A pair of 1980s Avon half hoops in bright gold-tone, each shaped as a length of open curb chain curved into an arc. The flattened links catch the light at every angle, bold in pattern but small in scale. Chain motifs ran through the decade's jewelry, and these carry that confidence in an easy, everyday size. They wear on posts with signed butterfly backs.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Markings: Avon stamped on the earring backs
• Style / design notes: open curb (Cuban) link half hoops
• Function: pierced, post with butterfly backs
• Color: gold
• Condition: Excellent vintage condition
• Measurement: 0.8" diameter

Collected by Mineral and Matter

Description
A 1970s band ring carved from a single piece of green stone, its surface mottled in olive, moss, and grey with dark veining. The color drifts across the band like lichen on rock, no two angles quite alike. Solid stone rings of this kind were a staple of the decade's turn toward natural materials. The rounded profile sits smooth and cool on the hand.

Materials
Carved green stone

Details

• Era: 1970s
• Style / design notes: solid carved stone band with domed profile
• Stone or material notes: mottled olive green stone with grey and dark inclusions; untested, likely serpentine or a jade-style stone
• Color: olive green
• Condition: Good vintage condition, with a matte, worn surface and small nicks along the edges
• Measurement: size 7.5

Collected by Mineral and Matter

A small sailing ship in the Spanish damascene tradition, its black ground inlaid with gold-tone scrolls and beaded silver-tone borders. Two billowing sails carry red and gold rosettes, and a sculpted bird-headed prow rises from the hull. The open, dimensional form catches light from every angle and stays light against the collarbone. It hangs from a new 14k gold filled cable chain, easy to layer or wear alone.

Materials Details

• Era: 1960s–1970s
• Style / design notes: Toledo-style damascene, sailing ship with bird-form figurehead, rosette sails, pennant flag, scrolled arabesque and beaded detailing
• Stone or material notes: Gold-tone metal, black enamel-style ground, red and silver-tone accents; new 14k gold filled chain
• Function: Pendant necklace with spring ring clasp
• Color: Black, gold, red, silver
• Condition: Great vintage condition

Measurement: 22" chain, 1" pendant

A small pendant shaped like a Spanish castanet, worked in the Toledo damascene tradition. Gold-tone scrolls are inlaid against a blackened ground, divided by a beaded silver-tone band. The shallow, hollow back keeps it light, and at half an inch it sits quietly at the collarbone. It hangs from a fine gold-tone curb chain, easy to layer or wear alone.

Materials Details

• Era: 1960s–1970s
• Style / design notes: Toledo-style damascene, castanet-shaped pendant with scrolled arabesque detailing and beaded accent band
• Stone or material notes: Gold-tone metal, black enamel-style ground, silver-tone accents
• Function: Pendant necklace with spring ring clasp
• Color: Black, gold, silver
• Condition: Great vintage condition

Measurement: 18" chain, 0.5" pendant

Collected by Mineral and Matter

Description
A 1980s collar necklace in textured gold-tone, its two tapering arms curving toward the back like a pair of tusks or a crescent moon. A band of glossy black enamel spans the front, held between ribbed coils edged with fine beading. The brushed bark-like finish against the smooth black gives it depth without ornament. It opens at the back and slips on without a clasp.

Materials
Gold-tone base metal, black enamel

Details

• Era: 1980s
• Style / design notes: rigid open collar with tapered textured arms, ribbed coil joints, and enamel center section
• Stone or material notes: black enamel
• Function: open back, slips on without a clasp
• Color: gold and black
• Condition: Great vintage condition, with light wear to the gold-tone finish on the end caps and beaded edges

Collected by Mineral and Matter

Description
A 1980s Monet collar in polished gold-tone, its ribbed links widening gently toward the front. The flexible gas pipe construction curves to the neck and holds a clean, unbroken line. Monet was known for the weight and finish of its plating, and this piece carries that warm, even glow. It closes with a signed double fold-over clasp.

Materials
Gold-tone plated base metal

Details

• Era: 1980s
• Markings: MONET © on both clasps and connector
• Style / design notes: graduated omega collar with ribbed gas pipe links
• Function: double fold-over clasp
• Color: gold
• Condition: Great vintage condition, with light wear to the gold-tone finish near the clasp ends on the reverse
• Measurement: 16"

Collected by Mineral and Matter

A small gold beetle with wings parted mid-flight, its surface hammered into a soft, light-catching texture. Green rhinestone eyes add a quiet flash of color. The sculpted legs and antennae give it the detail of a natural specimen. Light enough to wear on a lapel, scarf, or knit.

Materials Details

• Era: 1970s–1980s
• Style / design notes: Textured open-wing beetle, sculpted legs and antennae, ridged detailing on the underside
• Stone or material notes: Gold-tone metal, green rhinestone eyes
• Function: Pin brooch with C-clasp closure
• Color: Gold, green
• Condition: Great vintage condition

Measurement: 1" by 0.75"

Collected by Mineral and Matter

Description
A 1960s collar necklace in soft gold-tone, built from brushed rectangular panels that fan outward like rays. Each panel is edged with small polished cubes, so matte and bright surfaces alternate along the curve. The form echoes the broad collars of ancient Egypt, a look that returned to fashion in the early 1960s. A box link extender and hook let it sit high at the throat or lower on the collarbone.

Materials
Gold-tone base metal

Details

• Era: 1960s
• Style / design notes: Egyptian Revival collar with brushed linen-texture panels and polished cube link borders
• Function: hook closure with adjustable box link extender
• Color: gold
• Condition: Great vintage condition, with light wear to the gold-tone finish on the reverse and hook
• Measurement: main part 12", extender 5"

Collected by Mineral and Matter

Description
A 1980s brass collar from India, shaped as an open torque that narrows at the back and deepens to a soft point at the front. Polished brass and blackened metal meet in angular planes, their edges traced with fine serrated lines. The form is spare and architectural, somewhere between a crescent and a blade of light. It slips on without a clasp and sits close at the collarbone.

Materials
Brass with blackened finish

Details

• Era: 1980s
• Markings: "Made in India" sticker on reverse
• Style / design notes: rigid open collar with V-shaped front and geometric two-tone pattern
• Function: open back, slips on without a clasp
• Color: black and gold
• Condition: Good vintage condition, with patina, surface scratches, and wear to the blackened finish

Collected by Mineral and Matter

Description
A pair of 1950s Japanese damascene earrings, each an open circle that widens toward the base like a crescent moon. Gold inlay on the matte black ground traces pine boughs, blossoms, and a bird in flight, with fine line work between. The technique sets precious metal foil into a finely scored surface, a craft long associated with Kyoto. Light and flat, they hang easily from simple wire hooks.

Materials
Gold-tone metal with black and gold damascene inlay, gold-tone ear wires

Details

• Era: 1950s
• Style / design notes: open circle crescent hoops in Japanese damascene (zogan) work; pine, blossom, and bird motifs
• Stone or material notes: gold inlay on matte black ground, prong-set in gold-tone frames
• Function: pierced, wire hooks
• Color: black and gold
• Condition: Great vintage condition, with light surface scratches to the gold-tone backs
• Measurement: 1.25"

Collected by Mineral and Matter

Description
A 1970s–1980s snail link bracelet in warm gold-tone, each link coiled into a soft spiral like a shell turned on its side. The scroll chain has a long history in Italian goldwork, and this version carries the same rhythm in a substantial, polished weight. It sits flat against the wrist and layers easily with finer chains or a watch. Finished with a spring ring clasp.

Materials
Gold-tone base metal

Details

• Era: 1970s–1980s
• Style / design notes: Snail (scroll) link chain with flat, polished spiral links
• Function: Spring ring clasp closure
• Color: Gold-tone
• Condition: Great vintage condition, light surface wear to the gold-tone on the links
• Measurement: 8"

Collected by Mineral and Matter

Description
A 1980s herringbone bracelet in 24K gold bonded metal, its flat links laid in a close, slanting pattern that catches light like scales or rippled water. The chain lies smooth and fluid against the wrist. Herringbone was a signature of the decade, and this one carries that warm, liquid gold look in a slim everyday width. It closes with a lobster clasp.

Materials
24K gold bonded (gold plated) base metal

Details

• Era: 1980s
• Markings: 24K GB and GC on clasp tag
• Style / design notes: flat herringbone chain
• Function: lobster clasp
• Color: gold
• Condition: Great vintage condition
• Measurement: 8"

Collected by Mineral and Matter

Description
A 1990s Elgin ladies watch with an oval mother of pearl dial that shifts between soft pink and silver in the light. The bracelet is built from long bars of pale green stone, each framed in gold-tone and joined by small beaded links. A dark cabochon crown finishes the case. Slim and light, it reads as much like a bracelet as a timepiece.

Materials
Gold-tone base metal, stainless steel case back, mother of pearl dial, pale green jade-style stone

Details

• Era: 1990s
• Markings: Elgin on dial; case back marked Elgin EG092, Base Metal Bezel, Stainless Steel Back, Japan Movt, Battery 377; clasp marked China
• Style / design notes: oval case with stone panel link bracelet and beaded connectors
• Stone or material notes: mother of pearl dial with pale green stone panels and a dark cabochon crown
• Function: quartz watch with fold-over clasp
• Color: gold, pale green, and iridescent white
• Condition: Great vintage condition, with light surface wear to the gold-tone on the back of the links. UNTESTED, could need a battery or more to work
• Measurement: 7"

Collected by Mineral and Matter

Description
A 1940s–1950s wooden bangle wrapped in a band of micro mosaic inlay, the pattern built from tiny squares of light and dark wood. Arches and small cross forms repeat around the circumference like a woven border or a line of distant hills. The technique recalls Tunbridge-style marquetry, where slender wood rods are bundled and sliced to form a design. Slim and light on the wrist, it wears easily alone or in a stack.

Materials
Wood with wood mosaic inlay

Details

• Era: 1940s–1950s (broad estimate)
• Style / design notes: slim bangle with geometric micro mosaic marquetry band in a repeating arch motif
• Stone or material notes: pale blond wood with dark brown inlay, lacquered finish
• Color: honey and dark brown
• Condition: Good vintage condition, with a visible seam and small gap where the inlay band joins and light wear to the lacquer

Collected by Mineral and Matter

Description
A 1980s Avon bracelet in woven gold-tone mesh, soft and rounded like a length of spun rope. A polished bar spans the center, opened in a long oval window so the mesh shows through beneath. The contrast of smooth metal and fine weave gives it quiet texture without weight. It closes with a fold-over clasp and sits easily alone or stacked.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Markings: © AVON on clasp
• Style / design notes: tubular mesh bracelet with polished center bar and oval cutout window
• Function: fold-over clasp
• Color: gold
• Condition: Great vintage condition, with light wear to the gold-tone finish on the clasp
• Measurement: size 7"

Collected by Mineral and Matter

A 1930s Japanese damascene box in a softly rounded oval, its matte black ground inlaid with gold-tone scenes from the Egyptian Revival. On the lid, two figures in patterned robes face an offering table where a small bird perches beside an urn. Fan bearers, vessels, and a long-beaked creature circle the sides, with a serpent winding along each face of the lid, all hand-chased in fine line and dot work. Raised on four brass feet, it holds rings, pills, or small keepsakes.

Materials
Blackened iron or steel with gold-tone damascene inlay, brass trim, feet, and interior

Details

• Era: 1930s
• Markings: "R/RH" hand-inked on the interior base
• Style / design notes: Egyptian Revival motifs in Japanese damascene (zogan) work; figural scene on lid, decorated on all sides with cartouche seal and serpent borders
• Stone or material notes: hand-chased gold-tone inlay on matte black ground
• Function: hinged, footed trinket or pill box
• Color: black and gold
• Condition: Good vintage condition, with gold-tone wear on the lid figures and along the hinge, light wear to the black finish, and spotting to the brass interior
• Measurement: approximately 3" x 2" x 1.5"

Collected by Mineral and Matter

A 1930s damascene box, its matte black ground inlaid with a gold-tone scene from the Egyptian Revival. On the lid, a seated pharaoh holds crook and flail before a spotted, open-jawed beast, with a bird alighting overhead. The sides carry a winged scarab, a falcon, and a reed boat with two seated figures, each hand-chased in fine feather and scale work. Raised on four brass feet, it keeps rings, cards, or small treasures close at hand.

Materials
Blackened iron or steel with gold-tone damascene inlay, brass trim, feet, and interior

Details

• Era: 1930s
• Style / design notes: Egyptian Revival motifs in Japanese damascene (zogan) work; figural scene on lid with cartouche seal, decorated on all four sides
• Stone or material notes: hand-chased gold-tone inlay on matte black ground
• Function: hinged, footed trinket or cigarette box
• Color: black and gold
• Condition: Good vintage condition, with patina and spotting to the brass interior and light wear to the trim and feet
• Measurement: approximately 3.5" x 4.5" x 1.4"

Collected by Mineral and Matter

A 1930s Japanese damascene case, its matte black ground inlaid with gold-tone figures drawn from the Egyptian Revival. One side holds a kneeling figure and a striding attendant at the foot of a pyramid; the other, a jackal-headed Anubis standing watch. Each figure is hand-chased with tiny punched florets and scale work, a quiet record of the maker's patience. Slim and softly domed, it carries cards or small keepsakes as easily as it once carried cigarettes.

Materials
Blackened iron or steel with gold-tone damascene inlay, brass frame, elastic retaining straps

Materials
Blackened iron or steel with gold-tone damascene inlay, brass frame, elastic retaining straps

Details

• Era: 1930s
• Style / design notes: Egyptian Revival motifs in Japanese damascene (zogan) work; figural scene on front, Anubis and pyramid on reverse, cartouche seals on both sides
• Stone or material notes: hand-chased gold-tone inlay on matte black ground
• Function: hinged cigarette or card case with push clasp and two interior elastic straps
• Color: black and gold
• Condition: Good vintage condition, with gold-tone loss on the front base bar and scattered wear to the black finish
• Measurement: approximately 3.5" x 3" 

Collected by Mineral and Matter

A 1920s–1930s damascene cigarette case marked K24, with an Egyptian Revival design worked in gold on blackened steel. One side carries a procession of pharaohs, attendants, and jackal-headed Anubis beneath a band of hieroglyphs; the other, a single profile of Nefertiti set alone in a field of black. A dense border of figures and symbols wraps the edges, and the gilt interior is stamped with a hexagonal flower pattern. It is a meeting of two traditions: Kyoto metalwork answering the Egyptian craze that followed the opening of Tutankhamun's tomb.

Materials
Blackened steel with 24K gold damascene inlay, gilt metal interior

Details

• Era: 1920s–1930s
• Markings: K24 on the Nefertiti side
• Style / design notes: Rectangular case with rounded corners, decorated on both sides and around the borders; patterned gilt interior with two hinged retaining arms
• Function: Hinged case with push-button clasp; suits cigarettes or cards
• Color: Black, gold
• Condition: Good vintage condition, wear to the gold along the borders and edges, small losses at the top of the procession panel, a few oxidation spots on the Nefertiti profile, and spotting to the interior gilt
• Measurement: Approximately 4.2" by 3.2"

Collected by Mineral and Matter

A 1920s–1930s Egyptian Revival cigarette case in damascene work, with large gold figures inlaid on matte blackened steel. One side shows a robed figure raising a fan before a seated statue on a pedestal; the other, a striding figure with a staff beside a papyrus plant and a small cartouche. The hand-chased detail in the gold, from scaled wigs to dotted robes, speaks to the wave of Egyptian design that followed the opening of Tutankhamun's tomb in 1922. Slim and softly curved to sit in a pocket, it works just as well today for cards.

Materials
Blackened steel with gold damascene inlay, gilt interior frame

Details

• Era: 1920s–1930s
• Style / design notes: Cushion-shaped case decorated on both sides with large inlaid and chased figural scenes; unmarked
• Function: Hinged case with push-button clasp and interior elastic strap; suits cigarettes or cards
• Color: Black, gold
• Condition: Good vintage condition, some gold loss and oxidation in the background near the figures on one side, light wear to the gilt edges, and fraying to the interior elastic
• Measurement: Approximately 3.4" by 3"

Collected by Mineral and Matter

A 1920s–1930s Egyptian Revival pyramid in damascene work, the larger of two, with gold inlay against a deep brown patinated ground. Its four faces show the Sphinx before the pyramids of Giza, a pharaoh hunting from a reed boat, a royal couple beneath the rays of the sun, and a procession of figures above a winged scarab. Pieces like this followed the opening of Tutankhamun's tomb in 1922, when Egyptian imagery swept through the decorative arts. It fills the palm and has the quiet weight of an object made to be kept on a desk.

Materials
Patinated steel with gold damascene inlay

Details

• Era: 1920s–1930s
• Style / design notes: Four-sided pyramid with a different engraved and inlaid scene on each face, sun disc at each apex, hieroglyphic borders; unmarked
• Function: Paperweight or desk object
• Color: Dark brown, gold
• Condition: Good vintage condition, wear to the gold inlay, small spots of bare metal and oxidation along the edges and on two faces, and patina on the base, please see images
• Measurement: 2.3" by 2.3" by 2"

Collected by Mineral and Matter

A 1920s–1930s Egyptian Revival pyramid in damascene work, each of its four faces inlaid in gold against blackened steel. One side shows the Sphinx before the pyramids of Giza; the others carry a pharaoh hunting from a reed boat, a royal couple beneath the rays of the sun, and a figure among hieroglyphs. Pieces like this followed the opening of Tutankhamun's tomb in 1922, when Egyptian imagery swept through decorative arts and damascene workshops answered with their own versions. Small enough to sit in the palm, with the weight and presence of a desk talisman.

Materials
Blackened steel with gold damascene inlay

Details

• Era: 1920s–1930s
• Style / design notes: Four-sided pyramid with a different engraved and inlaid scene on each face, sun disc at each apex, hieroglyphic borders; unmarked
• Function: Paperweight or desk object
• Color: Black, gold
• Condition: Good vintage condition, areas of gold loss, oxidation along the lower edges and corners, and scratches and patina on the base, please see images
• Measurement: 1.6" by 1.6" by 1.4"

Collected by Mineral and Matter

A 1920s–1930s Egyptian Revival pyramid in damascene work, each of its four faces inlaid in gold against blackened steel. One side shows the Sphinx before the pyramids of Giza; the others carry a pharaoh hunting from a reed boat, a royal couple beneath the rays of the sun, and a figure among hieroglyphs. Pieces like this followed the opening of Tutankhamun's tomb in 1922, when Egyptian imagery swept through decorative arts and damascene workshops answered with their own versions. Small enough to sit in the palm, with the weight and presence of a desk talisman.

Materials
Blackened steel with gold damascene inlay

Details

• Era: 1920s–1930s
• Style / design notes: Four-sided pyramid with a different engraved and inlaid scene on each face, sun disc at each apex, hieroglyphic borders; unmarked
• Function: Paperweight or desk object
• Color: Black, gold
• Condition: Good vintage condition, areas of gold loss, oxidation along the lower edges and corners, and scratches and patina on the base, please see images
• Measurement: 1.9" by 1.9" by 1.5"

Collected by Mineral and Matter

A 1920s–1930s Egyptian Revival pyramid in damascene work, the larger of two, with gold inlay against a deep brown patinated ground. Its four faces show the Sphinx before the pyramids of Giza, a pharaoh hunting from a reed boat, a royal couple beneath the rays of the sun, and a procession of figures above a winged scarab. Pieces like this followed the opening of Tutankhamun's tomb in 1922, when Egyptian imagery swept through the decorative arts. It fills the palm and has the quiet weight of an object made to be kept on a desk.

Materials
Patinated steel with gold damascene inlay

Details

• Era: 1920s–1930s
• Style / design notes: Four-sided pyramid with a different engraved and inlaid scene on each face, sun disc at each apex, hieroglyphic borders; unmarked
• Function: Paperweight or desk object
• Color: Dark brown, gold
• Condition: Good vintage condition, wear to the gold inlay, small spots of bare metal and oxidation along the edges and on two faces, and patina on the base
• Measurement: 2.3" by 2.3" by 2"

Collected by Mineral and Matter

A 1920s–1930s Egyptian Revival pyramid in damascene work, each of its four faces inlaid in gold against blackened steel. One side shows the Sphinx before the pyramids of Giza; the others carry a pharaoh hunting from a reed boat, a royal couple beneath the rays of the sun, and a figure among hieroglyphs. Pieces like this followed the opening of Tutankhamun's tomb in 1922, when Egyptian imagery swept through decorative arts and damascene workshops answered with their own versions. Small enough to sit in the palm, with the weight and presence of a desk talisman.

Materials
Blackened steel with gold damascene inlay

Details

• Era: 1920s–1930s
• Style / design notes: Four-sided pyramid with a different engraved and inlaid scene on each face, sun disc at each apex, hieroglyphic borders; unmarked
• Function: Paperweight or desk object
• Color: Black, gold
• Condition: Good vintage condition, small areas of gold loss, oxidation along the lower edges and corners, and scratches and patina on the base
• Measurement: 1.9" by 1.9" by 1.5"

Collected by Mineral and Matter

Description
Eleven small oval links each hold a different figure: a bee, a coiled serpent, a flower, a heart, and stones in turquoise, coral, pearl, and green. A 1960s–1970s piece by Goldette, the New York house known for its Victorian Revival designs modeled on antique slide bracelets. Every link sits on openwork filigree in an antiqued gold tone, like a row of tiny specimens gathered from a garden. Slim and light, it wears easily every day.

Materials
Gold-tone metal, rhinestones, faux pearls, glass and resin cabochons

Details

• Era: 1960s–1970s
• Markings: © Goldette on clasp
• Style / design notes: Victorian Revival bracelet of eleven oval filigree links in slide charm style, each with a different motif
• Stone or material notes: Red, blue, green, clear, and topaz rhinestones; faux pearls; turquoise and coral colored beads; green cabochon
• Function: Fold-over clasp
• Color: Antiqued gold, multicolor
• Condition: Great vintage condition, with light gold-tone wear on the connecting rings

Measurement: 7.5"

Collected by Mineral and Matter

Description
Six curved panels carry alternating geometric and arabesque patterns in gold against a blackened ground, like constellations drawn on a night sky. A 1960s–1970s piece in the damascene tradition of Toledo, Spain, a craft descended from Moorish metalwork in which fine gold designs are laid into darkened steel. The panels are joined by fluted double links, and the reverse of each is finished in an engine-turned diamond pattern. It closes with a box clasp and safety chain for secure everyday wear.

Materials
Gold-tone metal, damascene inlay

Details

• Era: 1960s–1970s
• Markings: Square maker's emblem stamped on clasp
• Style / design notes: Six curved damascene panels in two alternating Moorish patterns, fluted double bar links, engine-turned reverse
• Function: Box clasp with safety chain
• Color: Gold, black
• Condition: Great vintage condition, with slight discoloration on the safety chain hook

Measurement: 8" bracelet, 2.5" safety chain

Collected by Mineral and Matter

Description
Seven domed leaves, each brushed with fine veining and finished with two small curling tendrils, link into a bracelet with the movement of a vine. A 1950s–1960s piece by Monet, from the years when the house was known for sculptural leaf designs in heavy gold-tone metal. The satin texture softens the light, set off by polished barrel joints between each leaf. It closes with a fold-over clasp and carries its original safety chain and Monet tag.

Materials
Gold-tone metal

Details

• Era: 1950s–1960s
• Markings: Monet on hang tag
• Style / design notes: Seven domed leaf links with brushed veining, curled tendril accents, and polished barrel connectors
• Function: Fold-over clasp with safety chain
• Color: Gold
• Condition: Good vintage condition, with gold-tone wear on the connectors and safety chain; the safety chain's ring clasp appears damaged and does not look secure in the photos

Measurement: 7.5", safety chain 2.5"

Collected by Mineral and Matter

Description
Crossed bars with a pitted, lunar texture form an open lattice, each link centered by a small polished plane that catches light like a facet of raw crystal. A 1960s piece by Trifari, signed with the crown mark the house used through its strongest design years. The contrast of rough and smooth is a hallmark of the modernist costume jewelry of the decade. Flexible, light on the wrist, and easy to wear every day.

Materials
Gold-tone metal

Details

• Era: 1960s
• Markings: Crown Trifari © on clasp
• Style / design notes: Modernist openwork links of textured crossed bars with polished faceted centers
• Function: Fold-over clasp
• Color: Gold
• Condition: Great vintage condition

Measurement: 7"

Collected by Mineral and Matter

Description
Ribbed bars cross over one another in a tight basketweave, forming a flat collar with the texture of braided grass. A 1980s piece by Monet, made at the height of the house's reputation for substantial, well-finished gold-tone collars. The polished ridges catch light along every angle, and the links flex smoothly to follow the neck. It sits at the collarbone and carries an outfit on its own, day or evening.

Materials
Gold-tone metal

Details

• Era: 1980s
• Markings: © MONET on clasp, Monet on clasp tab
• Style / design notes: Flat woven collar of crossed ribbed bar links in a basketweave chevron pattern, with ridged end caps
• Function: Fold-over clasp
• Color: Gold
• Condition: Great vintage condition, with light surface wear on the clasp

Measurement: 18"

Collected by Mineral and Matter

Description
A ribbon of gold-tone metal loops over itself and settles around a faceted teardrop in deep emerald green, with four clear rhinestones curving beneath like a small arc of stars. A 1980s–1990s piece, shaped in the flowing swirl silhouette that defined the period's everyday pendants. The matte gold finish sets off the depth of the green stone. Light and understated on a fine cable chain, it suits daily wear.

Materials
Gold-tone metal, rhinestones

Details

• Era: 1980s–1990s
• Style / design notes: Looped swirl pendant with ribbed ribbon detail and matte finish, on a fine cable chain
• Stone or material notes: Faceted pear-shaped emerald green stone with four clear rhinestone accents
• Function: Spring ring clasp
• Color: Gold, emerald green, clear
• Condition: Great vintage condition, with light surface wear to the matte finish

Measurement: 19" chain, .75" pendant

Collected by Mineral and Matter

Description
A faceted oval stone in deep emerald green sits in four gold-tone prongs, flanked by two sweeping clusters of clear rhinestones like light scattering off a leaf. A 1980s–1990s piece, modeled on the cluster pendants of fine jewelry from the same years. The rhinestones are set in silver-tone prongs, a two-tone detail that sharpens their brightness against the gold. Small, bright, and easy to wear on its fine rope chain every day.

Materials
Gold-tone metal, rhinestones

Details

• Era: 1980s–1990s
• Style / design notes: Oval cluster pendant with asymmetrical rhinestone sprays, open-back setting, and split bail on a fine rope chain
• Stone or material notes: Faceted emerald green center stone with clear rhinestone surround
• Function: Lobster clasp
• Color: Gold, emerald green, clear
• Condition: Excellent vintage condition

Measurement: 18" chain, .75" pendant

Collected by Mineral and Matter

Description
A soft green cabochon, clouded like moss under water, rests inside a ring of clear rhinestones and a scalloped frame of twisted gold-tone rope. A 1980s–1990s piece in the Victorian Revival manner, drawing on the ornate halo pendants of an earlier century. The openwork border keeps the pendant light, and the setting is open at the back so the stone meets the light. It hangs on a fine rope chain at an easy everyday length.

Materials
Gold-tone metal, green stone, rhinestones

Details

• Era: 1980s–1990s
• Style / design notes: Victorian Revival oval pendant with rope-twist scalloped openwork frame and open-back setting, on a fine rope chain
• Stone or material notes: Oval green cabochon with natural-looking veining, resembling jade; clear rhinestone surround
• Function: Lobster clasp
• Color: Gold, soft green, clear
• Condition: Great vintage condition

Measurement: 19" chain, 1" pendant

Collected by Mineral and Matter

Description
Fine filigree radiates from a single amber rhinestone like rays from a small sun, wrapping both faces of a large oval locket. A 1960s–1970s piece in the Victorian Revival style, when ornate keepsake lockets returned on long chains. It opens to two framed windows, each ready to hold a photograph or a small memento. The warm, aged gold tone gives it a quiet presence for everyday wear.

Materials
Gold-tone metal, rhinestone

Details

• Era: 1960s–1970s
• Style / design notes: Victorian Revival oval locket with pierced sunburst filigree on both sides, hung from a double link rope chain
• Stone or material notes: Single amber-colored rhinestone at center front
• Function: Hinged double photo locket; spring ring clasp
• Color: Antiqued gold, amber
• Condition: Good vintage condition, with dark spotting on the reverse filigree, aged patina to the interior frames, and gold-tone wear on the clasp

Measurement: 23" chain, 1.5" locket

Collected by Mineral and Matter

Description
Small square tiles are set edge to edge, each offset against a finely textured border so the chain reads like a line of light on water. A 1970s–1980s piece by Monet, a house known for the weight and lasting finish of its gold-tone chains. The polished panels move fluidly and catch light one after another. Long enough to wear over a sweater or layered with a shorter strand, and easy for every day.

Materials
Gold-tone metal

Details

• Era: 1970s–1980s
• Markings: © Monet on clasp
• Style / design notes: Flat chain of polished square panel links with a textured stepped edge
• Function: Fold-over clasp
• Color: Gold
• Condition: Great vintage condition

Measurement: 23"

Collected by Mineral and Matter

Description
A faceted amber glass teardrop sits in a rope-edged setting at the center of a polished gold-tone disc, like a drop of resin caught on a small sun. A 1970s piece, from the decade that favored warm topaz tones and bold medallion pendants. The disc hangs from a curved bar on a flat curb chain, with a fine extender to change the length. Warm and substantial, it sits easily over a high neckline or against bare skin.

Materials
Gold-tone metal, glass

Details

• Era: 1970s
• Style / design notes: Round domed disc pendant with rope-twist bezel, suspended from a curved bar on flat curb chain
• Stone or material notes: Faceted pear-shaped glass stone in amber topaz
• Function: Spring ring clasp with extender chain
• Color: Gold, amber
• Condition: Good vintage condition, with light surface wear to the disc, some darkening around the setting, and gold-tone wear on the connector rings

Measurement: 8" each side of pendant, 2.5" extender chain

Collected by Mineral and Matter

Description
Tightly set curb links are pressed flat into a smooth ribbon that moves like poured light. A 1980s piece, from the years when sleek flat chains were worn alone at the collar. Each polished link reflects at a slightly different angle, giving the surface a soft shimmer as it shifts. Slim, fluid, and well suited to everyday wear or layering.

Materials
Gold-tone metal

Details

• Era: 1980s
• Style / design notes: Flat curb chain with close-set polished links, herringbone-style drape
• Function: Spring ring clasp
• Color: Gold
• Condition: Great vintage condition

Measurement: 19"

Collected by Mineral and Matter

Description
Each link curls inward in a flat double spiral, the pattern of a nautilus shell or a galaxy seen from above. A 1970s–1980s piece in the classic snail link, a chain style that defined bold gold-tone jewelry of the period. The polished faces lie flat and throw a steady, mirror-like light. Substantial without being heavy, it wears well alone and every day.

Materials
Gold-tone metal

Details

• Era: 1970s–1980s
• Style / design notes: Snail (scroll) link chain of flat polished S-spiral links with small curb connectors
• Function: Spring ring clasp
• Color: Gold
• Condition: Great vintage condition

Measurement: 18"

Collected by Mineral and Matter

Description
Large open links, each given a single soft twist, join in a loose curb chain that reads like a ribbon turned in the wind. A 1980s–1990s piece from the years of bold, airy gold-tone chains. The links are flattened on the inside and rounded at the edge, so they catch light along their curves. Generous in scale yet light on the wrist, and easy to wear every day.

Materials
Gold-tone metal

Details

• Era: 1980s–1990s
• Style / design notes: Oversized open curb chain of twisted oval links with a large spring ring closure
• Function: Spring ring clasp
• Color: Gold
• Condition: Good vintage condition, with light surface wear and some darkening on the inner faces of the links

Measurement: 8.5"

Collected by Mineral and Matter

Description
Two ribbons of gold-tone metal sweep past each other, each holding a trio of clear rhinestones like small constellations. A 1970s–1980s piece from the era of sculptural bypass cocktail rings, with brushed bark texture set against polished edges. The stones sit in silver-tone prongs, a two-tone detail borrowed from fine jewelry of the time. Bold in shape yet comfortable for regular wear.

Materials
Gold-tone metal, rhinestones

Details

• Era: 1970s–1980s
• Style / design notes: Bypass swirl cocktail ring with bark-textured ribbons, polished edges, and silver-tone prong settings
• Stone or material notes: Six clear rhinestones in two clusters of three
• Color: Gold, clear
• Condition: Good vintage condition, with gold-tone wear along the band edges

Measurement: Size 6.25

Collected by Mineral and Matter

Description
Paired oval links twist through one another to form a soft, open rope with the easy drape of fine cord. A 1960s–1970s piece in 12K gold filled, a bonded layer of gold far thicker and longer wearing than plating. The length falls well below the collarbone, suited to a pendant or worn plain. It has the warm, even color that gold filled keeps over decades of daily wear.

Materials
1/20 12K gold filled

Details

• Era: 1960s–1970s
• Markings: A Co 1/20 12K on clasp tag
• Style / design notes: Double link rope chain of paired twisted oval loops, long length
• Function: Spring ring clasp
• Color: Warm yellow gold
• Condition: Great vintage condition

Measurement: 26"

Collected by Mineral and Matter

Description
Tiny rectangular links are set in a staggered brick pattern, forming a slim chain that moves like a thread of liquid light. A 1970s–1980s piece, from the years when fine cobra and serpentine chains were worn close at the throat. The squared links catch light in small flashes as the chain shifts. Quiet enough for every day, alone or layered beneath a longer strand.

Materials
Gold-tone metal

Details

• Era: 1970s–1980s
• Style / design notes: Slim cobra chain of staggered rectangular brick links, choker length
• Function: Spring ring clasp
• Color: Warm gold
• Condition: Good vintage condition, with light gold-tone wear along the link edges

Measurement: 16"

Collected by Mineral and Matter

Description
Eleven domed, curved panels follow the line of the collarbone, each one polished to a mirror and edged in fine rope detail. A 1980s piece from the decade of sculptural gold-tone collars, with the weight and finish of the better costume houses. The reverse is brushed satin, and each link is hinged so the collar moves with the body. It sits close at the neck and carries a plain shirt or dress on its own.

Materials
Gold-tone metal

Details

• Era: 1980s
• Style / design notes: Articulated collar of eleven domed curved panels with rope-twist borders, polished front and brushed reverse
• Function: Hook clasp with extender chain
• Color: Gold
• Condition: Great vintage condition, with light surface wear to the polished finish

Measurement: 16" necklace, 2" chain

Collected by Mineral and Matter

Description
Paired rounded links interlock in a dense double curb, giving the chain a soft, rope-like weight. A 1950s–1960s piece, made in the mid-century manner of substantial wire-link bracelets often worn plain or hung with charms. The warm gold tone has mellowed with age to a soft, even glow. Supple on the wrist and well suited to daily wear.

Materials
Gold-tone metal

Details

• Era: 1950s–1960s
• Style / design notes: Double curb chain of rounded wire links with ring terminals, suitable as a charm bracelet base
• Function: Fold-over clasp
• Color: Warm gold
• Condition: Great vintage condition, with light gold-tone wear on the clasp

Measurement: 7.5"

Collected by Mineral and Matter

Description
Broad curb links, flattened and faceted on both faces, catch light the way water does at low sun. A 1980s–1990s piece from the height of bold gold-tone chain jewelry. The flat cut lets a substantial chain sit smooth against the wrist, and it looks the same from either side. Simple and strong enough to wear daily, alone or stacked.

Materials
Gold-tone metal

Details

• Era: 1980s–1990s
• Style / design notes: Wide flat curb chain with faceted, lightly textured link faces, reversible
• Function: Spring ring clasp
• Color: Gold
• Condition: Great vintage condition, with light surface wear to the link faces

Measurement: 7.5"

Collected by Mineral and Matter

Description
Flat, polished links trace the Greek key in open silhouette, each one turning back on itself like a river seen from above. A 1980s–1990s piece from the years when classical motifs returned to everyday gold-tone jewelry. The meander is among the oldest patterns in ornament, a line without end that has long stood for continuity. Sleek, flat to the wrist, and easy to wear daily.

Materials
Gold-tone metal

Details

• Era: 1980s–1990s
• Style / design notes: Openwork Greek key (meander) panel links joined by smooth barrel connectors, high-polish finish
• Function: Fold-over clasp
• Color: Gold
• Condition: Great vintage condition, with light surface wear to the polished finish

Measurement: 7.25"

Collected by Mineral and Matter

Ornate slides, among them a rose, a starburst, and a small winged insect, travel along twin rope chains on either side of an oval cream dial. A 1990s Avon piece made in the Victorian Revival style, echoing the heirloom slide bracelets once assembled from antique watch chain slides. Antiqued gold-tone settings hold rhinestones, faux pearls, and an amber cabochon, each charm different from the next. It wears as both bracelet and timepiece.

Materials
Gold-tone metal, rhinestones, faux pearls, glass cabochon, stainless steel case back

Details

• Era: 1990s
• Markings: AVON, Stainless Steel Back, SR626SW, P67438-1/D on case back; Japan Movt on dial; China on clasp
• Style / design notes: Victorian Revival slide charm bracelet watch with ten assorted slides on double rope chain and a ribbed oval bezel
• Stone or material notes: Mixed rhinestones, faux pearls, and an amber-colored cabochon
• Function: Quartz watch with fold-over clasp
• Color: Antiqued gold, red, blue, amber, green, pink, cream
• Condition: Great vintage condition. UNTESTED, could need a battery or more to work

Measurement: 7.25"

Collected by Mineral and Matter

Description
A deep green stone, veined like a river seen from orbit, hangs within an open oval frame bordered by hand-turned scrolls. A 1970s artisan piece, built entirely from bent and wrapped wire in the tradition of South American alpaca silverwork. The band pairs a twisted central braid with fine rope borders, bound by flat wrapped collars. Light, airy, and comfortable for daily wear.

Materials
Silver-tone metal, green stone

Details

• Era: 1970s
• Style / design notes: Handmade wirework bracelet with twisted braid band, scroll accents, and a wire-strung stone centered in an open oval frame
• Stone or material notes: Opaque green stone with dark matrix, resembling chrysocolla or green turquoise
• Function: Hook clasp
• Color: Silver, deep green
• Condition: Great vintage condition

Measurement: 2.5" diameter

Collected by Mineral and Matter

Description
A deep green stone, veined like a river seen from orbit, hangs within an open oval frame bordered by hand-turned scrolls. A 1970s artisan piece, built entirely from bent and wrapped wire in the tradition of South American alpaca silverwork. The band pairs a twisted central braid with fine rope borders, bound by flat wrapped collars. Light, airy, and comfortable for daily wear.

Materials
Silver-tone metal, green stone

Details

• Era: 1970s
• Style / design notes: Handmade wirework bracelet with twisted braid band, scroll accents, and a wire-strung stone centered in an open oval frame
• Stone or material notes: Opaque green stone with dark matrix, resembling chrysocolla or green turquoise
• Function: Hook clasp
• Color: Silver, deep green
• Condition: Great vintage condition

Measurement: 2.5" diameter

Collected by Mineral and Matter

Description
Ten rectangular stations in sapphire blue, emerald, amber, ruby, and amethyst are framed in slim gold-tone bezels and joined by small ring links. A 1980s–1990s piece, made when open-back bezel-set chains were a quiet staple of everyday jewelry. With no backing behind the stones, light passes through each one like a small window. Slender and easy to wear alone or layered.

Materials
Gold-tone metal, faceted glass or acrylic stones

Details

• Era: 1980s–1990s
• Style / design notes: Station bracelet of ten open-back, bezel-set baguette links joined by ring connectors
• Stone or material notes: Faceted transparent stones in mixed jewel tones, glass or acrylic
• Function: Lobster clasp
• Color: Blue, green, amber, red, purple, gold
• Condition: Excellent vintage condition

Measurement: 8"

Collected by Mineral and Matter

Description
Two rows of small hammered panels are staggered like brickwork, forming a supple band with the pitted surface of meteorite. A 1970s–1980s piece, from the years when textured, molten-looking gold finishes defined modernist costume jewelry. The reverse is quieter, with smooth satin bars set against a fine bark texture. It lies flat on the wrist and wears easily every day.

Materials
Gold-tone metal

Details

• Era: 1970s–1980s
• Style / design notes: Modernist double-row brick link; hammered texture on the front, satin bars with bark texture on the reverse
• Function: Fold-over clasp
• Color: Gold
• Condition: Great vintage condition, with light gold-tone wear on the clasp

Measurement: 8"

Collected by Mineral and Matter

Description
Two rows of small hammered panels are staggered like brickwork, forming a supple band with the pitted surface of meteorite. A 1970s–1980s piece, from the years when textured, molten-looking gold finishes defined modernist costume jewelry. The reverse is quieter, with smooth satin bars set against a fine bark texture. It lies flat on the wrist and wears easily every day.

Materials
Gold-tone metal

Details

• Era: 1970s–1980s
• Style / design notes: Modernist double-row brick link; hammered texture on the front, satin bars with bark texture on the reverse
• Function: Fold-over clasp
• Color: Gold
• Condition: Great vintage condition, with light gold-tone wear on the clasp

Measurement: 8"

Collected by Mineral and Matter

Description
Seven molded glass scarabs in rose, onyx black, turquoise, carnelian, coral, jade green, and cobalt are held in open-back prong settings and joined by curved bar links. A 1950s–1960s piece from the mid-century Egyptian Revival, when the scarab was worn as a small emblem of renewal. The opaque glass has the soft, saturated look of carved stone. Light on the wrist and suited to everyday wear.

Materials
Gold-tone metal, molded glass

Details

• Era: 1950s–1960s
• Style / design notes: Egyptian Revival; seven oval scarab links in open-back four-prong settings with curved bar connectors
• Stone or material notes: Molded glass scarabs, opaque
• Function: Fold-over clasp
• Color: Pink, black, turquoise, brown, coral, green, cobalt blue
• Condition: Good vintage condition, with gold-tone loss to the links, prongs, clasp, and reverse of the settings

Measurement: 7"

Collected by Mineral and Matter

Description
Five molded glass scarabs in lapis blue, oxblood, amber, and two shades of green rest in smooth gold-tone bezels, joined by ribbed bar links. A 1950s–1960s piece from the mid-century Egyptian Revival, when the scarab returned as a quiet emblem of renewal. The glass is swirled and marbled, so each beetle catches light a little differently. Light on the wrist and easy to wear every day.

Materials
Gold-tone metal, molded glass

Details

• Era: 1950s–1960s
• Style / design notes: Egyptian Revival; five oval scarab links in open-back bezels with ribbed bar connectors
• Stone or material notes: Molded glass scarabs, opaque and marbled
• Function: Fold-over clasp
• Color: Cobalt blue, deep red, amber, green, gold
• Condition: Good vintage condition, with gold-tone wear visible on the reverse of the bezels and the clasp

Measurement: 7"

Collected by Mineral and Matter

Description
A set of three 1960s bee scatter pins, one larger and two small, made to be worn together as a little swarm. Their wings are painted in pale blue enamel feathered with teal, and their bodies are banded in black against silver-tone faux marcasite. Pink rhinestone eyes give each one a bright, curious look. Scatter pins like these were meant to be placed freely across a collar, lapel, or hat.

Materials
Silver-tone base metal, enamel, rhinestones

Details

• Era: 1960s
• Style / design notes: figural bee scatter pins with enameled wings and striped bodies, one large and two small
• Stone or material notes: faux marcasite texture with pink rhinestone eyes and teal accents
• Function: brooches with rollover safety clasps
• Color: pale blue, teal, black, and silver
• Condition: Good vintage condition, with enamel wear on the wings of the largest bee and light wear to the silver-tone finish
• Measurement: large bee 1", two small bees 0.6" each

Collected by Mineral and Matter

Description
A 1970s cocktail ring centered on a pear-cut stone in deep amber, warm as honey held to the light. A halo of clear rhinestones follows the teardrop outline, each set in its own small collet. The mount is 18 karat heavy gold electroplate, a finish widely used for costume jewelry of the decade. The tall, open gallery lets light pass through the stone from behind.

Materials
18KT heavy gold electroplate over base metal, glass stone, rhinestones

Details

• Era: 1970s
• Markings: 18KT H.G.E. with maker's mark inside the band
• Style / design notes: pear-shaped halo cocktail ring with ribbed open gallery
• Stone or material notes: faceted amber topaz-colored glass center with clear rhinestone surround
• Color: amber, clear, and gold
• Condition: Good vintage condition, with surface wear to the center stone and light wear to the gold plating on the band
• Measurement: size 6

Collected by Mineral and Matter

Description
A 1970s band ring carved from a single piece of pale stone, in a soft cream-yellow with a faint translucence. The color is quiet and even, like candle wax or early morning light. Solid stone rings of this kind were a staple of the decade's turn toward natural materials. Slim and rounded, it sits smooth and cool on the hand and stacks easily.

Materials
Carved pale yellow stone

Details

• Era: 1970s 
• Style / design notes: slim solid carved stone band with domed profile
• Stone or material notes: translucent cream-yellow stone; untested, likely a jade-style stone or serpentine
• Color: pale yellow
• Condition: Good vintage condition, with fine surface scratches and small marks along the band
• Measurement: size 7.5

Collected by Mineral and Matter

Description
A 1970s band ring in a soft zigzag, its peaks rising and falling like a mountain ridge. Each panel is filled with crushed turquoise inlay in deep blue-green, speckled like water over stone. Chip inlay was a hallmark of Southwestern silverwork in the decade. The hand-finished silver has a worn, matte glow that suits its small scale.

Materials
Silver-tone metal, crushed turquoise inlay

Details

• Era: 1970s
• Style / design notes: Southwestern-style zigzag band with diamond-shaped inlay panels
• Stone or material notes: crushed turquoise chip inlay in blue-green tones
• Color: silver and turquoise
• Condition: Good vintage condition, with surface scratches, tarnish, and wear consistent with a hand-finished band
• Measurement: size 3.5

Collected by Mineral and Matter

Description
A 1990s statement ring from Mexico, set with a long marquise cabochon in vivid turquoise blue. Rust-brown veining crosses the stone like a river seen from above. The silver-tone band splits into two open loops that frame the stone and leave space on either side. Elongated on the finger and surprisingly light, it wears well as a single bold piece.

Materials
Silver-tone metal, turquoise-style stone

Details

• Era: 1990s
• Markings: ATI Mexico on the reverse
• Style / design notes: modernist open split band with bezel-set marquise cabochon
• Stone or material notes: turquoise-style stone with brown matrix veining; untested
• Color: turquoise blue and silver
• Condition: Good vintage condition, with surface wear and some loss to the silver-tone finish on the back of the band
• Measurement: size 7

Collected by Mineral and Matter

Description
A 1980s dome ring in bright gold-tone, its surface carved in diagonal ribs like twisted rope or the whorl of a shell. At the center, a small rhinestone sits inside a diamond-shaped frame that reads as a watchful eye. The band tapers smoothly toward the back for an easy fit. It works well alone on a smaller finger or beside a bolder ring.

Materials
Gold-tone base metal, rhinestone

Details

• Era: 1980s
• Style / design notes: tapered ribbed dome band with eye-shaped center setting
• Stone or material notes: small clear rhinestone
• Color: gold
• Condition: Good vintage condition, with clouding to the rhinestone and light surface marks on the band

Collected by Mineral and Matter

Description
A 1990s statement ring with a rhinestone bee resting on a wide band of open honeycomb. The bee's body is set in clear pavé stones, with green rhinestone eyes and finely veined gold-tone wings that lift from the surface. The pierced cells of the band let light and skin show through, as if the bee had just landed on the comb. Bold in scale but smooth inside, it wears comfortably as a single focal piece.

Materials
Gold-tone base metal, rhinestones

Details

• Era: 1990s
• Style / design notes: figural bee on an openwork honeycomb cigar band
• Stone or material notes: clear pavé rhinestones with green rhinestone eyes
• Color: gold, clear, and green
• Condition: Good vintage condition, with gold-tone loss on the back of the band and wing edges, and slight darkening to a few stones
• Measurement: size 6

Collected by Mineral and Matter

A pair of 1980s stud earrings in antiqued gold-tone, each framing an oval turquoise-colored cabochon in open scrollwork. Small beaded accents dot the frame, and a fleur-de-lis flourish finishes the lower edge. The design draws on Victorian ornament, a look widely revived in the decade's costume jewelry. The blue is soft and slightly marbled, like a robin's egg or shallow sea water.

Materials
Gold-tone base metal, faux turquoise cabochons

Details

• Era: 1980s
• Style / design notes: Victorian Revival openwork filigree with beaded accents and fleur-de-lis drop
• Stone or material notes: oval faux turquoise cabochons with light marbling
• Function: pierced, post with clear disc backs
• Color: antiqued gold and turquoise blue
• Condition: Good vintage condition, with wear and darkening to the gold-tone finish, most visible on the reverse
• Measurement: 0.8" x 0.6"

Collected by Mineral and Matter

A pair of 1960s clip earrings, each a gold-tone leaf formed from open strands of twisted rope work. A faux pearl and a small turquoise-colored bead rest among the strands, with a larger pearl hanging below like a drop of dew. The pair is mirrored, so each leaf curves toward the face. They sit securely on clip backs and move softly with the wearer.

Materials
Gold-tone base metal, faux pearls, turquoise-colored glass beads

Details

• Era: 1960s
• Style / design notes: mirrored openwork leaves in rope twist texture with pearl drops
• Stone or material notes: faux pearls with turquoise-colored accents
• Function: clip on
• Color: gold, cream, and turquoise
• Condition: Great vintage condition, with light surface marks on the pearl drops
• Measurement: 1.25" dangle

Collected by Mineral and Matter

A pair of 1980s Avon earrings, each a small puffed heart in polished gold-tone suspended from a blue rhinestone stud. The stone is a soft, smoky blue, like evening sky just after the light goes. The hearts swing freely and catch a gentle shine as they move. They wear on posts with signed butterfly backs.

Materials
Gold-tone base metal, rhinestones

Details

• Era: 1980s
• Markings: Avon stamped on the earring backs
• Style / design notes: puffed heart drops hanging from prong-set rhinestone studs
• Stone or material notes: blue rhinestones
• Function: pierced, post with butterfly backs
• Color: gold and blue
• Condition: Great vintage condition, with light surface wear to the gold-tone on the backs of the hearts
• Measurement: 0.8" dangle

Collected by Mineral and Matter

A pair of 1980s Napier hoops in warm gold-tone, each built from three crescents that widen as they descend. The tiers nest like ripples on water or the rings of a planet, open between each band so light passes through. Napier marked them left and right, a small sign of the maker's attention to how they sit on the ear. They close with hinged wire posts.

Materials
Gold-tone plated base metal

Details

• Era: 1980s
• Markings: NAPIER © with R and L on the reverse
• Style / design notes: triple tiered crescent hoops with polished fronts and textured backs
• Function: pierced, hinged wire posts
• Color: gold
• Condition: Great vintage condition, with light wear to the gold-tone finish near the hinges
• Measurement: 1.6" diameter

Collected by Mineral and Matte

A pair of 1980s clip earrings in polished gold-tone, each a curved rectangle covered in overlapping teardrop links. The surface reads like fish scale or the plates of a pinecone, catching light in small shifting planes. Smooth bars frame the top and bottom, giving the texture a clean edge. They sit close to the ear on comfortable clip backs.

Materials
Gold-tone base metal

Details

• Era: 1980s
• Style / design notes: curved rectangular panels of overlapping scale links with polished end bars and textured backs
• Function: clip on
• Color: gold
• Condition: Great vintage condition, with light surface wear to the gold-tone finish
• Measurement: 0.6" x 1"

Collected by Mineral and Matter