A black resin cameo set against ivory sits within a hexagonal filigree frame adorned with applied flowers, scrollwork, and small faux pearls — the whole composition suspended above a cascade of draped curb chains and gold-tone tassels. This is the 1970s Victorian revival at its most theatrical, channeling the layered excess of the Gilded Age through the lens of the decade's appetite for statement jewelry. Unsigned and entirely committed to its own drama.
Materials: Gold-tone base metal, black and white resin cameo, faux pearls
Details:
Collected by Mineral and Matter