Faceted black glass rounds alternate with larger square-cut black stones along a figure-eight brass-tone link chain — the silhouette somewhere between rosary and lariat. The Y-drop falls into a double chain tassel finished with small black bead drops, giving the piece a deliberate, unhurried movement. Dark without being heavy, and precisely the kind of necklace that disappears into an all-black outfit in the best possible way.

Materials: Brass-tone base metal, faceted black glass round beads, prong-set square black glass stones, figaro/figure-eight chain

Details:

• Era: 1990s–2000s
• Markings: None visible; lobster clasp closure
• Style / design notes: Alternating round faceted black beads and square-cut black glass stones in prong settings; Y-drop silhouette with double chain tassel and bead drop finials; figure-eight brass-tone connecting links throughout
• Stone or material notes: Faceted black glass rounds and square-cut black glass stones
• Color: Jet black, antique brass tone
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 16" with 1.5" drop

Collected by Mineral and Matter

Striking vintage floral cluster earrings featuring deep sapphire-blue navette stones accented with coordinating round blue crystals in a gold tone setting.

These dimensional earrings have a layered botanical design with elongated marquise-shaped stones forming petal-like drops, highlighted by smaller faceted accent crystals for added sparkle. The rich blue color shifts beautifully in the light, giving them a bold yet elegant presence.

✨ Details:

• Era: Mid-century (circa 1950s–1970s)

• Stones: Faceted blue glass crystals (navette & round)

• Metal: Silver tone setting

• Style: Floral cluster / statement drop

• Closure: Post back, appears to have had clip on cut off and piercing post glued on.

The design has wonderful movement and depth, making them perfect for evening wear or adding drama to a simple outfit.

Condition: Good vintage condition with normal age-related wear to the metal on backs. Stones appear secure and vibrant.

A beautiful, eye-catching pair with classic vintage glamour.

Collected by Mineral and Matter

Cobalt and ice-blue enamel layered over a sculpted gold-tone body — this parrot perches on a naturalistic branch with the casual confidence of something that belongs in a terrarium or a rain forest, not a jewelry box. The face is the most alive part: a cluster of clear rhinestones forms the cheek patch, with a single pink rhinestone at the eye that gives the bird a knowing, slightly amused expression. White enamel accents the throat and wing, softening the deep blue body. A piece that rewards a second look.

Materials Gold-tone base metal; blue and white enamel; clear and pink rhinestones

Details

• Era: c. 1950s–1960s
  
• Style / design notes: Figural parrot or macaw perched on forked branch; cobalt and teal blue enamel body with white enamel chest and wing accents; clear rhinestone cheek cluster; single pink rhinestone eye; textured feather detail on body
• Stone notes: Clear rhinestones (cheek cluster); pink rhinestone (eye); prong set
• Function: Pin brooch with roll-over safety clasp
• Color: Cobalt blue, white, gold tone, pink
• Condition: Great vintage condition

Measurement: 2" x 1.5"

Collected by Mineral and Matter

A pink rose floats against a sky-blue enamel ground, its petals rendered with a confident, unhurried hand — the kind of detail that asks to be looked at closely. The surface has the iridescent, patterned quality of guilloche enamel, where fine engraving beneath translucent enamel creates a subtle shimmer that shifts with the light. The gold-tone frame is ornate and deliberate: scalloped lower edge, scrollwork upper bail with a decorative loop — the whole composition echoing the Victorian tradition of miniature portrait pendants. Unsigned and quietly lovely.

Materials Gold-tone base metal frame and chain; blue enamel with hand-painted rose (possibly guilloche — unverified)

Details

• Era: c. 1960s–1970s, Victorian revival style
  
• Style / design notes: Round enamel cabochon in scalloped gold-tone bezel; ornate scrollwork bail with open loop; hand-painted pink rose on sky-blue ground; enamel surface has guilloche-style iridescent patterning
• Stone notes: Blue enamel with hand-painted pink rose and green leaf detail — porcelain, glass, or resin 
• Function: Pendant necklace
• Color: Gold tone, sky blue, pink, green
• Condition: Great vintage condition

Measurement: Pendant 1.5" including bail; chain 18"

Collected by Mineral and Matter

A vivid blue heart rhinestone sits at the center of a starburst halo of clear prong-set crystals, small, precise, and brighter than its size suggests. The combination of a colored heart stone with a clear diamond-like surround was a popular format in the 1970s and 1980s, echoing the look of fine sapphire cluster jewelry at a fraction of the cost. A small maker's mark is present on the reverse but partially illegible, worth examining under magnification before listing.

Materials Gold-tone base metal pendant; blue and clear rhinestones; dark silver-tone curb chain (possible replacement)

Collected by Mineral and Matter

Details

• Era: c. 1970s–1980s
• Markings: Partial maker's mark on pendant reverse, illegible; buyer to verify
• Style / design notes: Heart-shaped blue rhinestone center; eight clear round rhinestones in starburst halo setting; prong set throughout; double bail
• Stone notes: Blue heart rhinestone center; clear round rhinestones in surrounding halo; all prong set
• Function: Pendant necklace
• Color: Gold tone, blue, clear
• Condition: Good vintage condition 

Measurement: Pendant 0.5"; chain 18.5"

Collected by Mineral and Matter

A luminous mother-of-pearl dial anchors this Bon Jour quartz watch, its warm iridescence framed by a polished gold-tone case and paired with a substantial three-bar gate-link bracelet inset with two rows of clear rhinestones near the lugs. The open architectural link design gives the bracelet real visual weight while keeping it from feeling heavy on the wrist — a balance that defined the best American fashion watches of the late 1980s and early 90s. Bon Jour occupied a reliable middle tier of the market, producing pieces with genuine jewelry sensibility at accessible price points. Needs a battery to run; otherwise in excellent vintage condition.

Materials: Gold-tone base metal, mother-of-pearl dial, clear rhinestones, quartz movement

Details:

• Era: Late 1980s–1990s
• Markings: Bon Jour, Quartz
• Style notes: Round case, mother-of-pearl dial, three-bar gate-link bracelet, rhinestone accent bars near lugs, fold-over clasp
• Function: Quartz, untested
• Color: Gold, white/cream, clear
• Condition: Excellent Vintage condition
• Measurement: 7.5 inch bracelet length

Collected by Mineral and Matter

• Layered leaf form in gold tone metal, structured with openwork and set with marquise-cut clear rhinestones. The composition balances texture and light, with a brushed leaf overlay framing the faceted stones beneath.

  Signed BSK, a mid-century American costume jewelry maker active from the 1940s–1980s.

  Details

  • Brand: BSK

  • Era: Mid-century (circa 1960s–1970s)

  • Material: Gold tone metal

  • Stones: Clear marquise rhinestones

  • Design: Leaf / spray / openwork

  • Marking: Signed BSK

  • Closure: Rollover safety clasp

  Measurements

  • 2.5" x 2.75"

  Condition

  Very good vintage condition with minor surface wear consistent with age. Stones intact. Clasp secure.

An open-wing butterfly built from curved gold-tone bars, the upper wings bordered with a line of clear rhinestones, the body clustered with red stones in a cross formation. Simple in construction, precise in placement — the contrast between the clear and red stones does all the decorative work. Unsigned, neat, and wearable.

Materials & Details:

• Era: 1970s–1980s
• Markings: None
• Style notes: Open-wing silhouette, curved bar wing construction, clear rhinestone upper wing border, red rhinestone body cluster, pointed body, simple pin back
• Stone notes: Clear rhinestones along upper wing edges, red rhinestones at body
• Color: Gold tone with red and clear stones
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

1980's

Measures 16"

Good Vintage Condition, some tone loss/chipping present

Collected by Mineral and Matter

Inspired by Queen Victoria's legendary passion for cameos, this brooch embodies the 19th-century obsession with these iconic pieces. A symbol of grace, sophistication, and timeless beauty, it's the perfect accessory for anyone who appreciates vintage charm with a modern sensibility.

Measures approx 1.25"

Collected by Mineral and Matter

• Designer: Caron (Presented on original brand card).
• Design: Intricate three-row gold-tone mesh with crystal-encrusted geometric stations.
• Material: High-polished gold-tone metal and faceted clear glass crystals.
• Set Includes: 1 graduated mesh necklace and 1 pair of matching articulated drop earrings.
• Backing: Necklace features a secure adjustable lobster clasp; earrings have comfortable post-and-butterfly backings for pierced ears.
• Year Estimate: Circa 1980s.
• Condition: Excellent vintage condition with original crystals secure and a bright, lustrous finish.
• Style: Hollywood Regency, 80s Glamour, Formal Statement.

A carved shell mottled olive and deep green, cool to the touch — rests in a gold-tone mount of textured claw-form legs and a pointed tail, the whole creature assembled with the unhurried confidence of something built to last. Turtle jewelry has been a quiet constant across cultures and centuries, carrying associations of longevity and groundedness that feel as relevant now as ever. The jade shell is hand-carved with shell pattern detail, and the contrast between the stone's natural variation and the warm gold-tone surround gives the piece a genuinely organic presence. Unsigned but consistent with mid-century jade and stone figural jewelry.

Materials: Gold-tone base metal mount; carved natural nephrite jade shell (unverified — tests as stone, cold to the touch, consistent with nephrite jade or serpentine)

Details:

• Era: c. 1960s–1970s
  
• Style / design notes: Naturalistic turtle form; carved jade shell with incised pattern detail; gold-tone claw-foot legs, head mount, and pointed tail; needle pin back
• Stone or material notes: Carved green stone shell
• Function: Lapel brooch
• Color: Olive and deep green with gold tone
• Condition: Great vintage condition, gentle gold wear around edges

Measurement: 1.25" long

Collected by Mineral and Matter

Description: Six bold domed glass cabochons, each painted with a mandala-like floral medallion in a different colorway — burgundy, black, green, grey, blue, and red — set into ornate gold-tone frames with a textured, almost architectural surround. The Moroccan-inspired patterning gives each panel the feeling of a mosaic tile lifted from a riad wall and set into jewelry. Celebrity N.Y. was a Brooklyn-based brand sold through home parties from the mid-1950s through the early 1970s, making pieces that punched well above their price point. This bracelet has real presence on the wrist.

Materials: Gold-tone base metal frames and link chain; domed painted glass cabochons; spring ring clasp with safety chain

A sense of movement held in form—these earrings curve and catch light with quiet precision. The twisted rope hoop softens the structure, while a band of pavé crystals anchors the design with a refined, luminous edge.

Signed Christian Dior, they reflect the bold yet balanced language of late-century designer jewelry—substantial, sculptural, and made to frame the face with intention.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Christian Dior on clip backs
• Clip-on closure with comfort pads
• Twisted rope-style hoop with pavé crystal top
• Dimensional, sculptural design
• Era: 1980s–1990s
• Measurement: approx. 1.25" drop 
• Condition: vintage with gentle surface wear consistent with age

A luminous vintage necklace composed of clear geometric Lucite beads, each softly faceted to catch and scatter light. The beads alternate between fully transparent and matte frosted finishes, creating a gentle contrast of glow and mist.

Small gold-tone spacer beads add warmth between the sculptural shapes, while the simple magnetic clasp keeps the design clean and minimal. The overall effect feels airy and modern—like light suspended in crystal forms.

Lucite and acrylic jewelry became especially popular during the mid-century and late 20th century, prized for their ability to mimic glass or quartz while remaining lightweight and sculptural. Pieces like this reflect that era’s fascination with transparency, geometry, and playful materials.

This necklace feels fresh despite its age: minimal, architectural, and quietly striking.

Details

• Era: likely 1980s–1990s

• Style: geometric bead necklace

• Beads: clear and frosted Lucite / acrylic

• Spacers: gold tone beads

• Closure: magnetic clasp

• Signature: unsigned

• Condition: good vintage estate condition with light wear consistent with age

Measurements

• Length: 18 inches

Collect by Mineral and Matter

Three cascading strands of prong-set clear rhinestones fall from a starburst rhinestone cluster — each strand terminating in a faceted square stone that catches and throws light with every movement. The dark rhodium-tone setting deepens the stones' sparkle, lending a cooler, more dramatic quality than gold-tone would allow. Screw-back closures date these to the mid-century, when this style of evening earring — architectural, luminous, unapologetically present — was worn to be noticed.

Materials: Silver-tone / rhodium-tone base metal; clear glass rhinestones

Details:

• Era: c. 1940s–1960s, Mid-Century American
  
• Style / design notes: Starburst rhinestone cluster top with three cascading rhinestone strand drops; faceted square terminal stones; mixed round and baguette-style prong settings; screw-back closures
• Stone or material notes: Clear faceted glass rhinestones; square and round cuts
• Function: Dangle / drop earrings; non-pierced screw-back
• Color: Silver tone / dark rhodium with clear stones
• Condition: Great vintage condition, some discoloring on a few of the rhinestone

Measurement: 1" wide × 2.5" long

Collected by Mineral and Matter

This Collezier bracelet watch is built around a quietly elegant structural detail — the band narrows into a sinuous twist at the lugs, meeting the round case with a gesture that feels more Art Nouveau than mass market. The mother-of-pearl effect dial is soft and luminous beneath a clean silver-tone bezel, and the decorative knotted links at the clasp end carry the organic theme through to the finish. A delicate, well-proportioned piece that wears easily.

Materials Silver-tone base metal, stainless steel back, mineral crystal

Details

• Era: 1990s
• Markings: "Collezier / Quartz / Japan Movt" on dial; "Stainless Steel Back / Base Metal" on case back
• Style notes: Twisted bar bracelet with sinuous lug detail; decorative knotted link clasp section; round silver-tone bezel
• Stone notes: Mother-of-pearl effect dial
• Function: Quartz; untested
• Color: Silver tone
• Condition: Great vintage condition
• Measurement: 7"

Collected by Mineral and Matter

Collected by Mineral and Matter

Rounded oval discs in cream enamel, scattered with raised gold-tone nuggets in irregular, organic shapes — like flecks of gold leaf suspended mid-drift. The contrast between the matte ivory ground and the polished metal forms is quietly striking. A very 1980s sensibility, aged into something that reads as current. Clip-on backs.

Materials & Details:

• Era: 1980s
• Markings: None
• Style notes: Oval disc form, cream enamel ground with raised abstract gold-tone nugget detail, clip-on backs
• Stone notes: None
• Color: Cream, gold tone
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A single prong-set crystal stud anchors two diverging bar drops, each tipped with its own prong-set stone — creating a scattered, constellation-like effect that moves with the wearer. The splayed double-drop silhouette reads as both geometric and delicate, catching light at every angle. Clean and contemporary, with an understated sparkle.

Materials: Silver tone base metal, clear rhinestone or CZ

Details:

• Era: 1990s–2000s
• Markings: None
• Style / design notes: Single crystal stud top; two diverging bar drops tipped with prong-set stones; post and butterfly back
• Stone or material notes: Clear round stones, prong set; likely CZ or rhinestone
• Color: Silver tone, clear
• Condition: Good vintage condition, see photos please
• Measurement: 1.5" length

Collected by Mineral and Matter

Bold links softened by deep cobalt glass—this piece moves between structure and ornament. The carved cabochons hold light in a darker tone, framed by small points of sparkle that feel precise rather than excessive.

Materials:
Gold-tone metal, glass cabochons, rhinestones

Details:

• Signed DVF (Diane von Furstenberg) on back
• Chunky curb chain construction
• Carved deep blue glass cabochons with floral/starburst detail
• Rhinestone accents framing center and side links
• Hook clasp with extender chain
• Era: late 1980s–early 1990s
• Measurement: approx. 16"
• Condition: vintage with gentle surface wear consistent with age

Measures 30"

Very Good Vintage Condition 

Collected by Mineral and Matter

A constellation at the wrist—deep green facets set in orbit, each stone catching light like a quiet pulse.

This wide vintage cuff is richly set with emerald-toned rhinestones, arranged in repeating crescent forms. The setting has a darkened silver-tone finish, giving depth and contrast—almost celestial against the saturated green. The structure feels architectural yet fluid, wrapping the wrist in texture and shimmer.

Unmarked, but evocative of mid-century costume design with Art Deco revival influence.

Details

• Vintage rhinestone cuff bracelet
• Emerald green glass stones
• Dark silver-tone / gunmetal finish
• Hinged
• Unmarked

Measurements

• Width: approx. 1.5”
• Inner circumference: standard cuff fit 

Condition
Very good vintage condition. Stones appear present and vibrant with minor wear to metal consistent with age.

Era
Likely 1950s–1970s, with Deco-inspired patterning

Size 6-7 with adjustable band

Good Vintage Condition- some tone loss on inside band

Collected by Mineral and Matter

A small waving flag rendered in red, cream, and navy enamel with a gold-tone border — the kind of pin that has lived on jacket lapels, canvas bags, and coat collars for decades. The enamel shows the warm, slightly muted tones characteristic of older production, giving it a patina that feels earned rather than faded. Simple, direct, and quietly collectible.

Materials

• Era: 1970s–1980s
• Style / design notes: Waving flag silhouette with enamel fill and gold-tone border; pin back closure
• Stone or material notes: Red, cream, and navy enamel
• Color: Red, cream, navy, and gold-tone
• Condition: Good vintage condition

Collected by Mineral and Matter

A mirrored pairing—light and dark, ivory and black—each carrying the same quiet floral rhythm. Worn together, they create a soft contrast; worn alone, each holds its own subtle presence.

The enamel surface feels smooth and grounded, while small rhinestone-set florals catch light in delicate points. There’s something balanced here—symmetry, repetition, and a sense of ease in how they layer.

Materials:
Gold-tone metal, enamel (black and ivory), rhinestones

Details:

• Set of 2 hinged bangle bracelets
• One black enamel, one ivory enamel
• Small floral rhinestone accents throughout
• Secure clasp closures
• Designed to stack or wear separately
• Era: 1980s–1990s
• Measurement: each fits approx. 6–7" wrist
• Condition: vintage with gentle surface wear consistent with age (ivory bangle shows minor enamel wear)

A white enamel unicorn head with purple and gold mane detail sits atop a slender gold-tone stick pin — small in scale, specific in character. Stick pins enjoyed a revival in the late 1970s through the 1980s as a way to personalize lapels, scarves, and knit collars, and fantasy motifs like unicorns were among the most collectible. 

Materials: Gold-tone base metal, white and pink/purple enamel

Details:

• Era: 1970s–1980s
• Markings: None
• Style / design notes: Unicorn head motif, cloisonné-style enamel detailing, gold-tone horn and mane outlines, bullet-end safety cap
• Stone or material notes: White and purple enamel fill
• Color: White, purple, and gold-tone
• Condition: Vintage with gentle surface wear consistent with age, tone loss on the end off the piece and varnish a has a bit of yellowing on the face on the unicorn. (see images for reference.) 
• Measurement: 2.25" long, 0.5" wide

Collected by Mineral and Matter

A cool blue emerald-cut stone sits prong-set in warm gold, flanked by small bow-shaped shoulders for a touch of vintage sweetness. Signed by Esposito, a maker known for well-made mid-century gold filled pieces, this ring has the weight and finish of costume jewelry built to last. The adjustable band means an easy, comfortable fit. A quiet, classic piece that wears well on its own or stacked.

Materials: 10K gold filled, glass stone

Details:

• Era: 1950s–1960s
• Markings: 10KT G.F. ESPO
• Style / design notes: Emerald-cut center stone, bow motif shoulders, adjustable band
• Stone or material notes: Blue faceted glass stone, emerald cut
• Function: Ring, adjustable
• Color: Gold, blue
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Adjustable band

Collected by Mineral and Matter

A brilliant round cubic zirconia sits solitaire in a swirling, open bypass setting, textured gold catching light at the shoulders like beaten metal. The design has real movement, the band curving in on itself as it meets the stone. Signed by Esposito and clearly marked as gold electroplate, this is a well-made piece of American costume jewelry with genuine presence.

Materials: 14KT gold electroplate, cubic zirconia

Details:

• Era: 1970s–1980s
• Markings: 14KT GE ESPD
• Style / design notes: Bypass swirl setting, textured shoulders, solitaire round stone
• Stone or material notes: Round cubic zirconia
• Function: Ring
• Color: Gold, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A delicate vintage necklace featuring small clusters of faux pearls spaced along a fine gold tone chain. Each station forms a tiny constellation—pearls gathered together like blossoms along a winding golden vine.

The design creates gentle movement and balance, with each cluster adding texture while maintaining a light, airy profile. Station necklaces like this became especially popular in the 1960s–1980s, when jewelry favored graceful lines and subtle decorative accents rather than heavy centerpieces.

Softly romantic and easy to wear, this piece layers beautifully with other chains or stands alone as a quiet vintage accent.

Details

• Era: 1960s–1980s

• Style: pearl cluster station necklace

• Metal: gold tone metal

• Stones: faux pearls

• Design: spaced pearl cluster stations along chain

• Closure: spring ring clasp

• Signature: unsigned

• Condition: vintage condition with light wear consistent with age

Measurements

• Length: 22 inches

Collected by Mineral and Matter

A small mermaid curls into her own tail in sculptural gold-tone relief, textured to suggest scale and flowing hair in the Art Nouveau tradition that made mermaids a favored motif in stickpins a century ago. The figure sits atop a slim pin with a rounded safety clutch, ready for a lapel, cravat, or scarf. Unmarked, but detailed in the hand-finished style of early figural stickpins. A curious, storied little accent.

Materials: Gold-tone metal

Details:

• Era: Early-to-mid 1900s style, reproduction or vintage
• Markings: Unmarked
• Style / design notes: Figural mermaid motif, Art Nouveau influence, safety clutch closure
• Stone or material notes: None
• Function: Stick pin
• Color: Antiqued gold
• Condition: Good vintage condition, please see images

Collected by Mineral and Matter

Three filigree ball beads adorn this rope chain.  It's a nice piece to use to add texture to a stack. 

1970's-1980's

Measures 17"

Gold Tone

Collected by Mineral and Matter

This Fiorlini bangle watch is built around a satisfying visual tension — the smooth, polished inner cuff giving way to a textured, twisted outer band clustered with rhinestones. The bezel is fully paved with clear stones, continuing the sparkle into the lug panels where the twist form gathers and releases. The white mother-of-pearl effect dial reads cleanly beneath, grounded by gold Arabic numerals and slender hands. A piece that earns its place on a dressed wrist without trying too hard.

Materials Gold-tone base metal bezel, stainless steel back, rhinestones, mineral crystal

Details

• Era: 1990s
• Markings: "Fiorlini / Quartz / Japan Movt" on dial; "Stainless Steel Back / Base Metal Bezel" on case back
• Style notes: Hinged bangle construction; twisted textured lug panels with rhinestone clusters; rhinestone-paved bezel; smooth polished inner band
• Stone notes: Clear rhinestone paving at bezel and lug panels
• Function: Quartz; untested
• Color: Gold tone, clear
• Condition: Excellent vintage condition
• Measurement: 2.5" × 2.25" inner diameter

Collected by Mineral and Matter

A rich gold tone vintage necklace with 5 strands of a mix of chain textures and styles.  Flat curb chain, long bar and cable chain, thin cable, thin curb and another strand of flat curb make up the different layers.

1960-1970's

Measures 24" shortest layer to 26" longest layer

In Very Good Vintage Condition, gold tone

Collected By Mineral and Matter

A classic flat serpentine chain vintage necklace in gold tone.

1970-1980's

Measures 16.5", marked 18kgp (18 karat gold plated)

In Good Vintage Condition - seems to be a little lighter colored than it may have been originally

Collected By Mineral and Matter

A classic flat serpentine chain vintage necklace in gold tone.

1970-1980's

Measures 22"

In Good Vintage Condition 

Collected By Mineral and Matter

A classic flat serpentine chain vintage necklace in gold tone.

1970-1980's

Measures 14.5"

In Good Vintage Condition -slight darkening

Collected By Mineral and Matter

A simple flat serpentine chain in a thin width.  Easy to add a charm to or use a thin gold line around your neck. 

1970's

Measures 15"

Gold Tone 

Collected by Mineral and Matter

A soft floral portrait rests at the center of this oval locket, framed by warm gold and delicate beaded edging. The painted rose cabochon echoes Victorian romantic motifs that remained popular through mid-century revival jewelry. Gentle and nostalgic, it carries the feeling of a tiny keepsake meant to hold both beauty and memory.

Materials
Gold tone metal
Painted floral cabochon insert

Details

• Era: Likely 1950s–1970s Victorian revival style

• Style: Oval photo locket pendant

• Center: Painted floral cabochon with rose motif

• Design: Beaded inner border with smooth outer frame

• Function: Hinged locket opens to hold two photographs

• Color: Warm gold tone with soft rose and cream tones

• Condition: vintage with gentle surface wear consistent with age, no inner photo frames present

Measurement: 1 inch

Collected by Mineral and Matter

Two cherubic figures stand cast in fine relief, one reaching for the other, a small floral detail rising between them — a figural take on the Gemini twins rather than a literal symbol. The sculptural depth here is unusual for costume zodiac jewelry, closer to a miniature bronze than a stamped charm. Strung on a fine silver-tone cable chain, worn as easily by a Gemini as by anyone drawn to the imagery.

Materials
Silver-tone base metal

Details

• Era: 1970s
• Style / design notes: Figural Gemini twins pendant, fine relief detail, cable chain
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Length:18" plus 1" charm

Collected by Mineral and Matter

An iridescent glass cameo catches rainbow light across its faceted edge, centered by a raised white butterfly that seems to glow against the pale background. The aurora borealis finish was a specialty of mid-century German and Czech glassmakers, prized for the way it shifts color depending on the angle. Stamped Germany on the chain's tag, this is a well-made piece with more dimension than typical costume glass. A delicate, nature-inspired pendant that catches the eye without trying too hard.

Materials: Pressed glass with aurora borealis finish, gold-tone metal

Details:

• Era: 1960s–1980s
• Markings: Germany
• Style notes: Oval glass cameo pendant, molded butterfly motif, cable chain
• Color: Iridescent white and pale yellow with gold-tone hardware
• Condition: Good vintage condition
• Measurement: 16" chain, pendant .75"

Collected by Mineral and Matter

A sleek, elongated Siamese cat sits in perfect composure — open cutout eyes, engraved whiskers, and a curled tail that anchors the composition with quiet confidence. Gerry's produced some of the most beloved mid-century figural brooches in American costume jewelry, and cat pins were among their signature subjects. The high-polish finish and streamlined silhouette place this firmly in the 1960s modernist aesthetic.

Materials: Gold-tone base metal

Details:

• Era: 1960s
• Markings: Gerry's (partially obscured by pin mechanism)
• Style / design notes: Seated Siamese cat form, cutout eyes, engraved whisker detail, curled tail, high-polish finish, openwork legs
• Stone or material notes: None
• Color: Gold-tone
• Condition: Excellent Vintage Condition
• Measurement: 1.5" x 0.75"

Collected by Mineral and Matter

A quiet boldness—rounded gold forms softened by light. These earrings hold a sculptural presence, where crystal and metal meet in balance, reflecting a refined, unmistakable design language.

Clear rhinestones in mixed cuts are set into softly domed gold-tone forms, creating a constellation-like pattern. Signed Givenchy, they carry the weight of late 20th century designer costume jewelry—elegant, considered, and enduring.

Materials:
Gold-tone metal, rhinestones

Details:

• Signed Givenchy 
• Clip-on back (comfortable padded clips)
• Round domed design with mixed-cut rhinestones
• Likely 1980s–1990s era
• Designer costume jewelry
• Measurement: approx. 1" diameter 
• Condition: vintage with gentle surface wear consistent with age

Three letters in looping cursive gold tone — compact, cheerful, and quietly confident on a collar or lapel. The script has the rounded warmth of mid-1960s lettering, cast in polished gold tone with a butterfly clutch back. A small piece that carries its word without effort.

Details:

• Era: 1960s
• Markings: Ballou Reg'd 130 Years (manufacturer's mark on clutch back)
• Style notes: Openwork script lettering, butterfly clutch pin back
  
• Color: Gold
• Condition: Excellent vintage condition
• Measurement: Approx. ¾" wide

Collected by Mineral and Matter.

Each link of this wide bracelet is formed from a cluster of coiled rope-textured domes, catching light like a honeycomb in amber — organic, repetitive, quietly hypnotic. The construction points to mid-century American or European costume jewelry manufacture, where surface texture was used in place of stones to create substantial presence. It drapes and moves beautifully on the wrist, substantial without being heavy. A piece that earns its place worn alone.

Materials
Gold tone base metal

Details

• Era: 1960s–1970s
• Style / design notes: Wide multi-link bracelet; each link composed of clustered rope-coil dome units; box clasp with safety closure
• Color: Warm gold tone
• Condition: Great vintage condition

Measurement
7 inches long, approximately ¾ inch wide

Collected by Mineral and Matter

Two deep blue oval stones anchor an asymmetric bypass design, each flanked by a small round clear accent for contrast. The open, sculptural gold-tone band curves and doubles back on itself beneath the stones, giving the piece unexpected dimension from every angle. Modern in its irregularity, with the rich color of sapphire without the formality. A striking everyday statement piece.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Asymmetric bypass band, two oval blue rhinestones with round clear accents
• Stone or material notes: Blue oval and clear round rhinestones
• Function: Ring
• Color: Gold-tone, deep blue, clear
• Condition: Great vintage condition

Measurement: Size 8

Collected by Mineral and Matter

Small and certain, this delicate chain bracelet carries a single three-dimensional bow charm at its center — the kind of detail that reads as intentional rather than decorative. The bow is cast with a brushed texture on one side and polished on the other, catching light differently as it moves. The fine oval link chain and spring ring clasp keep everything in proportion. A layering piece that works just as well alone.

Materials Gold-tone base metal

Details

• Era: 1980s
• Markings: "O" stamp on clasp; unsigned
• Style notes: Fine oval link chain; single suspended bow charm; spring ring clasp]
  
• Color: Gold tone
• Condition: Excellent vintage condition
• Measurement: 7"

Collected by Mineral and Matter

This style of woven chain bracelet — moderately wide, textured, yellow gold tone — was a staple of mid-range costume jewelry through the 1990s , the kind of piece that worked as an everyday bracelet or stacked with others. The lobster clasp is oversized relative to the chain, smooth and polished, and terminates on both ends with a bullet-shaped cap that tucks the chain ends in cleanly. Unsigned and in great condition.

Materials
Gold tone base metal

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Braided wheat-style woven chain; milgrain beaded edges on links; polished bullet-end caps; lobster clasp closure
• Stone or material notes: None
• Color: Warm yellow gold tone
• Condition: Good vintage condition; please see images

Measurement
7.5" length when unclasped 

Collected by
Mineral and Matter

Nine round prong-set crystals appear to float across an irregular organic landscape — a wide, open-worked band of molten-looking gold tone metal that bubbles and branches like coral or cooling lava. The stones sit at varying heights across the top, their silver-tone prongs contrasting against the warm gold beneath, which gives the whole surface a two-tone quality that feels intentional rather than incidental. The underside of the band continues the texture, leaving no part of the ring unfinished. This is squarely in the Brutalist and organic modernist jewelry tradition that defined the 1960s and early 1970s, when cast metal jewelry rejected clean lines in favor of raw, elemental form. It wears like a piece of sculpture.

Materials
Gold tone base metal, clear rhinestone crystals

Details

• Era: 1960s–1970s
• Maker: unkown: Stamped 14KH GE A
• Style / design notes: Wide open-worked band; irregular molten nugget texture throughout; nine round rhinestones prong-set in silver tone settings at varying heights across the top face
• Stone or material notes: Clear round rhinestone crystals, silver tone prong settings
• Color: Warm gold tone / clear
• Condition: Good vintage condition, please see images

Measurement
Size 4.5 (measured on ring mandrel between 4 and 5)

Collected by Mineral and Matter

Polished marquise-shaped links set in a staggered double row, each one catching light from a slightly different angle as the necklace moves. The construction is solid and substantial without being heavy — the kind of chain that reads as intentional from across the room. A clean, unsigned piece that works equally well with a blazer or a bare neckline.

Materials & Details:

• Era: 1980s
• Markings: None
• Style notes: Double-row alternating marquise links, smooth polished finish, box clasp
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A simple circle, made interesting by its surface — the band is covered in fine granulation-style texture with scattered raised dots that catch light across the curve, anchored by a single deep red stone set in a smooth round bezel at the base. The stone has the color and depth of a garnet, though material is unverified and sold as-is. Modest in scale, confident in presence — the kind of pin that works on a collar or a scarf without demanding attention.

Materials Gold-tone base metal; deep red bezel-set stone 

Details

• Era: c. 1940s–1960s
  
• Style / design notes: Open circle form with scalloped outer edge; overall granulation-style raised dot texture; single round deep red stone in smooth bezel setting at lower right; simple bar pin clasp
• Stone notes: Deep red round stone, bezel set
• Function: Pin brooch with simple bar clasp
• Color: Gold tone / deep red
• Condition: Vintage with gentle surface wear consistent with age; warm patina

Measurement: 1.15" diameter 

Collected by Mineral and Matter

A single band of cobalt blue enamel runs the full circumference of this slim gold bangle — one clean line of color, nothing more. The restraint is the point. This kind of minimal enamel bangle sits in a long tradition of everyday stacking jewelry, and the cobalt-and-gold pairing has an almost nautical clarity that works across seasons. Wear it alone for its quiet confidence or stack several for a different kind of statement entirely. The smooth interior and polished edges speak to quality construction despite its unsigned status.

Materials
Gold tone base metal, enamel

Details

• Era: 1970s–1980s
• Style / design notes: Slim slip-on bangle; single continuous cobalt blue enamel stripe along exterior; polished gold tone rims and interior
• Color: Gold tone / cobalt blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 8 wrist, 2.75 in diameter

Collected by Mineral and Matter

Diamond-cut rays fan outward from a small center flower, framed by an open, elongated silhouette that catches light from every angle. The wide, textured shoulders taper into a slim band, giving the piece presence without weight. Unsigned, but finely cut, with the kind of intricate openwork more often reserved for finer goldwork. A small, sculptural statement for the hand.

Materials: Gold-tone base metal

Details:

• Era: 1970s–1980s
• Markings: Unmarked
• Style / design notes: Openwork diamond-cut filigree, elongated shield silhouette, floral center motif
• Stone or material notes: None
• Function: Ring
• Color: Antiqued gold
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: Size 5

Collected by Mineral and Matter

A generous cream simulated pearl sits in a simple gold tone cup, suspended from a hinged leverback that opens and closes with a satisfying click. The leverback format sits a touch lower on the earlobe than a standard stud, giving the pearl just enough room to be seen from the front without any drop.. The pearl has good even luster and the warm gold tone of the finding suits it without competing. Classic and versatile in the way only a pearl stud equivalent can be.

Materials
Gold tone base metal, simulated pearl

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Round simulated pearl in gold tone cup setting; hinged leverback closure; pierced
• Stone or material notes: Cream simulated pearl; smooth, even luster
• Color: Cream / warm gold tone
• Condition: Good vintage condition, please see images 

Measurement
1.5 cm long, 1.5 cm wide

Collected by Mineral and Matter

A fine cable chain travels the length of this necklace, punctuated by marquise-shaped stations that cradle a single faux pearl at each pause, like small closed eyes drifting along a current. The delicate scale keeps it wearable alone or layered, with just enough shine to catch light without overstatement. Simple, dainty, and quietly luminous.

Materials: Gold-tone metal, faux pearl

Details:

• Era: 1970s–1980s
• Markings: Unmarked
• Style / design notes: Fine cable chain with marquise/eye-shaped pearl stations, spring ring clasp
• Stone or material notes: Faux pearl cabochons at each station
• Function: Necklace
• Color: Gold-tone, cream pearl
• Condition: Great vintage condition with gentle surface wear consistent with age

Measurement: 18" long when unclasped

Collected by Mineral and Matter

Two textured gold tone bars arc gently downward in a double swag, meeting at the center and suspending three faux pearls from cup settings along the lower edge — one at each end of the inner bar and one larger pearl hanging from the center point. The bars are finished with a fine crosshatch texture across their entire surface, which keeps the gold from reading as plain stamped metal and gives the pendant a handmade quality at close range. The pearls are round and lustrous with a warm cream tone, graduated very slightly so the center pearl reads as the focal point without the difference being dramatic.

The festoon or swag necklace is a format with roots in Victorian and Edwardian jewelry, where draped metalwork suspending pearls or stones was a standard for formal dress. This version translates that sensibility into costume jewelry scaled for everyday wear — the pendant is modest in size, the cable chain is fine, and the whole piece sits close to the collarbone rather than making a statement. It works as well with a casual neckline as with something more formal, which likely accounts for how many versions of this basic arrangement were produced through the 1970s and 1980s. Spring ring clasp. Unsigned and in great condition.

Materials
Gold tone base metal; faux pearl

Details

• Era: 1970s–1980s
• Maker: Unsigned
• Style / design notes: Double swag bar pendant with crosshatch texture; three faux pearls in cup settings, center pearl slightly larger; fine cable chain; spring ring clasp
• Stone or material notes: Faux pearl, cream/white tone, round
• Color: Warm yellow gold tone with cream pearl
• Condition: Good vintage condition, please see images

Measurement
Chain 9 in long when clasped; pendant approx. 2 in wide

Collected by
Mineral and Matter

A quiet, intricate line—floral filigree suspended in gold, softened by a single green bead at the base. There’s a sense of movement here, a gentle verticality that feels both delicate and intentional.

The openwork panel catches light in subtle ways, while the soft green bead adds a grounded, almost mineral note. An understated statement—ornate, but not loud.

Materials:
Gold-tone metal, glass bead

Details:

• Clip-on style (screw back with hinged clip)
• Openwork floral filigree panel
• Soft green glass bead drop
• Lightweight with gentle movement
• Era: 1960s–1970s
• Measurement: approx. 2.25" drop length
• Condition: vintage with gentle surface wear consistent with age

A lacy gold tone filigree frame surrounds an oval cabochon printed with an 18th-century genre scene — a gentleman, a woman, and children gathered in warm ochres and soft grays, the figures rendered with the loose ease of a period illustration. The openwork border loops in a pattern reminiscent of fine lacework, generous in scale and carefully detailed. A piece that carries a whole world in miniature.

Materials: Gold tone metal, printed oval cabochon

Details:

• Era: 1960s–1970s
  
• Style notes: Oval filigree openwork frame, figural scene cabochon, standard pin back
• Stone notes: Printed genre scene cabochon — 18th-century courting/family scene in warm earth tones
• Color: Gold, earth tones
• Condition: Excellent vintage condition
• Measurement: Approx. 1½" tall × 1¼" wide

Collected by Mineral and Matter.

A sleek vintage flat cobra chain in warm gold tone — interlocking V-shaped links that create a smooth, flexible surface with a subtle chevron texture. Sits flat and fluid against the skin, with that classic 1970s–80s chain appeal. Wears as a choker length at 17".

Metal: Gold-tone base metal
Style: Flat cobra / snake link chain
Length: 17"
Markings: Unmarked 
Era: Circa 1970s–1980s
Condition: Good vintage — chain supple and bright, clasp functional

Beautiful vintage oval pendant necklace featuring a delicate floral bouquet design on a soft white textured background. The pendant is framed in an ornate gold tone rope-style bezel and hangs from a coordinating gold tone chain.

The floral artwork has a classic romantic feel reminiscent of Victorian revival and cottagecore styles, making it a lovely everyday piece or gift.

✨ Details:

• Vintage gold tone pendant necklace

• Oval floral bouquet design

• Textured / flocked porcelain-style insert

• Rope-style decorative bezel

• Gold tone chain included

• Spring ring clasp

✨ Condition:
Good vintage condition with light wear consistent with age. No major discoloration or visible damage to the floral insert. Please review photos for details.

A sweet addition to any vintage jewelry collection.

Collected by Mineral and Matter

A deep, wine-red oval rhinestone sits prong-set at the center, flanked by delicate bow-shaped shoulders that curve outward from the band. The rich, saturated color reads almost like true garnet, warm and glowing against the gold-tone setting. A romantic, detailed piece with more personality than a simple solitaire.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Oval prong-set center stone, bow-shaped shoulders
• Stone or material notes: Deep red-brown oval rhinestone
• Function: Ring
• Color: Gold-tone, deep red
• Condition: Great vintage condition

Measurement: Size 7.5

Collected by Mineral and Matter

Wings filled with red glitter resin and cobalt blue, divided by fine cell lines into a symmetrical pattern of peacock-like swirls in teal and orange — vivid and graphic, the kind of color work that reads as both folkloric and maximalist. A gold-tone frame follows the scalloped wing edges, the body segmented and detailed, the antennae looping at the tips. Made in Taiwan, magnet back.

Materials & Details:

• Era: 1970s–1980s
• Markings: Made in Taiwan on reverse
• Style notes: Glitter resin wings with black cell divisions and peacock swirl pattern, scalloped wing edges, segmented body, looped antennae, magnet back
• Stone notes: None
• Color: Red, cobalt blue, teal, orange, gold tone
• Condition: Good vintage condition, please see photos
  

Collected by Mineral and Matter

Eleven hammered oval discs hang in a graduated bib arrangement from a rolo-link center section, fanning outward and downward so the largest discs fall at the center and the smallest sit at the outer edges where the bib meets the chain. The front face of each disc is smooth and deeply hammered — broad irregular dents that catch and redirect light across the whole surface — while the reverse shows a brushed linear texture visible when the discs move and turn. That contrast between the two surfaces means the necklace is never fully still-looking, even when the wearer isn't moving.

The bib format here is architectural without being rigid: the discs are connected loosely enough through the rolo link center that the whole arrangement shifts and layers when worn, the pieces overlapping slightly at the top rows and separating at the bottom where the longer center discs hang free. On the neck it reads as a single sculptural shape; off the neck it opens up into something more intricate. The curb chain is flat and fine relative to the pendant's weight, which keeps the visual emphasis on the bib rather than the chain. Lobster clasp with a short extender chain finished with a small stone bead. Unsigned and in great condition.

Materials
Gold tone base metal

Details

• Era: 1990's
• Maker: Unsigned
• Style / design notes: Graduated hammered oval disc bib; rolo-link center connector; discs hammered front, brushed reverse; flat curb chain; lobster clasp with extender chain and stone bead tip
• Stone or material notes: Small stone bead on extender tip (white/cream, likely synthetic)
• Color: Warm gold tone
• Condition: Good vintage condition, please see photos 

Measurement
Approx. 9.25 in long when clasped, has adjuster to make smaller; dangle decoration 3 in long, 1.5 in long

Collected by
Mineral and Matter

A smooth oval of black glass sits centered in a hammered gold tone disc, the contrast between deep matte and warm beaten metal unhurried and deliberate. The organic irregularity of the hammered surface gives it an almost hand-forged quality — understated in scale, considered in composition. Wear it alone on a fine chain or layer it into something more.

Materials: Gold tone metal, black glass cabochon

Details:

• Era: 1970s–1980s
  
• Style notes: Round hammered disc pendant, oval bezel-set cabochon, jump ring bail
• Stone notes: Oval black glass cabochon, smooth finish
• Color: Gold and black
• Condition: Excellent vintage condition
• Measurement: 1" × ¾" (pendant body)

Collected by Mineral and Matter.

A flat herringbone chain feeds into a V-shaped pendant cluster of prong-set clear rhinestones — a silhouette that reads like a constellation caught mid-fall. The pendant sits low at the collarbone, drawing the eye down in the way the best 1980s jewelry was designed to do. Clean, unsigned, and quietly glamorous.

Materials & Details:

• Era: 1980s
• Markings: None
• Style notes: Flat herringbone chain, V-shaped rhinestone cluster pendant slide, spring ring clasp
• Stone notes: Prong-set clear rhinestones
• Color: Gold tone with clear stones
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

• Era: 1960-1980's
• Measures: 2.25" inner diameter on longest edge (oval shaped)

A large cream faux pearl sits at the center of a milgrain-dotted bezel, encircled by an oval wreath of interlocking laurel-leaf chain links — a composition that draws from classical antiquity with an ease that feels entirely modern. The laurel wreath has signified honor and achievement since ancient Greece and Rome, and its use in jewelry has never fully left. The chunky open chain frame gives this brooch unexpected weight and presence for its size. It pins to a lapel, a knit, or a scarf with equal authority.

Materials
Gold tone base metal, faux pearl

Details

• Era: 1970s–1980s
• Style / design notes: Oval laurel-leaf chain frame; milgrain dot bezel; large domed faux pearl center; standard pin back
• Stone or material notes: Large cream faux pearl cabochon
• Color: Warm gold tone / cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2 in length, 1 in width 

Collected by Mineral and Matter

Textured gold tone leaves form a graceful open wreath, each pair cradling a single round faux pearl so the pearls appear to bloom naturally throughout the circular design. The leaves feature fine veining that catches the light with a soft satin finish, while the creamy faux pearls provide gentle contrast against the warm gold tone metal. The open center keeps the brooch feeling light and balanced, making it equally suited for a lapel, sweater, scarf, hat, or handbag.

The laurel wreath has long been a symbol of victory, celebration, and enduring elegance, making this a timeless vintage accessory that transitions easily between everyday wear and more formal occasions. The back is finished with a secure rollover safety clasp that functions smoothly and holds the brooch firmly in place. Unsigned and in great vintage condition.

Materials
Gold tone base metal; faux pearl

Details

• Era: Late 1960s–1980s 
• Maker: Unsigned
• Style / design notes: Open circular laurel wreath design with textured leaves and evenly spaced faux pearls; rollover safety clasp
• Stone or material notes: Faux pearl, round, cream/white tone, approximately 6–7 mm, multiple
• Color: Warm gold tone with cream faux pearls
• Condition: Good vintage condition, please see images
• Measurement: 1.5 in diameter

Collected by
Mineral and Matter

A sculptural pair of vintage gold tone clip-on earrings featuring a circular botanical motif. Delicate leaves wind through the openwork design, forming a small wreath-like composition that feels both organic and balanced.

The airy cutout structure allows light to move through the piece, highlighting the soft texture of the leaves against the smooth curved band. Nature-inspired motifs like this were especially popular in mid-century and late 20th century costume jewelry, reflecting the era’s love for botanical forms.

Elegant and understated, these earrings offer a warm vintage glow with a quietly natural rhythm.

Details

• Era: likely 1970s–1980s

• Material: gold tone metal

• Style: botanical / leaf motif

• Closure: clip-on backs

• Signature: unsigned

• Condition: vintage condition with light wear consistent with age

Measurements

• Diameter: approx. .5 inches

Collected by Mineral and Matter

A deep garnet-red marquise stone sits prong-set at the center, flanked by small clear accent stones and open filigree shoulders that let light pass through the design. The scrollwork carries a delicate, romantic feel more often found in fine antique settings. A rich pop of color with detailed craftsmanship throughout.

Materials: Gold-tone base metal, rhinestone

Details:

• Style / design notes: Marquise-cut center stone, open filigree scroll shoulders, small round accent stones
• Stone or material notes: Deep red marquise rhinestone with clear round accents
• Function: Ring
• Color: Gold-tone, deep red, clear
• Condition: Great vintage condition

Measurement: Size 7

Collected by Mineral and Matter

A continuous line—woven, fluid, quietly luminous. This piece carries a softness in structure, where tightly linked gold forms a seamless curve around the wrist.

There’s a subtle weight to it, both visually and physically. The mesh-like construction creates movement within stillness, catching light in small, shifting patterns. Understated, but deeply textural—an everyday piece with a refined presence.

Materials:
Gold-tone metal

Details:

• Flexible woven mesh-style bangle
• Slip-on style (no clasp)
• Rounded tubular form with dense link construction
• Smooth, comfortable fit with slight flexibility
• Era: 1980s–1990s
• Measurement: approx. 2.5–2.75" inner diameter
• Condition: vintage with gentle surface wear consistent with age

A coiled rope mesh disc anchors three cascading drops — each a column of aurora borealis rhinestones flanked by twisted chain strands, terminating in either a faux pearl or a faceted AB crystal bead. The AB stones shift through pink, blue, and gold depending on the light, playing beautifully against the warm antique gold mesh. A fully realized mid-century evening earring with real movement and sparkle.

Materials: Gold tone base metal, aurora borealis rhinestones, faux pearl, faceted AB crystal bead

Details:

• Era: 1950s–1960s
• Markings: None
• Style / design notes: Coiled rope mesh clip top; three tassel drops with AB rhinestone columns and twisted chain; faux pearl and AB crystal bead terminals; clip back
• Stone or material notes: Aurora borealis rhinestones with strong color shift; faux pearl and faceted AB crystal drop beads
• Color: Gold tone, aurora borealis, cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2" length

Collected by Mineral and Matter

An openwork butterfly with wings edged in pavé clear rhinestones and scattered with bezel-set round stones in pink, blue, green, red, amber, purple, and clear — a full spectrum arranged like light through stained glass. The pendant retains its original brooch pin back, making it wearable two ways. Suspended from a fine cable chain with an extender, unsigned but generously built.

Materials & Details:

• Era: 1980s–1990s
• Markings: None
• Style notes: Large openwork butterfly pendant with brooch pin back, fine cable chain with extender, lobster claw clasp
• Stone notes: Pavé clear rhinestones along wing edges; bezel-set multicolor round rhinestones throughout wings
• Color: Gold tone with multicolor stones
• Condition: Good vintage condition, please see photos
• Measurement: Chain adjustable; pendant approximately 2.5" wide

Collected by Mineral and Matter