A pale lavender stone sits at the heart of this pendant, the soft violet of early twilight. It dates to the 1940s and is gold filled, with a sweeping repoussé frame of rosebuds, blossoms and curling leaves that shows the romance of Retro-era design. Four claw prongs hold the oval stone high so light moves through it. It sits at the collarbone on a curb chain and has a quiet, heirloom feel for everyday wear.

Materials
12K gold filled, lavender glass stone

Details

• Era: 1940s
• Markings: Stamped 12K 1/20 L.S.P. on the back
• Style / design notes: Repoussé swirl frame with rosebuds and blossoms, finished with a ribbed bail
• Stone or material notes: Oval faceted lavender stone in a four-prong claw setting
• Function: Pendant necklace on a curb chain with a spring ring clasp
• Color: Gold, pale lavender
• Condition: Great vintage condition. Light surface wear on the back of the pendant and minor abrasion on the stone.
• Measurement: 19" chain, 1.25" pendant including bail

Collected by Mineral and Matter

A large aqua stone sits at the center of this pendant like a pool of clear seawater, ringed with a halo of faux seed pearls. It dates to the 1950s–1960s and is made in the Victorian revival style. The pierced frame is built from curling scrolls and small shell motifs, with four turquoise-blue rhinestones set at the corners. The openwork keeps it light enough to wear every day, and the color and detail give it the feel of an heirloom.

Materials
Gold-tone metal, aqua and blue rhinestones, faux pearls

Details

• Era: 1950s–1960s
• Style / design notes: Victorian revival openwork frame with scrolls and shell motifs, and a halo of faux seed pearls around the center stone
• Stone or material notes: Prong-set oval faceted aqua rhinestone center, with four round turquoise-blue rhinestone accents
• Function: Pendant necklace on a fine serpentine chain with a lobster clasp
• Color: Gold tone, aqua, turquoise, cream
• Condition: Good vintage condition. The foil behind the center stone has speckled with age, which shows as flecks through the glass. Light wear to the gold tone.
• Measurement: 18" chain

Collected by Mineral and Matter

Two small pearls with a soft blush glow, as quiet and luminous as a pair of moons. Made by Avon in the 1980s, these classic studs are set on silver-tone posts with signed butterfly backs. Their simple shape suits every day, from denim to evening wear. A timeless foundation piece for any jewelry collection.

Materials
Silver-tone metal, faux pearls

Details

• Era: 1980s
• Markings: OS stamped on butterfly backs
• Style / design notes: Classic round pearl studs with cup settings
• Stone or material notes: Faux pearls with a pale pink luster
• Function: Pierced post earrings with butterfly backs
• Color: White, blush, silver
• Condition: Great vintage condition, light discoloration inside the backs
• Measurement: .25" diameter

Collected by Mineral and Matter

Two small pearls with a soft blush glow, as quiet and luminous as a pair of moons. Made by Avon in the 1980s, these classic studs are set on silver-tone posts with signed butterfly backs. Their simple shape suits every day, from denim to evening wear. A timeless foundation piece for any jewelry collection.

Materials
Silver-tone metal, faux pearls

Details

• Era: 1980s
• Markings:OS stamped on butterfly backs
• Style / design notes: Classic round pearl studs with cup settings
• Stone or material notes: Faux pearls with a pale pink luster
• Function: Pierced post earrings with butterfly backs
• Color: White, blush, silver
• Condition: Great vintage condition, light discoloration inside the backs
• Measurement: .25" diameter

Collected by Mineral and Matter

Description
A single strand of creamy faux pearls rests at the base of the throat like a soft line of moonlight. It dates to the 1960s and follows the classic princess-length strand that defined polished dressing in that decade. The pearls are evenly sized and have a warm luster, and they finish at a small gold-tone clasp. It is simple enough for everyday wear and refined enough for an evening out, and it layers well with chains and pendants.

Materials
Faux pearls, gold-tone metal

Details

• Era: 1960s
• Style / design notes: Single strand of uniform round pearls with bead-tip ends
• Stone or material notes: Round cream faux pearls with a soft pink luster
• Function: Necklace with a spring ring clasp
• Color: Cream, gold tone
• Condition: Good vintage condition. Light coating wear on a few pearls, and some small marks near the clasp.
• Measurement: 16"

Collected by Mineral and Matter

Two parallel rows of bow-shaped damascene panels alternate with luminous mother of pearl links, like gilded constellations strung across the wrist. Made in Toledo, Spain, in the 1950s–1960s, this bracelet carries the region’s centuries-old damascene tradition of black-etched scrollwork inlaid with gold. Diamond-cut centers catch the light while touches of yellow enamel bring warmth to each panel. Substantial yet fluid, it moves easily and stacks beautifully with other gold pieces.

Materials
Gold-tone metal, damascene inlay, mother of pearl, enamel

Details

• Era: 1950s–1960s
• Style / design notes: Double-row hinged link design, bow-shaped panels with black scrollwork, diamond-cut centers, silver-tone beaded accents
• Stone or material notes: Mother of pearl link inlays, yellow enamel accents
• Function: Fold-over box clasp with safety chain
• Color: Gold, black, pearl white, yellow
• Condition: Great vintage condition, gold-tone wear to the reverse
• Measurement: 7" plus 2" safety chain

Collected by Mineral and Matter

Description
A line of clear rhinestones curves along the edge of this gold mesh collar like a ring of stars around a planet. Small baguette clusters sit at the center and at each side. It is a signed Jewels by Julio piece from the 1950s–1960s. The woven mesh is soft and flexible, so the collar rests smoothly against the neck instead of sitting stiffly. It suits an evening neckline, and it also looks good layered with a long pendant, as shown.

Materials
Gold-tone metal mesh, clear rhinestones

Details

• Era: 1950s–1960s
• Markings: Signed Jewels by Julio on the clasp
• Style / design notes: Wide woven mesh collar with a row of rhinestones, three baguette clusters, and ribbed end caps
• Stone or material notes: Prong-set round and baguette clear rhinestones
• Function: Collar necklace with a fold-over box clasp
• Color: Gold tone, clear
• Condition: Good vintage condition. The mesh shows light tarnish and a few darker spots, and the gold tone is worn on the clasp. Some round rhinestones are slightly dulled.
• Measurement: 16"

Collected by Mineral and Matter

A single blush rose blooms at the center of this oval locket, set on white guilloché enamel that shimmers like frost over a textured ground. Made in the 1960s–1970s, it carries hand-painted petals and leaves edged in gold, framed by a scalloped gold border. The back is finished in a softly etched texture, and inside, two oval frames wait for a photograph or keepsake. It hangs from a substantial rope chain, a romantic piece that layers easily into everyday wear.

Materials
Gold-tone metal, guilloché enamel

Details

• Era: 1960s–1970s
• Style / design notes: Hand-painted rose with gold accents, scalloped gold border, etched texture back, hinged opening
• Stone or material notes: White guilloché enamel front with painted pink rose and green leaves
• Function: Opening locket with two interior photo frames, spring ring clasp
• Color: White, pink, green, gold
• Condition: Great vintage condition, light surface scuffs to interior
• Measurement: Locket 1" x 2", chain 24"

Collected by Mineral and Matter

Description
A large faceted crystal hangs from this necklace like a drop of rain held in light, with a soft blush showing in its depths. It dates to the 1980s and keeps the design simple so the cut can do the work. Rows of facets scatter small rainbows as the pendant moves. A slim fleur-tipped bail connects it to a fine serpentine chain, which lets it fall at mid-chest. It is easy to wear every day and adds a clear, quiet sparkle to any neckline.

Materials
Silver-tone metal, faceted crystal

Details

• Era: 1980s
• Style / design notes: Large faceted teardrop pendant with a fleur-tipped bail
• Stone or material notes: Clear faceted crystal with a faint blush tone in some light
• Function: Pendant necklace on a serpentine chain with a spring ring clasp
• Color: Silver tone, clear
• Condition: Great vintage condition. Light surface wear on the crystal facets and mild tarnish on the chain.
• Measurement: 24" chain

Collected by Mineral and Matter

Two moonlike discs of mother of pearl rest among stamped gold-tone leaves, blossoms, and clusters of faux pearls, like a garden caught under a full sky. Made in the 1950s–1960s, this brooch follows the layered, hand-assembled style made famous by Miriam Haskell. Aurora borealis rhinestones catch light between the petals, and an openwork filigree leaf forms the back. Rich in detail, easy to wear on a coat lapel, scarf, or hat.

Materials
Gold-tone metal, mother of pearl, faux pearls, aurora borealis rhinestones

Details

• Era: 1950s–1960s
• Style / design notes: Layered floral cluster in the Miriam Haskell manner, stamped leaves and flowers, openwork filigree leaf back
• Stone or material notes: Two mother of pearl discs, graduated faux pearls and seed pearl clusters, aurora borealis rhinestone accents
• Function: Pin brooch with C-clasp and safety chain loop
• Color: Gold, pearl white, iridescent
• Condition: Good vintage condition, light coating wear to faux pearls
• Measurement: 1.25" x 1.5"

Collected by Mineral and Matter

Collected by Mineral and Matter

Description
Sculpted folds of gold fall like draped silk around a teardrop center, where a pear-cut crystal and two slim baguettes catch the light like a drop of rain. These are from the 1980s and carry the bold, architectural feel of that decade’s statement jewelry. A fan-shaped top connects to a ribbed link, and the textured panel is edged with a fine beaded border. They make a confident evening piece that still looks graceful against the face.

Materials
Gold-tone metal, clear crystal

Details

• Era: 1980s
• Style / design notes: Door knocker style with a fan top, ribbed center link, and draped teardrop panel with beaded border
• Stone or material notes: Pear-cut and baguette clear crystals in raised bezels
• Function: Pierced post earrings
• Color: Bright gold tone, clear
• Condition: Excellent vintage condition. Light surface wear on the backs.

Collected by Mineral and Matter

Four carved cameo profiles in cream, each set against a soft periwinkle ground and framed in twisted rope metal. The portraits face different directions, so the bracelet reads like a small gallery along the wrist. Textured oval links and a spring-ring clasp with a safety chain finish it. A quiet, graceful piece in the spirit of Wedgwood blue, easy to wear every day.

Materials Details

• Era: 1950s–1960s
• Markings: Clasp stamped 1/20 GF
• Style / design notes: Four-cameo link bracelet, twisted rope bezels, textured oval connecting links, spring-ring clasp with safety chain
• Stone or material notes: Carved cameos on blue ground, silver-tone metal
• Function: Bracelet with spring-ring clasp and safety chain
• Color: Periwinkle blue, cream, silver
• Condition: Good vintage condition

Measurement: 7" bracelet, 2" safety chain

Collected by Mineral and Matter

Description
A single faux pearl glows at the center of this ring, ringed by loops of gold like a small flower opening to the morning sun. It is an Avon piece from the 1970s–1980s. The ribbon-like petals are pierced through and finely etched along their edges, so they catch the light from every angle. The ring sits low and comfortably on the hand. It is soft and feminine enough to wear every day or stack with slim bands.

Materials
Gold-tone metal, faux pearl

Details

• Era: 1970s–1980s
• Markings: Stamped AVON under the setting (partially legible)
• Style / design notes: Openwork flower made of looped ribbon petals with etched texture
• Stone or material notes: Round cream faux pearl with a soft pink luster
• Color: Gold tone, cream
• Condition: Excellent vintage condition. Small spots of wear to the gold tone on the petals.
• Measurement: Size 4.25

Collected by Mineral and Matter

Description
Four soft faux pearls sit along the curve of this gold wishbone like a small string of moons. It dates to the 1950s, when wishbone pins were a favorite token of good luck. The polished arms taper to a fine point, and each pearl is held high in its own crown setting so the glow comes through. It is light and easy to wear, a sweet charm for a lapel, collar or scarf.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1950s
• Style / design notes: Wishbone design with a polished front, brushed back and tapered arms
• Stone or material notes: Four round cream faux pearls with soft pink luster, each in a crown prong setting
• Function: Brooch with a C-clasp pin back
• Color: Gold tone, cream
• Condition: Excellent vintage condition. Light surface wear to the gold tone on the back.

Collected by Mineral and Matter

Description
Black square stones and small faux pearls alternate along this slender bar pin, like night sky meeting moonlight. It dates to the 1940s and follows the clean geometry of Art Deco design. The black glass is French-cut and channel set in rows of three, so every facet catches the light. Engraved sides add a quiet hand-finished detail. Wear it on a lapel, a collar or the edge of a scarf for a quietly elegant finish.

Materials
Silver-tone metal, black glass, faux pearls

Details

• Era: 1940s
• Style / design notes: Art Deco revival bar pin with alternating channel-set stones and pearl sections, and engraved side edges
• Stone or material notes: Square French-cut black glass stones and round cream faux pearls, sterling silver
• Function: Bar pin with C-clasp closure
• Color: Silver tone, black, cream
• Condition: Great vintage condition. Light wear on the faux pearls and mild patina on the back of the setting.

Collected by Mineral and Matter

Description
An oval of soft cream enamel sits at the center of this brooch like a pale moon framed by silver lace. It dates to the 1970s and is styled in the Victorian revival manner. The diamond-shaped frame is built from curling scrolls with beaded edges and finished with fleur-de-lis points at all four corners. Small textured triangles around the center add quiet detail. It is light and easy to wear on a lapel, a scarf, or the collar of a cardigan.

Materials
Silver-tone metal, cream enamel

Details

• Era: 1970s
• Style / design notes: Victorian revival filigree frame with fleur-de-lis points, beaded scrollwork, and a raised square bezel
• Stone or material notes: Domed oval center in cream enamel
• Function: Brooch with a C-clasp pin back
• Color: Silver tone, cream
• Condition: Excellent vintage condition. A few tiny dark specks appear in the enamel.

Collected by Mineral and Matter

Description
Six oval periwinkle cabochons fan out from this brooch like a cluster of pale blue moons, set above a small cameo of a woman in profile. It is a signed Cathé piece from the 1950s–1960s, made with the layered, sculptural feel the house was known for. A curved stem of light blue rhinestones arcs alongside the cameo and adds a touch of sparkle beside the soft, milky glass. The brooch is romantic and full of color, and it looks lovely on a coat lapel or pinned to a simple neckline.

Materials
Gold-tone metal, blue glass cabochons, blue rhinestones, resin cameo

Details

• Era: 1950s–1960s
• Markings: Signed Cathé on the pin bar
• Style / design notes: Spray brooch with oval cabochons on curved stems and a cameo accent at the base
• Stone or material notes: Periwinkle satin glass cabochons in crown bezels, a cameo in a prong setting, and prong-set light blue and dark blue rhinestones
• Function: Brooch with a pin back and rollover safety clasp
• Color: Gold tone, periwinkle, light blue, cream
• Condition: Good vintage condition. A few cabochons have light surface wear and small marks, one accent rhinestone is darkened, and the gold tone shows light wear.

Collected by Mineral and Matter

Description
A large faux pearl rests at the center of this brooch, with layers of curling petals radiating out like the rays of a small sun. It is a Spanish damascene piece from the 1950s–1960s, made in the Toledo tradition. Each petal is inlaid with gold-tone scrollwork and edged in a fine silver-tone dotted texture. The two tiers of petals give it real depth, and it catches warm light from every angle. Pin it to a coat lapel, a scarf, or the shoulder of a simple knit.

Materials
Gold-tone and silver-tone damascene metal, faux pearl

Details

• Era: 1950s–1960s
• Style / design notes: Two-tier sunburst flower with damascene-style inlaid scrolls and a dotted silver-tone texture
• Stone or material notes: Large round cream faux pearl set in a prong cup
• Function: Brooch with a C-clasp pin back
• Color: Gold tone, silver tone, cream
• Condition: Good vintage condition. The faux pearl has small chips and coating loss, and the gold tone is lightly worn on a few petal tips.

Collected by Mineral and Matter

Description
A small oval face, pale as the moon, is marked with slim blue indices that look like stars at the hours. This Timex ladies’ watch dates to the 1970s. The cushion-shaped case has a crosshatch-engraved bezel and carries the clean, cocktail-watch style of the era. It sits on a textured stainless expansion band that slips on easily and rests lightly on the wrist, making it a delicate everyday piece that also stacks well with bracelets.

Materials
Silver-tone metal case, stainless steel expansion band

Details

• Era: 1970s
• Markings: TIMEX on the dial, stamped case back, band stamped STAINLESS STEEL
• Style / design notes: Cushion-shaped case with a crosshatch-engraved bezel and textured tapered band ends
• Function: Mechanical wind-up wristwatch with a slip-on expansion band
• Color: Silver tone, cream dial, blue markers
• Condition: Good vintage condition. The dial is lightly aged with some spotting around the edge, the crystal shows small marks, and there is light surface wear on the case and band. UNTESTED, could need a battery or more to work.
• Measurement: 2" circumference but adjustable

Collected by Mineral and Matter

Description
Eight clear oval stones line this bracelet like drops of rain caught in gold. It dates to the 1940s and is made in 12K gold filled metal. Each stone sits in a serrated crown bezel with an open back, so light passes straight through, and ribbed barrel links between the stones add a tailored rhythm. The bracelet has the quiet polish of the Retro era and works for everyday wear or stacked with other bracelets.

Materials
12K gold filled, clear crystal

Details

• Era: 1940s
• Markings: Stamped 1/20 12K GF on the spring ring clasp
• Style / design notes: Oval open-back bezel stations with serrated crown edges, joined by ribbed barrel links
• Stone or material notes: Oval faceted clear crystal stones
• Function: Link bracelet with spring ring clasp and safety hook
• Color: Warm yellow gold, clear
• Condition: Excellent vintage condition. Light surface wear on the stones.
• Measurement: 7"

Collected by Mineral and Matter

Description
Six small blossoms in pale blue enamel sit along this bracelet, each with a deep cobalt stone at its center, like flowers opening under a twilight sky. It dates to the 1950s–1960s and is made in the Art Nouveau revival style. Each flower rests inside an open, bark-textured frame shaped like a leaf or stem, and the frames are joined by round links. The bracelet drapes softly on the wrist and feels like a quiet heirloom, easy to wear on its own or with other silver pieces.

Materials
Silver, enamel, blue glass stones

Details

• Era: 1950s–1960s
• Markings: Stamped near the clasp (silver mark, partially legible)
• Style / design notes: Art Nouveau revival openwork links with textured branch frames and four-petal flowers
• Stone or material notes: Prong-set round cobalt blue glass stones with hand-applied pale blue enamel on the petals
• Function: Link bracelet with spring ring clasp
• Color: Silver, pale blue, cobalt
• Condition: Good vintage condition. The enamel is worn on several petals, two flowers are missing a petal, the silver has a natural patina, and one link end appears slightly open.
• Measurement: 7.5"

Collected by Mineral and Matter

Description
This bracelet is strung with round beads of soft white chalcedony that glow like moonlight through mist, with faint hints of lavender and peach. It dates to the 1990s and follows a simple, timeless design that lets the stone’s natural translucence be the focus. The beads are smooth and evenly matched, so it feels cool and calm on the wrist. It’s easy to wear every day and stacks well with gold bangles and chains.

Materials
White chalcedony beads, elastic cord

Details

• Era: 1990s
• Style / design notes: Single strand of round polished beads strung on elastic
• Stone or material notes: Translucent white chalcedony with soft lavender and peach undertones and small natural inclusions
• Function: Stretch bracelet
• Color: Milky white, soft lavender
• Condition: Excellent vintage condition. A small natural dark inclusion shows in one bead.
• Measurement: Stretch fit, adjustable

Collected by Mineral and Matter

Description
A small cluster of clear rhinestones sits on this slim wire bangle like a constellation caught in a gold leaf. It dates to the 1980s and keeps a soft, feminine line, with a gentle swirl wrapping the stones. The hook closure is hidden beneath the cluster, so the bracelet reads as one clean circle. It is fine and lightweight, made for everyday wear, and stacks easily with chains, beads or pearls.

Materials
Gold-tone metal, clear rhinestones

Details

• Era: 1980s
• Style / design notes: Slim wire bangle with a swirled leaf-shaped rhinestone cluster at the closure
• Stone or material notes: Round faceted clear rhinestones, each in its own prong setting
• Function: Bangle with a hidden hook closure
• Color: Gold tone, clear
• Condition: Excellent vintage condition
• Measurement: 2.25" circumference

Collected by Mineral and Matter

Description
Two rows of creamy faux pearls run through the center of this bracelet, edged on each side by a line of clear rhinestones, like moonlight between two bands of stars. It dates to the 1950s and is built on the stainless expansion links American makers used for slip-on bracelets in that decade. The links flex smoothly over the hand and then settle comfortably on the wrist. It makes a polished choice for evening and stacks easily with pearl strands or gold chains.

Materials
Gold-tone metal, stainless steel, faux pearls, clear rhinestones

Details

• Era: 1950s
• Markings: Stamped MADE IN U.S.A. with a script maker’s mark inside the expansion links
• Style / design notes: Four-row cuff with two center rows of faux pearls and outer rows of rhinestones on a stretch expansion band
• Stone or material notes: Prong-set round cream faux pearls and round faceted clear rhinestones
• Function: Slip-on expansion bracelet
• Color: Gold tone, cream, clear, silver-tone interior
• Condition: Good vintage condition. A few rhinestones are slightly clouded, the gold tone on the setting backs is lightly worn, and there is a small spot of verdigris on the back of one setting.
• Measurement: 1.5" circumference, adjustable

Collected by Mineral and Matter

Description
A cluster of white milk glass sits on this wrap bracelet like a moon among its satellites. A large oval cabochon is surrounded by smaller round stones set in layered gold filigree. It dates to the 1950s–1960s, and the woven mesh band coils around the wrist in the bypass style that era loved. A fall of curb chain tassels hangs beneath the cluster and sways with every movement, catching soft light as it goes. The bracelet makes a sculptural statement on its own and pairs easily with simple gold pieces.

Materials
Gold-tone metal, white milk glass

Details

• Era: 1950s–1960s
• Style / design notes: Bypass wrap bracelet with a woven mesh band, layered filigree flower cluster, and curb chain tassel
• Stone or material notes: Oval white milk glass cabochon in a crown bezel, with round milk glass stones in prong settings
• Function: Adjustable mesh wrap bracelet
• Color: Gold tone, milk white
• Condition: Excellent vintage condition. Light wear to the gold tone on the inside of the mesh.
• Measurement: 2" circumference, adjustable

Collected by Mineral and Matter

Description
A single clear stone sits at the center of this square ring, framed like a small star in a window of silver filigree. It dates to the 1980s and draws on 1920s Art Deco design, with a pierced openwork panel, fine beaded edges and small rhinestones set at every point. The filigree continues under the face, so the ring looks finished from every angle. The face sits flat and the band is slim, making it easy to wear every day.

Materials
Silver-tone metal, clear rhinestones

Details

• Era: 1980s
• Style / design notes: Art Deco revival square face with pierced filigree, beaded milgrain-style edges and an openwork gallery
• Stone or material notes: Round faceted clear center rhinestone in a raised square bezel, ringed by eight smaller clear rhinestones
• Color: Silver tone, clear
• Condition: Great vintage condition. A few of the smaller accent stones are slightly dulled.
• Measurement: Size 6

Collected by Mineral and Matter

Description
Two faceted stones face each other across this open band like a pair of small planets, each flashing pink, green and gold. This signed Sarah Coventry ring dates to the 1970s and uses the classic toi et moi design, where two stones meet without quite touching. The rivoli-cut stones are set high in prong settings, so the color shifts with every movement. The adjustable band sits comfortably and makes the ring easy to wear every day.

Materials
Silver-tone metal, iridescent glass stones

Details

• Era: 1970s
• Markings: Signed SARAH COV inside the band
• Style / design notes: Toi et moi bypass design with two raised prong settings
• Stone or material notes: Round rivoli-cut glass stones with an iridescent rainbow coating
• Function: Adjustable open band
• Color: Silver tone, rainbow iridescent
• Condition: Excellent vintage condition. Light wear to the silver tone inside the band.
• Measurement: Size 9.5–9.75 (adjustable)

Collected by Mineral and Matter

Description
A large emerald-cut stone sits at the center of this ring, clear as ice on a winter lake. It dates to the 1950s–1960s and recalls the glamour of mid-century evening wear. Round and marquise rhinestones surround the center stone, with the marquise stones fanning out at the corners like small rays of light. The adjustable band makes it easy to wear, and it works as a bold piece on its own or alongside smaller rings.

Materials
Silver-tone metal, clear rhinestones

Details

• Era: 1950s–1960s
• Style / design notes: Large emerald-cut center stone with a halo of round and marquise stones and an open-back setting
• Stone or material notes: Emerald-cut clear glass center stone with prong-set round and marquise clear rhinestones
• Function: Adjustable ring with an overlapping band
• Color: Silver tone, clear
• Condition: Good vintage condition. Light clouding on the center stone and some of the halo stones. Minor wear to the silver tone inside the band.
• Measurement: Size 6.5 (adjustable)

Collected by Mineral and Matter

Description
A sky blue oval stone sits at the center of this ring, set where the band sweeps past itself like a curling wave. It dates to the 1980s and is finished in 18K heavy gold electroplate. The bypass shank wraps gently around the center stone, with a small clear accent stone on each side. The setting is slim and sits low, so the ring is comfortable for everyday wear and also stacks well.

Materials
18K HGE (heavy gold electroplate), blue stone, clear stones

Details

• Era: 1980s
• Markings: Stamped 18K HGE with a circled maker’s mark inside the band
• Style / design notes: Bypass shank with a four-prong center setting and single accent stones on the shoulders
• Stone or material notes: Oval faceted sky blue center stone with round clear accent stones
• Color: Gold tone, sky blue, clear
• Condition: Great vintage condition. Light surface wear on the band and a small mark near one shoulder.
• Measurement: Size 6

Collected by Mineral and Matter

Description
At the center of this ring sits a pale aqua stone, the soft blue of morning water. It dates to the 1980s–1990s and is modeled on the classic aquamarine-and-diamond cluster ring. Small clear rhinestones gather on each side in a cluster, like a scattering of stars. The setting sits low and the band is slim, so it is comfortable for everyday wear and sits easily alongside other rings.

Materials
Gold-tone metal, aqua blue glass stone, clear rhinestones

Details

• Era: 1980s–1990s
• Style / design notes: Center stone with stepped clusters of small stones on each shoulder and an open gallery underneath
• Stone or material notes: Oval faceted aqua blue glass center stone in four prongs, with round prong-set clear rhinestones
• Color: Gold tone, aqua blue, clear
• Condition: Good vintage condition. The gold tone is worn and pitted inside the band, and there is light wear on the outer shank.
• Measurement: Size 6.75

Collected by Mineral and Matter

Description
A large aqua stone sits at the center of this ring like a pool of still seawater, held in a scalloped crown setting and ringed with clear rhinestones. It dates to the 1940s and is made in the Victorian revival style, with a layered brass frame traced in black enamel petals and engraved scrolls. The detailing continues onto the underside of the setting and along the band, a mark of careful mid-century craftsmanship. It is bold, romantic and a natural focal point for any hand.

Materials
Brass, aqua glass stone, clear rhinestones, black enamel

Details

• Era: 1940s
• Style / design notes: Victorian revival halo cocktail ring with a scalloped crown bezel, black enamel petal border, and engraved gallery and band
• Stone or material notes: Oval faceted aqua glass center stone, with a surround of round clear rhinestones
• Color: Warm brass, aqua, clear, black
• Condition: Good vintage condition. Several rhinestones are slightly clouded or tinted, the brass shows wear and patina, and the center stone has light surface abrasion.
• Measurement: Size 4.25–4.5

Collected by Mineral and Matter

Description
At the center of this ring is a deep blue oval stone, the color of the sky just after dusk, set inside a halo of clear rhinestones. It dates to the 1950s and follows the classic sapphire cluster style that fine jewelers made famous. The back of the setting is engraved with swirling scrollwork, a hidden detail that only the wearer will see. It reads elegant in the evening and is simple enough to wear every day.

Materials
Silver-tone metal, blue glass stone, clear rhinestones

Details

• Era: 1950s
• Style / design notes: Oval halo cocktail ring with a scroll-engraved back plate and a split shank
• Stone or material notes: Oval faceted sapphire blue glass center stone in a multi-prong setting, with round clear rhinestones in the halo
• Color: Silver tone, sapphire blue, clear
• Condition: Good vintage condition. The center stone has light surface abrasion, and there is some foil wear behind it.
• Measurement: Size 7

Collected by Mineral and Matter

Description
An aqua stone sits at the center of this bracelet, the clear blue of a tide pool under the sun. It is a signed Coro piece from the 1950s, with a ribbed band that expands and springs back like the tubogas bracelets popular in that decade. Lacy filigree scrollwork frames the oval stone, and small clear and aqua rhinestones are tucked around its edges like scattered stars. It slips on easily and looks just as good alone or stacked.

Materials
Gold-tone metal, aqua and clear rhinestones

Details

• Era: 1950s
• Markings: Signed Coro on the back plate
• Style / design notes: Expandable ribbed tubogas-style band with a filigree scroll centerpiece
• Stone or material notes: Oval faceted aqua rhinestone center with small round aqua and clear rhinestone accents
• Function: Expandable slip-on bracelet
• Color: Gold tone, aqua, clear
• Condition: Great vintage condition. Light wear to the gold tone inside the band and on the back plate. A few accent settings around the filigree are empty.
• Adjustable size

Collected by Mineral and Matter

Description
Two faux pearls, one small and one larger, sit close together on each earring like a moon with its companion. This signed Avon pair dates to the 1980s. The graduated design gives a classic pearl stud a little more movement, and the pearls sit flush along the earlobe. They are soft, luminous and easy to wear every day.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Markings: Signed © AVON on the earring backs
• Style / design notes: Graduated twin pearl studs set on a gold-tone cup backing
• Stone or material notes: Round cream faux pearls
• Function: Pierced post earrings with butterfly backs
• Color: Cream, gold tone
• Condition: Good vintage condition. Small surface marks and light coating wear on the pearls.
• Measurement: 0.5"

Collected by Mineral and Matter

Description
Twisted gold rope loops around a single faux pearl like a ring of light around a small moon. This Avon ring dates to the 1970s, a decade when the brand made many romantic knot and rope designs. The textured rope frames the pearl and splits down each shoulder, so the band has depth and catches warm light. An adjustable shank makes it easy to wear every day, either on its own or stacked.

Materials
Gold-tone metal, faux pearl

Details

• Era: 1970s
• Markings: Stamped inside the gallery (likely AVON, partially legible)
• Style / design notes: Twisted rope love knot framing a center pearl, with split rope shoulders
• Stone or material notes: Round cream faux pearl with a soft pink luster
• Function: Adjustable ring with an overlapping band
• Color: Gold tone, cream
• Condition: Great vintage condition. Small surface marks on the pearl and light wear to the gold tone inside the band.
• Measurement: Adjustable, sizes 4.5 to 6.5

Collected by Mineral and Matter

Description
Two rows of clear rhinestones split apart at the center of this bracelet and meet again around an open lattice of larger stones, like a small constellation on the wrist. It dates to the 1950s, an era that loved evening sparkle. Every stone sits in its own prong setting, so the bracelet bends easily and catches light from every angle. It is bright enough for evening and also stacks well with pearls for daytime.

Materials
Silver-tone metal, clear rhinestones

Details

• Era: 1950s
• Style / design notes: Double-row chaton bracelet that opens into a woven lattice centerpiece
• Stone or material notes: Round faceted clear rhinestones in graduated sizes
• Function: Bracelet with a fold-over box clasp
• Color: Silver tone, clear
• Condition: Good vintage condition. A few stones are clouded or yellowed, and there is minor verdigris on the back of one setting.
• Measurement: 6.5"

Collected by Mineral and Matter

Description
A single line of clear rhinestones runs around the wrist like a trail of small stars. This signed Avon tennis bracelet is from the 1990s. Each stone is held in its own prong setting, so the line bends smoothly and catches light as it moves. It is simple enough to wear every day, and it stacks easily with pearl or chain bracelets.

Materials
Gold-tone metal, clear rhinestones

Details

• Era: 1990s
• Markings: Signed © AVON on the oval clasp tag
• Style / design notes: Classic tennis-style single line of prong-set stones
• Stone or material notes: Round faceted clear rhinestones
• Function: Bracelet with spring ring clasp
• Color: Gold tone, clear
• Condition: Excellent vintage condition. Light wear to the gold tone on the backs of the settings.
• Measurement: 7"

Collected by Mineral and Matter

Description
Half of this strand is soft dove grey and half is pale cream, like the turn from dusk into moonlight, and a single rhinestone rondelle marks the place where the two meet. It is a signed Monet piece from the 1990s, made when the house was pairing classic pearls with modern touches. The pearls are evenly sized and close with a polished signed clasp, so it is easy to wear every day and also stacks well with silver or crystal pieces.

Materials
Faux pearls, silver-tone metal, clear rhinestones

Details

• Era: 1990s
• Markings: Signed © MONET on both halves of the clasp
• Style / design notes: Single strand split into a grey half and a cream half, with a rhinestone rondelle accent
• Stone or material notes: Round faux pearls in dove grey and cream, plus a clear rhinestone rondelle
• Function: Bracelet with a fold-over box clasp
• Color: Dove grey, cream, silver tone
• Condition: Excellent vintage condition
• Measurement: 7.5"

Collected by Mineral and Matter

Description
Small faux pearls sit inside open teardrop links, like moons held in gold orbit. This signed Avon bracelet dates to the 1980s and comes from the era of the brand’s “captured” designs, which framed pearls in open metalwork. The links turn with the wrist, so the bracelet moves easily and catches light from every side. It sits nicely on its own and stacks well with chains and tennis bracelets.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Markings: Signed © AVON on the clasp tag
• Style / design notes: Open teardrop cage links, each holding a single faux pearl
• Stone or material notes: Round cream faux pearls
• Function: Bracelet with spring ring clasp
• Color: Gold tone, cream
• Condition: Excellent vintage condition
• Measurement: 7.5"

Collected by Mineral and Matter

Description
A single pale blue stone sits at the center of this ring, the soft color of a winter sky. It dates to the 1940s and is styled in the Victorian revival manner, with a tall prong setting and engraved scrolls that curl along the split shoulders. The slim band keeps it light, so it works well as a stacking ring, a pinky ring or a small everyday piece.

Materials
Gold-tone metal, pale blue paste stone

Details

• Era: 1940s
• Style / design notes: Victorian revival solitaire with split scroll shoulders and a raised six-prong setting
• Stone or material notes: Round faceted pale blue paste stone
• Color: Gold tone, pale blue
• Condition: Good vintage condition. Wear to the gold tone on the band, light clouding on the stone, and a small residue mark beside the setting.
• Measurement: Size 4

Collected by Mineral and Matter

Description
At the center of this ring sits a pale aqua stone, the soft blue of shallow water under a clear sky. It dates to the 1980s and takes its look from classic aquamarine and diamond cocktail rings. On each side, a panel of clear rhinestones is set in silver tone against a ribbed gold band. The four-prong setting holds the stone high so light passes through it, giving it a bright, everyday glow.

Materials
Gold-tone and silver-tone metal, aqua blue glass stone, clear rhinestones

Details

• Era: 1980s
• Style / design notes: Two-tone cocktail ring with a raised four-prong center setting, pavé rhinestone shoulders, and a ribbed band
• Stone or material notes: Emerald-cut aqua blue glass center stone with round clear rhinestones on the shoulders
• Color: Gold tone, silver tone, aqua blue, clear
• Condition: Great vintage condition. Light surface wear on the center stone and the band, and slight dulling on a few rhinestones.
• Measurement: Size 8

Collected by Mineral and Matter

Description
Two rows of clear rhinestones run alongside a soft gold mesh band like starlight following a river. This signed Coro piece dates to the 1950s, when the house paired supple mesh with sparkling chaton rows for evening glamour. The mesh moves easily with the wrist, and the sculpted D-shaped end links give it a tailored finish. It looks lovely on its own and stacks well with other gold pieces.

Materials
Gold-tone metal, clear rhinestones

Details

• Era: 1950s
• Markings: Signed Coro with Pegasus mark
• Style / design notes: Gold mesh center band framed by two rows of prong-set chatons, with sculpted D-link ends
• Stone or material notes: Round faceted clear rhinestones
• Function: Bracelet with a fold-over box clasp
• Color: Gold tone, clear
• Condition: Great vintage condition. Light wear to the gold tone on the clasp and the backs of the settings, and slight dulling on a few stones.
• Measurement: 7.25"

Collected by Mineral and Matter

Description:
A white classical profile rises from a soft cornflower-blue ground, the same quiet palette as Wedgwood jasperware. The oval sits in a serrated bezel inside a hand-twisted silver-tone rope frame, all hung from a faceted serpentine chain from the 1970s–1980s, a period when cameos returned as everyday romantic pieces. Small and light, it sits just below the collarbone and layers easily under pearls or a longer drop.

Materials:
Silver-tone metal, molded cameo

Details:

• Era: 1970s–1980s
• Style/design notes: Oval cameo in a twisted rope frame with a serrated bezel; faceted serpentine chain
• Stone or material notes: Blue and white molded cameo with a female profile
• Function: Spring ring clasp
• Color: Silver, blue, white
• Condition: Good vintage condition. There is visible tarnish and verdigris on one side of the frame, and small amber-toned marks near the cameo’s hairline.
• Measurement: 18" chain, 1" pendant including bail

Collected by Mineral and Matter

Description:
A stepped double chevron points downward like a quiet arrow and holds a single cream faux pearl, with one small clear rhinestone set just below it. The piece dates to the 1980s, when sleek herringbone chains and clean geometric centers became an everyday staple of the jewelry box. The pendant is fixed to the chain, so the V always lies flat and centered at the collarbone. Wear it alone with an open neckline or layer it with a fine drop for a softer look.

Materials:
Gold-tone metal, faux pearl, rhinestone

Details:

• Era: 1980s
• Style/design notes: Stepped double-chevron V centerpiece fixed on a herringbone chain
• Stone or material notes: Round cream faux pearl; bezel-set clear rhinestone accent
• Function: Spring ring clasp
• Color: Gold, cream, clear
• Condition: Great vintage condition
• Measurement: 16.5"

Collected by Mineral and Matter

Description
Three iridescent rhinestones sit in each scrolling gold link, shifting from pink to blue to green like light caught in a soap bubble. The choker dates to the 1950s, when sculptural links and color-shifting glass were a favorite of mid-century evening jewelry. The scrolled links bend gently to follow the neckline. A hook clasp and long extender chain let it sit as a close choker or a little lower, so it suits both a party and a crisp collar.

Materials
Gold-tone metal, iridescent glass rhinestones

Details

• Era: 1950s
• Style / design notes: Six scrolling S-curve links, each set with three graduated rhinestones
• Stone or material notes: Round faceted iridescent rhinestones with a pink, blue and green color shift
• Function: Choker necklace with a hook clasp and an adjustable extender chain finished with a ball charm
• Color: Gold tone, pink, blue, iridescent
• Condition: Good vintage condition. Wear to the gold tone and light tarnish on the extender chain, and some darkening at the jump rings.
• Measurement: 16" (adjustable)

Collected by Mineral and Matter

Description
A creamy faux pearl rests on each layered gold chevron, with a single clear rhinestone set below it like a small star. These studs date to the 1980s and have the clean geometric lines of that era’s polished day jewelry. The stepped chevron frame catches light on every edge, and a brushed finish on the back keeps it refined. They’re easy for everyday wear and add a quiet touch of shine to more dressed-up looks.

Materials
Gold-tone metal, faux pearls, clear rhinestones

Details

• Era: 1980s
• Style / design notes: Layered chevron frame with beaded accents and a brushed back
• Stone or material notes: Round cream faux pearls, plus a bezel-set round clear rhinestone in each earring
• Function: Pierced post earrings with butterfly backs
• Color: Bright gold tone, cream, clear
• Condition: Excellent vintage condition. Light surface marks on the gold tone.

Collected by Mineral and Matter

Description
A creamy faux pearl rests on each layered gold chevron, with a single clear rhinestone set below it like a small star. These studs date to the 1980s and have the clean geometric lines of that era’s polished day jewelry. The stepped chevron frame catches light on every edge, and a brushed finish on the back keeps it refined. They’re easy for everyday wear and add a quiet touch of shine to more dressed-up looks.

Materials
Gold-tone metal, faux pearls, clear rhinestones

Details

• Era: 1980s
• Style / design notes: Layered chevron frame with beaded accents and a brushed back
• Stone or material notes: Round cream faux pearls, plus a bezel-set round clear rhinestone in each earring
• Function: Pierced post earrings with butterfly backs
• Color: Bright gold tone, cream, clear
• Condition: Excellent vintage condition. Light surface marks on the gold tone.

Collected by Mineral and Matter

Description
Five strands of champagne-cream faux pearls fall together on this bracelet like a soft cascade of moonlight. This signed Coro piece dates to the 1950s–1960s. It is finished with an openwork clasp of scrolling leaves and twisted rope detail, typical of the house’s polished, feminine designs. Each pearl is linked on its own gold-tone wire, so the strands move freely and settle easily around the wrist. It works for an evening out and also pairs well with a simple sweater.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1950s–1960s
• Markings: Signed Coro (script) on the clasp
• Style / design notes: Five strands of wire-linked pearls in rosary style, joined by a pierced leaf-and-rope filigree clasp
• Stone or material notes: Round champagne-cream faux pearls
• Function: Bracelet with a slide-in box clasp
• Color: Gold tone, champagne cream
• Condition: Good vintage condition. A few pearls have small coating chips, and some wire links show spots of verdigris.
• Measurement: 8"

Collected by Mineral and Matter

Description
Three fine gold chains fall in graduated arcs below a pair of rhinestone stations, like moonlight on water. The necklace dates to the 1980s, and its draped, layered shape gives the look of several necklaces in a single piece. Each station holds two rows of prong-set clear rhinestones that add a little sparkle at the collarbone. The faceted chain catches light with every movement and lies smooth against the skin, so it works for evening and also adds a polished touch during the day.

Materials
Gold-tone metal, clear rhinestones

Details

• Era: 1980s
• Style / design notes: Three-tier swag drape of fine faceted chain, hung between two double-row rhinestone stations
• Stone or material notes: Round clear rhinestones in prong settings
• Function: Necklace with a spring ring clasp
• Color: Gold tone, clear
• Condition: Good vintage condition. Light wear to the gold tone where the chains join the stations, and a few rhinestones look slightly dulled.
• Measurement: 18" (side chains and shortest layer)

Collected by Mineral and Matter

Description
A pale aqua stone sits at the center of this gently curved bar, the soft blue of early morning sky, with two small clear stones set on each side. The necklace dates to the 1980s–1990s and was made in the style of the classic fine-jewelry bar necklaces of that period. The brushed bar follows the curve of the collarbone, and a fine serpentine chain catches light as it moves. It is simple and wearable every day, and it layers easily with other pieces.

Materials
Gold-tone metal, pale aqua glass stone, clear rhinestones

Details

• Era: 1980s
• Style / design notes: Curved bar with a brushed finish, a raised four-prong center setting, and a textured back
• Stone or material notes: Oval faceted pale aqua stone, open back, with four round prong-set clear rhinestones
• Function: Necklace on a serpentine chain with a spring ring clasp
• Color: Gold tone, pale aqua, clear
• Condition: Good vintage condition. Light wear to the gold tone on the bar ends and small surface marks on the center stone.
• Measurement: 1.25" center bar, 9" chain on each side

Collected by Mineral and Matter

Description
A row of small faux pearls is woven between two fine gold serpentine chains, which cross over each pearl like a delicate lattice catching light. This signed Napier piece dates to the 1980s, when the house was known for pairing classic pearls with polished gold-tone chain. It drapes softly and keeps the pearls in a neat, even line. At 24", it sits just below the collarbone, so it works on its own or layered with a pendant.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Markings: Signed Napier © on the oval clasp tag
• Style / design notes: Single row of faux pearls threaded through a lattice of two serpentine chains
• Stone or material notes: Round cream faux pearls
• Function: Necklace with spring ring clasp
• Color: Gold tone, cream
• Condition: Good vintage condition. Several pearls near the clasp show coating wear, and short thread ends are visible at a few pearls.
• Measurement: 24"

Collected by Mineral and Matter

Description
This single strand of faux pearls grows from fine seed-sized beads at the clasp to full, luminous pearls at the center, the way a crescent moon swells to full. It dates to the 1950s–1960s, when Japan was producing finely coated glass pearls for export. The graduated shape sits naturally at the base of the throat, and an engraved silver-tone box clasp finishes it neatly. It works on its own or layered with chains and pendants, as shown.

Materials
Faux glass pearls, silver-tone metal clasp

Details

• Era: 1950s–1960s
• Markings: Stamped JAPAN on the clasp
• Style / design notes: Single graduated strand with an engraved geometric box clasp
• Stone or material notes: Round faux glass pearls with a soft white luster, graduated from small to large
• Function: Necklace with box clasp
• Color: Soft white, silver tone
• Condition: Good vintage condition. A few pearls have small dark flecks and light coating wear. The thread is slightly loose near the clasp, leaving a small gap, and the bead tips are discolored.
• Measurement: 17.5"

Collected by Mineral and Matter

Description
A single strand of soft cream faux pearls falls in an easy line, glowing like a string of small moons. The necklace dates to the 1950s–1960s. Each pearl is hand-knotted on silk-style thread, the way fine strands were finished, so the pearls sit apart and drape smoothly. It closes with an oval filigree fishhook clasp engraved with scrolling hearts. At 24", it reaches past the collarbone and works for everyday wear as well as more polished occasions.

Materials
Faux pearls, gold-tone metal clasp

Details

• Era: 1950s–1960s
• Style / design notes: Single strand of hand-knotted pearls with an engraved oval filigree fishhook clasp
• Stone or material notes: Round cream faux pearls with a soft pink luster
• Function: Necklace with fishhook clasp
• Color: Cream, gold tone
• Condition: Good vintage condition. Small coating chips and dark flecks on some pearls, one pearl near the clasp is slightly yellowed, and the gold tone on the clasp is lightly worn.
• Measurement: 24"

Collected by Mineral and Matter

Description
Four small faux pearls surround a single clear rhinestone like petals around a point of starlight. The pendant dates to the 1980s and is made in the Victorian revival style. An open oval frame with leaf motifs at the four points surrounds the center, and a soft white wash settles into the recesses, giving the gold tone an aged, heirloom look. The piece is small and quiet, and it rests easily at the collarbone for everyday wear.

Materials
Gold-tone metal, faux pearls, clear rhinestone, silver-tone chain

Details

• Era: 1970s-1980s
• Style / design notes: Victorian revival quatrefoil pendant in an open oval frame with leaf-tipped points, beaded edging and an antiqued white wash
• Stone or material notes: Four cream faux pearls in bezel cups around a bezel-set round clear rhinestone
• Function: Pendant necklace on a cable chain with a spring ring clasp
• Color: Antiqued gold tone, cream, clear, silver tone
• Condition: Good vintage condition. Wear to the gold tone and some spotting on the back of the pendant. The chain has light tarnish.
• Measurement: 18" chain, 1" pendant including bail

Collected by Mineral and Matter

Description
Small clusters of faux pearls sit along this fine gold chain like a scattering of moons on a long orbit. It dates to the 1980s, and each station has a larger pearl between two smaller ones, framed by polished gold beads. The faceted chain catches light with every movement and lies flat and smooth against the skin. At 30", it can be worn long on its own, doubled close at the neck, or layered with a pendant, as shown.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Style / design notes: Station necklace with faux pearl trios set between gold-tone spacer beads on a fine faceted chain
• Stone or material notes: Round cream faux pearls in graduated sizes
• Function: Long chain necklace with a spring ring clasp
• Color: Gold tone, cream
• Condition: Excellent vintage condition
• Measurement: 30"

Collected by Mineral and Matter

Description
A round faux pearl sits low in each teardrop frame, held in a beaded crown setting like a small moon caught in a halo of gold. They date to the 1970s–1980s and are made in the Victorian revival style. Above the pearl, the gold tone opens into a heart-shaped window, and a soft brushed finish gives it a warm glow. The earrings hang on kidney wires and move gently as you turn your head. They are graceful for everyday wear and stack easily with small studs.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1970s–1980s
• Style / design notes: Victorian revival teardrop drops with an open-heart cutout, beaded crown pearl settings, and a star-riveted back cap
• Stone or material notes: Round cream faux pearls with soft pink luster
• Function: Pierced dangle earrings on kidney ear wires
• Color: Gold tone, cream
• Condition: Good vintage condition. Coating wear and fine scratches on one pearl, light wear on the gold tone, and slight discoloration at the top jump rings.
• Measurement: Hangs 1.5"

Collected by Mineral and Matter

Polished discs alternate with open rings around this bracelet like a row of small moons, each one crossed by a band of engraved flowers and leaves. It is a signed Sarah Coventry piece from the 1970s and reflects the brand’s taste for clean, wearable design with a touch of romantic detail. The links bend easily around the wrist and catch light on both the bright metal and the etched sections. It looks lovely on its own and stacks well with watches, cameos and fine chains.

Materials
Silver-tone metal

Details

• Era: 1970s
• Markings: Stamped SARAH COV © on the clasp
• Style / design notes: Round disc links with engraved floral bands, joined by open ring links
• Function: Link bracelet with a fold-over box clasp
• Color: Bright silver tone
• Condition: Great vintage condition. Some darkened tarnish on the backs of a few discs, and light surface wear.
• Measurement: 7.5"

Collected by Mineral and Matter

A slender faux pearl rests inside each sculpted gold calla lily, like a drop of moonlight held in a curled petal. These Avon studs date to the 1980s and bring the soft, organic shape of the calla lily into a polished, wearable form. The bright gold tone catches light along each fold. They are graceful on their own and stack easily with drops or huggies.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Markings: Avon circle mark on the backs and on the ear nuts
• Style / design notes: Sculpted calla lily flowers with curled petals and a brushed back finish
• Stone or material notes: Elongated cream faux pearl centers
• Function: Pierced post earrings with original Avon ear nuts
• Color: Bright gold tone, cream
• Condition: Great vintage condition. Light surface marks on the gold tone.

Collected by Mineral and Matter

An open wire heart frames a looped flower, and a spray of rhinestone-tipped rays falls beneath it like a trail of shooting stars. The brooch dates to the 1940s and has the airy, sculptural line of Retro-era wirework. The center rhinestone is ringed by looped petals, and the slender rays fan out below, each finished with its own prong-set stone. It is light and open, and works as a romantic accent on a lapel or the collar of a coat.

Materials
Gold-tone metal, clear and smoky rhinestones

Details

• Era: 1940s
• Style / design notes: Open wire heart with a looped petal flower and a fanned shooting star spray
• Stone or material notes: Prong-set round rhinestones in clear and smoky gray
• Function: Brooch with C-clasp pin back
• Color: Gold tone, clear, smoky gray
• Condition: Good vintage condition. Several stones are clouded or darkened, the gold tone is lightly worn, and there are small spots of verdigris on the back.
• Measurement: 1" x 1.9"

Collected by Mineral and Matter

A large faux pearl rests at the center of this brooch like a full moon, flanked by smaller pearl petals and seed pearl accents. It dates to the 1980s and is made in the Victorian revival style. The frame is shaped like a pointed shield and edged with beading, embossed scrollwork and openwork finials. Even the back is stamped with a swirling acanthus pattern, a detail most people will never see. The piece looks romantic on a lapel or the collar of a soft blouse.

Materials
Gold-tone metal, faux pearls

Details

• Era: 1980s
• Style / design notes: Victorian revival shield-shaped frame with beaded bezels, embossed scrolls, openwork finials and a scroll-patterned back
• Stone or material notes: Large oval cream faux pearl cabochon, two navette faux pearl cabochons and four small round faux pearls
• Function: Brooch with a pin back and rollover safety clasp
• Color: Antiqued gold tone, cream
• Condition: Great vintage condition. Light wear to the coating on the center pearl and minor surface marks on the frame.
• Measurement: 1.1" x 2.1"

Collected by Mineral and Matter