Measures 7.25"

Very Good Vintage Condition

Collected by Mineral and Matter

A clean and elegant signed Monet station chain featuring polished flat bar links evenly spaced along a fine oval cable chain. Simple, versatile, and well-made — works beautifully as a layering chain or standalone. Signed "Monet" on the clasp tag.

Brand: Monet (signed)
Metal: Silver-tone base metal
Style: Bar station chain
Length: 28"
Closure: Spring ring clasp
Era: Circa 1970s–1980s
Condition: Good vintage — chain intact, clasp functional

• The Maker: Founded in 1929 by the Monocraft Products Company, Monet became the premier name in American costume jewelry by the 1940s. They were pioneers in high-quality gold plating, using a triple-plating process that made their pieces famously durable and tarnish-resistant—which is why so many Monet pieces still look "new" today.
• The Design: This is a classic Rope Chain, characterized by several metal strands twisted together to resemble an actual hemp rope. In the mid-to-late 20th century, Monet perfected the "luxury look" of these chains, making them a staple for the professional woman's wardrobe.
• Historical Note: In the 1980s, Monet was the official jewelry licensee for Christian Dior, which further elevated the brand's reputation for high-fashion, high-quality "boutique" metalwork.
  

Measures 24", approx 6mm wide, marked MONET

In Very Good Vintage Condition

Collected By Mineral and Matter

Measures 8"

Very Good Vintage Condition

Collected by Mineral and Matter

This authentic vintage Monet woven chain features a sparkling braided texture. Crafted with Monet's legendary triple-plating technique, the necklace maintains its lustrous 22k gold appearance despite decades of wear.

1972-1982

Measures 28"

Gold Tone

Collected by Mineral and Matter

Four small mother of pearl brooches, each one a different expression of the same luminous material. The set includes a carved MOP bar with an engraved botanical motif, a plain iridescent MOP bar in warm cream, a square MOP brooch with a clean unadorned face, and a slim silver-tone oval bar pin. Mother of pearl has been used in jewelry since antiquity, prized for the soft iridescence that shifts between cream, blush, and pale green depending on the light. They offer versatile styling options across necklines, scarves, and lapels.

Materials: Natural mother of pearl; silver-tone base metal 

Details:

• Era: c. 1920s–1960s, Early to Mid-Century
• Markings: None observed on any piece
• Style / design notes: (1) Carved MOP bar with engraved botanical/dragonfly motif, 1" × 0.2"; (2) Plain iridescent MOP bar, 1.9" × 0.3"; (3) Square MOP brooch, 0.6" × 0.6"; (4) Silver-tone slim oval bar pin, 1.1" × 0.1"
• Stone or material notes: Natural mother of pearl throughout; iridescent cream-white with blush and green flash
• Function: Brooches / bar pins
• Color: Cream, iridescent white, silver tone
• Condition: Vintage with wear and discoloration on the back/ metal sections of the brooches

Collected by Mineral and Matter

A bold vintage necklace composed of multiple herringbone chains woven together into a braided design. The flat, reflective links catch the light with every movement, creating a soft ripple of gold across the neckline.

The layered strands form a sculptural braid that feels both structured and fluid. Herringbone chains rose to popularity in the 1970s and especially the 1980s, when statement gold chains became a defining accessory of the era.

This piece has a confident presence while remaining refined—its interwoven texture adding depth and movement without the need for additional stones or pendants.

A timeless vintage statement that pairs beautifully with both modern and classic styling.

Details

• Era: 1970s–1980s

• Style: braided / multi-strand herringbone necklace

• Metal: gold tone metal

• Design: layered herringbone chains woven together

• Closure: clasp (not shown)

• Signature: unsigned

• Condition: good vintage condition with light wear consistent with age

Measurements

• Length: approx. 18 inches

• Width: approx. 10 mm

Collected by Mineral and Matter

Measures 16"

Very Good Vintage Condition

Collected by Mineral and Matter

A striking vintage Napier bracelet featuring rows of interwoven gold tone links arranged in a layered, sculptural design. The overlapping rings create a dynamic texture that wraps fluidly around the wrist, catching light from every angle.

Napier has been a respected American jewelry house since the late 19th century and became especially well known during the mid-century and late 20th century for its bold yet refined costume jewelry. Pieces like this reflect the brand’s signature balance of craftsmanship and dramatic form.

The bracelet’s woven chain construction gives it both structure and movement, forming a softly curved band with substantial visual presence while remaining comfortable to wear.

An elegant estate find with the distinctive character of vintage Napier design.

Details

• Maker: Napier (signed)

• Era: likely 1960s–1970s

• Style: layered chain link bracelet

• Metal: gold tone metal

• Closure: spring ring clasp

• Signature: Napier on clasp tag

• Condition: good vintage estate condition with light wear consistent with age

Measurements

• Length: approx. 7–7.5 inches

Polished ridges arc across a domed half-hoop form — simple in concept, precise in execution, and exactly the kind of piece Napier was making when the brand was at its most considered. The "Pat. Pend." stamp on the clip back dates these to the period when Napier was actively refining its earring hardware, a detail that places them firmly in the 1950s–1960s. Minor wear consistent with age; the silver tone is largely intact and the clips function well.

Materials: Silver-tone base metal

Details:

• Era: 1950s–1960s
• Markings: "Napier Pat. Pend." stamped on clip back
• Style / design notes: Domed half-hoop form, parallel ribbed surface, clip-back fitting with Napier patented mechanism
• Stone or material notes: None
• Color: Silver-tone
• Condition: Good vintage condition; minor wear and light chipping, clips functional
• Measurement: Approximately 5/8" × 1/2" each

Collected by Mineral and Matter

Collected by Mineral and Matter

Five parallel bar links connected by horizontal rungs form a wide, articulated gate panel that hangs with satisfying weight from a flat top bar post — the same structural logic as a watch bracelet, reinterpreted as an earring. The matte brushed finish keeps the design grounded, letting the geometry do the work. A quietly bold choice that reads as modern regardless of the decade it was made.

Materials: Silver tone base metal

Details:

• Era: 1990s
• Markings: None
• Style / design notes: Wide gate link panel drop; flat top bar; five-row bar link construction; post and butterfly back
• Stone or material notes: None
• Color: Silver tone
• Condition: Good vintage condition, see photos 

Measurement: 1.5" drop

Collected by Mineral and Matter

A fluid grid of light—rows of rounded links that catch and release shine with every movement. Structured, but soft at the edges.

Materials:
Gold-tone metal

Details:

• Multi-row rounded link construction (graduated toward front)
• Smooth, high-polish finish
• Fold-over clasp
• Era: late 1980s–early 1990s
• Measurement: approx. 16"
• Condition: vintage with gentle surface wear consistent with age

This vintage Parklane necklace brings retro glamour to any look. The herringbone chain flows into a striking wave pendant adorned with baguette rhinestones that catch the light beautifully. Perfect for layering or wearing solo, it's an effortless way to add vintage-inspired sparkle to your everyday style or special occasions.

1980's

1/4" thick, 16" long

Gold Tone

Good Vintage Condition

Collected by Mineral and Matter

A small gold-tone angel with outstretched wings wears a gown rendered in American flag enamel — stars at the bodice, red and white stripes cascading to the hem. The design merges the celestial and the civic in a way that feels distinctly American, and distinctly of its era. Stamped "USA" on the reverse, confirming domestic production.

Materials

• Era: 1990s
• Markings: "USA" stamped on reverse
• Style / design notes: Angel silhouette with spread wings; butterfly clutch pin back
• Stone or material notes: Red, white, and navy enamel
• Color: Gold-tone, red, white, and navy
• Condition: Excellent vintage condition

Collected by Mineral and Matter

A fully pavé-set rose bouquet — every surface of the stem, bud, leaves, and ribbon tie covered in closely set round rhinestones, with baguette-cut accents placed in the leaves for structural contrast. The scale and construction point clearly to the 1940s–50s, when large, all-over rhinestone floral brooches were produced at their most ambitious. The pot metal setting has the slightly oxidized warmth characteristic of the era, adding depth beneath the stones rather than competing with them. A serious piece of mid-century costume jewelry.

Materials: Silver-tone / pot metal base; clear round and baguette rhinestones

A long strand of pearls caged in between gold tone frames makes up this twist on the classic strand. Made by Napier, likely from 1970's-1980's. 

Measures 28" long

Collected by Mineral and Matter

The Greek letter Phi set against a white enamel ground, its crossbar set with a row of seed pearls — connected by a fine chain to an "Exemplar" bar with a diamond-set key finial. A Phi Beta fraternity badge, the professional fraternity for music and speech founded in 1912, in a format consistent with early-to-mid 20th century Greek letter jewelry. Finely made and historically grounded, with the weight and material quality that separates a badge like this from costume pieces entirely.

Materials: gold tone, white enamel, seed pearls, stone accent

Details:

• Era: 1920s–1940s
• Markings: stamp on the back of the O
• Style / design notes: Phi letter badge with white enamel ground; seed pearl crossbar; chain-connected Exemplar key bar with diamond-set accent; dual pin stems
• Stone or material notes: Seed pearls on crossbar; faceted white stone  on key connector
• Color: Yellow gold, white enamel, cream
• Condition: Good vintage condition, please see photos 
• Measurement: 2.5" total length

Collected by Mineral and Matter

A large faceted amber plastic stone, warm and deeply transparent, forms the body of a pineapple crowned with a spray of finely textured gold-tone leaves — the kind of piece that commits fully to its own logic and is better for it. The converter hook appears original, making this equally at home on a lapel or a chain. Some wear to the gold tone on the reverse, as expected from a piece that has clearly been worn and loved; the front presents beautifully.

Materials: Gold-tone base metal, faceted amber plastic stone

Details:

• Era: Late 1950s–1960s
• Markings: None
• Style / design notes: Pineapple figural form, finely textured gold-tone leaf crown with ball center, large oval faceted body, original brooch-to-pendant converter hook
• Stone or material notes: Faceted amber plastic, high clarity, warm honey tone
• Color: Gold-tone, amber
• Condition: Good vintage condition; wear and tone loss to reverse, a bit of tone loss on the ends of the leafs
• Measurement: 2.5" × 1"

Collected by Mineral and Matter

Large domed blush pink moonglow cabochons alternate with molded plastic flower links, each blossom centered by a clear rhinestone — the palette of a spring morning rendered in mid-century resin and paste. The enameled rolo chain carries the same soft pink tone throughout, keeping the piece unified from focal to clasp. Hook closure. A textbook example of 1950s floral collar design — feminine without being fussy.

Materials: Gold tone base metal, moonglow plastic cabochons, molded plastic flowers, rhinestone centers, enameled rolo chain

Details:

• Era: 1950s
• Markings: None
• Style / design notes: Alternating domed moonglow cabochons and molded floral links; rhinestone centers; enameled pink rolo chain; hook closure
• Stone or material notes: Blush pink moonglow domed cabochons; molded plastic daisy flowers with clear rhinestone centers
• Color: Blush pink, gold tone
• Condition: Excellent vintage, please see images

Measurement: 16"

Collected by Mineral and Matter

A domed oval of cream porcelain printed with a full cottage garden bouquet — blowsy pink rose, mauve chrysanthemum, blue daisies, and yellow wildflowers against a soft ivory ground — set in a scalloped gold-tone frame and suspended from a delicate double-strand chain. Transfer-printed porcelain pendants like this were a quiet fixture of 1970s and 80s jewelry, carrying the same botanical sensibility as Victorian china patterns into everyday wearable form. The domed surface catches light softly, giving the flowers a gentle three-dimensional quality.

Materials: Gold-tone base metal; cream porcelain with floral transfer print

Details:

• Era: c. 1970s–1980s
• Markings: None observed
• Style / design notes: Oval domed porcelain cabochon with polychrome floral bouquet transfer print; scalloped gold-tone bezel frame; double-strand fine chain; spring-ring clasp
• Stone or material notes: Cream porcelain with pink rose, blue daisy, mauve, and yellow floral print
• Function: Pendant necklace
• Color: Cream, pink, blue, yellow, gold tone
• Condition: good condition, wear and tone loss on the back of the pendant

Measurement: Pendant 1.5" tall × 1" wide; 18" chain

Collected by Mineral and Matter

A circular transfer portrait of an Edwardian-style woman in a plumed hat sits at the center of an elaborate oval gold-tone frame, ringed by cream and burgundy enamel bands, rope-work borders, and marquise rhinestone accents on each side. The layered construction — portrait medallion, enamel, and ornate metalwork — gives it the feel of a miniature keepsake from a more formal era. Marked RC on the front frame, maker unidentified.

Materials & Details:

• Era: 1970's
• Markings: RC monogram on front frame
• Style notes: Oval gold-tone brooch, central Edwardian portrait medallion, cream and burgundy enamel panels, rope-work borders, marquise rhinestone accents, C-catch pin back
• Stone notes: Marquise clear rhinestones
• Color: Gold tone with cream, burgundy enamel
• Condition: Excellent vintage condition
• Measurement: Approximately 2.5" wide

Collected by Mineral and Matter

2.5" Diameter

Good Vintage Condition, a bit of scratching and wear on the inside of the bangle.

Collected by Mineral and Matter

A deep burgundy enamel apple, three-dimensional and fully in the round, opens to reveal a pavé interior of bright white rhinestones — as if the fruit has been split to show something worth finding inside. The green enamel leaf and gold-tone stem are cleanly rendered, and the contrast between the lacquered exterior and the glittering cross-section gives this piece more wit than the typical novelty pin. A product of the 1980s figural brooch revival, when costume jewelry leaned fully into the pleasure of the unexpected.

Materials: Gold-tone base metal, enamel, rhinestones

Details:

• Era: 1980s
• Markings: None
• Style / design notes: Three-dimensional apple form, deep burgundy enamel exterior, pavé rhinestone interior panel, green enamel leaf, gold-tone stem
• Stone or material notes: White rhinestones, pavé set; green and burgundy enamel
• Color: Burgundy, green, gold-tone
• Condition: Excellent vintage condition
• Measurement: 1.3" × 1.1"

Collected by Mineral and Matter

A pair of vintage gold tone hoop earrings accented with subtle rhinestone sparkle. The curved half-hoop design features a row of small stones set along the front, adding a delicate shimmer while keeping the silhouette clean and sculptural.

Jewelry like this became especially popular in the 1970s–1980s, when compact hoops with geometric settings and rhinestone accents were a staple of everyday style. Their balanced shape gives the look of a hoop while sitting comfortably close to the ear.

A versatile vintage pair—easy to wear with both minimal looks and layered jewelry.

Details

• Era: likely 1970s–1980s

• Material: gold tone metal

• Stones: 4 rhinestones on each earring

• Style: half hoop

• Closure: clip-on style back

• Signature: unsigned

• Condition: vintage condition with light wear consistent with age

Measurements

• Diameter: approx. 1 inches

Collected by Mineral and Matter

3/4" length, post back

In good vintage condition, some tone loss on the edges, hard to see

Collected by Mineral and Matter

Vintage Richelieu faux pearl clip-on earrings from the 1960s-70s. These creamy ivory pearls feature the brand's signature multi-layered coating process, giving them an authentic glow and weight that rivals real pearls. Richelieu is known as the gold standard for pearl jewelry in the Mid Century. Signed on the reverse and crafted in polished gold-tone metal, they're perfect for adding timeless elegance to any look. Excellent vintage condition with original luster intact. Comfortable clip-on closure.

1960-1970's

.5" length, clip on

In very good vintage condition

Collected by Mineral and Matter

Add a touch of romantic vintage charm to your lapel with this classic late 70s/early 80s stick pin and matching earring set. Featuring a graceful open heart design in a polished gold-tone finish, it is accented by a sparkling clear rhinestone at the center. This dainty accessory is a perfect example of the Victorian Revival style that defined early 80s fashion. It comes with its original safety end-cap and is in excellent vintage condition with bright plating and a clear, brilliant stone.

1980's

Measures 2.25" long by 3/4" wide, earrings measure .25" and are clip on

In very good vintage condition

Collected by Mineral and Matter

A long rope chain necklace is just the right textural piece to layer into a necklace stack with.

1970's-1980's

Measures 28"

Gold Tone

Collected by Mineral and Matter

An elegant vintage cocktail ring centered on a large oval rose quartz cabochon with a soft milky translucency. The stone is prong-set in a gold-tone mount and flanked on each shoulder by three sparkling clear rhinestones in a diagonal staircase arrangement, giving the ring a polished, dressed-up feel. The tapered shank is clean and classic. Size 5.

◆ Rose quartz is one of the most beloved semi-precious stones — known as the "stone of unconditional love," it has been used in jewelry for centuries and remains highly sought-after in vintage settings.

◆ The rhinestone shoulder accent in a staircase or diagonal arrangement is a signature design detail of mid-century cocktail jewelry, common in quality 1950s–1970s costume and semi-fine pieces.

◆ The combination of a large pale cabochon with clear sparkling side stones creates a sophisticated contrast that mimics fine jewelry — this ring photographs beautifully and wears as a true statement piece.

---

Style: Cocktail / statement ring
Stone: Large oval cabochon — rose quartz
Accent stones: 3 prong-set clear rhinestones each shoulder
Metal: Gold-tone base metal
Setting: 4-prong oval, tapered split shank
Markings: Unmarked
Size: 5
Condition: Good vintage — stone luminous, all rhinestones present, light wear to metal

A royal blue colored rhinestone circle forms the center of this flower shaped earring from the 1950's.  

3/4" diameter, clip on

Collected by Mineral and Matter

A large powdery blue cabochon, moonstone in tone, sits prong-set in an architectural gold-tone mount with open, angular shoulders. This is Sarah Coventry's "Beauty Glow" design from the 1960s, built around a single smooth stone in a bold, sculptural frame. The adjustable band fits a range of sizes. A quietly striking piece with a serene, glowing color.

Materials: Gold-tone base metal, glass cabochon

Details:

• Era: 1960s
• Markings: Sarah Cov
• Style / design notes: "Beauty Glow" design, open geometric prong setting, adjustable band
• Stone or material notes: Large oval powder blue moonstone-style glass cabochon
• Function: Ring, adjustable
• Color: Gold-tone, powder blue
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

Four oval amber-toned glass cabochons arrange in a pinwheel cluster within an open, sculptural gold-tone setting — Sarah Coventry's "Bouquet" style. The cutout gallery below adds movement and shine to the warm honey-colored stones. Signed "Sarah Cov." inside the band, a recognizable name in vintage costume jewelry with a devoted collector following.

Materials
Gold-tone metal, glass cabochons

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Four-stone cluster cabochon setting, open gallery band
• Color: Gold-tone with amber cabochons
• Condition: Good vintage condition, please see images 
• Measurement: Size 6

Collected by Mineral and Matter

Two faceted blue heart-shaped glass stones stack together, framed by small silver-tone flowers and leaves at the base — Sarah Coventry's 1973 "Love Story" design. Signed "©Sarah" inside the band. A sweet, romantic cocktail ring with genuine collector appeal.

Materials
Silver-tone metal, blue glass stones

Details

• Era: 1973
• Markings: Sarah Coventry
• Style / design notes: "Love Story" double heart stones with floral accents
• Color: Silver-tone with blue stones
• Condition: Good vintage condition, please see images
• Measurement: Size 6.5

Collected by Mineral and Matter

A deep purple stone, faceted into a striking elongated hexagon, sits framed in an open, angular silver-tone setting that echoes its geometry line for line. This is Sarah Coventry's "Mystique" design, built around the kind of bold, sculptural stone cut the brand favored for its statement pieces. The adjustable band means an easy fit. A dramatic, architectural ring with real graphic punch.

Materials: Silver-tone base metal, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: "Mystique" design, elongated hexagonal facet-cut stone, open geometric frame, adjustable band
• Stone or material notes: Deep purple hexagonal-cut glass stone
• Function: Ring, adjustable
• Color: Silver-tone, deep purple
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A starburst of aurora borealis rhinestones radiates from an open filigree frame — each stone shifting between green, gold, and ice blue as the light moves. The spiked outer ring gives the design an almost celestial quality, somewhere between a compass rose and a distant galaxy. Marked Sarah Coventry Pat. Pend., placing these in the brand's early design period. A collectors' piece with everyday appeal.

Materials Silver-tone base metal, aurora borealis rhinestones

Details

• Era: 1950s–1960s
• Markings: Stamped "Sarah Cov. Pat. Pend."
• Style / design notes: Round filigree frame with spiked outer edge, cluster of prong-set AB rhinestones
• Stone or material notes: Aurora borealis rhinestones with green, gold, and blue iridescent shift
• Function: Clip-on closure
• Color: Silver-tone, aurora borealis multi
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 1.25" diameter

Collected by Mineral and Matter

A large rivoli-cut stone flashes deep purple and iridescent red as it catches the light, prong-set in a square, ribbed gold-tone frame with a distinctly architectural edge. Sarah Coventry favored this kind of aurora borealis crystal in its cocktail and statement rings, and the mix of geometric setting with a color-shifting stone gives it real drama. The adjustable band fits a range of sizes. Bold, bright, and built to be noticed.

Materials: Gold-tone base metal, aurora borealis rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah Cov
• Style / design notes: Square ribbed frame, prong-set rivoli stone, adjustable band
• Stone or material notes: Round faceted aurora borealis rhinestone in purple with red-violet flash
• Function: Ring, adjustable
• Color: Gold-tone, purple, iridescent
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

Exuding mid-century confidence, this Sarah Coventry double-link chain features a beautifully knurled texture that catches the light from every angle on half of the links and smooth links on the other half. Its substantial weight and rich gold-tone finish make it the perfect "everyday statement" piece, effortlessly bridging the gap between vintage charm and modern bold aesthetics. A true 1960s classic, it’s a versatile staple for any curated jewelry wardrobe.

1950-1960's

Necklace measures 14" with a pull apart snap clasp, marked SAC

In Very Good Vintage Condition

Collected by Mineral and Matter

A single faux pearl sits nestled at the center of an organic, freeform flower, its petals rendered with soft texture and a bit of natural asymmetry rather than a rigid symmetrical shape. Sarah Coventry brought this kind of sculptural, botanical detail to its better pearl-centered rings, giving the piece real dimension beyond a flat stamped design. The adjustable band fits a range of sizes. A gentle, romantic piece with genuine craftsmanship.

Materials: Gold-tone base metal, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Freeform textured flower design, single pearl center, adjustable band
• Stone or material notes: Round faux pearl
• Function: Ring, adjustable
• Color: Gold-tone, cream
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A smooth ivory cabochon sits at the center of an open, scalloped flower, ringed by clear rhinestones set between each petal. Sarah Coventry favored this kind of layered floral silhouette, letting the openwork gold-tone shape read as light and airy despite the ring's full coverage across the finger. The adjustable band fits a range of sizes. A pretty, wearable piece with old-world charm.

Materials: Gold-tone base metal, glass cabochon, rhinestone

Details:

• Markings: Sarah Cov
• Style / design notes: Open scalloped flower design, round cabochon center, rhinestone accents between petals, adjustable band
• Stone or material notes: Ivory round cabochon with clear rhinestone accents
• Function: Ring, adjustable
• Color: Gold-tone, ivory, clear
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A deep red glass cabochon sits at the center of a heavily textured cross-shaped setting, surrounded by four cream faux pearls and flanked by raised rope-twisted lobes — the whole composition reads like something lifted from a medieval reliquary. Sarah Coventry, one of mid-century America's most beloved costume jewelry brands, brought this kind of Renaissance-inspired craftsmanship to everyday wear with remarkable consistency. The adjustable band makes it accessible across sizes without sacrificing the ring's substantial presence.

Materials

• Era: 1960s–1970s
• Markings: "©COVENTRY" stamped inside band
• Style / design notes: Cross-form cocktail ring with rope-textured lobes and raised setting; adjustable shank
• Stone or material notes: Deep red glass cabochon center; four cream faux pearls
• Color: Antiqued gold-tone with red and cream
• Condition: Great vintage condition

Measurement: Adjustable

Collected by Mineral and Matter

The letter F in bark-textured twig form — two horizontal branches extending from a vertical stem, each end blunt-cut, with a small sprig of leaves at the junction. The same naturalistic hand as the rest of the series: unhurried, botanical, all texture and no ornament. Signed ©Sarah Cov on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed ©Sarah Cov on reverse
• Style notes: Letter F in bark-textured twig form, leaf sprig detail, roller safety clasp
• Stone notes: None
• Color: Gold tone
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter

A textured, dotted starfish crests the surface of a wide domed band — bold in scale, effortless in wear. The open cuff-style construction and substantial band width give it the feeling of a small sculpture, while the starfish motif keeps it grounded in something natural and unhurried. Marked "©SARAH" inside the band, the sister mark to Sarah Coventry's collectible line.

Materials

• Era: 1960s–1970s
• Markings: "©SARAH" stamped inside band
• Style / design notes: Wide domed cuff-style band with raised textured starfish motif; open shank
• Color: Gold-tone
• Condition: Great vintage condition

Measurement: Size 5

Collected by Mineral and Matter

Part of Sarah Coventry's celebrated "Masterpiece" series, this 1970s brooch sets a miniature reproduction of da Vinci's Mona Lisa inside a sunburst frame ringed with faux pearls. It converts from pin to pendant, one of Sarah Coventry's more collectible novelty pieces from a company whose Mona Lisa line became a signature seller. Signed on the reverse, complete with both a pin bar and a bail.

Materials
Gold-tone metal, faux pearls, printed portrait cabochon

Details

• Era: 1970s
• Markings: SARAH COV
• Style / design notes: Convertible brooch/pendant, sunburst faux pearl frame, printed portrait medallion
• Color: Gold-tone with cream pearls
• Function: Converts from brooch to pendant
• Condition: missing a few faux pearls, please see photos 

Collected by Mineral and Matter

A round faux pearl and a faceted garnet-red stone stack vertically inside an elaborate, teardrop-shaped frame, each ringed by fine beaded and rope-twist detailing. Sarah Coventry brought this level of ornamentation to its better mixed-stone rings, pairing soft luster with a burst of deep color for real contrast. The adjustable band fits a range of sizes. A romantic, detailed piece with genuine collector appeal.

Materials: Silver-tone base metal, faux pearl, glass stone

Details:

• Markings: Sarah Cov
• Style / design notes: Teardrop-shaped openwork frame, beaded and rope-twist trim, vertically stacked stones, adjustable band
• Stone or material notes: Round faux pearl and faceted round garnet-red stone
• Function: Ring, adjustable
• Color: Silver-tone, white, deep red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

A large oval purple cabochon sits at the heart of a textured, sunburst-shaped setting, with faux pearls ringing the edge at each point. Sarah Coventry favored this kind of layered, radiating silhouette for its statement rings, letting the smooth stone play off the rougher, hammered metalwork around it. The adjustable band fits a range of sizes. A bold piece with genuine presence.

Materials: Silver-tone base metal, glass stone, faux pearl

Details:

• Markings: Sarah Cov
• Style / design notes: Starburst-shaped textured setting, oval cabochon center, faux pearl accents at each point, adjustable band
• Stone or material notes: Oval purple cabochon with round faux pearl accents
• Function: Ring, adjustable
• Color: Silver-tone, deep purple, white
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

Three faceted red stones stack vertically down the center of an open oval frame, textured gold-tone shoulders adding a bit of shine at the sides. Sarah Coventry built this kind of graphic, negative-space design into many of its cocktail rings, letting the open frame do as much visual work as the stones themselves. The adjustable band fits a range of sizes. A bold, clean piece with a punch of color.

Materials: Gold-tone base metal, rhinestone

Details:

• Era: 1960s–1970s
• Markings: Sarah
• Style / design notes: Open oval frame, three vertically stacked prong-set stones, textured shoulders, adjustable band
• Stone or material notes: Three faceted round red rhinestones
• Function: Ring, adjustable
• Color: Gold-tone, red
• Condition: Great vintage condition

Measurement: Size 5, adjustable

Collected by Mineral and Matter

Measures 23"

Very Good Vintage Condition on pendant, chain has some tone loss

Collected by Mineral and Matter

Naturalistic branch forms cross and taper into an asymmetrical, textured design — bark-like texture along the "twigs" contrasts with a smooth flat panel, giving it real dimension. Signed "Sarah Cov." inside the band, a well-known name in vintage costume jewelry. A wearable piece of nature-inspired sculpture for the hand.

Materials
Gold-tone metal

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Asymmetrical branch/twig sculptural design, textured bark finish
• Color: Gold-tone
• Condition: Good vintage condition, please see images
• Measurement: Size 6

Collected by Mineral and Matter

A delicate open-wire butterfly takes flight across the finger, its curled wings and simple silhouette catching light from every angle. Signed "Sarah Coventry" inside the band. Lightweight and playful, this is a classic 1970s design that reads sweet without being fussy.

Materials
Silver-tone metal

Details

• Era: 1970s
• Markings: Sarah Coventry
• Style / design notes: Open wire butterfly silhouette
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Measurement: Size 6.5

Collected by Mineral and Matter

A genuine functioning locket, shrunk down to ring scale — this smooth oval silver-tone locket hinges open to reveal two tiny photo frames inside. Signed "Sarah Cov." on the underside. A rare, playful novelty piece that doubles as a keepsake holder for the wearer.

Materials
Silver-tone metal

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Functioning oval locket ring, hinged opening with two photo frames
• Color: Silver-tone
• Condition: Good vintage condition, please see images
• Measurement: Size 5.5

Collected by Mineral and Matter

A rich purple oval cabochon sits at the center of a textured, sunburst-style setting in oxidized silver-tone, dotted with four tiny faux pearls. The antiqued finish gives it an antique, almost Victorian-revival feel. Signed "Sarah Cov." inside the band. A striking, richly detailed cocktail ring.

Materials
Silver-tone metal, amethyst-tone cabochon, faux pearls

Details

• Era: 1970s
• Markings: Sarah Cov.
• Style / design notes: Oval cabochon in textured sunburst setting with faux pearl accents, oxidized finish
• Color: Antiqued silver-tone with purple stone
• Condition: Good vintage condition, please see photos 
• Measurement: Size 6

Collected by Mineral and Matter

Two pear-cut blue stones sit side by side within a textured, leaf-like silver-tone frame, split by a rope-twist center bar. The open gallery underneath the stones and hand-textured surface give it a naturalistic, nature-inspired feel. Signed "Sarah" inside the band, adjustable at the shank. A cool-toned statement ring that pairs easily with silver jewelry.

Materials
Silver-tone metal, faceted blue glass stones

Details

• Era: 1970s
• Markings: Sarah
• Style / design notes: Double pear-cut stone setting, textured leaf motif, rope-twist center, adjustable band
• Color: Silver-tone with blue stones
• Condition: Good vintage condition, please see images
• Measurement: Size 7.5

Collected by Mineral and Matter

This necklace, earring and bracelet set is a vintage Sarah Coventry "Frosted Feathers" set, a signature piece from the brand's 1961 collection. It features a two-tone design with polished gold-tone metal and textured "frosted" silver-tone accents that mimic the appearance of delicate feathers.

Necklace measures approx 16" with a 2." extender

Bracelet measures7.5

Earrings measure 1" x 1.25"

In very good vintage condition, new in box

Collected by Mineral and Matter

Four open heart-shaped petals form a clover, each lobe outlined in a slim gold-tone wire loop and anchored by a prong-set clear rhinestone. A fifth stone sits at the center where the petals meet, the whole composition balanced by a small curling stem. Petite and sparkling — the kind of pin that works on a lapel or collar with equal ease. Signed Sarah Coventry on the reverse.

Materials & Details:

• Era: 1960s–1970s
• Markings: Signed Sarah Coventry on reverse
• Style notes: Open wire four-leaf clover form with heart-shaped lobes, curled stem, roller safety clasp
• Stone notes: Five prong-set clear rhinestones, one per lobe plus center
• Color: Gold tone with clear stones
• Condition: Good vintage condition, please see photos 
  

Collected by Mineral and Matter

A smooth, dark cabochon sits framed in a fluted silver-tone bezel, edged with a fine rope-twist border for extra dimension. Sarah Coventry paired this kind of graphic silver-and-black palette often, and it wears with an easy, low-key polish. The adjustable band takes it from finger to finger without fuss. A quiet, versatile piece that goes with almost anything.

Materials: Silver-tone base metal, faux stone

Details:

• Era: 1970s
• Markings: Sarahcov
• Style / design notes: Fluted bezel with rope-twist trim, round bombé-style setting, adjustable band
• Stone or material notes: Round black cabochon
• Function: Ring, adjustable
• Color: Silver-tone, black
• Condition: Great vintage condition

Measurement: Size 6, adjustable

Collected by Mineral and Matter

A petite round dress watch from Sarah Coventry's Supreme line, its entire bezel encrusted with a double row of pavé rhinestones that catch light from every angle. The sunburst white dial with gold tone dot markers and matching hands reads quietly behind all that sparkle — restraint at the center, celebration at the edge. A sapphire-colored cabochon crowns the winding stem. Not currently running; needs battery or service.

Materials: Gold tone base metal, rhinestone bezel, expansion bracelet

Details:

• Era: 1970s
• Markings: Signed "Sarah Coventry Supreme" on dial
• Style / design notes: Round case; double-row pavé rhinestone bezel; sunburst white dial; gold dot markers; sapphire-colored cabochon crown; textured gold tone expansion bracelet
• Stone or material notes: Clear rhinestone bezel; sapphire-colored cabochon at crown
• Function: Not currently running, needs battery or service
• Color: Gold tone, white, clear rhinestone
• Condition: Good vintage condition, please see pictures

Measurement: Expandable, fits 6" and up

Collected by Mineral and Matter

A large oval faceted stone in deep amber topaz sits high in an open prong setting, its warm honey-brown depths shifting between cognac and burnt caramel depending on the light. The setting shoulders are finished with a simple scrolled detail on each side, keeping the focus on the stone. Substantial without being heavy — a true cocktail ring with an understated elegance.

Materials: Gold tone base metal, faceted amber glass stone

Details:

• Era: 1960s–1970s
• Markings: Sarah Coventry
• Style / design notes: High prong setting; open gallery; scrolled shoulder detail; single stone cocktail ring
• Stone or material notes: Large oval faceted amber/topaz glass stone; warm cognac tone with good depth and clarity
• Color: Gold tone, amber
• Condition: Good vintage condition, please see photos
• Measurement: Size 6.5

Collected by Mineral and Matter

A rectangular white lucite panel sits centered in a buckle-shaped frame, flanked by cross-hatched textured gold-tone shoulders that curve outward with real architectural presence. Sarah Coventry built this kind of clean, graphic contrast into its panel-style rings, pairing a smooth pop of white against warmer engraved gold. The adjustable band fits a range of sizes. A bold, sculptural piece with genuine mid-century polish.

Materials: Gold-tone base metal, lucite

Details:

• Markings: Sarah
• Style / design notes: Buckle-shaped frame, rectangular lucite panel, cross-hatched textured shoulders, adjustable band
• Stone or material notes: White rectangular lucite panel
• Function: Ring, adjustable
• Color: Gold-tone, white
• Condition: Great vintage condition

Measurement: Size 5.5, adjustable

Collected by Mineral and Matter

A small, fully dimensional owl perches on a simple split band — feathers textured in fine relief, purple rhinestone eyes catching light with unexpected intensity. Owls carried real cultural currency in the 1970s, appearing across jewelry, ceramics, and print as symbols of quiet wisdom. This one has the charm of something found rather than bought. A ring that sparks conversation without demanding it. Stamped Sarah Coventry

Materials Silver-tone base metal, purple rhinestone accents

Details

• Era: 1970s
  
• Style / design notes: Three-dimensional owl figure with textured feather relief, split shank band
• Stone or material notes: Small purple rhinestone eyes
• Color: Silver-tone, purple
• Condition: Great vintage condition
• Measurement: adjustable

Collected by Mineral and Matter

Vintage Serpentine Chain in 1mm width

1970's-1980's

Necklace available in multiple lengths

Gold Tone

Collected by Mineral and Matter

Vintage Serpentine Chain in 4mm width

1980's

Necklace measures 28"

Gold Tone

Collected by Mineral and Matter

A substantial wide mesh bracelet — woven from multiple rows of fine silver-tone chain — cinches at marcasite-studded bar links before meeting an oval case ringed with dense marcasite-style beading and pointed star details at the lugs. The cream dial is clean and uncluttered, letting the ornate metalwork carry the piece. Shannons drew from the same Art Deco and Edwardian revival vocabulary that made marcasite jewelry popular again in the 1990s, and this watch captures that sensibility at its most confident — heavy, architectural, and unmistakably feminine. A bracelet watch in the truest sense.

Materials: Silver-tone base metal, marcasite-style bead detailing, multi-row woven mesh bracelet, quartz movement

Details:

• Era: 1990s
• Markings: Shannons, Quartz, Japan movement, Made in China
• Style notes: Oval case, marcasite-style bezel with star lug details, wide multi-row mesh bracelet, marcasite bar connectors, fold-over clasp
• Function: Quartz, untested
• Color: Silver, cream
• Condition: Great Vintage condition
• Measurement: 7.5 inch bracelet length

Collected by Mineral and Matter

A finely carved shell cameo — a classical female profile with upswept hair and draped shoulder — set within a handworked gold tone wire filigree frame of looped and scrolled construction. The frame has the character of hand-formed wire work rather than cast manufacture, giving each piece an organic, slightly irregular quality consistent with earlier production. A pendant bail at the top allows it to be worn on a chain as well as pinned. Unsigned and quietly beautiful.

Materials: Gold tone base metal, carved shell cameo

Details:

• Era: 1920s–1940s
• Markings: None
• Style / design notes: Hand-formed wire filigree oval frame; looped and scrolled border; twisted rope inner bezel; dual-function brooch and pendant; ring bail at top
• Stone or material notes: Carved shell cameo; warm honey-brown ground with white relief; classical female profile with upswept hair; crisp carving
• Color: Gold tone, warm brown, white
• Condition: Good vintage condition, please see photos 
• Measurement: 1"

Collected by Mineral and Matter

The simplest possible brief, executed cleanly — a round cream simulated pearl set in a small gold tone cup, on a steel post with a gold tone butterfly back. Nothing competes with the pearl. The luster is even and soft, the size just right for daily wear without disappearing. Avon made pearl studs like these throughout the 1980s, understanding that the wardrobe staple case for a classic pearl stud is essentially unassailable. The butterfly backs are stamped Avon, giving these the small provenance detail that separates them from anonymous equivalents. They go with everything, which is the only thing a pearl stud needs to do.

Materials
Gold tone base metal, simulated pearl, steel post, gold tone butterfly back

Details

• Era: 1980s
• Maker: Avon (stamped on butterfly backs)
• Style / design notes: Round simulated pearl in a simple gold tone cup setting; steel post; gold tone butterfly back closure
• Stone or material notes: Cream simulated pearl; even luster, no chips or cracks noted
• Color: Cream / warm gold tone
• Condition: Good vintage condition, please see images

Measurement
Pearl approx. ¼" (6mm) diameter

Collected by Mineral and Matter

A pair of plump golden doves, each clutching a small cluster of flowers — the motif is unmistakably Disney, carrying the soft romanticism of mid-century fairy tale illustration translated into metal. Cast in warm gold tone with fine surface detail, they sit close to the ear with quiet charm. A signed piece for the collector who wears their magic with restraint.

Materials: Gold tone metal

Details:

• Era: 1980s
• Markings: Signed Disney
• Style notes: Dove with floral cluster, dimensional cast construction, post stud backs
• Stone notes: None
• Color: Gold
• Condition: Good vintage condition, please see images
  

Collected by Mineral and Matter.

Charming matched pair of signed Gerry's swan brooches in silver-tone with pebbled body texture, finely etched wing feathers, and a bright blue rhinestone eye on each. Sold individually — ideal as scatter pins or a collar pair.

Brand: Gerry's (signed)
Metal: Silver-tone base metal
Stones: Blue rhinestone eyes
Quantity: 2 matching brooches
Era: Circa 1960s–1970s
Condition: Good vintage — all rhinestones present, clasps functional

Discover the timeless elegance of this authentic signed Krementz necklace, a stunning example of mid-century American jewelry craftsmanship. Renowned for their superior "gold overlay" process—which is significantly thicker and more durable than standard plating—Krementz pieces are designed to retain their brilliant luster for a lifetime.
This 24-inch Matinee length strand features a sophisticated alternating pattern of high-polish spheres and intricately ribbed textured beads. The mix of surfaces catches the light from every angle, offering a rich, dimensional look that elevates any ensemble from casual to formal.

Brand: Authentic Krementz (Signed on the clasp/tag)
Length: 24 inches (Matinee Length)
Material: 14K Gold Overlay / High-Quality 
Design: Alternating 6mm-8mm
Era: 1970s–1980s
Closure: Secure Lobster
Condition: Excellent vintage condition; gold finish is bright and free of tarnish.

A wide, substantial Monet bracelet built from overlapping chevron-shaped panels — each one combining a brushed satin surface with polished marquise-shaped accents along the spine, creating a two-texture effect that catches and reflects light in different ways simultaneously. The construction is architectural and confident, the kind of bracelet Monet produced in the 1960s and 70s when American costume jewelry was at its most ambitious in terms of design and finish quality. Safety-chain clasp keeps it secure on the wrist.

Materials: Gold-tone base metal

Details:

• Era: c. 1960s–1970s, Monet
• Markings: Signed "Monet" on clasp
• Style / design notes: Wide chevron / diagonal panel links; brushed satin texture on main panels; polished marquise-shaped accents along upper edge; safety-chain box clasp
• Stone or material notes: No stones; all metal
• Function: Bracelet
• Color: Warm gold tone; two-finish (brushed and polished)
• Condition: Vintage with gentle surface wear consistent with age

Measurement: 7" including clasp

Collected by Mineral and Matter

• Era: 1955-1970's

Description: A fine twisted rope chain splits at center into two equal drops, each ending in a simple open-heart outline — a lariat construction that wears asymmetrically and moves constantly, the two hearts falling at different heights depending on how the chain settles. Napier, founded in 1875 and one of the most enduring names in American costume jewelry, brought their characteristic precision to this quietly romantic design. The cool silver tone keeps it contemporary; the heart motif keeps it personal.

Materials: Silver-tone base metal

Details:

• Era: c. 1980s–1990s, Napier
• Markings: Signed "Napier" on barrel clasp
• Style / design notes: Fine twisted rope chain; splits into two equal-length drops; open heart charm at each end; lariat / Y-necklace form; barrel clasp
• Stone or material notes: No stones; all metal
• Function: Lariat / Y-necklace
• Color: Silver tone
• Condition: Excellent Vintage Condition

Measurement: 38" total length

Collected by Mineral and Matter

1955-1979

Measures 1.5" x 1.5

Very Good Antique  Condition- some darkening around edges 

Collected by Mineral and Matter

A rabbit face rendered in textured rope-pattern gold tone, one eye winking — or perhaps missing — and a red rhinestone set at the nose, whiskers fanning out in fine parallel lines below. Sarah Coventry's novelty pieces have a particular fondness for the wry and the warm, and this bunny delivers both. The oversized openwork ears give it a lanky, cartoon-adjacent charm that sits perfectly on a lapel or collar.

Materials: Gold tone metal, red rhinestones

Details:

• Era: 1960s–1970s
• Markings: Signed Sarah Cov on reverse
• Style notes: Rabbit face form, textured rope-pattern body, openwork ears, standard pin back; one rhinestone eye, one oval plain eye (winking detail), red rhinestone nose
• Stone notes: Red rhinestones at eye and nose
• Color: Gold and red
• Condition: Great vintage condition
• Measurement: Approx. 2" tall × 1" wide

Collected by Mineral and Matter.

A matte black oval cabochon sits within a sweeping gold-tone crescent, its curve traced by a line of clear rhinestones that amplifies the contrast between deep black and bright crystal. The open swirl frame adds movement, and the polished gold outer arc grounds the composition — graphic and confident in the way that Trifari's later decades did well. Signed Trifari TM on the clip backs, placing these in the brand's post-1969 period. The black and gold palette is as versatile as it gets.

Materials Gold-tone base metal; black glass or resin cabochon; clear prong-set rhinestones

Details

• Era: c. 1980s (Trifari TM mark, post-1969)
• Markings: Signed "Trifari TM" on clip backs
• Style / design notes: Open crescent swirl frame; oval matte black cabochon center; clear rhinestone pave arc along inner crescent edge; smooth polished gold-tone outer swirl; clip-on backs
• Stone notes: Black oval cabochon; clear rhinestones along inner arc
• Function: Clip-on earrings
• Color: Gold tone, black, clear
• Condition: Great vintage condition

Collected by Mineral and Matter

A matte black dial with gold baton indices and matching gold hands creates a striking contrast against the dense marcasite-style flower case — the dark face reading almost like a night sky framed in silver. The bracelet is a cascade of open filigree links, each one a lacy diamond of scrollwork and small four-petal flowers, with marcasite bead accents at the joints and a faint two-tone warmth where gold-tone hardware meets the oxidized silver. The overall effect is Victorian in spirit and thoroughly wearable — the kind of watch that functions as jewelry first and timepiece second. Untested.

Materials: Silver and gold-tone base metal, marcasite-style bead detailing, open filigree bracelet links, quartz movement

Details:

• Era: 1990s
• Markings: Quartz, stainless steel back
• Style notes: Scalloped flower case, black dial with gold baton indices, open filigree link bracelet, marcasite bead accents, fold-over clasp
• Function: Quartz, untested
• Color: Silver, gold, black
• Condition: Good vintage condiiton
• Measurement: 7.75 inch bracelet length

Collected by Mineral and Matter

A faceted oval stone in deep sapphire blue sits flush in a bezel setting, flanked on each side by a ribbed fan of silver tone metal that tapers smoothly into the shank. The silhouette is architectural — substantial without being heavy, with the fluted shoulders giving it a sculptural quality that reads closer to Art Deco revival than costume. The stone shifts between inky navy and bright aqua depending on the light, which is most of the reason to wear it. Rings built around a single bold stone and a strong geometric setting were a recurring theme of 1980s costume jewelry, and this one holds that moment with quiet confidence.

Materials
Silver tone base metal, blue glass or synthetic stone

Details

• Era: 1980s
• Maker: Unsigned
• Style / design notes: Bezel-set oval solitaire; ribbed fan shoulders tapering to a plain shank; low-profile setting keeps stone close to the finger
• Stone or material notes: Faceted oval blue glass or synthetic stone; color reads sapphire to aqua depending on light
• Color: Silver tone / sapphire blue
• Condition: Good vintage condition, please see photos 

Measurement
Size 6.5 (measured on ring mandrel between 6 and 7)

Collected by Mineral and Matter