes: Alternating black and clear rhinestones
• Color: Gold-tone with black and clear accents
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

A gold-tone band twists into an asymmetrical bypass silhouette, one arm curving up and over to cradle a prong-set pear-cut clear stone. The movement in the band does the work here rather than the stone size — a sculptural, fluid line typical of 1970s modernist costume rings. Marked on the interior of the shank, though the mark is worn.

Materials
Gold-tone metal, clear cubic zirconia or paste stone

Details

• Era: 1970s
• Style / design notes: Modernist bypass band, swirl design, prong-set pear-cut stone
• Stone or material notes: Clear pear-cut stone
• Color: Gold-tone with clear stone
• Condition: Good vintage condition, please see images
• Size:6

Collected by Mineral and Matter

A slim gold-tone bangle centers on the same beaded medallion seen in the matching earrings, its oval green marbled cabochon set against a fine ring of gold beading. Signed Coventry on the band, with a hook-and-eye closure at either side of the medallion. Simple enough to wear alone, easy to pair with its earrings for a complete set.

Materials
Gold-tone metal, marbled glass cabochon

Details

• Era: 1980s
• Markings: ©COVENTRY
• Style / design notes: Slim bangle, beaded medallion center, hook clasp
• Stone or material notes: Green marbled cabochon
• Color: Gold-tone with green
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

Three carved cameo profiles sit within scalloped gold-washed frames, each linked by open filigree panels detailing a leaf-and-berry motif. Marked sterling on the clasp, the bracelet carries the weight and craftsmanship of finer mid-century filigree work, gold vermeil warming the sterling base rather than a simple plate. A classic figural piece with real presence on the wrist.

Materials
Sterling silver, gold vermeil finish, carved cameo (material to confirm — shell or glass)

Details

• Era: 1950s–1960s
• Markings: STERLING
• Style / design notes: Three-panel cameo link bracelet, open filigree connector links
• Stone or material notes: Carved cameo profiles set against black ground
• Color: Gold-tone with black and white cameos
• Condition: Good vintage condition, please see images
• Length: 7"

Collected by Mineral and Matter

An ornate fleur-de-lis silhouette anchors an oval black cabochon at its center, with two lengths of fine curb chain draping below in true chatelaine style. The scrollwork on the gold-tone metal has real depth to it, more architectural than typical costume pins of the era. A rollover clasp secures it to a lapel or scarf, worn as a statement rather than a subtle accent.

Materials
Gold-tone metal, black glass cabochon

Details

• Era: 1960s–1970s
• Style / design notes: Fleur-de-lis chatelaine-style brooch, draped double chain, rollover clasp
• Stone or material notes: Oval black glass cabochon
• Color: Gold-tone with black center stone
• Condition: good vintage condition

Collected by Mineral and Matter

Six oval glass cabochons run this bracelet, each streaked amber and honey like tiger's eye caught in resin, set in simple gold-tone bezels and joined by ribbed connector links. Signed Sarah Coventry on the clasp, complete with its original safety chain. A warm, wearable statement piece from a company known for exactly this kind of bold, colorful cabochon work.

Materials
Gold-tone metal, amber-toned glass cabochons

Details

• Era: 1970s
• Markings: SARAH COV
• Style / design notes: Oval glass cabochon link bracelet, ribbed connector links, safety chain
• Stone or material notes: Amber/honey striped glass cabochons
• Color: Gold-tone with amber-brown stones
• Condition: Good vintage condition, please see images 
• Length: 7.5" with a 2" safety chain

Collected by Mineral and Matter

A companion to the everyday stacking bangle, this one turns floral where the other stays scroll — small embossed flowers run the circumference, bordered by a fine scrolled edge. Solid gold-tone construction, no clasp or seam, slipped on rather than fastened. A quiet, wearable everyday piece from the 1970s.

Materials
Gold-tone metal

Details

• Era: 1970s
• Style / design notes: Slim solid bangle, embossed floral pattern with scroll border, slip-on style with no clasp
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Length 2.5" diameter

Collected by Mineral and Matter

A slim, solid gold-tone bangle with a fine scroll pattern embossed around its full circumference, its opposite side left smooth and quiet. Simple enough to wear stacked with others, distinct enough to hold its own alone. No visible seam or clasp — a slip-on style meant to sit close to the wrist.

Materials
Gold-tone metal

Details

• Era: 1970s
• Style / design notes: Slim solid bangle, embossed scroll pattern, slip-on style with no clasp
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Length: 2.5" diameter

Collected by Mineral and Matter

A wide gold-tone bangle wrapped in a swirling ribbed cable pattern, its dimension coming from the twist rather than any added stone. Beaded rings mark the center and edges where the design shifts direction, a small structural detail borrowed from finer cable bracelet designs. Hinged with a snap closure for easy on-off wear, substantial enough to stand alone on the wrist.

Materials
Gold-tone metal

Details

• Era: 1980s
• Style / design notes: Wide hinged bangle, twisted ribbed cable pattern, beaded ring accents
• Color: Gold-tone
• Function: Hinged closure with snap clasp
• Condition: Good vintage condition, please see images 
• length: 2" by 2.5"

Collected by Mineral and Matter

Signed Avon on the clasp, this 1980s bracelet alternates open filigree floral medallions with single faux pearls, each link cut with the kind of lacy scrollwork that reads more delicate than typical Avon costume pieces. Spring-ring clasp with a safety chain, gold-tone throughout. A layering piece as easily worn stacked as alone.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Markings: AVON
• Style / design notes: Open filigree floral link bracelet, faux pearl spacers, spring-ring clasp with safety chain
• Color: Gold-tone with cream pearls
• Condition: Good vintage condition, please see images
• Length: 6"

Collected by Mineral and Matter

Signed Sarah Coventry, this 1970s pendant sets a mottled faux turquoise cabochon inside a gold-tone sunburst ringed with tiny faux pearls, each point catching light differently. Sarah Coventry pieces were sold through home shows rather than department stores, giving them a specific, collectible niche among mid-century costume jewelry. Curb chain, spring-ring clasp.

Materials
Gold-tone metal, faux turquoise glass cabochon, faux pearls

Details

• Era: 1970s
• Markings: SARAH COV
• Style / design notes: Sunburst pendant setting, pearl accents around center cabochon
• Stone or material notes: Mottled faux turquoise glass cabochon, faux pearls
• Color: Gold-tone with turquoise and cream
• Condition: Good vintage condition, please see images
• Length: 18" chain plus 1" pendant

Collected by Mineral and Matter

A small winged cherub charm swings from a delicate rope chain, its wings and figure cast with more texture and detail than most costume charms of this size manage. The kind of quiet, sentimental piece meant to be given rather than bought for oneself. Gold-tone finish throughout, spring-ring clasp.

Materials
Gold-tone base metal

Details

• Style / design notes: Cherub/angel charm pendant on fine rope chain bracelet, spring-ring clasp
• Era: 1970s 
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Length: 7" plus 1" charm

Collected by Mineral and Matter

Two cherubic figures stand cast in fine relief, one reaching for the other, a small floral detail rising between them — a figural take on the Gemini twins rather than a literal symbol. The sculptural depth here is unusual for costume zodiac jewelry, closer to a miniature bronze than a stamped charm. Strung on a fine silver-tone cable chain, worn as easily by a Gemini as by anyone drawn to the imagery.

Materials
Silver-tone base metal

Details

• Era: 1970s
• Style / design notes: Figural Gemini twins pendant, fine relief detail, cable chain
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Length:18" plus 1" charm

Collected by Mineral and Matter

A quiet, architectural piece — the brick-link band moves like sunlit water against the wrist. The rectangular tank face carries a single round cabochon at its edge, a small punctuation mark in dusty rose. Unsigned but well made, with the kind of quartz movement that outlasts trends. Pairs easily with everyday layering or stands alone.

Materials
Gold-tone base metal, stainless steel case back

Details

• Era: 1980s–1990s
• Markings: "Quartz," "Japan" on dial face; "Stainless Steel Back" on case back
• Style / design notes: rectangular tank-style case, brick/panel link bracelet, fold-over clasp closure
• Stone notes: single round cabochon accent, dusty pink/rose tone
• Function: quartz movement, untested
• Color: gold-tone with rose accent
• Condition: vintage with gentle surface wear consistent with age
• Measurement: 7.5" bracelet length, 1" watch face

Collected by Mineral and Matter

A petite Elgin quartz with a soft-cornered cushion case and a white dial kept clean by simple gold stick markers. The bracelet band carries a fine textured finish that catches light without overstating itself. A quiet, wearable everyday piece, sold untested.

Materials
Gold-tone base metal, stainless steel back

Details

• Era: 1980s
• Markings: ELGIN QUARTZ, Base Metal Bezel, Stainless Steel Back
• Style / design notes: Cushion-shaped case, textured gold-tone bracelet band
• Color: Gold-tone with white dial
• Function: Quartz watch, untested
• Condition: Good vintage condition, please see images
• Measurement: 6.5" bracelet length

Collected by Mineral and Matter

Ingraham's tonneau-shaped case has the barrel-curved silhouette of true Art Deco design, its Arabic numeral dial marked simply "Made in U.S.A." A dollar-watch maker in its day, Ingraham built pieces meant for everyday wear rather than display cases, and this one still shows it. Gold-tone case, hand-wind movement, sold untested.

Materials
Gold-tone base metal

Details

• Era: 1930s–1940s
• Markings: INGRAHAM, MADE IN U.S.A.
• Style / design notes: Tonneau (barrel) case, Art Deco styling, Arabic numeral dial, hand-wind
• Color: Gold-tone case, cream dial
• Function: Mechanical hand-wind watch, untested
• Condition: Good vintage condition, please see images
• Measurement: 2" to 4.5" stretch diameter

Collected by Mineral and Matter

An Elgin dress watch with a square case set between fan-shaped Art Deco lugs, the kind of sculptural detail mid-century watchmakers reserved for their finer ladies' pieces. Arabic numerals sit crisp against the dial, wound by hand rather than battery. Gold-plated bezel, stainless steel back, sold untested as with all watches in this shop.

Materials
Gold-plated bezel, stainless steel back

Details

• Era: 1940s–1950s
• Markings: ELGIN, 10K G.P. Bezel, Stainless Back
• Style / design notes: Square case, Art Deco fan-shaped lugs, Arabic numeral dial, hand-wind
• Color: Gold-tone case, silver dial
• Function: Mechanical hand-wind watch, untested
• Condition: Good vintage condition, please see images
• Measurement: 2" to 4.5" stretch diameter

Collected by Mineral and Matter

A round Seiko quartz with a champagne dial and stick markers, kept simple and legible in the way well-worn everyday watches tend to be. The gold-tone expansion band moves easily on and off the wrist, no clasp required. Base metal case, stainless steel back, sold untested as with all watches in this shop.

Materials
Gold-tone base metal, stainless steel back

Details

• Era: 1980s–1990s
• Markings: SEIKO QUARTZ, Base Metal, St. Steel Back, 1N01-0E19, Mov't Japan
• Style / design notes: Round case, stick hour markers, expansion band
• Color: Gold-tone with champagne dial
• Function: Quartz watch, untested
• Condition: Good vintage condition, please see images
• Measurement: 3" to 5.5" stretch diameter

Collected by Mineral and Matter

A dainty oval-cased Waltham quartz with a twisted rope bezel and rhinestone-set shoulders framing the lugs, worn thin with age but bright at the right angle. The stretch band moves with the wrist rather than fastening to it, a small mid-century convenience still working today. Untested, sold as a wearable piece of everyday vintage rather than a serviced timepiece.

Materials
Gold-tone base metal, stainless steel back, rhinestone accents

Details

• Era: 1980s
• Markings: WALTHAM QUARTZ, Japan MOVT, base metal bezel / stainless steel back
• Style / design notes: Oval case, twisted rope bezel, rhinestone-set shoulders, expansion band
• Stone or material notes: Clear rhinestone accents
• Function: Quartz watch, untested
• Color: Gold-tone with white dial
• Measurement: 2" to 4.5" stretch diameter

Collected by Mineral and Matter

An oval hematite-toned cabochon opens on a hidden hinge, revealing a small compartment once designed to hold solid perfume. The rope-twist gold-tone bezel frames the stone's smoky, reflective surface with quiet drama. A locket ring built for a private ritual, equally at home holding a keepsake today.

Materials
Gold-tone metal, hematite-color glass cabochon

Details

• Era: 1970s
• Markings: Avon
• Style / design notes: Hinged locket/poison ring, rope-twist bezel, opens to hold solid perfume
• Stone or material notes: Oval hematite-color cabochon (glass)
• Color: Gunmetal gray cabochon, gold-tone setting
• Function: Locket ring, hinged compartment
• Condition: good vintage condition
• Measurement: Size 8.5

Collected by Mineral and Matter

Cut and coiled from a silver-plated serving spoon, this ring carries the raised floral pattern of its original handle into a wraparound band. The gold-tone finish catches light along the scrolling petals, worn soft at the high points where decades of hands have passed it on. A quiet piece of tableware history, reshaped for the finger. Comfortable for daily wear, with the easy, lived-in character only vintage flatware carries.

Materials: Silver-plated base metal, gold-tone finish

Details

• Era: 1960s–1970s
• Markings: WMA Rogers Oneida Ltd
• Style / design notes: Wraparound spoon handle ring, floral repoussé pattern
• Color: Gold
• Condition: Good vintage condition, gentle tarnishing in the engraved recesses consistent with age
• Measurement: Size 6

Collected by Mineral and Matter

A single faux pearl sits nestled at the center of an organic, freeform flower, its petals rendered with soft texture and a bit of natural asymmetry rather than a rigid symmetrical shape. Sarah Coventry brought this kind of sculptural, botanical detail to its better pearl-centered rings, giving the piece real dimension beyond a flat stamped design. The adjustable band fits a range of sizes. A gentle, romantic piece with genuine craftsmanship.

Materials: Gold-tone base metal, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Freeform textured flower design, single pearl center, adjustable band
• Stone or material notes: Round faux pearl
• Function: Ring, adjustable
• Color: Gold-tone, cream
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

Two oval cabochons in soft milky white flash hints of color as they catch the light, set in ornate scalloped bezels at either end of an open bypass band. The design curves and crosses at the center, giving the ring a sense of movement rather than a fixed, static setting. A romantic, glowing pair of stones with genuine opal-like character.

Materials: Gold-tone base metal, glass cabochons

Details:

• Style / design notes: Open bypass band, scalloped bezel settings, two-stone design
• Stone or material notes: Two oval opalescent cabochons with visible play-of-color
• Function: Ring
• Color: Gold-tone, milky white with iridescent flashes
• Condition: Great vintage condition

Measurement: Size 6

Collected by Mineral and Matter

A smooth ivory cabochon sits at the center of an open, scalloped flower, ringed by clear rhinestones set between each petal. Sarah Coventry favored this kind of layered floral silhouette, letting the openwork gold-tone shape read as light and airy despite the ring's full coverage across the finger. The adjustable band fits a range of sizes. A pretty, wearable piece with old-world charm.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Markings: Sarah Cov
• Style / design notes: Open scalloped flower design, round cabochon center, rhinestone accents between petals, adjustable band
• Stone or material notes: Ivory round cabochon with clear rhinestone accents
• Function: Ring, adjustable
• Color: Gold-tone, ivory, clear
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A large powdery blue cabochon, moonstone in tone, sits prong-set in an architectural gold-tone mount with open, angular shoulders. This is Sarah Coventry's "Beauty Glow" design from the 1960s, built around a single smooth stone in a bold, sculptural frame. The adjustable band fits a range of sizes. A quietly striking piece with a serene, glowing color.

Materials: Gold-tone base metal, glass cabochon

Details:

• Era: 1960s
• Markings: Sarah Cov
• Style / design notes: "Beauty Glow" design, open geometric prong setting, adjustable band
• Stone or material notes: Large oval powder blue moonstone-style glass cabochon
• Function: Ring, adjustable
• Color: Gold-tone, powder blue
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A wide cuff-style band wraps the finger in an all-over etched pattern, crisscrossing wave lines that catch light differently from every angle. No stone, no setting — just bold, sculptural metalwork carrying the whole design. The open, adjustable-style back gives it a relaxed, contemporary fit despite the vintage detailing. A striking, textural statement ring for anyone who likes their jewelry with a bit of edge.

Materials: Gold-tone base metal

Details:

• Style / design notes: Wide cuff-style band, all-over etched wave/feather texture, open back
• Function: Ring
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: Size 6.5

Collected by Mineral and Matter

A rectangular white lucite panel sits centered in a buckle-shaped frame, flanked by cross-hatched textured gold-tone shoulders that curve outward with real architectural presence. Sarah Coventry built this kind of clean, graphic contrast into its panel-style rings, pairing a smooth pop of white against warmer engraved gold. The adjustable band fits a range of sizes. A bold, sculptural piece with genuine mid-century polish.

Materials: Gold-tone base metal, lucite

Details:

• Markings: Sarah
• Style / design notes: Buckle-shaped frame, rectangular lucite panel, cross-hatched textured shoulders, adjustable band
• Stone or material notes: White rectangular lucite panel
• Function: Ring, adjustable
• Color: Gold-tone, white
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A large oval purple cabochon sits at the heart of a textured, sunburst-shaped setting, with faux pearls ringing the edge at each point. Sarah Coventry favored this kind of layered, radiating silhouette for its statement rings, letting the smooth stone play off the rougher, hammered metalwork around it. The adjustable band fits a range of sizes. A bold piece with genuine presence.

Materials: Silver-tone base metal, glass stone, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Starburst-shaped textured setting, oval cabochon center, faux pearl accents at each point, adjustable band
• Stone or material notes: Oval purple cabochon with round faux pearl accents
• Function: Ring, adjustable
• Color: Silver-tone, deep purple, white
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A round faux pearl and a faceted garnet-red stone stack vertically inside an elaborate, teardrop-shaped frame, each ringed by fine beaded and rope-twist detailing. Sarah Coventry brought this level of ornamentation to its better mixed-stone rings, pairing soft luster with a burst of deep color for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, faux pearl, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: Teardrop-shaped openwork frame, beaded and rope-twist trim, vertically stacked stones, adjustable band
• Stone or material notes: Round faux pearl and faceted round garnet-red stone
• Function: Ring, adjustable
• Color: Silver-tone, white, deep red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A deep purple stone, faceted into a striking elongated hexagon, sits framed in an open, angular silver-tone setting that echoes its geometry line for line. This is Sarah Coventry's "Mystique" design, built around the kind of bold, sculptural stone cut the brand favored for its statement pieces. The adjustable band means an easy fit. A dramatic, architectural ring with real graphic punch.

Materials: Silver-tone base metal, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: "Mystique" design, elongated hexagonal facet-cut stone, open geometric frame, adjustable band
• Stone or material notes: Deep purple hexagonal-cut glass stone
• Function: Ring, adjustable
• Color: Silver-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A smooth oval cabochon in soft moss green sits prong-set at the center, ringed by a double row of sparkling clear rhinestones that catch the light on either side. The scalloped gold-tone shoulders give the ring a bit of movement, sweeping outward from the stone toward a simple band. A versatile piece that pairs deep, earthy color with plenty of sparkle.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Style / design notes: Oval prong-set cabochon center, double-row clear rhinestone halo, scalloped shoulders
• Stone or material notes: Green oval cabochon with clear round rhinestone accents
• Function: Ring
• Color: Gold-tone, green, clear
• Condition: Great vintage condition

Measurement: Size 9

Collected by Mineral and Matter

A bold, deep purple oval stone commands the whole hand, faceted for maximum shine and set simply in gold-tone prongs. The plain, understated band lets the stone do all the talking, giving the piece a graphic, modern edge despite its vintage roots. A striking solitaire with genuine presence.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Large oval faceted solitaire, simple prong setting
• Stone or material notes: Deep purple oval rhinestone
• Function: Ring
• Color: Gold-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 7.25

Collected by Mineral and Matter

Seven deep red garnets cluster together in a wide, faceted arrangement, their oval cuts catching light from every direction. Openwork filigree shoulders carry the design down into the band, adding delicacy beneath the boldness up top. Marked sterling silver, this is a substantial, well-made piece with genuine gemstone richness. A striking statement ring with real weight and warmth.

Materials: Sterling silver, garnet

Details:

• Markings: 925, Thailand
• Style / design notes: Faceted oval garnet cluster, openwork filigree shoulders
• Stone or material notes: Seven garnets in oval cuts
• Function: Ring
• Color: Silver, deep red
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A rich purple emerald-cut stone sits center stage, flanked by graduated clear baguettes stepping down each side like a mini staircase of light. Signed Avon, this piece has the polished, jewel-toned presence of the brand's better cocktail rings. The scale and color combination give it real versatility, equally at home for everyday wear or something dressier. A confident, colorful statement piece.

Materials: Gold-tone base metal, glass stones

Details:

• Markings: Avon, Made in China
• Style / design notes: Emerald-cut center stone, graduated baguette side stones, claw prong settings
• Stone or material notes: Purple emerald-cut center stone with clear baguette accents
• Function: Ring
• Color: Gold-tone, purple, clear
• Condition: Great vintage condition

Measurement: Size 9

Collected by Mineral and Matter

A polished hematite oval sits at the center of an open, beaded filigree frame, with four round faux turquoise points radiating outward like a compass. This is Avon's "Mirabella" design, a Gothic-inspired silhouette from the brand's 1974 catalog that pairs cool gray with sky blue for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, hematite, faux turquoise

Details:

• Era: 1974
• Markings: Avon
• Style / design notes: "Mirabella" design, beaded openwork frame, four-point compass layout
• Stone or material notes: Oval hematite cabochon center with four round faux turquoise accents
• Function: Ring, adjustable
• Color: Silver-tone, gunmetal, turquoise blue
• Condition: Great vintage condition

Measurement: Adjustable, sized 5–7

Collected by Mineral and Matter

A deep garnet-red marquise stone sits prong-set at the center, flanked by small clear accent stones and open filigree shoulders that let light pass through the design. The scrollwork carries a delicate, romantic feel more often found in fine antique settings. A rich pop of color with detailed craftsmanship throughout.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Marquise-cut center stone, open filigree scroll shoulders, small round accent stones
• Stone or material notes: Deep red marquise rhinestone with clear round accents
• Function: Ring
• Color: Gold-tone, deep red, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

Three faceted red stones stack vertically down the center of an open oval frame, textured gold-tone shoulders adding a bit of shine at the sides. Sarah Coventry built this kind of graphic, negative-space design into many of its cocktail rings, letting the open frame do as much visual work as the stones themselves. The adjustable band fits a range of sizes. A bold, clean piece with a punch of color.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah
• Style / design notes: Open oval frame, three vertically stacked prong-set stones, textured shoulders, adjustable band
• Stone or material notes: Three faceted round red rhinestones
• Function: Ring, adjustable
• Color: Gold-tone, red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A deep, wine-red oval rhinestone sits prong-set at the center, flanked by delicate bow-shaped shoulders that curve outward from the band. The rich, saturated color reads almost like true garnet, warm and glowing against the gold-tone setting. A romantic, detailed piece with more personality than a simple solitaire.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Oval prong-set center stone, bow-shaped shoulders
• Stone or material notes: Deep red-brown oval rhinestone
• Function: Ring
• Color: Gold-tone, deep red
• Condition: Great vintage condition

Measurement: Size 7.5

Collected by Mineral and Matter

A large rivoli-cut stone flashes deep purple and iridescent red as it catches the light, prong-set in a square, ribbed gold-tone frame with a distinctly architectural edge. Sarah Coventry favored this kind of aurora borealis crystal in its cocktail and statement rings, and the mix of geometric setting with a color-shifting stone gives it real drama. The adjustable band fits a range of sizes. Bold, bright, and built to be noticed.

Materials: Gold-tone base metal, aurora borealis rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah Cov
• Style / design notes: Square ribbed frame, prong-set rivoli stone, adjustable band
• Stone or material notes: Round faceted aurora borealis rhinestone in purple with red-violet flash
• Function: Ring, adjustable
• Color: Gold-tone, purple, iridescent
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter